Reality Roars Bentley
Amazon Portal
Header
Reality Roars Header
Book Leader Row 1
Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


#

#

Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME THREE


LEGENDS OF CHARLEMAGNE

OR

ROMANCE OF THE MIDDLE AGES.

BY THOMAS BULFINCH
[1863]


#

    Table of Contents    

Glossary

#


ASTOLPHO IN ABYSSINIA


When we last parted with the adventurous paladin Astolpho, he was just commencing that flight over the countries of the world from which he promised himself so much gratification. Our readers are aware that the eagle and the falcon have not so swift a flight as the Hippogriff on which Astolpho rode. It was not long, therefore, before the paladin, directing his course toward the southeast, arrived over that part of Africa where the great river Nile has its source. Here he alighted, and found himself in the neighborhood of the capital of Abyssinia, ruled by Senapus, whose riches and power were immense. His palace was of surpassing splendor; the bars of the gates, the hinges and locks, were all of pure gold; in fact, this metal, in that country, is put to all those uses for which we employ iron. It is so common that they prefer for ornamental purposes rock crystal, of which all the columns were made. Precious stones of different kinds, rubies, emeralds, sapphires, and topazes were set in ornamental designs, and the walls and ceilings were adorned with pearls.

It is in this country those famous balms grow of which there are some few plants in that part of Judaea called Gilead. Musk, ambergris, and numerous gums, so precious in Europe, are here in their native climate. It is said the Sultan of Egypt pays a vast tribute to the monarch of this country to hire him not to cut off the source of the Nile, which he might easily do, and cause the river to flow in some other direction, thus depriving Egypt of the source of its fertility.

At the time of Astolpho's arrival in his dominions, this monarch was in great affliction. In spite of his riches and the precious productions of his country, he was in danger of dying of hunger. He was a prey to a flock of obscene birds called Harpies, which attacked him whenever he sat at meat, and with their claws snatched, tore, and scattered everything, overturning the vessels, devouring the food, and infecting what they left with their filthy touch. It was said this punishment was inflicted upon the king because when young, and filled with pride and presumption, he had attempted to invade with an army the terrestrial paradise, which is situated on the top of a mountain whence the Nile draws its source. Nor was this his only punishment. He was struck blind.

Astolpho, on arriving in the dominions of this monarch, hastened to pay him his respects. King Senapus received him graciously, and ordered a splendid repast to be prepared in honor of his arrival. While the guests were seated at table, Astolpho filling the place of dignity at the king's right hand, the horrid scream of the Harpies was heard in the air, and soon they approached, hovering over the tables, seizing the food from the dishes, and overturning everything with the flapping of their broad wings. In vain the guests struck at them with knives and any weapons which they had, and Astolpho drew his sword and gave them repeated blows, which seemed to have no more effect upon them than if their bodies had been made of tow.

At last Astolpho thought of his horn. He first gave warning to the king and his guests to stop their ears; then blew a blast. The Harpies, terrified at the sound, flew away as fast as their wings could carry them. The paladin mounted his Hippogriff, and pursued them, blowing his horn as often as he came near them. They stretched their flight towards the great mountain, at the foot of which there is a cavern, which is thought to be the mouth of the infernal abodes. Hither those horrid birds flew, as if to their home. Having seen them all disappear in the recess, Astolpho cared not to pursue them farther, but alighting, rolled huge stones into the mouth of the cave, and piled branches of trees therein, so that he effectually barred their passage out, and we have no evidence of their ever having been seen since in the outer air.

After this labor Astolpho refreshed himself by bathing in a fountain whose pure waters bubbled from a cleft of the rock. Having rested awhile, an earnest desire seized him of ascending the mountain which towered above him. The Hippogriff bore him swiftly upwards, and landed him on the top of the mountain, which he found to be an extensive plain.

A splendid palace rose in the middle of this plain, whose walls shone with such brilliancy that mortal eyes could hardly bear the sight. Astolpho guided the winged horse towards this edifice, and made him poise himself in the air while he took a leisurely survey of this favored spot and its environs. It seemed as if nature and art had striven with one another to see which could do the most for its embellishment.

Astolpho, on approaching the edifice, saw a venerable man advance to meet him. This personage was clothed in a long vesture as white as snow, while a mantle of purple covered his shoulders, and hung down to the ground. A white beard descended to his middle, and his hair, of the same color, overshadowed his shoulders. His eyes were so brilliant that Astolpho felt persuaded that he was a blessed inhabitant of the heavenly mansions.

The sage, smiling benignantly upon the paladin, who from respect had dismounted from his horse, said to him: "Noble chevalier, know that it is by the Divine will you have been brought to the terrestrial paradise. Your mortal nature could not have borne to scale these heights and reach these seats of bliss if it were not the will of Heaven that you should be instructed in the means to succor Charles, and to sustain the glory of our holy faith. I am prepared to impart the needed counsels; but before I begin let me welcome you to our sojourn. I doubt not your long fast and distant journey have given you a good appetite."

The aspect of the venerable man filled the prince with admiration; but his surprise ceased when he learned from him that he was that one of the Apostles of our Lord to whom he said, "I will that thou tarry till I come."

St. John, conducting Astolpho, rejoined his companions. These were the patriarch Enoch and the prophet Elijah; neither of whom had yet seen his dying day, but, taken from our lower world, were dwelling in a region of peace and joy, in a climate of eternal spring, till the last trumpet shall sound.

The three holy inhabitants of the terrestrial paradise received Astolpho with the greatest kindness, carried him to a pleasant apartment, and took great care of the Hippogriff, to whom they gave such food as suited him, while to the prince they presented fruits so delicious that he felt inclined to excuse our first parents for their sin in eating them without permission.

Astolpho, having recruited his strength, not only by these excellent fruits, but also by sweet sleep, roused himself at the first blush of dawn, and as soon as he left his chamber met the beloved Apostle coming to seek him. St. John took him by the hand, and told him many things relating to the past and the future. Among others, he said, "Son, let me tell you what is now going on in France. Orlando, the illustrious prince who received at his birth the endowment of strength and courage more than mortal, raised up as was Samson of old to be the champion of the true faith, has been guilty of the basest ingratitude in leaving the Christian camp when it most needed the support of his arm, to run after a Saracen princess, whom he would fain marry, though she scorns him. To punish him his reason has been taken away, so that he runs naked through the land, over mountains and through valleys, without a ray of intelligence. The duration of his punishment has been fixed at three months, and that time having nearly expired, you have been brought hither to learn from us the means by which the reason of Orlando may be restored. True, you will be obliged to make a journey with me, and we must even leave the earth, and ascend to the moon, for it is in that planet we are to seek the remedy for the madness of the paladin. I propose to make our journey this evening, as soon as the moon appears over our head."

As soon as the sun sunk beneath the seas, and the moon presented its luminous disk, the holy man had the chariot brought out in which he was accustomed to make excursions among the stars, the same which was employed long ago to convey Elijah up from earth. The saint made Astolpho seat himself beside him, took the reins, and giving the word to the coursers, they bore them upward with astonishing celerity.

At length they reached the great continent of the Moon. Its surface appeared to be of polished steel, with here and there a spot which, like rust, obscured its brightness. The paladin was astonished to see that the earth, with all its seas and rivers, seemed but an insignificant spot in the distance.

The prince discovered in this region so new to him rivers, lakes, plains, hills, and valleys. Many beautiful cities and castles enriched the landscape. He saw also vast forests, and heard in them the sound of horns and the barking of dogs, which led him to conclude that the nymphs were following the chase.

The knight, filled with wonder at all he saw, was conducted by the saint to a valley, where he stood amazed at the riches strewed all around him. Well he might be so, for that valley was the receptacle of things lost on earth, either by men's fault, or by the effect of time and chance. Let no one suppose we speak here of kingdoms or of treasures; they are the toys of Fortune, which she dispenses in turning her wheel; we speak of things which she can neither give nor take away. Such are reputations, which appear at one time so brilliant, and a short time after are heard of no more. Here, also, are countless vows and prayers for unattainable objects, lovers' sighs and tears, time spent in gaming, dressing, and doing nothing, the leisure of the dull and the intentions of the lazy, baseless projects, intrigues, and plots; these and such like things fill all the valley.

Astolpho had a great desire to understand all that he saw, and which appeared to him so extraordinary. Among the rest, he observed a great mountain of blown bladders, from which issued indistinct noises. The saint told him these were the dynasties of Assyrian and Persian kings, once the wonder of the earth, of which now scarce the name remains.

Astolpho could not help laughing when the saint said to him, "All these hooks of silver and gold that you see are the gifts of courtiers to princes, made in the hope of getting something better in return." He also showed him garlands of flowers in which snares were concealed; these were flatteries and adulations, meant to deceive. But nothing was so comical as the sight of numerous grasshoppers which had burst their lungs with chirping. These, he told him, were sonnets, odes, and dedications, addressed by venal poets to great people.

The paladin beheld with wonder what seemed a lake of spilled milk. "It is," said the saint, "the charity done by frightened misers on their death-beds." It would take too long to tell all that the valley contained: meanness, affectations, pretended virtues, and concealed vices were there in abundance.

Among the rest Astolpho perceived many days of his own lost, and many imprudent sallies which he had made, and would have been glad not to have been reminded of. But he also saw among so many lost things a great abundance of one thing which men are apt to think they all possess, and do not think it necessary to pray for,--good sense. This commodity appeared under the form of a liquor, most light and apt to evaporate. It was therefore kept in vials, firmly sealed. One of these was labelled, "The sense of the Paladin Orlando."

All the bottles were ticketed, and the sage placed one in Astolpho's hand, which he found was his own. It was more than half full. He was surprised to find there many other vials which contained almost the whole of the wits of many persons who passed among men for wise. Ah, how easy it is to lose one's reason! Some lose theirs by yielding to the sway of the passions; some in braving tempests and shoals in search of wealth; some by trusting too much to the promises of the great; some by setting their hearts on trifles. As might have been expected, the bottles which held the wits of astrologers, inventors, metaphysicians, and above all, of poets, were in general the best filled of all.

Astolpho took his bottle, put it to his nose, and inhaled it all; and Turpin assures us that he was for a long time afterwards as sage as one could wish; but the Archbishop adds that there was reason to fear that some of the precious fluid afterwards found its way back into the bottle. The paladin took also the bottle which belonged to Orlando. It was a large one, and quite full.

Before quitting the planetary region Astolpho was conducted to an edifice on the borders of a river. He was shown an immense hall full of bundles of silk, linen, cotton, and wool. A thousand different colors, brilliant or dull, some quite black, were among these skeins. In one part of the hall an old woman was busy winding off yarns from all these different bundles. When she had finished a skein another ancient dame took it and placed it with others; a third selected from the fleeces spun, and mingled them in due proportions. The paladin inquired what all this might be. "These old women," said the saint, "are the Fates, who spin, measure, and terminate the lives of mortals. As long as the thread stretches in one of those skeins, so long does the mortal enjoy the light of day; but nature and death are on the alert to shut the eyes of those whose thread is spun."

Each one of the skeins had a label of gold, silver, or iron, bearing the name of the individual to whom it belonged. An old man, who, in spite of the burden of years, seemed brisk and active, ran without ceasing to fill his apron with these labels, and carried them away to throw them into the river, whose name was Lethe. When he reached the shore of the river the old man shook out his apron, and the labels sunk to the bottom. A small number only floated for a time, hardly one in a thousand. Numberless birds, hawks, crows, and vultures hovered over the stream, with clamorous cries, and strove to snatch from the water some of these names; but they were too heavy for them, and after a while the birds were forced to let them drop into the river of oblivion. But two beautiful swans, of snowy whiteness, gathered some few of the names, and returned with them to the shore, where a lovely nymph received them from their beaks, and carried them to a temple placed upon a hill, and suspended them for all time upon a sacred column, on which stood the statue of Immortality.

Astolpho was amazed at all this, and asked his guide to explain it. He replied, "The old man is Time. All the names upon the tickets would be immortal if the old man did not plunge them into the river of oblivion. Those clamorous birds which make vain efforts to save certain of the names are flatterers, pensioners, venal rhymesters, who do their best to rescue from oblivion the unworthy names of their patrons; but all in vain; they may keep them from their fate a little while, but ere long the river of oblivion must swallow them all.

"The swans, that with harmonious strains carry certain names to the temple of Eternal Memory, are the great poets, who save from oblivion worse than death the names of those they judge worthy of immortality. Swans of this kind are rare. Let monarchs know the true breed, and fail not to nourish with care such as may chance to appear in their time."


    Table of Contents    

Glossary



# #

social-bar-article-content
fb-apps-ub-segment
 

bl-mythology-02
The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


#
footer-scroller
footer-pages
sidebar-menu