Reality Roars Bentley
Amazon Portal
Header
Reality Roars Header
Book Leader Row 1
Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


#

#

Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME THREE


LEGENDS OF CHARLEMAGNE

OR

ROMANCE OF THE MIDDLE AGES.

BY THOMAS BULFINCH
[1863]


#

    Table of Contents    

Glossary

#


MEDORO


France was at this time the theatre of dreadful events. The Saracens and the Christians, in numerous encounters, slew one another. On one occasion Rinaldo led an attack on the infidel columns, broke and scattered them, till he found himself opposite to a knight whose armor (whether by accident or by choice, it matters not) bore the blazon of Orlando. It was Dardinel, the young and brave prince of Zumara, and Rinaldo remarked him by the slaughter he spread all around. "Ah," said he to himself, "let us pluck up this dangerous plant before it has grown to its full height."

As Rinaldo advanced, the crowd opened before him, the Christians to let his sword have free course, the Pagans to escape its sweep. Dardinel and he stood face to face. Rinaldo exclaimed, fiercely, "Young man, whoever gave you that noble buckler to bear made you a dangerous gift; I should like to see how you are able to defend those quarterings, red and white. If you cannot defend them against me, how pray will you do so when Orlando challenges them?" Dardinel replied: "Thou shalt learn that I can defend the arms I bear, and shed new glory upon them. No one shall rend them from me but with life." Saying these words, Dardinel rushed upon Rinaldo with sword uplifted. The chill of mortal terror filled the souls of the Saracens when they beheld Rinaldo advance to attack the prince, like a lion against a young bull. The first blow came from the hand of Dardinel, and the weapon rebounded from Mambrino's helmet without effect. Rinaldo smiled, and said, "I will now show you if my strokes are more effectual." At these words he thrust the unfortunate Dardinel in the middle of his breast. The blow was so violent that the cruel weapon pierced the body, and came out a palm-breadth behind his back. Through this wound the life of Dardinel issued with his blood, and his body fell helpless to the ground.

As a flower which the passing plough has uprooted languishes, and droops its head, so Dardinel, his visage covered with the paleness of death, expires, and the hopes of an illustrious race perish with him.

Like waters kept back by a dike, which, when the dike is broken, spread abroad through all the country, so the Moors, no longer kept in column by the example of Dardinel, fled in all directions. Rinaldo despised too much such easy victories to pursue them; he wished for no combats but with brave men. At the same time, the other paladins made terrible slaughter of the Moors. Charles himself, Oliver, Guido, and Ogier the Dane, carried death into their ranks on all sides.

The infidels seemed doomed to perish to a man on that dreadful day; but the wise king, Marsilius, at last put some slight degree of method into the general rout. He collected the remnant of the troops, formed them into a battalion, and retreated in tolerable order to his camp. That camp was well fortified by intrenchments and a broad ditch. Thither the fugitives hastened, and by degrees all that remained of the Moorish army was brought together there.

The Emperor might perhaps that night have crushed his enemy entirely; but not thinking it prudent to expose his troops, fatigued as they were, to an attack upon a camp so well fortified, he contented himself with encompassing the enemy with his troops, prepared to make a regular siege. During the night the Moors had time to see the extent of their loss. Their tents resounded with lamentations. This warrior had to mourn a brother, that a friend; many suffered with grievous wounds, all trembled at the fate in store for them.

There were two young Moors, both of humble rank, who gave proof at that time of attachment and fidelity rare in the history of man. Cloridan and Medoro had followed their prince, Dardinel, to the wars of France. Cloridan, a bold huntsman, combined strength with activity. Medoro was a mere youth, his cheeks yet fair and blooming. Of all the Saracens, no one united so much grace and beauty. His light hair was set off by his black and sparkling eyes. The two friends were together on guard at the rampart. About midnight they gazed on the scene in deep dejection. Medoro, with tears in his eyes, spoke of the good prince Dardinel, and could not endure the thought that his body should be cast out on the plain, deprived of funeral honors. "O my friend," said he, "must then the body of our prince be the prey of wolves and ravens? Alas! when I remember how he loved me, I feel that if I should sacrifice my life to do him honor, I should not do more than my duty. I wish, dear friend, to seek out his body on the battlefield, and give it burial, and I hope to be able to pass through King Charles's camp without discovery, as they are probably all asleep. You, Cloridan, will be able to say for me, if I should die in the adventure, that gratitude and fidelity to my prince were my inducements."

Cloridan was both surprised and touched with this proof of the young man's devotion. He loved him tenderly, and tried for a long time every effort to dissuade him from his design; but he found Medoro determined to accomplish his object or die in the endeavor.

Cloridan, unable to change his purpose, said, "I will go with you, Medoro, and help you in this generous enterprise. I value not life compared with honor, and if I did, do you suppose, dear friend, that I could live without you? I would rather fall by the arms of our enemies than die of grief for the loss of you."

When the two friends were relieved from their guard duty they went without any followers into the camp of the Christians. All there was still; the fires were dying out; there was no fear of any attempt on the part of the Saracens, and the soldiers, overcome by fatigue or wine, slept secure, lying upon the ground in the midst of their arms and equipage. Cloridan stopped, and said, "Medoro, I am not going to quit this camp without taking vengeance for the death of our prince. Keep watch, be on your guard that no one shall surprise us; I mean to mark a road with my sword through the ranks of our enemies." So saying, he entered the tent where Alpheus slept, who a year before had joined the camp of Charles, and pretended to be a great physician and astrologer. But his science had deceived him, if it gave him hope of dying peacefully in his bed at a good old age; his lot was to die with little warning. Cloridan ran his sword through his heart. A Greek and a German followed, who had been playing late at dice: fortunate if they had continued their game a little longer; but they never reckoned a throw like this among their chances. Cloridan next came to the unlucky Grillon, whose head lay softly on his pillow. He dreamed probably of the feast from which he had but just retired; for when Cloridan cut off his head wine flowed forth with the blood.

The two young Moors might have penetrated even to the tent of Charlemagne; but knowing that the paladins encamped around him kept watch by turns, and judging that it was impossible they should all be asleep, they were afraid to go too near. They might also have obtained rich booty; but, intent only on their object, they crossed the camp, and arrived at length at the bloody field, where bucklers, lances, and swords lay scattered in the midst of corpses of poor and rich, common soldier and prince, horses and pools of blood. This terrible scene of carnage would have destroyed all hope of finding what they were in search of until dawn of day, were it not that the moon lent the aid of her uncertain rays.

Medoro raised his eyes to the planet, and exclaimed, "O holy goddess, whom our fathers have adored under three different forms,--thou who displayest thy power in heaven, on earth, and in the underworld,--thou who art seen foremost among the nymphs chasing the beasts of the forest,--cause me to see, I implore thee, the spot where my dear master lies, and make me all my life long follow the example which thou dost exhibit of works of charity and love."

Either by accident, or that the moon was sensible of the prayer of Medoro, the cloud broke away, and the moonlight burst forth as bright as day. The rays seemed especially to gild the spot where lay the body of Prince Dardinel; and Medoro, bathed in tears and with bleeding heart, recognized him by the quarterings of red and white on his shield.

With groans stifled by his tears, and lamentations in accents suppressed, not from any fear for himself, for he cared not for life, but lest any one should be roused to interrupt their pious duty while yet incomplete, he proposed to his companion that they should together bear Dardinel on their shoulders, sharing the burden of the beloved remains.

Marching with rapid strides under their precious load, they perceived that the stars began to grow pale, and that the shades of night would soon be dispersed by the dawn. Just then Zerbino, whose extreme valor had urged him far from the camp in pursuit of the fugitives, returning, entered the wood in which they were. Some knights in his train perceived at a distance the two brothers-in-arms. Cloridan saw the troop, and, observing that they dispersed themselves over the plain as if in search of booty, told Medoro to lay down the body, and let each save himself by flight. He dropped his part, thinking that Medoro would do the same; but the good youth loved his prince too well to abandon him, and continued to carry his load singly as well as he might, while Cloridan made his escape. Near by there was a part of the wood tufted as if nothing but wild animals had ever penetrated it. The unfortunate youth, loaded with the weight of his dead master, plunged into its recesses.

Cloridan, when he perceived that he had evaded his foes, discovered that Medoro was not with him. "Ah!" exclaimed he, "how could I, dear Medoro, so forget myself as to consult my own safety without heeding yours?" So saying, he retraced the tangled passes of the wood toward the place from whence he had fled. As he approached he heard the noise of horses, and the menacing voices of armed men. Soon he perceived Medoro, on foot, with the cavaliers surrounding him. Zerbino, their commander, bade them seize him. The unhappy Medoro turned now this way, now that, trying to conceal himself behind an oak or a rock, still bearing the body, which he would by no means leave. Cloridan not knowing how to help him, but resolved to perish with him, if he must perish, takes an arrow, fits it to his bow, discharges it, and pierces the breast of a Christian knight, who falls helpless from his horse. The others look this way and that, to discover whence the fatal bolt was sped. One, while demanding of his comrades in what direction the arrow came, received a second in his throat, which stopped his words, and soon closed his eyes to the scene.

Zerbino, furious at the death of his two comrades, ran upon Medoro, seized his golden hair, and dragged him forward to slay him. But the sight of so much youth and beauty commanded pity. He stayed his arm. The young man spoke in suppliant tones. "Ah! signor," said he, "I conjure you by the God whom you serve, deprive me not of life until I shall have buried the body of the prince, my master. Fear not that I will ask you any other favor; life is not dear to me; I desire death as soon as I shall have performed this sacred duty. Do with me then as you please. Give my limbs a prey to the birds and beasts; only let me first bury my prince." Medoro pronounced these words with an air so sweet and tender that a heart of stone would have been moved by them. Zerbino was so to the bottom of his soul. He was on the point of uttering words of mercy, when a cruel subaltern, forgetting all respect to his commander, plunged his lance into the breast of the young Moor. Zerbino, enraged at his brutality, turned upon the wretch to take vengeance, but he saved himself by a precipitate flight.

Cloridan, who saw Medoro fall, could contain himself no longer. He rushed from his concealment, threw down his bow, and, sword in hand, seemed only desirous of vengeance for Medoro, and to die with him. In a moment, pierced through and through with many wounds, he exerts the last remnant of his strength in dragging himself to Medoro, to die embracing him. The cavaliers left them thus to rejoin Zerbino, whose rage against the murderer of Medoro had drawn him away from the spot.

Cloridan died; and Medoro, bleeding copiously, was drawing near his end when help arrived.

A young maiden approached the fallen knights at this critical moment. Her dress was that of a peasant-girl, but her air was noble, and her beauty celestial; sweetness and goodness reigned in her lovely countenance. It was no other than Angelica, the Princess of Cathay.

When she had recovered that precious ring, as we have before related, Angelica, knowing its value, felt proud in the power it conferred, travelled alone without fear, not without a secret shame that she had ever been obliged to seek protection in her wanderings of the Count Orlando and of Sacripant. She reproached herself too as with a weakness that she had ever thought of marrying Rinaldo; in fine, her pride grew so high as to persuade her that no man living was worthy to aspire to her hand.

Moved with pity at the sight of the young man wounded, and melted to tears at hearing the cause, she quickly recalled to remembrance the knowledge she had acquired in India, where the virtues of plants and the art of healing formed part of the education even of princesses. The beautiful queen ran into the adjoining meadow to gather plants of virtue to staunch the flow of blood. Meeting on her way a countryman on horseback seeking a strayed heifer, she begged him to come to her assistance, and endeavor to remove the wounded man to a more secure asylum.

Angelica, having prepared the plants by bruising them between two stones, laid them with her fair hand on Medoro's wound. The remedy soon restored in some degree the strength of the wounded man, who, before he would quit the spot, made them cover with earth and turf the bodies of his friend and of the prince. Then surrendering himself to the pity of his deliverers, he allowed them to place him on the horse of the shepherd, and conduct him to his cottage. It was a pleasant farmhouse on the borders of the wood, bearing marks of comfort and competency. There the shepherd lived with his wife and children. There Angelica tended Medoro, and there, by the devoted care of the beautiful queen, his sad wound closed over, and he recovered his perfect health.

O Count Rinaldo, O King Sacripant! what availed it you to possess so many virtues and such fame? What advantage have you derived from all your high deserts? O hapless king, great Agrican! if you could return to life, how would you endure to see yourself rejected by one who will bow to the yoke of Hymen in favor of a young soldier of humble birth? And thou, Ferrau, and ye numerous others who a hundred times have put your lives at hazard for this cruel beauty, how bitter will it be to you to see her sacrifice you all to the claims of the humble Medoro!

There, under the low roof of a shepherd, the flame of Hymen was lighted for this haughty queen. She takes the shepherd's wife to serve in place of mother, the shepherd and his children for witnesses, and marries the happy Medoro.

Angelica, after her marriage, wishing to endow Medoro with the sovereignty of the countries which yet remained to her, took with him the road to the East. She had preserved through all her adventures a bracelet of gold enriched with precious stones, the present of the Count Orlando. Having nothing else wherewith to reward the good shepherd and his wife, who had served her with so much care and fidelity, she took the bracelet from her arm and gave it to them, and then the newly-married couple directed their steps toward those mountains which separate France and Spain, intending to wait at Barcelona a vessel which should take them on their way to the East.


    Table of Contents    

Glossary



# #

social-bar-article-content
fb-apps-ub-segment
 

bl-mythology-02
The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


#
footer-scroller
footer-pages
sidebar-menu