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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME THREE


LEGENDS OF CHARLEMAGNE

OR

ROMANCE OF THE MIDDLE AGES.

BY THOMAS BULFINCH
[1863]


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    Table of Contents    

Glossary

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THE WAR IN AFRICA


When Astolpho had descended to the earth with the precious phial, St. John showed him a plant of marvellous virtues, with which he told him he had only to touch the eyes of the king of Abyssinia to restore him to sight. "That important service," said the saint, "added to your having delivered him from the Harpies, will induce him to give you an army wherewith to attack the Africans in their rear, and force them to return from France to defend their own country." The saint also instructed him how to lead his troops in safety across the great deserts, where caravans are often overwhelmed with moving columns of sand. Astolpho, fortified with ample instructions, remounted the Hippogriff, thanked the saint, received his blessing, and took his flight down to the level country.

Keeping the course of the river Nile, he soon arrived at the capital of Abyssinia, and rejoined Senapus. The joy of the king was great when he heard again the voice of the hero who had delivered him from the Harpies. Astolpho touched his eyes with the plant which he had brought from the terrestrial paradise, and restored their sight. The king's gratitude was unbounded. He begged him to name a reward, promising to grant it, whatever it might be. Astolpho asked an army to go to the assistance of Charlemagne, and the king not only granted him a hundred thousand men, but offered to lead them himself.

The night before the day appointed for the departure of the troops Astolpho mounted his winged horse, and directed his flight towards a mountain, whence the fierce South-wind issues, whose blast raises the sands of the Nubian desert, and whirls them onward in overwhelming clouds. The paladin, by the advice of St. John, had prepared himself with a leather bag, which he placed adroitly, with its mouth open, over the vent whence issues this terrible wind. At the first dawn of morning the wind rushed from its cavern to resume its daily course, and was caught in the bag, and securely tied up. Astolpho, delighted with his prize, returned to his army, placed himself at their head, and commenced his march. The Abyssinians traversed without danger or difficulty those vast fields of sand which separate their country from the kingdoms of Northern Africa, for the terrible South-wind, taken completely captive, had not force enough left to blow out a candle.

Senapus was distressed that he could not furnish any cavalry, for his country, rich in camels and elephants, was destitute of horses. This difficulty the saint had foreseen, and had taught Astolpho the means of remedying. He now put those means in operation. Having reached a place whence he beheld a vast plain and the sea, he chose from his troops those who appeared to be the best made and the most intelligent. These he caused to be arranged in squadrons at the foot of a lofty mountain which bordered the plain, and he himself mounted to the summit to carry into effect his great design. Here he found vast quantities of fragments of rock and pebbles. These he set rolling down the mountain's side, and, wonderful to relate, as they rolled they grew in size, made themselves bodies, legs, necks, and long faces. Next they began to neigh, to curvet, to scamper on all sides over the plain. Some were bay, some roan, some dapple, some chestnut. The troops at the foot of the mountain exerted themselves to catch these new-created horses, which they easily did, for the miracle had been so considerate as to provide all the horses with bridles and saddles. Astolpho thus suddenly found himself supplied with an excellent corps of cavalry, not fewer (as Archbishop Turpin asserts) than eighty thousand strong. With these troops Astolpho reduced all the country to subjection, and at last arrived before the walls of Agramant's capital city, Biserta, to which he laid siege.

We must now return to the camp of the Christians, which lay before Arles, to which city the Saracens had retired after being defeated in a night attack led on by Rinaldo. Agramant here received the tidings of the invasion of his country by a fresh enemy, the Abyssinians, and learned that Biserta was in danger of falling into their hands. He took counsel of his officers, and decided to send an embassy to Charles, proposing that the whole quarrel should be submitted to the combat of two warriors, one from each side, according to the issue of which it should be decided which party should pay tribute to the other, and the war should cease. Charlemagne, who had not heard of the favorable turn which affairs had taken in Africa, readily agreed to this proposal, and Rinaldo was selected on the part of the Christians to sustain the combat.

The Saracens selected Rogero for their champion. Rogero was still in the Saracen camp, kept there by honor alone, for his mind had been opened to the truth of the Christian faith by the arguments of Bradamante, and he had resolved to leave the party of the infidels on the first favorable opportunity, and to join the Christian side. But his honor forbade him to do this while his former friends were in distress; and thus he waited for what time might bring forth, when he was startled by the announcement that he had been selected to uphold the cause of the Saracens against the Christians, and that his foe was to be Rinaldo, the brother of Bradamante.

While Rogero was overwhelmed with this intelligence Bradamante on her side felt the deepest distress at hearing of the proposed combat. If Rogero should fall she felt that no other man living was worthy of her love; and if, on the other hand, Heaven should resolve to punish France by the death of her chosen champion, Bradamante would have to deplore her brother, so dear to her, and be no less completely severed from the object of her affections.

While the fair lady gave herself up to these sad thoughts, the sage enchantress, Melissa, suddenly appeared before her. "Fear not, my daughter," said she, "I shall find a way to interrupt this combat which so distresses you."

Meanwhile Rinaldo and Rogero prepared their weapons for the conflict. Rinaldo had the choice, and decided that it should be on foot, and with no weapons but the battle-axe and poniard. The place assigned was a plain between the camp of Charlemagne and the walls of Arles.

Hardly had the dawn announced the day appointed for this memorable combat, when heralds proceeded from both sides to mark the lists. Erelong the African troops were seen to advance from the city, Agramant at their head; his brilliant arms adorned in the Moorish fashion, his horse a bay, with a white star on his forehead. Rogero marched at his side, and some of the greatest warriors of the Saracen camp attended him, bearing the various parts of his armor and weapons. Charlemagne, on his part, proceeded from his intrenchments, ranged his troops in semicircle, and stood surrounded by his peers and paladins. Some of them bore portions of the armor of Rinaldo, the celebrated Ogier, the Dane, bearing the helmet which Rinaldo took from Mambrino. Duke Namo of Bavaria and Salomon of Bretagne bore two axes, of equal weight, prepared for the occasion.

The terms of the combat were then sworn to with the utmost solemnity by all parties. It was agreed that if from either part any attempt was made to interrupt the battle both combatants should turn their arms against the party which should be guilty of the interruption; and both monarchs assented to the condition that in such case the champion of the offending party should be discharged from his allegiance, and at liberty to transfer his arms to the other side.

When all the preparations were concluded the monarchs and their attendants retired each to his own side, and the champions were left alone. The two warriors advanced with measured steps towards each other, and met in the middle of the space. They attacked one another at the same moment, and the air resounded with the blows they gave. Sparks flew from their battle-axes, while the velocity with which they managed their weapons astonished the beholders. Rogero, always remembering that his antagonist was the brother of his betrothed, could not aim a deadly wound; he strove only to ward off those levelled against himself. Rinaldo, on the other hand, much as he esteemed Rogero, spared not his blows, for he eagerly desired victory for his own sake, and for the sake of his country and his faith.

The Saracens soon perceived that their champion fought feebly, and gave not to Rinaldo such blows as he received from him. His disadvantage was so marked that anxiety and shame were manifest on the countenance of Agramant. Melissa, one of the most acute enchantresses that ever lived, seized this moment to disguise herself under the form of Rodomont, that rude and impetuous warrior, who had now for some time been absent from the Saracen camp. Approaching Agramant, she said, "How could you, my lord, have the imprudence of selecting a young man without experience to oppose the most redoubtable warrior of France? Surely you must have been regardless of the honor of your arms, and of the fate of your empire! But it is not too late. Break without delay the agreement which is sure to result in your ruin." So saying, she addressed the troops who stood near, "Friends," said she, "follow me; under my guidance every one of you will be a match for a score of those feeble Christians." Agramant, delighted at seeing Rodomont once more at his side, gave his consent, and the Saracens, at the instant, couched their lances, set spurs to their steeds, and swept down upon the French. Melissa, when she saw her work successful, disappeared.

Rinaldo and Rogero, seeing the truce broken, and the two armies engaged in general conflict, stopped their battle; their martial fury ceased at once, they joined hands, and resolved to act no more on either side until it should be clearly ascertained which party had failed to observe its oath. Both renewed their promise to abandon forever the party which had been thus false and perjured.

Meanwhile, the Christians, after the first moment of surprise, met the Saracens with courage redoubled by rage at the treachery of their foes. Guido the Wild, brother and rival of Rinaldo, Griffon and Aquilant, sons of Oliver, and numerous others whose names have already been celebrated in our recitals, beat back the assailants, and at last, after prodigious slaughter, forced them to take shelter within the walls of Arles.

We will now return to Orlando, whom we last heard of as furiously mad, and doing a thousand acts of violence in his senseless rage. One day he came to the borders of a stream which intercepted his course. He swam across it, for he could swim like an otter, and on the other side saw a peasant watering his horse. He seized the animal, in spite of the resistance of the peasant, and rode it with furious speed till he arrived at the sea-coast, where Spain is divided from Africa by only a narrow strait. At the moment of his arrival a vessel had just put off to cross the strait. She was full of people who, with glass in hand, seemed to be taking a merry farewell of the land, wafted by a favorable breeze.

The frantic Orlando cried out to them to stop and take him in; but they, having no desire to admit a madman to their company, paid him no attention. The paladin thought this behavior very uncivil; and by force of blows made his horse carry him into the water in pursuit of the ship. The wretched animal soon had only his head above water; but as Orlando urged him forward, nothing was left for the poor beast but either to die or swim over to Africa.

Already Orlando had lost sight of the bark; distance and the swell of the sea completely hid it from his sight. He continued to press his horse forward, till at last it could struggle no more, and sunk beneath him. Orlando, nowise concerned, stretched out his nervous arms, puffing the salt water from before his mouth, and carried his head above the waves. Fortunately they were not rough, scarce a breath of wind agitated the surface; otherwise, the invincible Orlando would then have met his death. But fortune, which it is said favors fools, delivered him from this danger, and landed him safe on the shore of Ceuta. Here he rambled along the shore till he came to where the black army of Astolpho held its camp.

Now it happened, just before this time, that a vessel filled with prisoners which Rodomont had taken at the bridge had arrived, and, not knowing of the presence of the Abyssinian army, had sailed right into port, where of course the prisoners and their captors changed places, the former being set at liberty and received with all joy, the latter sent to serve in the galleys. Astolpho thus found himself surrounded with Christian knights, and he and his friends were exchanging greetings and felicitations, when a noise was heard in the camp, and seemed to increase every moment.

Astolpho and his friends seized their weapons, mounted their horses, and rode to the quarter whence the noise proceeded. Imagine their astonishment when they saw that the tumult was caused by a single man, perfectly naked, and browned with dirt and exposure, but of a force and fury so terrible that he overturned all that offered to lay hands on him.

Astolpho, Dudon, Oliver, and Florimart gazed at him with amazement. It was with difficulty they knew him. Astolpho, who had been warned of his condition by his holy monitor, was the first to recognize him. As the paladins closed round Orlando, the madman dealt one and another a blow of his fist, which, if they had not been in armor, or he had had any weapon, would probably have despatched them; as it was, Dudon and Astolpho measured their length on the sand. But Florimart seized him from behind, Sansonnet and another grasped his legs, and at last they succeeded in securing him with ropes. They took him to the water-side and washed him well, and then Astolpho, having first bandaged his mouth so that he could not breathe except through his nose, brought the precious phial, uncorked it, and placed it adroitly under his nostrils, when the good Orlando took it all up in one breath. O marvellous prodigy! The paladin recovered in an instant all his intelligence. He felt like one who had awakened from a painful dream, in which he had believed that monsters were about to tear him to pieces. He seemed prostrated, silent, and abashed. Florismart, Oliver, and Astolpho stood gazing upon him, while he turned his eyes around and on himself. He seemed surprised to find himself naked, bound, and stretched on the sea-shore. After a few moments he recognized his friends, and spoke to them in a tone so tender that they hastened to unbind him, and to supply him with garments. Then they exerted themselves to console him, to diminish the weight with which his spirits were oppressed, and to make him forget the wretched condition into which he had been sunk.

Orlando, in recovering his reason, found himself also delivered from his insane attachment to the queen of Cathay. His heart felt now no further influenced by the recollection of her than to be moved with an ardent desire to retrieve his fame by some distinguished exploit. Astolpho would gladly have yielded to him the chief command of the army, but Orlando would not take from the friend to whom he owed so much the glory of the campaign; but in everything the two paladins acted in concert, and united their counsels. They proposed to make a general assault on the city of Biserta, and were only waiting a favorable moment, when their plan was interrupted by new events.

Agramant, after the bloody battle which followed the infraction of the truce, found himself so weak that he saw it was in vain to attempt to remain in France. So, in concert with Sobrino, the bravest and most trusted of his chiefs, he embarked to return to his own country, having previously sent off his few remaining troops in the same direction. The vessel which carried Agramant and Sobrino approached the shore where the army of Astolpho lay encamped before Biserta, and having discovered this fact before it was too late, the king commanded the pilot to steer eastward, with a view to seek protection of the King of Egypt. But the weather becoming rough, he consented to the advice of his companions, and sought harbor in an island which lies between Sicily and Africa. There he found Gradasso, the warlike king of Sericane, who had come to France to possess himself of the horse Bayard and the sword Durindana; and having procured both these prizes was returning to his own country.

The two kings, who had been companions in arms under the walls of Paris, embraced one another affectionately. Gradasso learned with regret the reverses of Agramant, and offered him his troops and his person. He strongly deprecated resorting to Egypt for aid. "Remember the great Pompey," said he, "and shun that fatal shore. My plan," he continued, "is this: I mean to challenge Orlando to single combat. Possessed of such a sword and steed as mine, if he were made of steel or bronze, he could not escape me. He being removed, there will be no difficulty in driving back the Abyssinians. We will rouse against them the Moslem nations from the other side of the Nile, the Arabians, Persians, and Chaldeans, who will soon make Senapus recall his army to defend his own territories."

Agramant approved this advice except in one particular. "It is for me," said he, "to combat Orlando; I cannot with honor devolve that duty on another."

"Let us adopt a third course," said the aged warrior Sobrino. "I would not willingly remain a simple spectator of such a contest. Let us send three squires to the shore of Africa to challenge Orlando and any two of his companions in arms to meet us three in this island of Lampedusa."

This counsel was adopted; the three squires sped on their way; and now presented themselves, and rehearsed their message to the Christian knights.

Orlando was delighted, and rewarded the squires with rich gifts. He had already resolved to seek Gradasso and compel him to restore Durindana, which he had learned was in his possession. For his two companions the Count chose his faithful friend Florismart and his cousin Oliver.

The three warriors embarked, and sailing with a favorable wind, the second morning showed them, on their right, the island where this important battle was to be fought. Orlando and his two companions, having landed, pitched their tent. Agramant had placed his opposite.

Next morning, as soon as Aurora brightened the edges of the horizon, the warriors of both parties armed themselves and mounted their horses. They took their positions, face to face, lowered their lances, placed them in rest, clapped spurs to their horses, and flew to the charge. Orlando met the charge of Gradasso. The paladin was unmoved, but his horse could not sustain the terrible shock of Bayard. He recoiled, staggered, and fell some paces behind. Orlando tried to raise him, but, finding his efforts unavailing, seized his shield, and drew his famous Balisardo. Meanwhile Agramant and the brave Oliver gained no advantage, one or the other; but Florismart unhorsed the King Sobrino. Having brought his foe to the ground, he would not pursue his victory, but hastened to attack Gradasso, who had overthrown Orlando. Seeing him thus engaged, Orlando would not interfere, but ran with sword upraised upon Sobrino, and with one blow deprived him of sense and motion. Believing him dead, he next turned to aid his beloved Florismart. That brave paladin, neither in horse nor arms equal to his antagonist, could but parry and evade the blows of the terrible Durindana. Orlando, eager to succor him, was delayed for a moment in securing and mounting the horse of the King Sobrino. It was but an instant, and with sword upraised, he rushed upon Gradasso who, noways disconcerted at the onset of this second foe, shouted his defiance, and thrust at him with his sword, but, having miscalculated the distance, scarcely reached him, and failed to pierce his mail. Orlando, in return, dealt him a blow with Balisardo, which wounded as it fell face, breast, and thigh, and, if he had been a little nearer, would have cleft him in twain. Sobrino, by this time recovered from his swoon, though severely wounded, raised himself on his legs, and looked to see how he might aid his friends. Observing Agramant hard pressed by Oliver, he thrust his sword into the bowels of the latter's horse, which fell, and bore down his master, entangling his leg as he fell, so that Oliver could not extricate himself. Florismart saw the danger of his friend, and ran upon Sobrino with his horse, overthrew him, and then turned to defend himself from Agramant. They were not unequally matched, for though Agramant, mounted on Brigliadoro, had an advantage over Florismart, whose horse was but indifferent, yet Agramant had received a serious wound in his encounter with Oliver.

Nothing could exceed the fury of the encounter between Orlando and Gradasso. Durindana, in the hands of Gradasso, clove asunder whatever it struck; but such was the skill of Orlando, who perfectly knew the danger to which he was exposed from a stroke of that weapon, it had not yet struck him in such a way as to inflict a wound. Meanwhile, Gradasso was bleeding from many wounds, and his rage and incaution increased every moment. In his desperation he lifted Durindana with both hands, and struck so terrible a blow full on the helmet of Orlando, that for a moment it stunned the paladin. He dropped the reins, and his frightened horse scoured with him over the plain. Gradasso turned to pursue him, but at that moment saw Florismart in the very act of striking a fatal blow at Agramant, whom he had unhorsed. While Florismart was wholly intent upon completing his victory, Gradasso plunged his sword into his side. Florismart fell from his horse, and bathed the plain with his blood.

Orlando recovered himself just in time to see the deed. Whether rage or grief predominated in his breast, I cannot tell; but, seizing Balisardo with fury, his first blow fell upon Agramant, who was nearest to him, and smote his head from his shoulders. At this sight Gradasso for the first time felt his courage sink, and a dark presentiment of death came over him. He hardly stood on his defence when Orlando cast himself upon him, and gave him a fatal thrust. The sword penetrated his ribs, and came out a palm's breadth on the other side of his body.

Thus fell beneath the sword of the most illustrious paladin of France the bravest warrior of the Saracen host. Orlando then, as if despising his victory, leaped lightly to the ground, and ran to his dear friend Florismart, embraced him, and bathed him with his tears. Florismart still breathed. He could even command his voice to utter a few parting words: "Dear friend, do not forget me,--give me your prayers,--and oh! be a brother to Flordelis." He died in uttering her name.

After a few moments given to grief Orlando turned to look for his other companion and his late foes. Oliver lay oppressed with the weight of his horse, from which he had in vain struggled to liberate himself. Orlando extricated him with difficulty; he then raised Sobrino from the earth, and committed him to his squire, treating him as gently as if he had been his own brother. For this terrible warrior was the most generous of men to a fallen foe. He took Bayard and Brigliadoro, with the arms of the conquered knights; their bodies and their other spoils he remitted to their attendants.

But who can tell the grief of Flordelis when she saw the warriors return, and found not Florismart as usual after absence hasten to her side. She knew by the aspect of the others that her lord was slain. At the thought, and before the question could pass her lips, she fell senseless upon the ground. When life returned, and she learned the truth of her worst fears, she bitterly upbraided herself that she had let him depart without her. "I might have saved him by a single cry when his enemy dealt him that treacherous blow, or I might have thrown myself between and given my worthless life for his. Or if no more, I might have heard his last words, I might have given him a last kiss." So she lamented, and could not be comforted.


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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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