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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME THREE


LEGENDS OF CHARLEMAGNE

OR

ROMANCE OF THE MIDDLE AGES.

BY THOMAS BULFINCH
[1863]


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    Table of Contents    

Glossary

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OGIER, THE DANE (Continued)


CHARLEMAGNE had not forgotten the offence of Geoffroy, the King of Denmark, in withholding homage, and now prepared to enforce submission. But at this crisis he was waited upon by an embassy from Geoffroy, acknowledging his fault, and craving assistance against an army of invaders who had attacked his states with a force which he was unable to repel. The soul of Charlemagne was too great to be implacable, and he took this opportunity to test that of Ogier, who had felt acutely the unkindness of his father, in leaving him, without regard or notice, fifteen years in captivity. Charles asked Ogier whether, in spite of his father's neglect, he was disposed to lead an army to his assistance. He replied, "A son can never be excused from helping his father by any cause short of death." Charlemagne placed an army of a thousand knights under the command of Ogier, and great numbers more volunteered to march under so distinguished a leader. He flew to the succor of his father, repelled the invaders, and drove them in confusion to their vessels. Ogier then hastened to the capital, but as he drew near the city he heard all the bells sounding a knell. He soon learned the cause; it was the obsequies of Geoffroy, the King. Ogier felt keenly the grief of not having been permitted to embrace his father once more, and to learn his latest commands; but he found that his father had declared him heir to his throne. He hastened to the church where the body lay; he knelt and bathed the lifeless form with his tears. At that moment a celestial light beamed all around, and a voice of an angel said, "Ogier, leave thy crown to Guyon, thy brother, and bear no other title than that of 'The Dane.' Thy destiny is glorious, and other kingdoms are reserved for thee." Ogier obeyed the divine behest. He saluted his stepmother respectfully, and embracing his brother, told him that he was content with his lot in being reckoned among the paladins of Charlemagne, and resigned all claims to the crown of Denmark.

Ogier returned covered with glory to the court of Charlemagne, and the Emperor, touched with this proof of his attachment, loaded him with caresses, and treated him almost as an equal.

We pass in silence the adventures of Ogier for several ensuing years, in which the fairy-gifts of his infancy showed their force in making him successful in all enterprises, both of love and war. He married the charming Belicene, and became the father of young Baldwin, a youth who seemed to inherit in full measure the strength and courage of his father and the beauty of his mother. When the lad was old enough to be separated from his mother, Ogier took him to court and presented him to Charlemagne, who embraced him and took him into his service. It seemed to Duke Namo, and all the elder knights, as if they saw in him Ogier himself, as he was when a youth; and this resemblance won for the lad their kind regards. Even Charlot at first seemed to be fond of him, though after a while the resemblance to Ogier which he noticed had the effect to excite his hatred.

Baldwin was attentive to Charlot, and lost no occasion to be serviceable. The Prince loved to play chess, and Baldwin, who played well, often made a party with him.

One day Charlot was nettled at losing two pieces in succession; he thought he could, by taking a piece from Baldwin, get some amends for his loss; but Baldwin, seeing him fall into a trap which he had set for him, could not help a slight laugh, as he said, "Check-mate." Charlot rose in a fury, seized the rich and heavy chess-board, and dashed it with all his strength on the head of Baldwin, who fell, and died where he fell.

Frightened at his own crime, and fearing the vengeance of the terrible Ogier, Charlot concealed himself in the interior of the palace. A young companion of Baldwin hastened and informed Ogier of the event. He ran to the chamber, and beheld the body of his child bathed in blood, and it could not be concealed from him that Charlot gave the blow. Transported with rage, Ogier sought Charlot through the palace, and Charlot, feeling safe nowhere else, took refuge in the hall of Charlemagne, where he seated himself at table with Duke Namo and Salomon, Duke of Brittany. Ogier, with sword drawn, followed him to the very table of the Emperor. When a cupbearer attempted to bar his way he struck the cup from his hand and dashed the contents in the Emperor's face. Charles rose in a passion, seized a knife, and would have plunged it into his breast, had not Salomon and another baron thrown themselves between, while Namo, who had retained his ancient influence over Ogier, drew him out of the room. Foreseeing the consequence of this violence, pitying Ogier, and in his heart excusing him, Namo hurried him away before the guards of the palace could arrest him, made him mount his horse, and leave Paris.

Charlemagne called together his peers, and made them take an oath to do all in their power to arrest Ogier, and bring him to condign punishment. Ogier on his part sent messages to the Emperor, offering to give himself up on condition that Charlot should be punished for his atrocious crime. The Emperor would listen to no conditions, and went in pursuit of Ogier at the head of a large body of soldiers. Ogier, on the other hand, was warmly supported by many knights, who pledged themselves in his defence. The contest raged long, with no decisive results. Ogier more than once had the Emperor in his power, but declined to avail himself of his advantage, and released him without conditions. He even implored pardon for himself, but demanded at the same time the punishment of Charlot. But Charlemagne was too blindly fond of his unworthy son to subject him to punishment for the sake of conciliating one who had been so deeply injured.

At length, distressed at the blood which his friends had lost in his cause, Ogier dismissed his little army, and slipping away from those who wished to attend him, took his course to rejoin the Duke Guyon, his brother. On his way, having reached the forest of Ardennes, weary with long travel, the freshness of a retired valley tempted him to lie down to take some repose. He unsaddled Beiffror, relieved himself of his helmet, lay down on the turf, rested his head on his shield, and slept.

It so happened that Turpin, who occasionally recalled to mind that he was Archbishop of Rheins, was at that time in the vicinity, making a pastoral visit to the churches under his jurisdiction. But his dignity of peer of France, and his martial spirit, which caused him to be reckoned among the "preux chevaliers" of his time, forbade him to travel without as large a retinue of knights as he had of clergymen. One of these was thirsty, and knowing the fountain on the borders of which Ogier was reposing, he rode to it, and was struck by the sight of a knight stretched on the ground. He hastened back, and let the Archbishop know, who approached the fountain, and recognized Ogier.

The first impulse of the good and generous Turpin was to save his friend, for whom he felt the warmest attachment; but his archdeacons and knights, who also recognized Ogier, reminded the Archbishop of the oath which the Emperor had exacted of them all. Turpin could not be false to his oath; but it was not without a groan that he permitted his followers to bind the sleeping knight. The Archbishop's attendants secured the horse and arms of Ogier, and conducted their prisoner to the Emperor at Soissons.

The Emperor had become so much embittered by Ogier's obstinate resistance, added to his original fault, that he was disposed to order him to instant death. But Turpin, seconded by the good Dukes Namo and Salomon, prayed so hard for him that Charlemagne consented to remit a violent death, but sentenced him to close imprisonment, under the charge of the Archbishop, strictly limiting his food to one quarter of a loaf of bread per day, with one piece of meat, and a quarter of a cup of wine. In this way he hoped to quickly put an end to his life without bringing on himself the hostility of the King of Denmark, and other powerful friends of Ogier. He exacted a new oath of Turpin to obey his order strictly.

The good Archbishop loved Ogier too well not to cast about for some means of saving his life, which he foresaw he would soon lose if subjected to such scanty fare, for Ogier was seven feet tall, and had an appetite in proportion. Turpin remembered, moreover, that Ogier was a true son of the Church, always zealous to propagate the faith and subdue unbelievers; so he felt justified in practising on this occasion what in later times has been entitled "mental reservation," without swerving from the letter of the oath which he had taken. This is the method he hit upon.

Every morning he had his prisoner supplied with a quarter of a loaf of bread, made of two bushels of flour, to this he added a quarter of a sheep or a fat calf, and he had a cup made which held forty pints of wine, and allowed Ogier a quarter of it daily.

Ogier's imprisonment lasted long; Charlemagne was astonished to hear, from time to time, that he still held out; and when he inquired more particularly of Turpin, the good Archbishop, relying on his own understanding of the words, did not hesitate to affirm positively that he allowed his prisoner no more than the permitted ration.

We forgot to say that, when Ogier was led prisoner to Soissons, the Abbot of Saint Faron, observing the fine horse Beiffror, and not having at the time any other favor to ask of Charlemagne, begged the Emperor to give him the horse, and had him taken to his abbey. He was impatient to try his new acquisition, and when he had arrived in his litter at the foot of the mountain where the horse had been brought to meet him mounted him and rode onward. The horse, accustomed to bear the enormous weight of Ogier in his armor, when he perceived nothing on his back but the light weight of the Abbot, whose long robes fluttered against his sides, ran away, making prodigious leaps over the steep acclivities of the mountain till he reached the convent of Jouaire, where, in sight of the Abbess and her nuns, he threw the Abbot, already half dead with fright, to the ground. The Abbot, bruised and mortified, revenged himself on poor Beiffror, whom he condemned, in his wrath, to be given to the workmen to drag stones for a chapel that he was building near the abbey. Thus, ill-fed, hard-worked, and often beaten, the noble horse Beiffror passed the time while his master's imprisonment lasted.

That imprisonment would have been as long as his life if it had not been for some important events which forced the Emperor to set Ogier at liberty.

The Emperor learned at the same time that Carahue, King of Mauritania, was assembling an army to come and demand the liberation of Ogier; that Guyon, King of Denmark, was prepared to second the enterprise with all his forces; and, worse than all, that the Saracens, under Bruhier, Sultan of Arabia, had landed in Gascony, taken Bordeaux, and were marching with all speed for Paris.

Charlemagne now felt how necessary the aid of Ogier was to him. But, in spite of the representations of Turpin, Namo, and Salomon, he could not bring himself to consent to surrender Charlot to such punishment as Ogier should see fit to impose. Besides, he believed that Ogier was without strength and vigor, weakened by imprisonment and long abstinence.

At this crisis he received a message from Bruhier, proposing to put the issue upon the result of a combat between himself and the Emperor or his champion; promising, if defeated, to withdraw his army. Charlemagne would willingly have accepted the challenge, but his counsellors all opposed it. The herald was therefore told that the Emperor would take time to consider his proposition, and give his answer the next day.

It was during this interval that the three Dukes succeeded in prevailing upon Charlemagne to pardon Ogier, and to send for him to combat the puissant enemy who now defied him; but it was no easy task to persuade Ogier. The idea of his long imprisonment and the recollection of his son, bleeding and dying in his arms by the blow of the ferocious Charlot, made him long resist the urgency of his friends. Though glory called him to encounter Bruhier, and the safety of Christendom demanded the destruction of this proud enemy of the faith, Ogier only yielded at last on condition that Charlot should be delivered into his hands to be dealt with as he should see fit.

The terms were hard, but the danger was pressing, and Charlemagne, with a returning sense of justice, and a strong confidence in the generous though passionate soul of Ogier, at last consented to them.

Ogier was led into the presence of Charlemagne by the three peers. The Emperor, faithful to his word, had caused Charlot to be brought into the hall where the high barons were assembled, his hands tied, and his head uncovered. When the Emperor saw Ogier approach he took Charlot by the arm, led him towards Ogier, and said these words: "I surrender the criminal; do with him as you think fit." Ogier, without replying, seized Charlot by the hair, forced him on his knees, and lifted with the other hand his irresistible sword. Charlemagne, who expected to see the head of his son rolling at his feet, shut his eyes and uttered a cry of horror.

Ogier had done enough. The next moment he raised Charlot, cut his bonds, kissed him on the mouth, and hastened to throw himself at the feet of the Emperor.

Nothing can exceed the surprise and joy of Charlemagne at seeing his son unharmed and Ogier kneeling at his feet. He folded him in his arms, bathed him with tears, and exclaimed to his barons, "I feel at this moment that Ogier is greater than I." As for Charlot, his base soul felt nothing but the joy of having escaped death; he remained such as he had been, and it was not till some years afterwards he received the punishment he deserved, from the hands of Huon of Bordeaux, as we have seen in a former chapter.


    Table of Contents    

Glossary



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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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