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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME THREE


LEGENDS OF CHARLEMAGNE

OR

ROMANCE OF THE MIDDLE AGES.

BY THOMAS BULFINCH
[1863]


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    Table of Contents    

Glossary

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ASTOLPHO AND THE ENCHANTRESS


In the long flight which Rogero took on the back of the Hippogriff he was carried over land and sea, unknowing whither. As soon as he had gained some control over the animal he made him alight on the nearest land. When he came near enough to earth Rogero leapt lightly from his back, and tied the animal to a myrtle-tree. Near the spot flowed the pure waters of a fountain, surrounded by cedars and palm-trees. Rogero laid aside his shield, and, removing his helmet, breathed with delight the fresh air, and cooled his lips with the waters of the fountain. For we cannot wonder that he was excessively fatigued, considering the ride he had taken. He was preparing to taste the sweets of repose when he perceived that the Hippogriff, which he had tied by the bridle to a myrtle-tree, frightened at something, was making violent efforts to disengage himself. His struggle shook the myrtle-tree so that many of its beautiful leaves were torn off, and strewed the ground.

A sound like that which issues from burning wood seemed to come from the myrtle-tree, at first faint and indistinct, but growing stronger by degrees, and at length was audible as a voice which spoke in this manner: "O knight, if the tenderness of your heart corresponds to the beauty of your person, relieve me, I pray you, from this tormenting animal. I suffer enough inwardly without having outward evils added to my lot."

Rogero, at the first accents of this voice, turned his eyes promptly on the myrtle, hastened to it, and stood fixed in astonishment when he perceived that the voice issued from the tree itself. He immediately untied his horse, and, flushed with surprise and regret, exclaimed, "Whoever thou art, whether mortal or the goddess of these woods, forgive me, I beseech you, my involuntary fault. Had I imagined that this hard bark covered a being possessed of feeling, could I have exposed such a beautiful myrtle to the insults of this steed? May the sweet influences of the sky and air speedily repair the injury I have done! For my part, I promise by the sovereign lady of my heart to do everything you wish in order to merit your forgiveness."

At these words the myrtle seemed to tremble from root to stem, and Rogero remarked that a moisture as of tears trickled down its bark, like that which exudes from a log placed on the fire. It then spoke:

"The kindness which inspires your words compels me to disclose to you who I once was, and by what fatality I have been changed into this shape. My name was Astolpho, cousin of Orlando and Rinaldo, whose fame has filled the earth. I was myself reckoned among the bravest paladins of France, and was by birth entitled to reign over England, after Otho, my father. Returning from the distant East, with Rinaldo and many other brave knights, called home to aid with our arms the great Emperor of France, we reached a spot where the powerful enchantress Alcina possessed a castle on the borders of the sea. She had gone to the water-side to amuse herself with fishing, and we paused to see how, by her art, without hook or line, she drew from the water whatever she would.

"Not far from the shore an enormous whale showed a back so broad and motionless that it looked like an island. Alcina had fixed her eyes on me, and planned to get me into her power. Addressing us, she said: 'This is the hour when the prettiest mermaid in the sea comes regularly every day to the shore of yonder island. She sings so sweetly that the very waves flow smoother at the sound. If you wish to hear her come with me to her resort.' So saying, Alcina pointed to the fish, which we all supposed to be an island. I, who was rash, did not hesitate to follow her; but swam my horse over, and mounted on the back of the fish. In vain Rinaldo and Dudon made signs to me to beware; Alcina, smiling, took me in charge, and led the way. No sooner were we mounted upon him than the whale moved off, spreading his great fins, and cleft rapidly the waters. I then saw my folly, but it was too late to repent. Alcina soothed my anger, and professed that what she had done was for love of me. Ere long we arrived at this island, where at first everything was done to reconcile me to my lot, and to make my days pass happily away. But soon Alcina, sated with her conquest, grew indifferent, then weary of me, and at last, to get rid of me, changed me into this form, as she had done to many lovers before me, making some of them olives, some palms, some cedars, changing others into fountains, rocks, or even into wild beasts. And thou, courteous knight, whom accident has brought to this enchanted isle, beware that she get not the power over thee, or thou shalt haply be made like us, a tree, a fountain, or a rock."

Rogero expressed his astonishment at this recital. Astolpho added that the island was in great part subject to the sway of Alcina. By the aid of her sister Morgana, she had succeeded in dispossessing a third sister, Logestilla, of nearly the whole of her patrimony, for the whole isle was hers originally by her father's bequest. But Logestilla was temperate and sage, while the other sisters were false and voluptuous. Her empire was divided from theirs by a gulf and chain of mountains, which alone had thus far prevented her sister from usurping it.

Astolpho here ended his tale, and Rogero, who knew that he was the cousin of Bradamante, would gladly have devised some way for his relief; but, as that was out of his power, he consoled him as well as he could, and then begged to be told the way to the palace of Logestilla, and how to avoid that of Alcina. Astolpho directed him to take the road to the left, though rough and full of rocks. He warned him that this road would present serious obstacles; that troops of monsters would oppose his passage, employed by the art of Alcina to prevent her subjects from escaping from her dominion. Rogero thanked the myrtle, and prepared to set out on his way.

He at first thought he would mount the winged horse, and scale the mountain on his back; but he was too uncertain of his power to control him to wish to encounter the hazard of another flight through the air, besides that he was almost famished for the want of food. So he led the horse after him, and took the road on foot, which for some distance led equally to the dominions of both the sisters.

He had not advanced more than two miles when he saw before him the superb city of Alcina. It was surrounded with a wall of gold, which seemed to reach the skies. I know that some think that this wall was not of real gold, but only the work of alchemy; it matters not; I prefer to think it gold, for it certainly shone like gold.

A broad and level road led to the gates of the city, and from this another branched off, narrow and rough, which led to the mountain region. Rogero took without hesitation the narrow road; but he had no sooner entered upon it than he was assailed by a numerous troop which opposed his passage.

You never have seen anything so ridiculous, so extraordinary, as this host of hobgoblins were. Some of them bore the human form from the neck to the feet, but had the head of a monkey or a cat; others had the legs and the ears of a horse; old men and women, bald and hideous, ran hither and thither as if out of their senses, half clad in the shaggy skins of beasts; one rode full speed on a horse without a bridle, another jogged along mounted on an ass or a cow; others, full of agility, skipped about, and clung to the tails and manes of the animals which their companions rode. Some blew horns, others brandished drinking-cups; some were armed with spits, and some with pitchforks. One, who appeared to be the captain, had an enormous belly and a gross fat head; he was mounted on a tortoise, that waddled, now this way, now that, without keeping any one direction.

One of these monsters, who had something approaching the human form, though he had the neck, ears, and muzzle of a dog, set himself to bark furiously at Rogero, to make him turn off to the right, and reenter upon the road to the gay city; but the brave chevalier exclaimed, "That will I not, so long as I can use this sword,"--and he thrust the point directly at his face. The monster tried to strike him with a lance, but Rogero was too quick for him, and thrust his sword through his body, so that it appeared a hand's breadth behind his back. The paladin, now giving full vent to his rage, laid about him vigorously among the rabble, cleaving one to the teeth, another to the girdle; but the troop were so numerous, and in spite of his blows pressed around him so close, that, to clear his way, he must have had as many arms as Briareus.

If Rogero had uncovered the shield of the enchanter, which hung at his saddle-bow, he might easily have vanquished this monstrous rout; but perhaps he did not think of it, and perhaps he preferred to seek his defence nowhere but in his good sword. At that moment, when his perplexity was at its height, he saw issue from the city gate two young beauties, whose air and dress proclaimed their rank and gentle nurture. Each of them was mounted on a unicorn, whose whiteness surpassed that of ermine. They advanced to the meadow where Rogero was contending so valiantly against the hobgoblins, who all retired at their approach. They drew near, they extended their hands to the young warrior, whose cheeks glowed with the flush of exercise and modesty. Grateful for their assistance, he expressed his thanks, and, having no heart to refuse them, followed their guidance to the gate of the city.

This grand and beautiful entrance was adorned by a portico of four vast columns, all of diamond. Whether they were real diamond or artificial I cannot say. What matter is it, so long as they appeared to the eye like diamond, and nothing could be more gay and splendid.

On the threshold, and between the columns, was seen a bevy of charming young women, who played and frolicked together. They all ran to receive Rogero, and conducted him into the palace, which appeared like a paradise.

We might well call by that name this abode, where the hours flew by, without account, in ever-new delights. The bare idea of satiety, want, and, above all, of age, never entered the minds of the inhabitants. They experienced no sensations except those of luxury and gayety; the cup of happiness seemed for them ever-flowing and exhaustless. The two young damsels to whom Rogero owed his deliverance from the hobgoblins conducted him to the apartment of their mistress. The beautiful Alcina advanced, and greeted him with an air at once dignified and courteous. All her court surrounded the paladin, and rendered him the most flattering attentions. The castle was less admirable for its magnificence than for the charms of those who inhabited it. They were of either sex, well matched in beauty, youth, and grace; but among this charming group the brilliant Alcina shone, as the sun outshines the stars. The young warrior was fascinated. All that he had heard from the myrtle-tree appeared to him but a vile calumny. How could he suspect that falsehood and treason veiled themselves under smiles and the ingenuous air of truth? He doubted not that Astolpho had deserved his fate, and perhaps a punishment more severe; he regarded all his stories as dictated by a disappointed spirit, and a thirst for revenge. But we must not condemn Rogero too harshly, for he was the victim of magic power.

They seated themselves at table, and immediately harmonious lyres and harps waked the air with the most ravishing notes. The charms of poetry were added in entertaining recitals; the magnificence of the feast would have done credit to a royal board. The traitress forgot nothing which might charm the paladin, and attach him to the spot, meaning, when she should grow tired of him, to metamorphose him as she had done others. In the same manner passed each succeeding day. Games of pleasant exercise, the chase, the dance, or rural sports, made the hours pass quickly; while they gave zest to the refreshment of the bath, or sleep.

Thus Rogero led a life of ease and luxury, while Charlemagne and Agramant were struggling for empire. But I cannot linger with him while the amiable and courageous Bradamante is night and day directing her uncertain steps to every spot where the slightest chance invites her, in the hope of recovering Rogero.

I will therefore say that, having sought him in vain in fields and in cities, she knew not whither next to direct her steps. She did not apprehend the death of Rogero. The fall of such a hero would have reechoed from the Hydaspes to the farthest river of the West; but, not knowing whether he was on the earth or in the air, she concluded, as a last resource, to return to the cavern which contained the tomb of Merlin, to ask of him some sure direction to the object of her search.

While this thought occupied her mind, Melissa, the sage enchantress, suddenly appeared before her. This virtuous and beneficent magician had discovered by her spells that Rogero was passing his time in pleasure and idleness, forgetful of his honor and his sovereign. Not able to endure the thought that one who was born to be a hero should waste his years in base repose, and leave a sullied reputation in the memory of survivors, she saw that vigorous measures must be employed to draw him forth into the paths of virtue. Melissa was not blinded by her affection for the amiable paladin, like Atlantes, who, intent only on preserving Rogero's life, cared nothing for his fame. It was that old enchanter whose arts had guided the Hippogriff to the isle of the too charming Alcina, where he hoped his favorite would learn to forget honor, and lose the love of glory.

At the sight of Melissa joy lighted up the countenance of Bradamante, and hope animated her breast. Melissa concealed nothing from her, but told her how Rogero was in the toils of Alcina. Bradamante was plunged in grief and terror; but the kind enchantress calmed her, dispelled her fears, and promised that before many days she would lead back the paladin to her feet.

"My daughter," she said, "give me the ring which you wear, and which possesses the power to overcome enchantments. By means of it I doubt not but that I may enter the stronghold where the false Alcina holds Rogero in durance, and may succeed in vanquishing her and liberating him." Bradamante unhesitatingly delivered her the ring, recommending Rogero to her best efforts. Melissa then summoned by her art a huge palfrey, black as jet, excepting one foot, which was bay. Mounted upon this animal, she rode with such speed that by the next morning she had reached the abode of Alcina.

She here transformed herself into the perfect resemblance of the old magician Atlantes, adding a palm-breadth to her height, and enlarging her whole figure. Her chin she covered with a long beard, and seamed her whole visage well with wrinkles. She assumed also his voice and manner, and watched her chance to find Rogero alone. At last she found him, dressed in a rich tunic of silk and gold, a collar of precious stones about his neck, and his arms, once so rough with exercise, decorated with bracelets. His air and his every motion indicated effeminacy, and he seemed to retain nothing of Rogero but the name; such power had the enchantress obtained over him.

Melissa, under the form of his old instructor, presented herself before him, wearing a stern and serious visage. "Is this, then," she said, "the fruit of all my labors? Is it for this that I fed you on the marrow of bears and lions, that I taught you to subdue dragons, and, like Hercules, strangle serpents in your youthful grasp, only to make you, by all my cares, a feeble Adonis? My nightly watchings of the stars, of the yet warm fibres of animals, the lots I have cast, the points of nativity that I have calculated, have they all falsely indicated that you were born for greatness? Who could have believed that you would become the slave of a base enchantress? O Rogero, learn to know this Alcina, learn to understand her arts and to countervail them. Take this ring, place it on your finger, return to her presence, and see for yourself what are her real charms."

At these words, Rogero, confused, abashed, cast his eyes upon the ground, and knew not what to answer. Melissa seized the moment, slipped the ring on his finger, and the paladin was himself again. What a thunderclap to him! Overcome by shame, he dared not to encounter the looks of his instructor. When at last he raised his eyes he beheld not that venerable form, but the priestess Melissa, who in virtue of the ring now appeared in her true person. She told him of the motives which had led her to come to his rescue, of the griefs and regrets of Bradamante, and of her unwearied search for him. "That charming Amazon," she said, "sends you this ring, which is a sovereign antidote to all enchantments. She would have sent you her heart in my hands, if it would have had greater power to serve you."

It was needless for Melissa to say more. Rogero's love for Alcina, being but the work of enchantment, vanished as soon as the enchantment was withdrawn, and he now hated her with an equal intensity, seeing no longer anything in her but her vices, and feeling only resentment for the shame that she had put upon him.

His surprise when he again beheld Alcina was no less than his indignation. Fortified by his ring from her enchantments, he saw her as she was, a monster of ugliness. All her charms were artificial, and, truly viewed, were rather deformities. She was, in fact, older than Hecuba or the Sibyl of Cumae; but an art, which it is to be regretted our times have lost, enabled her to appear charming, and to clothe herself in all the attractions of youth. Rogero now saw all this, but, governed by the counsels of Melissa, he concealed his surprise, assumed under some pretext his armor, long neglected, and bound to his side Belisarda, his trusty sword, taking also the buckler of Atlantes, covered with its veil.

He then selected a horse from the stables of Alcina, without exciting her suspicions; but he left the Hippogriff, by the advice of Melissa, who promised to take him in charge, and train him to a more manageable state. The horse he took was Rabican, which belonged to Astolpho. He restored the ring to Melissa.

Rogero had not ridden far when he met one of the huntsmen of Alcina, bearing a falcon on his wrist, and followed by a dog. The huntsman was mounted on a powerful horse, and came boldly up to the paladin, demanding, in a somewhat imperious manner, whither he was going so rapidly. Rogero disdained to stop or to reply; whereupon the huntsman, not doubting that he was about making his escape, said, "What if I, with my falcon, stop your ride?" So saying, he threw off the bird, which even Rabican could not equal in speed. The huntsman then leapt from his horse, and the animal, open-mouthed, darted after Rogero with the swiftness of an arrow. The huntsman also ran as if the wind or fire bore him, and the dog was equal to Rabican in swiftness. Rogero, finding flight impossible, stopped and faced his pursuers; but his sword was useless against such foes. The insolent huntsman assailed him with words, and struck him with his whip, the only weapon he had; the dog bit his feet, and the horse drove at him with his hoofs. At the same time the falcon flew over his head and over Rabican's and attacked them with claws and wings, so that the horse in his fright began to be unmanageable. At that moment the sound of trumpets and cymbals was heard in the valley, and it was evident that Alcina had ordered out all her array to go in pursuit. Rogero felt that there was no time to be lost, and luckily remembered the shield of Atlantes, which he bore suspended from his neck. He unveiled it, and the charm worked wonderfully. The huntsman, the dog, the horse, fell flat; the trembling wings of the falcon could no longer sustain her, and she fell senseless to the ground. Rogero, rid of their annoyances, left them in their trance, and rode away.

Meanwhile Alcina, with all the force she could muster, sallied forth from her palace in pursuit. Melissa, left behind, took advantage of the opportunity to ransack all the rooms, protected by the ring. She undid one by one all the talismans and spells which she found, broke the seals, burned the images, and untied the hagknots. Thence, hurrying through the fields, she disenchanted the victims changed into trees, fountains, stones, or brutes; all of whom recovered their liberty, and vowed eternal gratitude to their deliverer. They made their escape, with all possible despatch, to the realms of the good Logestilla, whence they departed to their several homes.

Astolpho was the first whom Melissa liberated, for Rogero had particularly recommended him to her care. She aided him to recover his arms, and particularly that precious golden-headed lance which once was Argalia's. The enchantress mounted with him upon the winged horse, and in a short time arrived through the air at the castle of Logestilla, where Rogero joined them soon after.

In this abode the friends passed a short period of delightful and improving intercourse with the sage Logestilla and her virtuous court; and then each departed, Rogero with the Hippogriff, ring, and buckler; Astolpho with his golden lance, and mounted on Rabican, the fleetest of steeds. To Rogero Logestilla gave a bit and bridle suited to govern the Hippogriff; and to Astolpho a horn of marvellous powers, to be sounded only when all other weapons were unavailing.


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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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