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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME THREE


LEGENDS OF CHARLEMAGNE

OR

ROMANCE OF THE MIDDLE AGES.

BY THOMAS BULFINCH
[1863]


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    Table of Contents    

Glossary

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OGIER, THE DANE


OGIER, the Dane, was the son of Geoffrey, who wrested Denmark from the Pagans, and reigned the first Christian king of that country. When Ogier was born, and before he was baptized, six ladies of ravishing beauty appeared all at once in the chamber of the infant. They encircled him, and she who appeared the eldest took him in her arms, kissed him, and laid her hand upon his heart. "I give you," said she, "to be the bravest warrior of your times." She delivered the infant to her sister, who said, "I give you abundant opportunities to display your valor." "Sister," said the third lady, "you have given him a dangerous boon; I give him that he shall never be vanquished." The fourth sister added, as she laid her hand upon his eyes and his mouth, "I give you the gift of pleasing." The fifth said, "Lest all these gifts serve only to betray, I give you sensibility to return the love you inspire." Then spoke Morgana, the youngest and handsomest of the group. "Charming creature, I claim you for my own; and I give you not to die till you shall have come to pay me a visit in my isle of Avalon." Then she kissed the child and departed with her sisters.

After this the king had the child carried to the font and baptized with the name of Ogier.

In his education nothing was neglected to elevate him to the standard of a perfect knight, and render him accomplished in all the arts necessary to make him a hero.

He had hardly reached the age of sixteen years when Charlemagne, whose power was established over all the sovereigns of his time, recollected that Geoffroy, Ogier's father, had omitted to render the homage due to him as Emperor, and sovereign lord of Denmark, one of the grand fiefs of the empire. He accordingly sent an embassy to demand of the king of Denmark this homage, and on receiving a refusal, couched in haughty terms, sent an army to enforce the demand. Geoffroy, after an unsuccessful resistance, was forced to comply, and as a pledge of his sincerity delivered Ogier, his eldest son, a hostage to Charles, to be brought up at his court. He was placed in charge of the Duke Namo of Bavaria, the friend of his father, who treated him like his own son.

Ogier grew up more and more handsome and amiable every day. He surpassed in form, strength, and address all the noble youths his companions; he failed not to be present at all tourneys; he was attentive to the elder knights, and burned with impatience to imitate them. Yet his heart rose sometimes in secret against his condition as a hostage, and as one apparently forgotten by his father.

The King of Denmark, in fact, was at this time occupied with new loves. Ogier's mother having died, he had married a second wife, and had a son named Guyon. The new queen had absolute power over her husband, and fearing that, if he should see Ogier again, he would give him the preference over Guyon, she had adroitly persuaded him to delay rendering his homage to Charlemagne, till now four years had passed away since the last renewal of that ceremony. Charlemagne, irritated at this delinquency, drew closer the bonds of Ogier's captivity until he should receive a response from the king of Denmark to a fresh summons which he caused to be sent to him.

The answer of Geoffroy was insulting and defiant, and the rage of Charlemagne was roused in the highest degree. He was at first disposed to wreak his vengeance upon Ogier, his hostage; but at the entreaties of Duke Namo, who felt towards his pupil like a father, consented to spare his life, if Ogier would swear fidelity to him as his liege-lord, and promise not to quit his court without his permission. Ogier accepted these terms, and was allowed to retain all the freedom he had before enjoyed.

The Emperor would have immediately taken arms to reduce his disobedient vassal, if he had not been called off in another direction by a message from Pope Leo, imploring his assistance. The Saracens had landed in the neighborhood of Rome, occupied Mount Janiculum, and prepared to pass the Tiber and carry fire and sword to the capital of the Christian world. Charlemagne hesitated not to yield to the entreaties of the Pope. He speedily assembled an army, crossed the Alps, traversed Italy, and arrived at Spoleto, a strong place to which the Pope had retired. Leo, at the head of his Cardinals, advanced to meet him, and rendered him homage, as to the son of Pepin, the illustrious protector of the Holy See, coming, as his father had done, to defend it in the hour of need.

Charlemagne stopped but two days at Spoleto, and learning that the Infidels, having rendered themselves masters of Rome, were besieging the Capitol, which could not long hold out against them, marched promptly to attack them.

The advanced posts of the army were commanded by Duke Namo, on whom Ogier waited as his squire. He did not yet bear arms, not having received the order of knighthood. The Oriflamme, the royal standard, was borne by a knight named Alory, who showed himself unworthy of the honor.

Duke Namo, seeing a strong body of the Infidels advancing to attack him, gave the word to charge them. Ogier remained in the rear, with the other youths, grieving much that he was not permitted to fight. Very soon he saw Alory lower the Oriflamme, and turn his horse in flight. Ogier pointed him out to the young men, and seizing a club, rushed upon Alory and struck him from his horse. Then, with his companions, he disarmed him, clothed himself in his armor, raised the Oriflamme, and mounting the horse of the unworthy knight, flew to the front rank, where he joined Duke Namo, drove back the Infidels, and carried the Oriflamme quite through their broken ranks. The Duke, thinking it was Alory, whom he had not held in high esteem, was astonished at his strength and valor. Ogier's young companions imitated him, supplying themselves with armor from the bodies of the slain; they followed Ogier and carried death into the ranks of the Saracens, who fell back in confusion upon their main body.

Duke Namo now ordered a retreat, and Ogier obeyed with reluctance, when they perceived Charlemagne advancing to their assistance. The combat now became general, and was more terrible than ever. Charlemagne had overthrown Corsuble, the commander of the Saracens, and had drawn his famous sword, Joyeuse, to cut off his head, when two Saracen knights set upon him at once, one of whom slew his horse, and the other overthrew the Emperor on the sand. Perceiving by the eagle on his casque who he was, they dismounted in haste to give him his deathblow. Never was the life of the Emperor in such peril. But Ogier, who saw him fall, flew to his rescue. Though embarrassed with the Oriflamme, he pushed his horse against one of the Saracens and knocked him down; and with his sword dealt the other so vigorous a blow that he fell stunned to the earth. Then helping the Emperor to rise, he remounted him on the horse of one of the fallen knights. "Brave and generous Alory!" Charles exclaimed, "I owe to you my honor and my life!" Ogier made no answer; but, leaving Charlemagne surrounded by a great many of the knights who had flown to his succor, he plunged into the thickest ranks of the enemy, and carried the Oriflamme, followed by a gallant train of youthful warriors, till the standard of Mahomet turned in retreat, and the Infidels sought safety in their intrenchments.

Then the good Archbishop Turpin laid aside his helmet and his bloody sword (for he always felt that he was clearly in the line of his duty while slaying Infidels), took his mitre and his crosier, and intoned Te Deum.

At this moment Ogier, covered with blood and dust, came to lay the Oriflamme at the feet of the Emperor. He was followed by a train of warriors of short stature, who walked ill at ease loaded with armor too heavy for them. Ogier knelt at the feet of Charlemagne, who embraced him, calling him Alory, while Turpin from the height of the altar, blessed him with all his might. Then young Orlando, son of the Count Milone, and nephew of Charlemagne, no longer able to endure this misapprehension, threw down his helmet, and ran to unlace Ogier's, while the other young men laid aside theirs. Our author says he cannot express the surprise, the admiration, and the tenderness of the Emperor and his peers. Charles folded Ogier in his arms, and the happy fathers of those brave youths embraced them with tears of joy. The good Duke Namo stepped forward, and Charlemagne yielded Ogier to his embrace. "How much do I owe you," he said, "good and wise friend, for having restrained my anger! My dear Ogier! I owe you my life! My sword leaps to touch your shoulder, yours and those of your brave young friends." At these words he drew that famous sword, Joyeuse, and while Ogier and the rest knelt before him, gave them the accolade conferring on them the order of knighthood. The young Orlando and his cousin Oliver could not refrain, even in the presence of the Emperor, from falling upon Ogier's neck, and pledging with him that brotherhood in arms, so dear and so sacred to the knights of old times; but Charlot, the Emperor's son, at the sight of the glory with which Ogier had covered himself, conceived the blackest jealousy and hate.

The rest of the day and the next were spent in the rejoicings of the army. Turpin in a solemn service implored the favor of Heaven upon the youthful knights, and blessed the white armor which was prepared for them. Duke Namo presented them with golden spurs, Charles himself girded on their swords. But what was his astonishment when he examined that intended for Ogier! The loving Fairy, Morgana, had had the art to change it, and to substitute one of her own procuring, and when Charles drew it out of the scabbard, these words appeared written on the steel: "My name is Cortana, of the same steel and temper as Joyeuse and Durindana." Charles saw that a superior power watched over the destinies of Ogier; he vowed to love him as a father would, and Ogier promised him the devotion of a son. Happy had it been for both if they had always continued mindful of their promises.

The Saracen army had hardly recovered from its dismay when Carahue, King of Mauritania, who was one of the knights overthrown by Ogier at the time of the rescue of Charlemagne, determined to challenge him to single combat. With that view he assumed the dress of a herald, resolved to carry his own message. The French knights admired his air, and said to one another that he seemed more fit to be a knight than a bearer of messages.

Carahue began by passing the warmest eulogium upon the knight who bore the Oriflamme on the day of the battle, and concluded by saying that Carahue, King of Mauritania, respected that knight so much that he challenged him to the combat.

Ogier had risen to reply, when he was interrupted by Charlot, who said that the gage of the King of Mauritania could not fitly be received by a vassal, living in captivity; by which he meant Ogier, who was at that time serving as hostage for his father. Fire flashed from the eyes of Ogier, but the presence of the Emperor restrained his speech, and he was calmed by the kind looks of Charlemagne, who said, with an angry voice, "Silence, Charlot! By the life of Bertha, my queen, he who has saved my life is as dear to me as yourself. Ogier," he continued, "you are no longer a hostage. Herald! report my answer to your master, that never does knight of my court refuse a challenge on equal terms. Ogier, the Dane, accepts of his, and I myself am his security."

Carahue, profoundly bowing, replied, "My lord, I was sure that the sentiments of so great a sovereign as yourself would be worthy of your high and brilliant fame; I shall report your answer to my master, who I know admires you, and unwillingly takes arms against you." Then, turning to Charlot, whom he did not know as the son of the Emperor, he continued, "As for you, Sir Knight, if the desire of battle inflames you, I have it in charge from Sadon, cousin of the King of Mauritania, to give the like defiance to any French knights who will grant him the honor of the combat."

Charlot, inflamed with rage and vexation at the public reproof which he had just received, hesitated not to deliver his gage. Carahue received it with Ogier's, and it was agreed that the combat should be on the next day in a meadow environed by woods and equally distant from both armies.

The perfidious Charlot meditated the blackest treason. During the night he collected some knights unworthy of the name, and like himself in their ferocious manners; he made them swear to avenge his injuries, armed them in black armor, and sent them to lie in ambush in the wood, with orders to make a pretended attack upon the whole party, but in fact, to lay heavy hands upon Ogier and the two Saracens.

At the dawn of day Sadon and Carahue, attended only by two pages to carry their spears, took their way to the appointed meadow; and Charlot and Ogier repaired thither also, but by different paths. Ogier advanced with a calm air, saluted courteously the two Saracen knights, and joined them in arranging the terms of combat.

While this was going on the perfidious Charlot remained behind and gave his men the signal to advance. That cowardly troop issued from the wood and encompassed the three knights. All three were equally surprised at the attack, but neither of them suspected the other to have any hand in the treason. Seeing the attack made equally upon them all, they united their efforts to resist it, and made the most forward of the assailants bite the dust. Cortana fell on no one without inflicting a mortal wound, but the sword of Carahue was not of equal temper and broke in his hands. At the same instant his horse was slain, and Carahue fell, without a weapon, and entangled with his prostrate horse. Ogier, who saw it, ran to his defence, and leaping to the ground covered the prince with his shield, supplied him with the sword of one of the fallen ruffians, and would have him mount his own horse. At that moment Charlot, inflamed with rage, pushed his horse upon Ogier, knocked him down, and would have run him through with his lance if Sadon, who saw the treason, had not sprung upon him and thrust him back. Carahue leapt lightly upon the horse which Ogier presented him, and had time only to exclaim, "Brave Ogier, I am no longer your enemy, I pledge to you an eternal friendship," when numerous Saracen knights were seen approaching, having discovered the treachery, and Charlot with his followers took refuge in the wood.

The troop which advanced was commanded by Dannemont, the exiled king of Denmark, whom Geoffroy, Ogier's father, had driven from his throne and compelled to take refuge with the Saracens. Learning who Ogier was, he instantly declared him his prisoner, in spite of the urgent remonstrances and even threats of Carahue and Sadon, and carried him under a strong guard to the Saracen camp. Here he was at first subjected to the most rigorous captivity, but Carahue and Sadon insisted so vehemently on his release, threatening to turn their arms against their own party if it was not granted, while Dannemont as eagerly opposed the measure, that Corsuble, the Saracen commander, consented to a middle course, and allowed Ogier the freedom of his camp, upon his promise not to leave it without permission.

Carahue was not satisfied with this partial concession. He left the city next morning, proceeded to the camp of Charlemagne, and demanded to be led to the Emperor. When he reached his presence he dismounted from his horse, took off his helmet, drew his sword, and holding it by the blade presented it to Charlemagne as he knelt before him.

"Illustrious prince," he said, "behold before you the herald who brought the challenge to your knights from the King of Mauritania. The cowardly old King Dannemont has made the brave Ogier prisoner, and has prevailed on our general to refuse to give him up. I come to make amends for this ungenerous conduct by yielding myself, Carahue, King of Mauritania, your prisoner."

Charlemagne, with all his peers, admired the magnanimity of Carahue; he raised him, embraced him, and restored to him his sword. "Prince," said he, "your presence and the bright example you afford my knights consoles me for the loss of Ogier. Would to God you might receive our holy faith, and be wholly united with us." All the lords of the court, led by Duke Namo, paid their respects to the King of Mauritania. Charlot only failed to appear, fearing to be recognized as a traitor; but the heart of Carahue was too noble to pierce that of Charlemagne by telling him the treachery of his son.

Meanwhile the Saracen army was rent by discord. The troops of Carahue clamored against the commander-in-chief because their king was left in captivity. They even threatened to desert the cause and turn their arms against their allies. Charlemagne pressed the siege vigorously, till at length the Saracen leaders found themselves compelled to abandon the city and betake themselves to their ships. A truce was made; Ogier was exchanged for Carahue, and the two friends embraced one another with vows of perpetual brotherhood. The Pope was reestablished in his dominions, and Italy being tranquil, Charlemagne returned with his peers and their followers to France.


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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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