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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME THREE


LEGENDS OF CHARLEMAGNE

OR

ROMANCE OF THE MIDDLE AGES.

BY THOMAS BULFINCH
[1863]


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    Table of Contents    

Glossary

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ORLANDO MAD


Orlando, on the loss of Angelica, laid aside his crest and arms, and arrayed himself in a suit of black armor expressive of his despair. In this guise he carried such slaughter among the ranks of the infidels that both armies were astonished at the achievements of the stranger knight. Mandricardo, who had been absent from the battle, heard the report of these achievements and determined to test for himself the valor of the knight so extolled. He it was who broke in upon the conference of Zerbino and Isabella, and their benefactor Orlando, as they stood occupied in mutual felicitations, after the happy reunion of the lovers by the prowess of the paladin.

Mandricardo, after contemplating the group for a moment, addressed himself to Orlando in these words: "Thou must be the man I seek. For ten days and more I have been on thy track. The fame of thy exploits has brought me hither, that I may measure my strength with thine. Thy crest and shield prove thee the same who spread such slaughter among our troops. But these marks are superfluous, and if I saw thee among a hundred I should know thee by thy martial bearing to be the man I seek."

"I respect thy courage," said Orlando; "such a design could not have sprung up in any but a brave and generous soul. If the desire to see me has brought thee hither, I would, if it were possible, show thee my inmost soul. I will remove my visor, that you may satisfy your curiosity; but when you have done so I hope that you will also try and see if my valor corresponds to my appearance." "Come on," said the Saracen, "my first wish was to see and know thee; I will not gratify my second."

Orlando, observing Mandricardo was surprised to see no sword at his side, nor mace at his saddle-bow. "And what weapon hast thou," said he, "if thy lance fail thee?"

"Do not concern yourself about that," said Mandricardo; "I have made many good knights give ground with no other weapon than you see. Know that I have sworn an oath never to bear a sword until I win back that famous Durindana that Orlando, the paladin, carries. That sword belongs to the suit of armor which I wear; that only is wanting. Without doubt it was stolen, but how it got into the hands of Orlando I know not. But I will make him pay dearly for it when I find him I seek him the more anxiously that I may avenge with his blood the death of King Agrican, my father, whom he treacherously slew. I am sure he must have done it by treachery, for it was not in his power to subdue in fair fight such a warrior as my father."

"Thou liest," cried Orlando; "and all who say so lie. I am Orlando, whom you seek; yes, I am he who slew your father honorably. Hold, here is the sword: you shall have it if your courage avails to merit it. Though it belongs to me by right, I will not use it in this dispute. See, I hang it on this tree; you shall be master of it, if you bereave me of life; not else."

At these words Orlando drew Durindana, and hung it on one of the branches of a tree near by.

Both knights, boiling with equal ardor, rode off in a semicircle; then rushed together with reins thrown loose, and struck one another with their lances. Both kept their seats, immovable. The splinters of their lances flew into the air, and no weapon remained for either but the fragment which he held in his hand. Then those two knights, covered with iron mail, were reduced to the necessity of fighting with staves, in the manner of two rustics, who dispute the boundary of a meadow, or the possession of a spring.

These clubs could not long keep whole in the hands of such sturdy smiters, who were soon reduced to fight with naked fists. Such warfare was more painful to him that gave than to him that received the blows. They next clasped, and strained each his adversary, as Hercules did Antaeus. Mandricardo, more enraged than Orlando, made violent efforts to unseat the paladin, and dropped the rein of his horse. Orlando, more calm, perceived it. With one hand he resisted Mandricardo, with the other he twitched the horse's bridle over the ears of the animal. The Saracen dragged Orlando with all his might, but Orlando's thighs held the saddle like a vise. At last the efforts of the Saracen broke the girths of Orlando's horse; the saddle slipped; the knight, firm in his stirrups, slipped with it, and came to the ground hardly conscious of his fall. The noise of his armor in falling startled Mandricardo's horse, now without a bridle. He started off in full career, heeding neither trees nor rocks nor broken ground. Urged by fright, he ran with furious speed, carrying his master, who, almost distracted with rage, shouted and beat the animal with his fists, and thereby impelled his flight. After running thus three miles or more, a deep ditch opposed their progress. The horse and rider fell headlong into it, and did not find the bottom covered with feather-beds or roses. They got sadly bruised; but were lucky enough to escape without any broken limbs.

Mandricardo, as soon as he gained his feet, seized the horse by his mane with fury; but, having no bridle, could not hold him. He looked round in hopes of finding something that would do for a rein. Just then fortune, who seemed willing to help him at last, brought that way a peasant with a bridle in his hand, who was in search of his farm horse that had strayed away.

Orlando, having speedily repaired his horse's girths, remounted, and waited a good hour for the Saracen to return. Not seeing him, he concluded to go in search of him. He took an affectionate leave of Zerbino and Isabella, who would willingly have followed him; but this the brave paladin would by no means permit. He held it unknightly to go in search of an enemy accompanied by a friend, who might act as a defender. Therefore, desiring them to say to Mandricardo, if they should meet him, that his purpose was to tarry in the neighborhood three days, and then repair to the camp of Charlemagne, he took down Durindana from the tree, and proceeded in the direction which the Saracen's horse had taken. But the animal, having no guide but its terror, had so doubled and confused its traces that Orlando, after two days spent in the search, gave up the attempt.

It was about the middle of the third day when the paladin arrived on the pleasant bank of a stream which wound through a meadow enamelled with flowers. High trees, whose tops met and formed an arbor, over-shadowed the fountain; and the breeze which blew through their foliage tempered the heat. Hither the shepherds used to resort to quench their thirst, and to enjoy the shelter from the midday sun. The air, perfumed with the flowers, seemed to breathe fresh strength into their veins. Orlando felt the influence, though covered with his armor. He stopped in this delicious arbor, where everything seemed to invite to repose. But he could not have chosen a more fatal asylum. He there spent the most miserable moments of his life.

He looked around, and noted with pleasure all the charms of the spot. He saw that some of the trees were carved with inscriptions--he drew near, and read them, and what was his surprise to find that they composed the name of Angelica! Farther on he found the name of Medoro mixed with hers. The paladin thought he dreamed. He stood like one amazed--like a bird that, rising to fly, finds its feet caught in a net.

Orlando followed the course of the stream, and came to one of its turns where the rocks of the mountain bent in such a way as to form a sort of grotto. The twisted stems of ivy and the wild vine draped the entrance of this recess, scooped by the hand of nature.

The unhappy paladin, on entering the grotto, saw letters which appeared to have been lately carved. They were verses which Medoro had written in honor of his happy nuptials with the beautiful queen. Orlando tried to persuade himself it must be some other Angelica whom those verses celebrated, and as for Medoro, he had never heard his name. The sun was now declining, and Orlando remounted his horse, and went on his way. He soon saw the roof of a cottage whence the smoke ascended; he heard the barking of dogs and the lowing of cattle, and arrived at a humble dwelling which seemed to offer an asylum for the night. The inmates, as soon as they saw him, hastened to tender him service. One took his horse, another his shield and cuirass, another his golden spurs. This cottage was the very same where Medoro had been carried, deeply wounded,--where Angelica had tended him, and afterwards married him. The shepherd who lived in it loved to tell everybody the story of this marriage, and soon related it, with all its details, to the miserable Orlando.

Having finished it, he went away, and returned with the precious bracelet which Angelica, grateful for his services, had given him as a memorial. It was the one which Orlando had himself given her.

This last touch was the finishing stroke to the excited paladin. Frantic, exasperated, he exclaimed against the ungrateful and cruel princess who had disdained him, the most renowned, the most indomitable of all the paladins of France,--him, who had rescued her from the most alarming perils,--him, who had fought the most terrible battles for her sake,--she to prefer to him a young Saracen! The pride of the noble Count was deeply wounded. Indignant, frantic, a victim to ungovernable rage, he rushed into the forest, uttering the most frightful shrieks.

"No, no!" cried he, "I am not the man they take me for! Orlando is dead! I am only the wandering ghost of that unhappy Count, who is now suffering the torments of hell!"

Orlando wandered all night, as chance directed, through the wood, and at sunrise his destiny led him to the fountain where Medoro had engraved the fatal inscription. The frantic paladin saw it a second time with fury, drew his sword, and hacked it from the rock.

Unlucky grotto! you shall no more attract by your shade and coolness, you shall no more shelter with your arch either shepherd or flock. And you, fresh and pure fountain, you may not escape the rage of the furious Orlando! He cast into the fountain branches, trunks of trees which he tore up, pieces of rocks which he broke off, plants uprooted, with the earth adhering, and turf and brushes, so as to choke the fountain, and destroy the purity of its waters. At length, exhausted by his violent exertions, bathed in sweat, breathless, Orlando sunk panting upon the earth, and lay there insensible three days and three nights.

The fourth day he started up and seized his arms. His helmet, his buckler, he cast far from him; his hauberk and his clothes he rent asunder; the fragments were scattered through the wood. In fine, he became a furious madman. His insanity was such that he cared not to retain even his sword. But he had no need of Durindana, nor of other arms, to do wonderful things. His prodigious strength sufficed. At the first wrench of his mighty arm he tore up a pine-tree by the roots. Oaks, beeches, maples, whatever he met in his path, yielded in like manner. The ancient forest soon became as bare as the borders of a morass, where the fowler has cleared away the bushes to spread his nets. The shepherds, hearing the horrible crashing in the forest, abandoned their flocks to run and see the cause of this unwonted uproar. By their evil star, or for their sins, they were led thither. When they saw the furious state the Count was in, and his incredible force, they would fain have fled out of his reach, but in their fears lost their presence of mind. The madman pursued them, seized one and rent him limb from limb, as easily as one would pull ripe apples from a tree. He took another by the feet, and used him as a club to knock down a third. The shepherds fled; but it would have been hard for any to escape, if he had not at that moment left them to throw himself with the same fury upon their flocks. The peasants, abandoning their ploughs and harrows, mounted on the roofs of buildings and pinnacles of the rocks, afraid to trust themselves even to the oaks and pines. From such heights they looked on, trembling at the raging fury of the unhappy Orlando. His fists, his teeth, his nails, his feet, seize, break, and tear cattle, sheep, and swine; the most swift in flight alone being able to escape him.

When at last terror had scattered everything before him, he entered a cottage which was abandoned by its inhabitants, and there found that which served for food. His long fast had caused him to feel the most ravenous hunger. Seizing whatever he found that was eatable, whether roots, acorns, or bread, raw meat or cooked, he gorged it indiscriminately.

Issuing thence again, the frantic Orlando gave chase to whatever living thing he saw, whether men or animals. Sometimes he pursued the deer and hind, sometimes he attacked bears and wolves, and with his naked hands killed and tore them, and devoured their flesh.

Thus he wandered, from place to place, through France, imperilling his life a thousand ways, yet always preserved by some mysterious providence from a fatal result. But here we leave Orlando for a time, that we may record what befell Zerbino and Isabella after their parting with him.

The prince and his fair bride waited, by Orlando's request, near the scene of the battle for three days, that, if Mandricardo should return, they might inform him where Orlando would give him another meeting. At the end of that time their anxiety to know the issue led them to follow Orlando's traces, which led them at last to the wood where the trees were inscribed with the names of Angelica and Medoro. They remarked how all these inscriptions were defaced, and how the grotto was disordered, and the fountain clogged with rubbish. But that which surprised them and distressed them most of all was to find on the grass the cuirass of Orlando, and not far from it his helmet, the same which the renowned Almontes once wore.

Hearing a horse neigh in the forest, Zerbino turned his eyes in that direction, and saw Brigliadoro, with the bridle yet hanging at the saddle-bow. He looked round for Durindana, and found that famous sword, without the scabbard, lying on the grass. He saw also the fragments of Orlando's other arms and clothing scattered on all sides over the plain.

Zerbino and Isabella stood in astonishment and grief, not knowing what to think, but little imagining the true cause. If they had found any marks of blood on the arms or on the fragments of the clothing, they would have supposed him slain, but there were none. While they were in this painful uncertainty they saw a young peasant approach. He, not yet recovered from the terror of the scene, which he had witnessed from the top of a rock, told them the whole of the sad events.

Zerbino, with his eyes full of tears, carefully collected all the scattered arms. Isabella also dismounted to aid him in the sad duty. When they had collected all the pieces of that rich armor they hung them like a trophy on a pine; and to prevent their being violated by any passers-by, Zerbino inscribed on the bark this caution: "These are the arms of the Paladin Orlando."

Having finished this pious work, he remounted his horse, and just then a knight rode up, and requested Zerbino to tell him the meaning of the trophy. The prince related the facts as they had happened; and Mandricardo, for it was that Saracen knight, full of joy, rushed forward, and seized the sword, saying, "No one can censure me for what I do; this sword is mine; I can take my own wherever I find it. It is plain that Orlando, not daring to defend it against me, has counterfeited madness to excuse him in surrendering it."

Zerbino vehemently exclaimed, "Touch not that sword. Think not to possess it without a contest. If it be true that the arms you wear are those of Hector, you must have got them by theft, and not by prowess."

Immediately they attacked one another with the utmost fury. The air resounded with thick-falling blows. Zerbino, skilful and alert, evaded for a time with good success the strokes of Durindana; but at length a terrible blow struck him on the neck. He fell from his horse, and the Tartar king, possessed of the spoils of his victory, rode away.


    Table of Contents    

Glossary



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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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