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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME THREE


LEGENDS OF CHARLEMAGNE

OR

ROMANCE OF THE MIDDLE AGES.

BY THOMAS BULFINCH
[1863]


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    Table of Contents    

Glossary

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ZERBINO AND ISABELLA


Zerbino's pain at seeing the Tartar prince go off with the sword surpassed the anguish of his wound; but now the loss of blood so reduced his strength that he could not move from where he fell. Isabella, not knowing whither to resort for help, could only bemoan him, and chide her cruel fate. Zerbino said, "If I could but leave thee, my best beloved, in some secure abode, it would not distress me to die; but to abandon thee so, without protection, is sad indeed." She replied, "Think not to leave me, dearest; our souls shall not be parted; this sword will give me the means to follow thee." Zerbino's last words implored her to banish such a thought, but live, and be true to his memory. Isabella promised, with many tears, to be faithful to him so long as life should last.

When he ceased to breathe, Isabella's cries resounded through the forest, and reached the ears of a reverend hermit, who hastened to the spot. He soothed and calmed her, urging those consolations which the word of God supplies; and at last brought her to wish for nothing else but to devote herself for the rest of life wholly to religion.

As she could not bear the thoughts of leaving her dead lord abandoned, the body was, by the good hermit's aid, placed upon the horse, and taken to the nearest inhabited place, where a chest was made for it, suitable to be carried with them on their way. The hermit's plan was to escort his charge to a monastery, not many days' journey distant, where Isabella resolved to spend the remainder of her days. Thus they travelled day after day, choosing the most retired ways, for the country was full of armed men. One day a cavalier met them, and barred their way. It was no other than Rodomont, king of Algiers, who had just left the camp of Agramant, full of indignation at the treatment he had received from Doralice. At sight of the lovely lady and her reverend attendant, with their horse laden with a burden draped with black, he asked the meaning of their journey. Isabella told him her affliction, and her resolution to renounce the world and devote herself to religion, and to the memory of the friend she had lost. Rodomont laughed scornfully at this, and told her that her project was absurd; that charms like hers were meant to be enjoyed, not buried, and that he himself would more than make amends for her dead lover. The monk, who promptly interposed to rebuke this impious talk, was commanded to hold his peace; and still persisting was seized by the knight and hurled over the edge of the cliff, where he fell into the sea, and was drowned.

Rodomont, when he had got rid of the hermit, again applied to the sad lady, heartless with affright, and, in the language used by lovers, said, "she was his very heart, his life, his light." Having laid aside all violence, he humbly sued that she would accompany him to his retreat, near by. It was a ruined chapel from which the monks had been driven by the disorders of the time, and which Rodomont had taken possession of. Isabella, who had no choice but to obey, followed him, meditating as she went what resource she could find to escape out of his power, and keep her vow to her dead husband, to be faithful to his memory as long as life should last. At length she said, "If, my lord, you will let me go and fulfil my vow, and my intention, as I have already declared it, I will bestow upon you what will be to you of more value than a hundred women's hearts. I know an herb, and I have seen it on our way, which, rightly prepared, affords a juice of such power, that the flesh, if laved with it, becomes impenetrable to sword or fire. This liquor I can make, and will, to-day, if you will accept my offer; and when you have seen its virtue you will value it more than if all Europe were made your own."

Rodomont, at hearing this, readily promised all that was asked, so eager was he to learn a secret that would make him as Achilles was of yore. Isabella, having collected such herbs as she thought proper, and boiled them, with certain mysterious signs and words, at length declared her labor done, and, as a test, offered to try its virtue on herself. She bathed her neck and bosom with the liquor, and then called on Rodomont to smite with all his force, and see whether his sword had power to harm. The pagan, who during the preparations had taken frequent draughts of wine, and scarce knew what he did, drew his sword at the word, and struck across her neck with all his might, and the fair head leapt sundered from the snowy neck and breast.

Rude and unfeeling as he was, the pagan knight lamented bitterly this sad result. To honor her memory he resolved to do a work as unparalleled as her devotion. From all parts round he caused laborers to be brought, and had a tower built to enclose the chapel, within which the remains of Zerbino and Isabella were entombed. Across the stream which flowed near by he built a bridge, scarce two yards wide, and added neither parapet nor rail. On the top of the tower a sentry was placed, who, when any traveller approached the bridge, gave notice to his master. Rodomont thereupon sallied out, and defied the approaching knight to fight him upon the bridge, where any chance step a little aside would plunge the rider headlong in the stream. This bridge he vowed to keep until a thousand suits of armor should be won from conquered knights, wherewith to build a trophy to his victim and her lord.

Within ten days the bridge was built, and the tower was in progress. In a short time many knights, either seeking the shortest route, or tempted by a desire of adventure, had made the attempt to pass the bridge. All, without exception, had lost either arms or life, or both; some falling before Rodomont's lance, others precipitated into the river. One day, as Rodomont stood urging his workmen, it chanced that Orlando in his furious mood came thither, and approached the bridge. Rodomont halloed to him, "Halt, churl; presume not to set foot upon that bridge; it was not made for such as you!" Orlando took no notice, but pressed on. Just then a gentle damsel rode up. It was Flordelis, who was seeking her Florismart. She saw Orlando, and, in spite of his strange appearance, recognized him. Rodomont, not used to have his commands disobeyed, laid hands on the madman, and would have thrown him into the river, but to his astonishment found himself in the gripe of one not so easily disposed of. "How can a fool have such strength?" he growled between his teeth. Flordelis stopped to see the issue, where each of these two puissant warriors strove to throw the other from the bridge. Orlando at last had strength enough to lift his foe with all his armor, and fling him over the side, but had not wit to clear himself from him, so both fell together. High flashed the wave as they together smote its surface. Here Orlando had the advantage; he was naked, and could swim like a fish. He soon reached the bank, and, careless of praise or blame, stopped not to see what came of the adventure. Rodomont, entangled with his armor, escaped with difficulty to the bank. Meantime, Flordelis passed the bridge unchallenged.

After long wandering without success she returned to Paris, and there found the object of her search; for Florismart, after the fall of Albracca, had repaired thither. The joy of meeting was clouded to Florismart by the news which Flordelis brought of Orlando's wretched plight. The last she had seen of him was when he fell with Rodomont into the stream. Florismart, who loved Orlando like a brother, resolved to set out immediately, under the guidance of the lady, to find him, and bring him where he might receive the treatment suited to his case. A few days brought them to the place where they found the Tartar king still guarding the bridge. The usual challenge and defiance was made, and the knights rode to encounter one another on the bridge. At the first encounter both horses were overthrown; and, having no space to regain their footing, fell with their riders into the water. Rodomont, who knew the soundings of the stream, soon recovered the land; but Florismart was carried downward by the current, and landed at last on a bank of mud where his horse could hardly find footing. Flordelis, who watched the battle from the bridge, seeing her lover in this piteous case, exclaimed aloud, "Ah! Rodomont, for love of her whom dead you honor, have pity on me, who love this knight, and slay him not. Let it suffice he yields his armor to the pile, and none more glorious will it bear than his." Her prayer, so well directed, touched the pagan's heart, though hard to move, and he lent his aid to help the knight to land. He kept him a prisoner, however, and added his armor to the pile. Flordelis, with a heavy heart, went her way.

We must now return to Rogero, who, when we parted with him, was engaged in an adventure which arrested his progress to the monastery whither he was bound with the intention of receiving baptism, and thus qualifying himself to demand Bradamante as his bride. On his way he met with Mandricardo, and the quarrel was revived respecting the right to wear the badge of Hector. After a warm discussion both parties agreed to submit the question to King Agramant, and for that purpose took their way to the Saracen camp. Here they met Gradasso, who had his controversy also with Mandricardo. This warrior claimed the sword of Orlando, denying the right of Mandricardo to possess it in virtue of his having found it abandoned by its owner. King Agramant strove in vain to reconcile these quarrels, and was forced at last to consent that the points in dispute should be settled by one combat, in which Mandricardo should meet one of the other champions, to whom should be committed the cause of both. Rogero was chosen by lot to maintain Gradasso's cause and his own. Great preparations were made for this signal contest. On the appointed day it was fought in the presence of Agramant, and of the whole army. Rogero won it; and Mandricardo, the conqueror of Hector's arms, the challenger of Orlando, and the slayer of Zerbino, lost his life. Gradasso received Durindana as his prize, which lost half its value in his eyes, since it was won by another's prowess, not his own.

Rogero, though victorious, was severely wounded, and lay helpless many weeks in the camp of Agramant, while Bradamante, ignorant of the cause of his delay, expected him at Montalban. Thither he had promised to repair in fifteen days, or twenty at furthest, hoping to have obtained by that time an honorable discharge from his obligations to the Saracen commander. The twenty days were passed, and a month more, and still Rogero came not, nor did any tidings reach Bradamante accounting for his absence. At the end of that time, a wandering knight brought news of the famous combat, and of Rogero's wound. He added, what alarmed Bradamante still more, that Marphisa, a female warrior, young and fair, was in attendance on the wounded knight. He added that the whole army expected that, as soon as Rogero's wounds were healed, the pair would be united in marriage.

Bradamante, distressed by this news, though she believed it but in part, resolved to go immediately and see for herself. She mounted Rabican, the horse of Astolpho, which he had committed to her care, and took with her the lance of gold, though unaware of its wonderful powers. Thus accoutred, she left the castle, and took the road toward Paris and the camp of the Saracens.

Marphisa, whose devotion to Rogero in his illness had so excited the jealousy of Bradamante, was the twin sister of Rogero. She, with him, had been taken in charge when an infant by Atlantes, the magician, but while yet a child she had been stolen away by an Arab tribe. Adopted by their chief, she had early learned horsemanship and skill in arms, and at this time had come to the camp of Agramant with no other view than to see and test for herself the prowess of the warriors of either camp, whose fame rang through the world. Arriving at the very moment of the late encounter, the name of Rogero, and some few facts of his story which she learned, were enough to suggest the idea that it was her brother whom she saw victorious in the single combat. Inquiry satisfied the two of their near kindred, and from that moment Marphisa devoted herself to the care of her new-found and much-loved brother.

In those moments of seclusion Rogero informed his sister of what he had learned of their parentage from old Atlantes. Rogero, their father, a Christian knight, had won the heart of Galaciella, daughter of the Sultan of Africa, and sister of King Agramant, converted her to the Christian faith, and secretly married her. The Sultan, enraged at his daughter's marriage, drove her husband into exile, and caused her with her infant children, Rogero and Marphisa, to be placed in a boat and committed to the winds and waves, to perish; from which fate they were saved by Atlantes. On hearing this, Marphisa exclaimed, "How can you, brother, leave our parents unavenged so long, and even submit to serve the son of the tyrant who so wronged them?" Rogero replied that it was but lately he had learned the full truth; that when he learned it he was already embarked with Agramant, from whom he had received knighthood, and that he only waited for a suitable opportunity when he might with honor desert his standard, and at the same time return to the faith of his fathers. Marphisa hailed this resolution with joy, and declared her intention to join with him in embracing the Christian faith.

We left Bradamante when, mounted on Rabican and armed with Astolpho's lance, she rode forth, determined to learn the cause of Rogero's long absence. One day, as she rode, she met a damsel, of visage and of manners fair, but overcome with grief. It was Flordelis, who was seeking far and near a champion capable of liberating and avenging her lord. Flordelis marked the approaching warrior, and, judging from appearances, thought she had found the champion she sought. "Are you, Sir Knight," she said, "so daring and so kind as to take up my cause against a fierce and cruel warrior who has made prisoner of my lord, and forced me thus to be a wanderer and a suppliant?" Then she related the events which had happened at the bridge. Bradamante, to whom noble enterprises were always welcome, readily embraced this, and the rather as in her gloomy forebodings she felt as if Rogero was forever lost to her.

Next day the two arrived at the bridge. The sentry descried them approaching, and gave notice to his lord, who thereupon donned his armor and went forth to meet them. Here, as usual, he called on the advancing warrior to yield his horse and arms an oblation to the tomb. Bradamante replied, asking by what right he called on the innocent to do penance for his crime. "Your life and your armor," she added, "are the fittest offering to her tomb, and I, a woman, the fittest champion to take them." With that she couched her spear, spurred her horse, and ran to the encounter. King Rodomont came on with speed. The trampling sounded on the bridge like thunder. It took but a moment to decide the contest. The golden lance did its office, and that fierce Moor, so renowned in tourney, lay extended on the bridge. "Who is the loser now?" said Bradamante; but Rodomont, amazed that a woman's hand should have laid him low, could not or would not answer. Silent and sad, he raised himself, unbound his helm and mail, and flung them against the tomb; then, sullen and on foot, left the ground; but first gave orders to one of his squires to release all his prisoners. They had been sent off to Africa. Besides Florismart, there were Sansonnet and Oliver, who had ridden that way in quest of Orlando, and had both in turn been overthrown in the encounter.

Bradamante after her victory resumed her route, and in due time reached the Christian camp, where she readily learned an explanation of the mystery which had caused her so much anxiety. Rogero and his fair and brave sister, Marphisa, were too illustrious by their station and exploits not to be the frequent topic of discourse even among their adversaries, and all that Bradamante was anxious to know reached her ear, almost without inquiry.

We now return to Gradasso, who by Rogero's victory had been made possessor of Durindana. There now only remained to him to seek the horse of Rinaldo; and the challenge, given and accepted, was yet to be fought with that warrior, for it had been interrupted by the arts of Malagigi. Gradasso now sought another meeting with Rinaldo, and met with no reluctance on his part. As the combat was for the possession of Bayard, the knights dismounted and fought on foot. Long time the battle lasted. Rinaldo, knowing well the deadly stroke of Durindana, used all his art to parry or avoid its blow. Gradasso struck with might and main, but wellnigh all his strokes were spent in air, or if they smote they fell obliquely and did little harm.

Thus had they fought long, glancing at one another's eyes, and seeing naught else, when their attention was arrested perforce by a strange noise. They turned, and beheld the good Bayard attacked by a monstrous bird. Perhaps it was a bird, for such it seemed; but when or where such a bird was ever seen I have nowhere read, except in Turpin; and I am inclined to believe that it was not a bird, but a fiend, evoked from underground by Malagigi, and thither sent on purpose to interrupt the fight. Whether a fiend or a fowl, the monster flew right at Bayard, and clapped his wings in his face. Thereat the steed broke loose, and ran madly across the plain, pursued by the bird, till Bayard plunged into the wood, and was lost to sight.

Rinaldo and Gradasso, seeing Bayard's escape, agreed to suspend their battle till they could recover the horse, the object of contention. Gradasso mounted his steed, and followed the foot-marks of Bayard into the forest. Rinaldo, never more vexed in spirit, remained at the spot, Gradasso having promised to return thither with the horse, if he found him. He did find him, after long search, for he had the good fortune to hear him neigh. Thus he became possessed of both the objects for which he had led an army from his own country, and invaded France. He did not forget his promise to bring Bayard back to the place where he had left Rinaldo, but only muttering, "Now I have got him, he little knows me who expects me to give him up; if Rinaldo wants the horse let him seek him in India, as I have sought him in France,"--he made the best of his way to Arles, where his vessels lay; and in possession of the two objects of his ambition, the horse and the sword, sailed away to his own country.


    Table of Contents    

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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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