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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME THREE


LEGENDS OF CHARLEMAGNE

OR

ROMANCE OF THE MIDDLE AGES.

BY THOMAS BULFINCH
[1863]


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    Table of Contents    

Glossary

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THE ORC


We left the charming Angelica at the moment when, in her flight from her contending lovers, Sacripant and Rinaldo, she met an aged hermit. We have seen that her request to the hermit was to furnish her the means of gaining the sea-coast, eager to avoid Rinaldo, whom she hated, by leaving France and Europe itself. The pretended hermit, who was no other than a vile magician, knowing well that it would not be agreeable to his false gods to aid Angelica in this undertaking, feigned to comply with her desire. He supplied her a horse, into which he had by his arts caused a subtle devil to enter, and, having mounted Angelica on the animal, directed her what course to take to reach the sea.

Angelica rode on her way without suspicion, but when arrived at the shore, the demon urged the animal headlong into the water. Angelica in vain attempted to turn him back to the land; he continued his course till, as night approached, he landed with his burden on a sandy headland.

Angelica, finding herself alone, abandoned in this frightful solitude, remained without movement, as if stupefied, with hands joined and eyes turned towards heaven, till at last, pouring forth a torrent of tears, she exclaimed: "Cruel fortune, have you not yet exhausted your rage against me? To what new miseries do you doom me? Alas! then finish your work! Deliver me a prey to some ferocious beast, or by whatever fate you choose bring me to an end. I will be thankful to you for terminating my life and my misery." At last, exhausted by her sorrows, she fell asleep, and sunk prostrate on the sand.

Before recounting what next befell, we must declare what place it was upon which the unhappy lady was now thrown. In the sea that washes the coast of Ireland there is an island called Ebuda, whose inhabitants, once numerous, had been wasted by the anger of Proteus till there were now but few left. This deity was incensed by some neglect of the usual honors which he had in old times received from the inhabitants of the land, and, to execute his vengeance, had sent a horrid sea-monster, called an Orc, to devour them. Such were the terrors of his ravages that the whole people of the isle had shut themselves up in the principal town, and relied on their walls alone to protect them. In this distress they applied to the Oracle for advice, and were directed to appease the wrath of the sea-monster by offering to him the fairest virgin that the country could produce.

Now it so happened that the very day when this dreadful oracle was announced, and when the fatal mandate had gone forth to seek among the fairest maidens of the land one to be offered to the monster, some sailors, landing on the beach where Angelica was, beheld that beauty as she lay asleep.

O blind Chance! whose power in human affairs is but too great, canst thou then abandon to the teeth of a horrible monster those charms which different sovereigns took arms against one another to possess? Alas! the lovely Angelica is destined to be the victim of those cruel islanders.

Still asleep, she was bound by the Ebudians, and it was not until she was carried on board the vessel that she came to a knowledge of her situation. The wind filled the sails and wafted the ship swiftly to the port, where all that beheld her agreed that she was unquestionably the victim selected by Proteus himself to be his prey. Who can tell the screams, the mortal anguish of this unhappy maiden, the reproaches she addressed even to the heavens themselves, when the dreadful information of her cruel fate was made known to her? I cannot; let me rather turn to a happier part of my story.

Rogero left the palace of Logestilla, careering on his flying courser far above the tops of the mountains, and borne westward by the Hippogriff, which he guided with ease, by means of the bridle that Melissa had given him. Anxious as he was to recover Bradamante, he could not fail to be delighted at the view his rapid flight presented of so many vast regions and populous countries as he passed over in his career. At last he approached the shores of England, and perceived an immense army in all the splendor of military pomp, as if about to go forth flushed with hopes of victory. He caused the Hippogriff to alight not far from the scene, and found himself immediately surrounded by admiring spectators, knights and soldiers, who could not enough indulge their curiosity and wonder. Rogero learned, in reply to his questions, that the fine array of troops before him was the army destined to go to the aid of the French Emperor, in compliance with the request presented by the illustrious Rinaldo, as ambassador of King Charles, his uncle.

By this time the curiosity of the English chevaliers was partly gratified in beholding the Hippogriff at rest, and Rogero, to renew their surprise and delight, remounted the animal, and, slapping spurs to his sides, made him launch into the air with the rapidity of a meteor, and directed his flight still westwardly, till he came within sight of the coasts of Ireland. Here he descried what seemed to be a fair damsel, alone, fast chained to a rock which projected into the sea. What was his astonishment when, drawing nigh, he beheld the beautiful princess Angelica! That day she had been led forth and bound to the rock, there to wait till the sea-monster should come to devour her. Rogero exclaimed as he came near, "What cruel hands, what barbarous soul, what fatal chance can have loaded thee with those chains?" Angelica replied by a torrent of tears, at first her only response; then, in a trembling voice, she disclosed to him the horrible destiny for which she was there exposed. While she spoke, a terrible roaring was heard far off on the sea. The huge monster soon came in sight, part of his body appearing above the waves and part concealed. Angelica, half dead with fear, abandoned herself to despair.

Rogero, lance in rest, spurred his Hippogriff toward the Orc, and gave him a thrust. The horrible monster was like nothing that nature produces. It was but one mass of tossing and twisting body, with nothing of the animal but head, eyes, and mouth, the last furnished with tusks like those of the wild boar. Rogero's lance had struck him between the eyes; but rock and iron are not more impenetrable than were his scales. The knight, seeing the fruitlessness of the first blow, prepared to give a second. The animal, beholding upon the water the shadow of the great wings of the Hippogriff, abandoned his prey, and turned to seize what seemed nearer. Rogero took the opportunity, and dealt him furious blows on various parts of his body, taking care to keep clear of his murderous teeth; but the scales resisted every attack. The Orc beat the water with his tail till he raised a foam which enveloped Rogero and his steed, so that the knight hardly knew whether he was in the water or the air. He began to fear that the wings of the Hippogriff would be so drenched with water that they would cease to sustain him. At that moment Rogero bethought him of the magic shield which hung at his saddle-bow; but the fear that Angelica would also be blinded by its glare discouraged him from employing it. Then he remembered the ring which Melissa had given him, the power of which he had so lately proved. He hastened to Angelica and placed it on her finger. Then, uncovering the buckler, he turned its bright disk full in the face of the detestable Orc. The effect was instantaneous. The monster, deprived of sense and motion, rolled over on the sea, and lay floating on his back. Rogero would fain have tried the effect of his lance on the now exposed parts, but Angelica implored him to lose no time in delivering her from her chains before the monster should revive. Rogero, moved with her entreaties, hastened to do so, and, having unbound her, made her mount behind him on the Hippogriff. The animal, spurning the earth, shot up into the air, and rapidly sped his way through it. Rogero, to give time to the princess to rest after her cruel agitations, soon sought the earth again, alighting on the shore of Brittany. Near the shore a thick wood presented itself, which resounded with the songs of birds. In the midst, a fountain of transparent water bathed the turf of a little meadow. A gentle hill rose near by. Rogero, making the Hippogriff alight in the meadow, dismounted, and took Angelica from the horse.

When the first tumults of emotion had subsided Angelica, casting her eyes downward, beheld the precious ring upon her finger, whose virtues she was well acquainted with, for it was the very ring which the Saracen Brunello had robbed her of. She drew it from her finger and placed it in her mouth, and, quicker than we can tell it, disappeared from the sight of the paladin.

Rogero looked around him on all sides, like one frantic, but soon remembered the ring which he had so lately placed on her finger. Struck with the ingratitude which could thus recompense his services, he exclaimed: "Thankless beauty, is this then the reward you make me? Do you prefer to rob me of my ring rather than receive it as a gift? Willingly would I have given it to you, had you but asked it." Thus he said, searching on all sides with arms extended like a blind man, hoping to recover by the touch what was lost to sight; but he sought in vain. The cruel beauty was already far away.

Though sensible of her obligations to her deliverer, her first necessity was for clothing, food, and repose. She soon reached a shepherd's hut, where, entering unseen, she found what sufficed for her present relief. An old herdsman inhabited the hut, whose charges consisted of a drove of mares. When recruited by repose Angelica selected one of the mares from the flock, and, mounting the animal, felt the desire revive in her mind of returning to her home in the East, and for that purpose would gladly have accepted the protection of Orlando or of Sacripant across those wide regions which divided her from her own country. In hopes of meeting with one or the other of them she pursued her way.

Meanwhile Rogero, despairing of seeing Angelica again, returned to the tree where he had left his winged horse, but had the mortification to find that the animal had broken his bridle and escaped. This loss, added to his previous disappointment, overwhelmed him with vexation. Sadly he gathered up his arms, threw his buckler over his shoulders, and, taking the first path that offered, soon found himself within the verge of a dense and widespread forest.

He had proceeded for some distance when he heard a noise on his right, and, listening attentively, distinguished the clash of arms. He made his way toward the place whence the sound proceeded, and found two warriors engaged in mortal combat. One of them was a knight of a noble and manly bearing, the other a fierce giant. The knight appeared to exert consummate address in defending herself against the massive club of the giant, evading his strokes, or parrying them with sword or shield. Rogero stood spectator of the combat, for he did not allow himself to interfere in it, though a secret sentiment inclined him strongly to take part with the knight. At length he saw with grief the massive club fall directly on the head of the knight, who yielded to the blow, and fell prostrate. The giant sprang forward to despatch him, and for that purpose unlaced his helmet, when Rogero, with dismay, recognized the face of Bradamante. He cried aloud, "Hold, miscreant!" and sprang forward with drawn sword. Whereupon the giant, as if he cared not to enter upon another combat, lifted Bradamante on his shoulders, and ran with her into the forest.

Rogero plunged after him, but the long legs of the giant carried him forward so fast that the paladin could hardly keep him in sight. At length they issued from the wood, and Rogero perceived before him a rich palace, built of marble, and adorned with sculptures executed by a master hand. Into this edifice, through a golden door, the giant passed, and Rogero followed; but, on looking round, saw nowhere either the giant or Bradamante. He ran from room to room, calling aloud on his cowardly foe to turn and meet him; but got no response, nor caught another glimpse of the giant or his prey. In his vain pursuit he met, without knowing them, Ferrau, Florismart, King Gradasso, Orlando, and many others, all of whom had been entrapped like himself into this enchanted castle. It was a new stratagem of the magician Atlantes to draw Rogero into his power, and to secure also those who might by any chance endanger his safety. What Rogero had taken for Bradamante was a mere phantom. That charming lady was far away, full of anxiety for her Rogero, whose coming she had long expected.

The Emperor had committed to her charge the city and garrison of Marseilles, and she held the post against the infidels with valor and discretion. One day Melissa suddenly presented herself before her. Anticipating her questions, she said, "Fear not for Rogero; he lives, and is as ever true to you; but he has lost his liberty. The fell enchanter has again succeeded in making him a prisoner. If you would deliver him, mount your horse and follow me." She told her in what manner Atlantes had deceived Rogero, in deluding his eyes with the phantom of herself in peril. "Such," she continued, "will be his arts in your own case, if you penetrate the forest and approach that castle. You will think you behold Rogero, when, in fact, you see only the enchanter himself. Be not deceived, plunge your sword into his body, and trust me when I tell you that, in slaying him, you will restore not only Rogero, but with him many of the bravest knights of France, whom the wizard's arts have withdrawn from the camp of their sovereign."

Bradamante promptly armed herself, and mounted her horse. Melissa led her by forced journeys, by field and forest, beguiling the way with conversation on the theme which interested her hearer most. When at last they reached the forest, she repeated once more her instructions, and then took her leave, for fear the enchanter might espy her, and be put on his guard.

Bradamante rode on about two miles when suddenly she beheld Rogero, as it appeared to her, hard pressed by two fierce giants. While she hesitated she heard his voice calling on her for help. At once the cautions of Melissa lost their weight. A sudden doubt of the faith and truth of her kind monitress flashed across her mind. "Shall I not believe my own eyes and ears?" she said, and rushed forward to his defence. Rogero fled, pursued by the giants, and Bradamante followed, passing with them through the castle gate. When there, Bradamante was undeceived, for neither giant nor knight was to be seen. She found herself a prisoner, but had not the consolation of knowing that she shared the imprisonment of her beloved. She saw various forms of men and women, but could recognize none of them; and their lot was the same with respect to her. Each viewed the others under some illusion of the fancy, wearing the semblance of giants, dwarfs, or even four-footed animals, so that there was no companionship or communication between them.


    Table of Contents    

Glossary



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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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