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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME THREE


LEGENDS OF CHARLEMAGNE

OR

ROMANCE OF THE MIDDLE AGES.

BY THOMAS BULFINCH
[1863]


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    Table of Contents    

Glossary

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OGIER, THE DANE (Continued)


WHEN Charlemagne had somewhat recovered his composure he was surprised to observe that Ogier appeared in good case, and had a healthy color in his cheeks. He turned to the Archbishop, who could not help blushing as he met his eye. "By the head of Bertha, my queen," said Charlemagne, "Ogier has had good quarters in your castle, my Lord Archbishop; but so much the more am I indebted to you." All the barons laughed and jested with Turpin, who only said, "Laugh as much as you please, my lords; but for my part I am not sorry to see the arm in full vigor that is to avenge us on the proud Saracen."

Charlemagne immediately despatched his herald, accepting the challenge, and appointing the next day but one for the encounter. The proud and crafty Bruhier laughed scornfully when he heard the reply accepting his challenge, for he had a reliance on certain resources besides his natural strength and skill. However, he swore by Mahomet to observe the conditions as proposed and agreed upon.

Ogier now demanded his armor, and it was brought to him in excellent condition, for the good Turpin had kept it faithfully; but it was not easy to provide a horse for the occasion. Charlemagne had the best horses of his stables brought out, except Blanchard, his own charger; but all in vain, the weight of Ogier bent their backs to the ground. In this embarrassment the Archbishop remembered that the Emperor had given Beiffror to the Abbot of St. Faron, and sent off a courier in haste to re-demand him.

Monks are hard masters, and the one who directed the laborers at the abbey had but too faithfully obeyed the orders of the Abbot. Poor Beiffror was brought back, lean, spiritless, and chafed with the harness of the vile cart that he had had to draw so long. He carried his head down, and trod heavily before Charlemagne; but when he heard the voice of Ogier he raised his head, he neighed, his eyes flashed, his former ardor showed itself by the force with which he pawed the ground. Ogier caressed him, and the good steed seemed to return his caresses; Ogier mounted him, and Beiffror, proud of carrying his master again, leapt and curvetted with all his youthful vigor.

Nothing being now wanted, Charlemagne, at the head of his army, marched forth from the city of Paris, and occupied the hill of Montmartre, whence the view extended over the plain of St. Denis, where the battle was to be fought.

When the appointed day came the Dukes Namo and Salomon, as seconds of Ogier, accompanied him to the place marked out for the lists, and Bruhier, with two distinguished Emirs, presented himself on the other side.

Bruhier was in high spirits, and jested with his friends, as he advanced, upon the appearance of Beiffror. "Is that the horse they presume to match with Marchevallee, the best steed that ever fed in the vales of Mount Atlas?" But now the combatants, having met and saluted each other, ride apart to come together in full career. Beiffror flew over the plain, and met the adversary more than half-way. The lances of the two combatants were shivered at the shock, and Bruhier was astonished to see almost at the same instant the sword of Ogier gleaming above his head. He parried it with his buckler, and gave Ogier a blow on his helmet, who returned it with another, better aimed or better seconded by the temper of his blade, for it cut away part of Bruhier's helmet, and with it his ear and part of his cheek. Ogier, seeing the blood, did not immediately repeat his blow, and Bruhier seized the moment to gallop off at one side. As he rode he took a vase of gold which hung at his saddle-bow, and bathed with its contents the wounded part. The blood instantly ceased to flow, the ear and the flesh were restored quite whole, and the Dane was astonished to see his antagonist return to the ground as sound as ever.

Bruhier laughed at his amazement. "Know," said he, "that I possess the precious balm that Joseph of Arimathea used upon the body of the crucified one, whom you worship. If I should lose an arm I could restore it with a few drops of this. It is useless for you to contend with me. Yield yourself, and, as you appear to be a strong fellow, I will make you first oarsman in one of my galleys."

Ogier, though boiling with rage, forgot not to implore the assistance of Heaven. "O Lord!" he exclaimed, "suffer not the enemy of thy name to profit by the powerful help of that which owes all its virtue to thy divine blood." At these words he attacked Bruhier again with more vigor than ever; both struck terrible blows, and made grievous wounds; but the blood flowed from those of Ogier, while Bruhier stanched his by the application of his balm. Ogier, desperate at the unequal contest, grasped Cortana with both hands, and struck his enemy such a blow that it cleft his buckler, and cut off his arm with it; but Bruhier at the same time launched one at Ogier, which, missing him, struck the head of Beiffror, and the good horse fell, and drew down his master in his fall.

Bruhier had time to leap to the ground, to pick up his arm and apply his balsam; then, before Ogier had recovered his footing, he rushed forward with sword uplifted to complete his destruction.

Charlemagne, from the height of Montmartre, seeing the brave Ogier in this situation, groaned, and was ready to murmur against Providence; but the good Turpin, raising his arms, with a faith like that of Moses, drew down upon the Christian warrior the favor of Heaven.

Ogier, promptly disengaging himself, pressed Bruhier with so much impetuosity that he drove him to a distance from his horse, to whose saddle-bow the precious balm was suspended; and very soon Charlemagne saw Ogier, now completely in the advantage, bring his enemy to his knees, tear off his helmet, and, with a sweep of his sword, strike his head from his body.

After the victory, Ogier seized Marchevallee, leaped upon his back, and became possessed of the precious flask, a few drops from which closed his wounds and restored his strength. The French knights who had been Bruhier's captives, now released, pressed round Ogier to thank him for their deliverance.

Charlemagne and his nobles, as soon as their attention was relieved from the single combat, perceived from their elevated position an unusual agitation in the enemy's camp. They attributed it at first to the death of their general, but soon the noise of arms, the cries of combatants, and new standards which advanced, disclosed to them the fact that Bruhier's army was attacked by a new enemy.

The Emperor was right; it was the brave Carahue of Mauritania, who, with an army, had arrived in France, resolved to attempt the liberation of Ogier, his brother in arms. Learning on his arrival the changed aspect of affairs, he hesitated not to render a signal service to the Emperor, by attacking the army of Bruhier in the midst of the consternation occasioned by the loss of its commander.

Ogier recognized the standard of his friend, and leaping upon Marchevallee, flew to aid his attack. Charlemagne followed with his army; and the Saracen host, after an obstinate conflict, was forced to surrender unconditionally.

The interview of Ogier and Carahue was such as might be anticipated of two such attached friends and accomplished knights. Charlemagne went to meet them, embraced them, and putting the King of Mauritania on his right and Ogier on his left, returned with triumph to Paris. There the Empress Bertha and the ladies of her court crowned them with laurels, and the sage and gallant Eginhard, chamberlain and secretary of the Emperor, wrote all these great events in his history.

A few days after Guyon, King of Denmark, arrived in France with a chosen band of knights, and sent an ambassador to Charlemagne, to say that he came, not as an enemy, but to render homage to him as the best knight of the time and the head of the Christian world. Charlemagne gave the ambassador a cordial reception, and mounting his horse, rode forward to meet the King of Denmark.

These great princes, being assembled at the court of Charles, held council together, and the ancient and sage barons were called to join it.

It was decided that the united Danish and Mauritanian armies should cross the sea and carry the war to the country of the Saracens, and that a thousand French knights should range themselves under the banner of Ogier, the Dane, who, though not a king, should have equal rank with the two others.

We have not space to record all the illustrious actions performed by Ogier and his allies in this war. Suffice it to say, they subdued the Saracens of Ptolemais and Judaea, and, erecting those regions into a kingdom, placed the crown upon the head of Ogier. Guyon and Carahue then left him, to return to their respective dominions. Ogier adopted Walter, the son of Guyon of Denmark, to be his successor in his kingdom. He superintended his education, and saw the young prince grow up worthy of his cares. But Ogier, in spite of all the honors of his rank, often regretted the court of Charlemagne, the Duke Namo, and Salomon of Brittany, for whom he had the respect and attachment of a son. At last, finding Walter old enough to sustain the weight of government, Ogier caused a vessel to be prepared secretly, and, attended only by one squire, left his palace by night, and embarked to return to France.

The vessel, driven by a fair wind, cut the sea with the swiftness of a bird; but on a sudden it deviated from its course, no longer obeyed the helm, and sped fast towards a black promontory which stretched into the sea. This was a mountain of loadstone, and, its attractive power increasing as the distance diminished, the vessel at last flew with the swiftness of an arrow towards it, and was dashed to pieces on its rocky base. Ogier alone saved himself, and reached the shore on a fragment of the wreck.

Ogier advanced into the country, looking for some marks of inhabitancy, but found none. On a sudden he encountered two monstrous animals, covered with glittering scales, accompanied by a horse breathing fire. Ogier drew his sword and prepared to defend himself; but the monsters, terrific as they appeared, made no attempt to assail him, and the horse, Papillon, knelt down, and appeared to court Ogier to mount upon his back. Ogier hesitated not to see the adventure through; he mounted Papillon, who ran with speed, and soon cleared the rocks and precipices which hemmed in and concealed a beautiful landscape. He continued his course till he reached a magnificent palace, and, without allowing Ogier time to admire it, crossed a grand court-yard adorned with colonnades, and entered a garden, where, making his way through alleys of myrtle, he checked his course, and knelt down on the enamelled turf of a fountain.

Ogier dismounted and took some steps along the margin of the stream, but was soon stopped by meeting a young beauty, such as they paint the Graces, and almost as lightly attired as they. At the same moment, to his amazement, his armor fell off of its own accord. The young beauty advanced with a tender air, and placed upon his head a crown of flowers. At that instant the Danish hero lost his memory; his combats, his glory, Charlemagne and his court, all vanished from his mind; he saw only Morgana, he desired nothing but to sigh forever at her feet.

We abridge the narrative of all the delights which Ogier enjoyed for more than a hundred years. Time flew by, leaving no impression of its flight. Morgana's youthful charms did not decay, and Ogier had none of those warnings of increasing years which less favored mortals never fail to receive. There is no knowing how long this blissful state might have lasted, if it had not been for an accident, by which Morgana one day, in a sportive moment, snatched the crown from his head. That moment Ogier regained his memory, and lost his contentment. The recollection of Charlemagne, and of his own relatives and friends, saddened the hours which he passed with Morgana. The fairy saw with grief the changed looks of her lover. At last she drew from him the acknowledgment that he wished to go, at least for a time, to revisit Charles's court. She consented with reluctance, and with her own hands helped to reinvest him with his armor. Papillon was led forth, Ogier mounted him, and, taking a tender adieu of the tearful Morgana, crossed at rapid speed the rocky belt which separated Morgana's palace from the borders of the sea. The sea-goblins which had received him at his coming awaited him on the shore. One of them took Ogier on his back, and the other placing himself under Papillon, they spread their broad fins, and in a short time traversed the wide space that separates the isle of Avalon from France. They landed Ogier on the coast of Languedoc, and then plunged into the sea and disappeared.

Ogier remounted on Papillon, who carried him across the kingdom almost as fast as he had passed the sea. He arrived under the walls of Paris, which he would scarcely have recognized if the high towers of St. Genevieve had not caught his eye. He went straight to the palace of Charlemagne, which seemed to him to have been entirely rebuilt. His surprise was extreme, and increased still more on finding that he understood with difficulty the language of the guards and attendants in replying to his questions; and seeing them smile as they tried to explain to one another the language in which he addressed them. Presently the attention of some of the barons who were going to court was attracted to the scene, and Ogier, who recognized the badges of their rank, addressed them, and inquired if the Dukes Namo and Salomon were still residing at the Emperor's court. At this question the barons looked at one another in amazement; and one of the eldest said to the rest, "How much this knight resembles the portrait of my grand-uncle, Ogier the Dane." "Ah! my dear nephew, I am Ogier the Dane," said he; and he remembered that Morgana had told him that he was little aware of the flight of time during his abode with her.

The barons, more astonished than ever, concluded to conduct him to the monarch who then reigned, the great Hugh Capet.

The brave Ogier entered the palace without hesitation; but when, on reaching the royal hall, the barons directed him to make his obeisance to the King of France, he was astonished to see a man of short stature and large head, whose air, nevertheless, was noble and martial, seated upon the throne on which he had so often seen Charlemagne, the tallest and handsomest sovereign of his time.

Ogier recounted his adventures with simplicity and affectedness. Hugh Capet was slow to believe him; but Ogier recalled so many proofs and circumstances, that at last he was forced to recognize the aged warrior to be the famous Ogier the Dane.

The king informed Ogier of the events which had taken place during his long absence; that the line of Charlemagne was extinct; that a new dynasty had commenced; that the old enemies of the kingdom, the Saracens, were still troublesome; and that at that very time an army of those miscreants was besieging the city of Chartres, to which he was about to repair in a few days to its relief. Ogier, always inflamed with the love of glory, offered the service of his arm, which the illustrious monarch accepted graciously, and conducted him to the queen. The astonishment of Ogier was redoubled when he saw the new ornaments and head-dresses of the ladies; still, the beautiful hair which they built up on their foreheads, and the feathers interwoven, which waved with so much grace, gave them a noble air that delighted him. His admiration increased when, instead of the old Empress Bertha, he saw a young queen who combined a majestic mien with the graces of her time of life, and manners candid and charming, suited to attach all hearts. Ogier saluted the youthful queen with a respect so profound that many of the courtiers took him for a foreigner, or at least for some nobleman brought up at a distance from Paris, who retained the manners of what they called the old court.

When the queen was informed by her husband that it was the celebrated Ogier the Dane whom he presented to her, whose memorable exploits she had often read in the chronicles of antiquity, her surprise was extreme, which was increased when she remarked the dignity of his address, the animation and even the youthfulness of his countenance. This queen had too much intelligence to believe hastily; proof alone could compel her assent; and she asked him many questions about the old court of Charlemagne, and received such instructive and appropriate answers as removed every doubt. It is to the corrections which Ogier was at that time enabled to make to the popular narratives of his exploits that we are indebted for the perfect accuracy and trustworthiness of all the details of our own history.

King Hugh Capet, having received that same evening couriers from the inhabitants of Chartres, informing him that they were hard pressed by the besiegers, resolved to hasten with Ogier to their relief.

Ogier terminated this affair as expeditiously as he had so often done others. The Saracens having dared to offer battle, he bore the Oriflamme through the thickest of their ranks; Papillon, breathing fire from his nostrils, threw them into disorder, and Cortana, wielded by his invincible arm, soon finished their overthrow.

The king, victorious over the Saracens, led back the Danish hero to Paris, where the deliverer of France received the honors due to his valor. Ogier continued some time at the court, detained by the favor of the king and queen; but erelong he had the pain to witness the death of the king. Then it was that, impressed with all the perfections which he had discerned in the queen, he could not withhold the tender homage of the offer of his hand. The queen would perhaps have accepted it, she had even called a meeting of her great barons to deliberate on the proposition, when, the day before the meeting was to be held, at the moment when Ogier was kneeling at her feet, she perceived a crown of gold which an invisible hand had placed on his brow, and in an instant a cloud enveloped Ogier, and he disappeared forever from her sight. It was Morgana, the fairy, whose jealousy was awakened at what she beheld, who now resumed her power, and took him away to dwell with her in the island of Avalon. There, in company with the great King Arthur of Britain, he still lives, and when his illustrious friend shall return to resume his ancient reign he will doubtless return with him, and share his triumph.


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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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