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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME THREE


LEGENDS OF CHARLEMAGNE

OR

ROMANCE OF THE MIDDLE AGES.

BY THOMAS BULFINCH
[1863]


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    Table of Contents    

Glossary

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BRADAMANTE AND ROGERO


Bradamante, the knight of the white plume and shield, whose sudden appearance and encounter with Sacripant we have already told, was in quest of Rogero, from whom chance had separated her, almost at the beginning of their acquaintance. After her encounter with Sacripant Bradamante pursued her way through the forest, in hopes of rejoining Rogero, and arrived at last on the brink of a fair fountain.

This fountain flowed through a broad meadow. Ancient trees overshadowed it, and travellers, attracted by the sweet murmur of its waters, stopped there to cool themselves. Bradamante, casting her eyes on all sides to enjoy the beauties of the spot, perceived, under the shade of a tree, a knight reclining, who seemed to be oppressed with the deepest grief.

Bradamante accosted him, and asked to be informed of the cause of his distress. "Alas! my lord," said he, "I lament a young and charming friend, my affianced wife, who has been torn from me by a villain,--let me rather call him a demon,--who, on a winged horse, descended from the air, seized her, and bore her screaming to his den. I have pursued them over rocks and through ravines till my horse is no longer able to bear me, and I now wait only for death." He added that already a vain attempt on his behalf had been made by two knights, whom chance had brought to the spot. Their names were Gradasso, king of Sericane, and Rogero, the Moor. Both had been overcome by the wiles of the enchanter, and were added to the number of the captives, whom he held in an impregnable castle, situated on the height of the mountain. At the mention of Rogero's name Bradamante started with delight, which was soon changed to an opposite sentiment when she heard that her lover was a prisoner in the toils of the enchanter. "Sir Knight," she said, "do not surrender yourself to despair; this day may be more happy for you than you think, if you will only lead me to the castle which enfolds her whom you deplore."

The knight responded, "After having lost all that made life dear to me I have no motive to avoid the dangers of the enterprise, and I will do as you request; but I forewarn you of the perils you will have to encounter. If you fall impute it not to me."

Having thus spoken, they took their way to the castle, but were overtaken by a messenger from the camp, who had been sent in quest of Bradamante to summon her back to the army, where her presence was needed to reassure her disheartened forces, and withstand the advance of the Moors.

The mournful knight, whose name was Pinabel, thus became aware that Bradamante was a scion of the house of Clermont, between which and his own of Mayence there existed an ancient feud. From this moment the traitor sought only how he might be rid of the company of Bradamante, from whom he feared no good would come to him, but rather mortal injury, if his name and lineage became known to her. For he judged her by his own base model, and, knowing his ill deserts, he feared to receive his due.

Bradamante, in spite of the summons to return to the army, could not resolve to leave her lover in captivity, and determined first to finish the adventure on which she was engaged. Pinabel leading the way, they at length arrived at a wood, in the centre of which rose a steep, rocky mountain. Pinabel, who now thought of nothing else but how he might escape from Bradamante, proposed to ascend the mountain to extend his view, in order to discover a shelter for the night, if any there might be within sight. Under this pretence he left Bradamante, and advanced up the side of the mountain till he came to a cleft in the rock, down which he looked, and perceived that it widened below into a spacious cavern. Meanwhile Bradamante, fearful of losing her guide, had followed close on his footsteps, and rejoined him at the mouth of the cavern. Then the traitor, seeing the impossibility of escaping her, conceived another design. He told her that before her approach he had seen in the cavern a young and beautiful damsel, whose rich dress announced her high birth, who with tears and lamentations implored assistance; that before he could descend to relieve her a ruffian had seized her, and hurried her away into the recesses of the cavern.

Bradamante, full of truth and courage, readily believed this lie of the Mayencian traitor. Eager to succor the damsel, she looked round for the means of facilitating the descent, and seeing a large elm with spreading branches she lopped off with her sword one of the largest, and thrust it into the opening. She told Pinabel to hold fast to the larger end, while, grasping the branches with her hands, she let herself down into the cavern.

The traitor smiled at seeing her thus suspended, and, asking her in mockery, "Are you a good leaper?" he let go the branch with perfidious glee, and saw Bradamante precipitated to the bottom of the cave. "I wish your whole race were there with you," he muttered, "that you might all perish together."

But Pinabel's atrocious design was not accomplished. The twigs and foliage of the branch broke its descent, and Bradamante, not seriously injured, though stunned with her fall, was reserved for other adventures.

As soon as she recovered from the shock Bradamante cast her eyes around and perceived a door, through which she passed into a second cavern, larger and loftier than the first. It had the appearance of a subterranean temple. Columns of the purest alabaster adorned it, and supported the roof; a simple altar rose in the middle; a lamp, whose radiance was reflected by the alabaster walls, cast a mild light around.

Bradamante, inspired by a sense of religious awe, approached the altar, and, falling on her knees, poured forth her prayers and thanks to the Preserver of her life, invoking the protection of his power. At that moment a small door opened, and a female issued from it with naked feet, and flowing robe and hair, who called her by her name, and thus addressed her: "Brave and generous Bradamante, know that it is a power from above that has brought you hither. The spirit of Merlin, whose last earthly abode was in this place, has warned me of your arrival, and of the fate that awaits you. This famous grotto," she continued, "was the work of the enchanter Merlin; here his ashes repose. You have no doubt heard how this sage and virtuous enchanter ceased to be. Victim of the artful fairy of the lake, Merlin, by a fatal compliance with her request, laid himself down living in his tomb, without power to resist the spell laid upon him by that ingrate, who retained him there as long as he lived. His spirit hovers about this spot, and will not leave it, until the last trumpet shall summon the dead to judgment. He answers the questions of those who approach his tomb, where perhaps you may be privileged to hear his voice."

Bradamante, astonished at these words, and the objects which met her view, knew not whether she was awake or asleep. Confused, but modest, she cast down her eyes, and a blush overspread her face. "Ah, what am I," said she, "that so great a prophet should deign to speak to me!" Still, with a secret satisfaction, she followed the priestess, who led her to the tomb of Merlin. This tomb was constructed of a species of stone hard and resplendent like fire. The rays which beamed from the stone sufficed to light up that terrible place, where the sun's rays never penetrated; but I know not whether that light was the effect of a certain phosphorescence of the stone itself, or of the many talismans and charms with which it was wrought over.

Bradamante had hardly passed the threshold of this sacred place when the spirit of the enchanter saluted her with a voice firm and distinct: "May thy designs be prosperous, O chaste and noble maiden, the future mother of heroes, the glory of Italy, and destined to fill the whole world with their fame. Great captains, renowned knights, shall be numbered among your descendants, who shall defend the Church and restore their country to its ancient splendor. Princes, wise as Augustus and the sage Numa, shall bring back the age of gold. [Footnote: This prophecy is introduced by Ariosto in this place to compliment the noble house of Este, the princes of his native state, the dukedom of Ferrara.] To accomplish these grand destinies it is ordained that you shall wed the illustrious Rogero. Fly then to his deliverance, and lay prostrate in the dust the traitor who has snatched him from you, and now holds him in chains!"

Merlin ceased with these words, and left to Melissa, the priestess, the charge of more fully instructing the maiden in her future course. "To-morrow," said she, "I will conduct you to the castle on the rock where Rogero is held captive. I will not leave you till I have guided you through this wild wood, and I will direct you on your way so that you shall be in no danger of mistaking it."

The next morning Melissa conducted Bradamante between rocks and precipices, crossing rapid torrents, and traversing intricate passes, employing the time in imparting to her such information as was necessary to enable her to bring her design to a successful issue.

"Not only would the castle, impenetrable by force, and that winged horse of his baffle your efforts, but know that he possesses also a buckler whence flashes a light so brilliant that the eyes of all who look upon it are blinded. Think not to avoid it by shutting your eyes, for how then will you be able to avoid his blows, and make him feel your own? But I will teach you the proper course to pursue.

"Agramant, the Moorish prince, possesses a ring stolen from a queen of India, which has power to render of no avail all enchantments. Agramant, knowing that Rogero is of more importance to him than any one of his warriors, is desirous of rescuing him from the power of the enchanter, and has sent for that purpose Brunello, the most crafty and sagacious of his servants, provided with his wonderful ring, and he is even now at hand, bent on this enterprise. But, beautiful Bradamante, as I desire that no one but yourself shall have the glory of delivering from thraldom your future spouse, listen while I disclose the means of success. Following this path which leads by the seashore, you will come ere long to a hostelry, where the Saracen Brunello will arrive shortly before you. You will readily know him by his stature, under four feet, his great disproportioned head, his squint eyes, his livid hue, his thick eyebrows joining his tufted beard. His dress, moreover, that of a courier, will point him out to you.

"It will be easy for you to enter into conversation with him, announcing yourself as a knight seeking combat with the enchanter, but let not the knave suspect that you know anything about the ring. I doubt not that he will be your guide to the castle of the enchanter. Accept his offer, but take care to keep behind him till you come in sight of the brilliant dome of the castle. Then hesitate not to strike him dead, for the wretch deserves no pity, and take from him the ring. But let him not suspect your intention, for by putting the ring into his mouth he will instantly become invisible, and disappear from your eyes."

Saying thus, the sage Melissa and the fair Bradamante arrived near the city of Bordeaux, where the rich and wide river Garonne pours the tribute of its waves into the sea. They parted with tender embraces. Bradamante, intent wholly on her purpose, hastened to arrive at the hostelry, where Brunello had preceded her a few moments only. The young heroine knew him without difficulty. She accosted him, and put to him some slight questions, to which he replied with adroit falsehoods. Bradamante, on her part, concealed from him her sex, her religion, her country, and the blood from whence she sprung. While they talk together, sudden cries are heard from all parts of the hostelry. "O queen of heaven!" exclaimed Bradamante, "what can be the cause of this sudden alarm?" She soon learned the cause. Host, children, domestics, all, with upturned eyes, as if they saw a comet or a great eclipse, were gazing on a prodigy which seemed to pass the bounds of possibility. She beheld distinctly a winged horse, mounted with a cavalier in rich armor, cleaving the air with rapid flight. The wings of this strange courser were wide extended, and covered with feathers of various colors. The polished armor of the knight made them shine with rainbow tints. In a short time the horse and rider disappeared behind the summits of the mountains.

"It is an enchanter," said the host, "a magician who often is seen traversing the air in that way. Sometimes he flies aloft as if among the stars, and at others skims along the land. He possesses a wonderful castle on the top of the Pyrenees. Many knights have shown their courage by going to attack him, but none have ever returned, from which it is to be feared they have lost either their life or their liberty."

Bradamante, addressing the host, said, "Could you furnish me a guide to conduct me to the castle of this enchanter?" "By my faith," said Brunello, interrupting, "that you shall not seek in vain; I have it all in writing, and I will myself conduct you." Bradamante, with thanks, accepted him for her guide.

The host had a tolerable horse to dispose of, which Bradamante bargained for, and the next day, at the first dawn of morning, she took her route by a narrow valley, taking care to have the Saracen Brunello lead the way.

They reached the summit of the Pyrenees, whence one may look down on France, Spain, and the two seas. From this height they descended again by a fatiguing road into a deep valley. From the middle of this valley an isolated mountain rose, composed of rough and perpendicular rock, on whose summit was the castle, surrounded with a wall of brass. Brunello said, "Yonder is the stronghold where the enchanter keeps his prisoners; one must have wings to mount thither; it is easy to see that the aid of a flying horse must be necessary for the master of this castle, which he uses for his prison and for his abode."

Bradamante, sufficiently instructed, saw that the time had now come to possess herself of the ring; but she could not resolve to slay a defenceless man. She seized Brunello before he was aware, bound him to a tree, and took from him the ring which he wore on one of his fingers. The cries and entreaties of the perfidious Saracen moved her not. She advanced to the foot of the rock whereon the castle stood, and, to draw the magician to the combat, sounded her horn, adding to it cries of defiance.

The enchanter delayed not to present himself, mounted on his winged horse. Bradamante was struck with surprise mixed with joy when she saw that this person, described as so formidable, bore no lance nor club, nor any other deadly weapon. He had only on his arm a buckler, covered with a cloth, and in his hand an open book. As to the winged horse, there was no enchantment about him. He was a natural animal, of a species which exists in the Riphaean mountains. Like a griffin, he had the head of an eagle, claws armed with talons, and wings covered with feathers, the rest of his body being that of a horse. This strange animal is called a Hippogriff.

The heroine attacked the enchanter on his approach, striking on this side and on that, with all the energy of a violent combat, but wounding only the wind; and after this pretended attack had lasted some time dismounted from her horse, as if hoping to do battle more effectually on foot. The enchanter now prepares to employ his sole weapon, by uncovering the magic buckler which never failed to subdue an enemy by depriving him of his senses. Bradamante, confiding in her ring, observed all the motions of her adversary, and, at the unveiling of the shield, cast herself on the ground, pretending that the splendor of the shield had overcome her, but in reality to induce the enchanter to dismount and approach her.

It happened according to her wish. When the enchanter saw her prostrate he made his horse alight on the ground, and, dismounting, fixed the shield on the pommel of his saddle, and approached in order to secure the fallen warrior. Bradamante, who watched him intently, as soon as she saw him near at hand, sprang up, seized him vigorously, threw him down, and, with the same chain which the enchanter had prepared for herself, bound him fast, without his being able to make any effectual resistance.

The enchanter, with the accents of despair, exclaimed, "Take my life, young man!" but Bradamante was far from complying with such a wish. Desirous of knowing the name of the enchanter, and for what purpose he had formed with so much art this impregnable fortress, she commanded him to inform her.

"Alas!" replied the magician, while tears flowed down his cheeks, "it is not to conceal booty, nor for any culpable design that I have built this castle; it was only to guard the life of a young knight, the object of my tenderest affection, my art having taught me that he is destined to become a Christian, and to perish, shortly after, by the blackest of treasons.

"This youth, named Rogero, is the most beautiful and most accomplished of knights. It is I, the unhappy Atlantes, who have reared him from his childhood. The call of honor and the desire of glory led him from me to follow Agramant, his prince, in his invasion of France, and I, more devoted to Rogero than the tenderest of parents, have sought the means of bringing him back to this abode, in the hope of saving him from the cruel fate that menaces him.

"For this purpose I have got him in my possession by the same means as I attempted to employ against you; and by which I have succeeded in collecting a great many knights and ladies in my castle. My purpose was to render my beloved pupil's captivity light, by affording him society to amuse him, and keep his thoughts from running on subjects of war and glory. Alas! my cares have been in vain! Yet, take, I beseech you, whatever else I have, but spare me my beloved pupil. Take this shield, take this winged courser, deliver such of your friends as you may find among my prisoners, deliver them all if you will, but leave me my beloved Rogero; or if you will snatch him too from me, take also my life, which will cease then to be to me worth preserving."

Bradamante replied: "Old man, hope not to move me by your vain entreaties. It is precisely the liberty of Rogero that I require. You would keep him here in bondage and in slothful pleasure, to save him from a fate which you foresee. Vain old man! how can you foresee his fate when you could not foresee your own? You desire me to take your life. No, my aim and my soul refuse the request." This said, she required the magician to go before, and guide her to the castle. The prisoners were set at liberty, though some, in their secret hearts, regretted the voluptuous life which was thus brought to an end. Bradamante and Rogero met one another with transports of joy.

They descended from the mountain to the spot where the encounter had taken place. There they found the Hippogriff, with the magic buckler in its wrapper, hanging to his saddle-bow. Bradamante advanced to seize the bridle; the Hippogriff seemed to wait her approach, but before she reached him he spread his wings and flew away to a neighboring hill, and in the same manner, a second time, eluded her efforts. Rogero and the other liberated knights dispersed over the plain and hilltops to secure him, and at last the animal allowed Rogero to seize his rein. The fearless Rogero hesitated not to vault upon his back, and let him feel his spurs, which so roused his mettle that, after galloping a short distance, he suddenly spread his wings, and soared into the air. Bradamante had the grief to see her lover snatched away from her at the very moment of reunion. Rogero, who knew not the art of directing the horse, was unable to control his flight. He found himself carried over the tops of the mountains, so far above them that he could hardly distinguish what was land and what water. The Hippogriff directed his flight to the west, and cleaved the air as swiftly as a new-rigged vessel cuts the waves, impelled by the freshest and most favorable gales.


    Table of Contents    

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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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