Reality Roars Bentley
Amazon Portal
Header
Reality Roars Header
Book Leader Row 1
Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


#

#

Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME THREE


LEGENDS OF CHARLEMAGNE

OR

ROMANCE OF THE MIDDLE AGES.

BY THOMAS BULFINCH
[1863]


#

    Table of Contents    

Glossary

#


ROGERO AND BRADAMANTE


After the interruption of the combat with Rinaldo, as we have related, Rogero was perplexed with doubts what course to take. The terms of the treaty required him to abandon Agramant, who had broken it, and to transfer his allegiance to Charlemagne; and his love for Bradamante called him in the same direction; but unwillingness to desert his prince and leader in the hour of distress forbade this course. Embarking, therefore, for Africa, he took his way to rejoin the Saracen army; but was arrested midway by a storm which drove the vessel on a rock. The crew took to their boat, but that was quickly swamped in the waves, and Rogero with the rest were compelled to swim for their lives. Then while buffeting the waves Rogero bethought him of his sin in so long delaying his Christian profession, and vowed in his heart that, if he should live to reach the land, he would no longer delay to be baptized. His vows were heard and answered; he succeeded in reaching the shore, and was aided and relieved on landing by a pious hermit, whose cell overlooked the sea. From him he received baptism, having first passed some days with him, partaking his humble fare, and receiving instruction in the doctrines of the Christian faith.

While these things were going on, Rinaldo, who had set out on his way to seek Gradasso and recover Bayard from him, hearing on his way of the great things which were doing in Africa, repaired thither to bear his part in them. He arrived too late to do more than join his friends in lamenting the loss of Florismart, and to rejoice with them in their victory over the Pagan knights. On the death of their king the Africans gave up the contest, Biserta submitted, and the Christian knights had only to dismiss their forces, and return home. Astolpho took leave of his Abyssinian army, and sent them back laden with spoil to their own country, not forgetting to intrust to them the bag which held the winds, by means of which they were enabled to cross the sandy desert again without danger, and did not untie it till they reached their own country.

Orlando now, with Oliver, who much needed the surgeon's care, and Sobrino, to whom equal attention was shown, sailed in a swift vessel to Sicily, bearing with him the body of Florismart, to be laid in Christian earth. Rinaldo accompanied them, as did Sansonnet and the other Christian leaders. Arrived at Sicily, the funeral was solemnized with all the rites of religion, and with the profound grief of those who had known Florismart, or had heard of his fame. Then they resumed their course, steering for Marseilles. But Oliver's wound grew worse instead of better, and his sufferings so distressed his friends that they conferred together, not knowing what to do. Then said the pilot, "We are not far from an isle where a holy hermit dwells alone in the midst of the sea. It is said none seek his counsel or his aid in vain. He hath wrought marvellous cures, and if you resort to that holy man without doubt he can heal the knight." Orlando bade him steer thither, and soon the bark was laid safely beside the lonely rock; the wounded man was lowered into their boat, and carried by the crew to the hermit's cell. It was the same hermit with whom Rogero had taken refuge after his shipwreck, by whom he had been baptized, and with whom he was now staying, absorbed in sacred studies and meditations.

The holy man received Orlando and the rest with kindness, and inquired their errand; and being told that they had come for help for one who, warring for the Christian faith, was brought to perilous pass by a sad wound, he straightway undertook the cure. His applications were simple, but they were seconded by his prayers. The paladin was soon relieved from pain, and in a few days his foot was perfectly restored to soundness. Sobrino, as soon as he perceived the holy monk perform that wonder, cast aside his false prophet, and with contrite heart owned the true God, and demanded baptism at his hands. The hermit granted his request, and also by his prayers restored him to health, while all the Christian knights rejoiced in his conversion almost as much as at the restoration of Oliver. More than all Rogero felt joy and gratitude, and daily grew in grace and faith.

Rogero was known by fame to all the Christian knights, but not even Rinaldo knew him by sight, though he had proved his prowess in combat. Sobrino made him known to them, and great was the joy of all when they found one whose valor and courtesy were renowned through the world no longer an enemy and unbeliever, but a convert and champion of the true faith. All press about the knight; one grasps his hand, another locks him fast in his embrace; but more than all the rest, Rinaldo cherished him, for he more than any knew his worth.

It was not long before Rogero confided to his friend the hopes he entertained of a union with his sister, and Rinaldo frankly gave his sanction to the proposal. But causes unknown to the paladin were at that very time interposing obstacles to its success.

The fame of the beauty and worth of Bradamante had reached the ears of the Grecian Emperor, Constantine, and he had sent to Charlemagne to demand the hand of his niece for Leo, his son, and the heir to his dominions. Duke Aymon, her father, had only reserved his consent until he should first have spoken with his son Rinaldo, now absent.

The warriors now prepared to resume their voyage. Rogero took a tender farewell of the good hermit who had taught him the true faith. Orlando restored to him the horse and arms which were rightly his, not even asserting his claim to Balisarda, that sword which he himself had won from the enchantress.

The hermit gave his blessing to the band, and they reembarked. The passage was speedy, and very soon they arrived in the harbor of Marseilles.

Astolpho, when he had dismissed his troops, mounted the Hippogriff, and at one flight shot over to Sardinia, thence to Corsica, thence, turning slightly to the left, hovered over Provence, and alighted in the neighborhood of Marseilles. There he did what he had been commanded to do by the holy saint; he unbridled the Hippogriff, and turned him loose to seek his own retreats, never more to be galled with saddle or bit. The horn had lost its marvellous power ever since the visit to the moon.

Astolpho reached Marseilles the very day when Orlando, Rinaldo, Oliver, Sobrino, and Rogero arrived there. Charles had already heard the news of the defeat of the Saracen kings, and all the accompanying events. On learning the approach of the gallant knights, he sent forward some of his most illustrious nobles to receive them, and himself, with the rest of his court, kings, dukes, and peers, the queen, and a fair and gorgeous band of ladies, set forward from Arles to meet them.

No sooner were the mutual greetings interchanged, than Orlando and his friends led forward Rogero, and presented him to the Emperor. They vouch him son of Rogero, Duke of Risa, one of the most renowned of Christian warriors, by adverse fortune stolen in his infancy, and brought up by Saracens in the false faith, now by a kind Providence converted, and restored to fill the place his father once held among the foremost champions of the throne and Church.

Rogero had alighted from his horse, and stood respectfully before the Emperor. Charlemagne bade him remount and ride beside him; and omitted nothing which might do him honor in sight of his martial train. With pomp triumphal and with festive cheer the troop returned to the city; the streets were decorated with garlands, the houses hung with rich tapestry, and flowers fell like rain upon the conquering host from the hands of fair dames and damsels, from every balcony and window. So welcomed, the mighty Emperor passed on till he reached the royal palace, where many days he feasted, high in hall, with his lords, amid tourney, revel, dance, and song.

When Rinaldo told his father, Duke Aymon, how he had promised his sister to Rogero, his father heard him with indignation, having set his heart on seeing her united to the Grecian Emperor's son. The Lady Beatrice, her mother, also appealed to Bradamante herself to reject a knight who had neither title nor lands, and give the preference to one who would make her Empress of the wide Levant. But Bradamante, though respect forbade her to refuse her mother's entreaty, would not promise to do what her heart repelled, and answered only with a sigh, until she was alone, and then gave a loose to tears.

Meanwhile Rogero, indignant that a stranger should presume to rob him of his bride, determined to seek the Prince of Greece, and defy him to mortal combat. With this design he donned his armor, but exchanged his crest and emblazonment, and bore instead a white unicorn upon a crimson field. He chose a trusty squire, and, commanding him not to address him as Rogero, rode on his quest. Having crossed the Rhine and the Austrian countries into Hungary, he followed the course of the Danube till he reached Belgrade. There he saw the imperial ensigns spread, and white pavilions, thronged with troops, before the town. For the Emperor Constantine was laying siege to the city to recover it from the Bulgarians, who had taken it from him not long before.

A river flowed between the camp of the Emperor and the Bulgarians, and at the moment when Rogero approached, a skirmish had begun between the parties from either camp, who had approached the stream for the purpose of watering. The Greeks in that affray were four to one, and drove back the Bulgarians in precipitate rout. Rogero, seeing this, and animated only by his hatred of the Grecian prince, dashed into the middle of the flying mass, calling aloud on the fugitives to turn. He encountered first a leader of the Grecian host in splendid armor, a nephew of the Emperor, as dear to him as a son. Rogero's lance pierced shield and armor, and stretched the warrior breathless on the plain. Another and another fell before him, and astonishment and terror arrested the advance of the Greeks, while the Bulgarians, catching courage from the cavalier, rally, change front, and chase the Grecian troops, who fly in their turn. Leo, the prince, was at a distance when this sudden skirmish rose, but not so far but that he could see distinctly, from an elevated position which he held, how the changed battle was all the work of one man, and could not choose but admire the bravery and prowess with which it was done. He knew by the blazonry displayed that the champion was not of the Bulgarian army, though he furnished aid to them. Although he suffered by his valor, the prince could not wish him ill, for his admiration surpassed his resentment. By this time the Greeks had regained the river, and crossing it by fording or swimming, some made their escape, leaving many more prisoners in the hands of the Bulgarians. Rogero, learning from some of the captives that Leo was at a point some distance down the river, rode thither with a view to meet him, but arrived not before the Greek prince had retired beyond the stream, and broken up the bridge. Day was spent, and Rogero, wearied, looked round for a shelter for the night. He found it in a cottage, where he soon yielded himself to repose. It so happened, a knight who had narrowly escaped Rogero's sword in the late battle also found shelter in the same cottage, and, recognizing the armor of the unknown knight, easily found means of securing him as he slept, and next morning carried him in chains and delivered him to the Emperor. By him he was in turn delivered to his sister Theodora, mother of the young knight, the first victim of Rogero's spear. By her he was cast into a dungeon, till her ingenuity could devise a death sufficiently painful to satiate her revenge.

Bradamante, meanwhile, to escape her father's and mother's importunity, had begged a boon of Charlemagne, which the monarch pledged his royal word to grant; it was that she should not be compelled to marry any one unless he should first vanquish her in single combat. The Emperor therefore proclaimed a tournament in these words: "He that would wed Duke Aymon's daughter must contend with the sword against that dame, from the sun's rise to his setting; and if, in that time, he is not overcome the lady shall be his."

Duke Aymon and the Lady Beatrice, though much incensed at the course things had taken, brought their daughter to court, to await the day appointed for the tournament. Bradamante, not finding there him whom her heart required, distressed herself with doubts what could be the cause of his absence. Of all fancies, the most painful one was that he had gone away to learn to forget her, knowing her father's and her mother's opposition to their union, and despairing to contend against them. But oh, how much worse would be the maiden's woe, if it were known to her what her betrothed was then enduring!

He was plunged in a dungeon where no ray of daylight ever penetrated, loaded with chains, and scantily supplied with the coarsest food. No wonder despair took possession of his heart, and he longed for death as a relief, when one night (or one day, for both were equally dark to him) he was roused with the glare of a torch and saw two men enter his cell. It was the Prince Leo, with an attendant, who had come as soon as he had learned the wretched fate of the brave knight whose valor he had seen and admired on the field of battle. "Cavalier," said he, "I am one whom thy valor hath so bound to thee, that I willingly peril my own safety to lend thee aid." "Infinite thanks I owe you," replied Rogero, "and the life you give me I promise faithfully to render back upon your call, and promptly to stake it at all times for your service." The prince then told Rogero his name and rank, at hearing which a tide of contending emotions almost overwhelmed Rogero. He was set at liberty, and had his horse and arms restored to him.

Meanwhile, tidings arrived of King Charles' decree that whoever aspired to the hand of Bradamante must first encounter her with sword and lance. This news made the Grecian prince turn pale, for he knew he was no match for her in fight. Communing with himself, he sees how he may make his wit supply the place of valor, and employ the French knight, whose name was still unknown to him, to fight the battle for him. Rogero heard the proposal with extreme distress; yet it seemed worse than death to deny the first request of one to whom he owed his life. Hastily he gave his assent "to do in all things that which Leo should command." Afterward, bitter repentance came over him; yet, rather than confess his change of mind, death itself would be welcome. Death seems his only remedy; but how to die? Sometimes he thinks to make none but a feigned resistance, and allow her sword a ready access, for never can death come more happily than if her hand guide the weapon. Yet this will not avail, for, unless he wins the maid for the Greek prince, his debt remains unpaid. He had promised to maintain a real, not a feigned encounter. He will then keep his word, and banish every thought from his bosom except that which moved him to maintain his truth.

The young prince, richly attended, set out, and with him Rogero. They arrived at Paris, but Leo preferred not to enter the city, and pitched his tents without the walls, making known his arrival to Charlemagne by an embassy. The monarch was pleased, and testified his courtesy by visits and gifts. The prince set forth the purpose of his coming, and prayed the Emperor to dispatch his suit--"to send forth the damsel who refused ever to take in wedlock any lord inferior to herself in fight; for she should be his bride, or he would perish beneath her sword."

Rogero passed the night before the day assigned for the battle like that which the felon spends, condemned to pay the forfeit of his life on the ensuing day. He chose to fight with sword only, and on foot, for he would not let her see Frontino, knowing that she would recognize the steed. Nor would he use Balisarda, for against that enchanted blade all armor would be of no avail, and the sword that he did take he hammered well upon the edge to abate its sharpness. He wore the surcoat of Prince Leo, and his shield, emblazoned with a golden, double-headed eagle. The prince took care to let himself be seen by none.

Bradamante, meanwhile, prepared herself for the combat far differently. Instead of blunting the edge of her falchion she whets the steel, and would fain infuse into it her own acerbity. As the moment approached she seemed to have fire within her veins, and waited impatiently for the trumpet's sound. At the signal she drew her sword, and fell with fury upon her Rogero. But as a well-built wall or aged rock stands unmoved the fury of the storm, so Rogero, clad in those arms which Trojan Hector once wore, withstood the strokes which stormed about his head and breast and flank. Sparks flew from his shield, his helm, his cuirass; from direct and back strokes, aimed now high, now low, falling thick and fast, like hailstones on a cottage roof; but Rogero, with skilful ward, turns them aside, or receives them where his armor is a sure protection, careful only to protect himself, and with no thought of striking in return. Thus the hours passed away, and, as the sun approached the west, the damsel began to despair. But so much the more her anger increases, and she redoubles her efforts, like the craftsman who sees his work unfinished while the day is wellnigh spent. O miserable damsel! didst thou know whom thou wouldst kill,--if, in that cavalier matched against thee thou didst but know Rogero, on whom thy very life-threads hang, rather than kill him thou wouldst kill thyself, for he is dearer to thee than life.

King Charles and the peers, who thought the cavalier to be the Grecian prince, viewing such force and skill exhibited, and how without assaulting her the knight defended himself, were filled with admiration, and declared the champions well matched, and worthy of each other.

When the sun was set Charlemagne gave the signal for terminating the contest, and Bradamante was awarded to Prince Leo as a bride. Rogero, in deep distress, returned to his tent. There Leo unlaced his helmet, and kissed him on both cheeks. "Henceforth," said he, "do with me as you please, for you cannot exhaust my gratitude." Rogero replied little, laid aside the ensigns he had worn, and resumed the unicorn, then hasted to withdraw himself from all eyes. When it was midnight he rose, saddled Frontino, and sallied from his tent, taking that direction which pleased his steed. All night he rode absorbed in bitter woe, and called on Death as alone capable of relieving his sufferings. At last he entered a forest, and penetrated into its deepest recesses. There he unharnessed Frontino, and suffered him to wander where he would. Then he threw himself down on the ground, and poured forth such bitter wailings that the birds and beasts, for none else heard him, were moved to pity with his cries.

Not less was the distress of the lady Bradamante, who, rather than wed any one but Rogero, resolved to break her word, and defy kindred, court, and Charlemagne himself; and, if nothing else would do, to die. But relief came from an unexpected quarter. Marphisa, sister of Rogero, was a heroine of warlike prowess equal to Bradamante. She had been the confidante of their loves, and felt hardly less distress than themselves at seeing the perils which threatened their union. "They are already united by mutual vows," she said, "and in the sight of Heaven what more is necessary?" Full of this thought she presented herself before Charlemagne, and declared that she herself was witness that the maiden had spoken to Rogero those words which they who marry swear; and that the compact was so sealed between the pair that they were no longer free, nor could forsake the one the other to take another spouse. This her assertion she offered to prove, in single combat, against Prince Leo, or any one else.

Charlemagne, sadly perplexed at this, commanded Bradamante to be called, and told her what the bold Marphisa had declared. Bradamante neither denied nor confirmed the statement, but hung her head, and kept silence. Duke Aymon was enraged, and would fain have set aside the pretended contract on the ground that, if made at all, it must have been made before Rogero was baptized, and therefore void. But not so thought Rinaldo, nor the good Orlando, and Charlemagne knew not which way to decide, when Marphisa spoke thus:

"Since no one else can marry the maiden while my brother lives, let the prince meet Rogero in mortal combat, and let him who survives take her for his bride."

This saying pleased the Emperor, and was accepted by the prince, for he thought that, by the aid of his unknown champion, he should surely triumph in the fight. Proclamation was therefore made for Rogero to appear and defend his suit; and Leo, on his part, caused search to be made on all sides for the knight of the Unicorn.

Meanwhile Rogero, overwhelmed with despair, lay stretched on the ground in the forest night and day without food, courting death. Here he was discovered by one of Leo's people, who, finding him resist all attempts to remove him, hastened to his master, who was not far off, and brought him to the spot. As he approached he heard words which convinced him that love was the cause of the knight's despair; but no clew was given to guide him to the object of that love. Stooping down, the prince embraced the weeping warrior, and, in the tenderest accents, said: "Spare not, I entreat you, to disclose the cause of your distress, for few such desperate evils betide mankind as are wholly past cure. It grieves me much that you would hide your grief from me, for I am bound to you by ties that nothing can undo. Tell me, then, your grief, and leave me to try if wealth, art, cunning, force, or persuasion cannot relieve you. If not, it will be time enough after all has been tried in vain to die."

He spoke in such moving accents that Rogero could not choose but yield. It was some time before he could command utterance; at last he said, "My lord, when you shall know me for what I am, I doubt not you, like myself, will be content that I should die. Know, then, I am that Rogero whom you have so much cause to hate, and who so hated you that, intent on putting you to death, he went to seek you at your father's court. This I did because I could not submit to see my promised bride borne off by you. But, as man proposes and God disposes, your great courtesy, well tried in time of sore need, so moved my fixed resolve, that I not only laid aside the hate I bore, but purposed to be your friend forever. You then asked of me to win for you the lady Bradamante, which was all one as to demand of me my heart and soul. You know whether I served you faithfully or not. Yours is the lady; possess her in peace; but ask me not to live to see it. Be content rather that I die; for vows have passed between myself and her which forbid that while I live she can lawfully wive with another."

So filled was gentle Leo with astonishment at these words that for a while he stood silent, with lips unmoved and steadfast gaze, like a statue. And the discovery that the stranger was Rogero not only abated not the good will he bore him, but increased it, so that his distress for what Rogero suffered seemed equal to his own. For this, and because he would appear deservedly an Emperor's son, and, though in other things outdone, would not be surpassed in courtesy, he says: "Rogero, had I known that day when your matchless valor routed my troops that you were Rogero, your virtue would have made me your own, as then it made me while I knew not my foe, and I should have no less gladly rescued you from Theodora's dungeon. And if I would willingly have done so then, how much more gladly will I now restore the gift of which you would rob yourself to confer it upon me. The damsel is more due to you than to me, and though I know her worth, I would forego not only her, but life itself, rather than distress a knight like you."

This and much more he said to the same intent; till at last Rogero replied, "I yield, and am content to live, and thus a second time owe my life to you."

But several days elapsed before Rogero was so far restored as to return to the royal residence, where an embassy had arrived from the Bulgarian princes to seek the knight of the unicorn, and tender to him the crown of that country, in place of their king, fallen in battle.

Thus were things situated when Prince Leo, leading by the hand Rogero, clad in the battered armor in which he had sustained the conflict with Bradamante, presented himself before the king. "Behold," he said "the champion who maintained from dawn to setting sun the arduous contest; he comes to claim the guerdon of the fight." King Charlemagne, with all his peerage, stood amazed; for all believed that the Grecian prince himself had fought with Bradamante. Then stepped forth Marphisa, and said, "Since Rogero is not here to assert his rights, I, his sister, undertake his cause, and will maintain it against whoever shall dare dispute his claim." She said this with so much anger and disdain that the prince deemed it no longer wise to feign, and withdrew Rogero's helmet from his brow, saying, "Behold him here!" Who can describe the astonishment and joy of Marphisa! She ran and threw her arms about her brother's neck, nor would give way to let Charlemagne and Rinaldo, Orlando, Dudon, and the rest, who crowded round, embrace him, and press friendly kisses on his brow. The joyful tidings flew fast by many a messenger to Bradamante, who in her secret chamber lay lamenting. The blood that stagnated about her heart flowed at that notice so fast, that she had wellnigh died for joy. Duke Aymon and the Lady Beatrice no longer withheld their consent, and pledged their daughter to the brave Rogero before all that gallant company.

Now came the Bulgarian ambassadors, and, kneeling at the feet of Rogero, besought him to return with them to their country, where, in Adrianople, the crown and sceptre were awaiting his acceptance. Prince Leo united his persuasions to theirs, and promised, in his royal father's name, that peace should be restored on their part. Rogero gave his consent, and it was surmised that none of the virtues which shone so conspicuously in him so availed to recommend Rogero to the Lady Beatrice as the hearing her future son-in-law saluted as a sovereign prince.


    Table of Contents    

Glossary



# #

social-bar-article-content
fb-apps-ub-segment
 

bl-mythology-02
The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


#
footer-scroller
footer-pages
sidebar-menu