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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME TWO


THE AGE OF CHIVALRY

OR

LEGENDS OF KING ARTHUR

BY THOMAS BULFINCH
[1858]


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    Table of Contents    

Glossary

#


Part II.



The Mabinogeon.


Chapter XXII.


The Lady of the Fountain, Continued.


Gawain's Adventure.


IT befell that, as Gawain went forth one day with King Arthur, he perceived him to be very sad and sorrowful. And Gawain was much grieved to see Arthur in this state, and he questioned him, saying, "O my lord, what has befallen thee?" "In sooth, Gawain," said Arthur, "I am grieved concerning Owain, whom I have lost these three years; and I shall certainly die if the fourth year pass without my seeing him. Now I am sure that it is through the tale which Kynon, the son of Clydno, related, that I have lost Owain." "There is no need for thee," said Gawain, "to summon to arms thy whole dominions on this account, for thou thyself, and the men of thy household, will be able to avenge Owain if he be slain, or to set him free if he be in prison; and, if alive, to bring him back with thee." And it was settled according to what Gawain had said.

Then Arthur and the men of his household prepared to go and seek Owain. And Kynon, the son of Clydno, acted as their guide. And Arthur came to the castle where Kynon had been before. And when he came there, the youths were shooting in the same place, and the yellow man was standing hard by. When the yellow man saw Arthur, he greeted him, and invited him to the castle. And Arthur accepted his invitation, and they entered the castle together. And great as was the number of his retinue, their presence was scarcely observed in the castle, so vast was its extent. And the maidens rose up to wait on them. And the service of the maidens appeared to them all to excel any attendance they had ever met with; and even the pages, who had charge of the horses, were no worse served that night than Arthur himself would have been in his own palace.

The next morning Arthur set out thence, with Kynon for his guide, and came to the place where the black man was. And the stature of the black man was more surprising to Arthur than it had been represented to him. And they came to the top of the wooded steep, and traversed the valley, till they reached the green tree, where they saw the fountain and the bowl and the slab. And upon that Kay came to Arthur, and spoke to him. "My lord," said he, "I know the meaning of all this, and my request is that thou wilt permit me to throw the water on the slab, and to receive the first adventure that may befall." And Arthur gave him leave.

Then Kay threw a bowlful of water upon the slab, and immediately there came the thunder, and after the thunder the shower. And such a thunder-storm they had never known before. After the shower had ceased, the sky became clear, and on looking at the tree, they beheld it completely leafless. Then the birds descended upon the tree. And the song of the birds was far sweeter than any strain they had ever heard before. Then they beheld a knight, on a coal-black horse, clothed in black satin, coming rapidly towards them. And Kay met him and encountered him, and it was not long before Kay was overthrown. And the knight withdrew. And Arthur and his host encamped for the night.

And when they arose in the morning, they perceived the signal of combat upon the lance of the knight. Then, one by one, all the household of Arthur went forth to combat the knight, until there was not one that was not overthrown by him, except Arthur and Gawain. And Arthur armed himself to encounter the knight. "O my lord," said Gawain, "permit me to fight with him first." And Arthur permitted him. And he went forth to meet the knight, having over himself and his horse a satin robe of honor, which had been sent him by the daughter of the Earl of Rhangyr, and in this dress he was not known by any of the host. And they charged each other, and fought all that day until the evening. And neither of them was able to unhorse the other. And so it was the next day; they broke their lances in the shock, but neither of them could obtain the mastery.

And the third day they fought with exceeding strong lances. And they were incensed with rage, and fought furiously, even until noon. And they gave each other such a shock, that the girths of their horses were broken, so that they fell over their horses' cruppers to the ground. And they rose up speedily and drew their swords, and resumed the combat. And all they that witnessed their encounter felt assured that they had never before seen two men so valiant or so powerful. And had it been midnight, it would have been light, from the fire that flashed from their weapons. And the knight gave Gawain a blow that turned his helmet from off his face, so that the knight saw that it was Gawain. Then Owain said, "My lord Gawain, I did not know thee for my cousin, owing to the robe of honor that enveloped thee; take my sword and my arms." Said Gawain, "Thou, Owain, art the victor; take thou my sword." And with that Arthur saw that they were conversing, and advanced toward them. "My lord Arthur," said Gawain, "here is Owain who has vanquished me, and will not take my arms." "My lord," said Owain, "it is he that has vanquished me, and he will not take my sword." "Give me your swords," said Arthur, "and then neither of you has vanquished the other." Then Owain put his arms around Arthur's neck, and they embraced. And all the host hurried forward, to see Owain, and to embrace him. And there was nigh being a loss of life, so great was the press.

And they retired that night, and the next day Arthur prepared to depart. "My lord," said Owain, "this is not well of thee. For I have been absent from thee these three years, and during all that time, up to this very day, I have been preparing a banquet for thee, knowing that thou wouldst come to seek me. Tarry with me, therefore, until thou and thy attendants have recovered the fatigues of the journey, and have been anointed."

And they all proceeded to the castle of the Countess of the Fountain, and the banquet which had been three years preparing was consumed in three months. Never had they a more delicious or agreeable banquet. And Arthur prepared to depart. Then he sent an embassy to the Countess to beseech her to permit Owain to go with him for the space of three months, that he might show him to the nobles and the fair dames of the island of Britain. And the Countess gave her consent, although it was very painful to her. So Owain came with Arthur to the island of Britain. And when he was once more amongst his kindred and friends, he remained three years, instead of three months, with them.


The Adventure of the Lion.


And as Owain one day sat at meat, in the city of Caerleon upon Usk, behold a damsel entered the hall, upon a bay horse,25 with a curling name, and covered with foam; and the bridle, and as much as was seen of the saddle, were of gold. And the damsel was arrayed in a dress of yellow satin. And she came up to Owain, and took the ring from off his hand. "Thus," said she, "shall be treated the deceiver, the traitor, the faithless, the disgraced, and the beardless." And she turned her horse's head, and departed.

25 The custom of riding into a hall while the lord and his guests sat at meat might be illustrated by numerous passages of ancient romance and history. But a quotation from Chaucer's beautiful and half-told tale of Cambuscan is sufficient:

"And so befell that after the thridde cours,

While that this king sat thus in his nobley,

Herking his minstralles thir thinges play,

Beforne him at his bord deliciously,

In at the halle door all sodenly

Ther came a knight upon a stede of bras,

And in his hond a brod mirrour of glas,

Upon his thombe he had of gold a ring,

And by his side a naked sword hanging;

And up he rideth to the highe bord.

In all the halle ne was ther spoke a word,

For mervaille of this knight; him to behold

Full besily they waiten, young and old."

Then his adventure came to Owain's remembrance, and he was sorrowful. And having finished eating, he went to his own abode, and made preparations that night. And the next day he arose, but did not go to the court, nor did he return to the Countess of the Fountain, but wandered to the distant parts of the earth and to uncultivated mountains. And he remained there until all his apparel was worn out and his body was wasted away, and his hair was grown long. And he went about with the wild beasts, and fed with them, until they became familiar with him. But at length he became so weak that he could no longer bear them company. Then he descended from the mountains to the valley, and came to a park, that was the fairest in the world, and belonged to a charitable lady.

One day the lady and her attendants went forth to walk by a lake that was in the middle of the park. And they saw the form of a man lying as if dead. And they were terrified. Nevertheless they went near him, and touched him, and they saw that there was life in him. And the lady returned to the castle, and took a flask full of precious ointment and gave it to one of her maidens. "Go with this," said she, "and take with thee yonder horse, and clothing, and place them near the man we saw just now, and anoint him with this balsam near his heart; and if there is life in him he will revive, through the efficiency of this balsam. Then watch what he will do."

And the maiden departed from her, and went and poured of the balsam upon Owain, and left the horse and the garments hard by, and went a little way off and hid herself to watch him. In a short time she saw him begin to move; and he rose up and looked at his person, and became ashamed of the unseemliness of his appearance. Then he perceived the horse and the garments that were near him. And be clothed himself and with difficulty mounted the horse. Then the damsel discovered herself to him, and saluted him. And he and the maiden proceeded to the castle, and the maiden conducted him to a pleasant chamber, and kindled a fire, and left him.

And he stayed at the castle three months, till he was restored to his former guise, and became even more comely than he had ever been before. And Owain rendered signal service to the lady in a controversy with a powerful neighbor, so that he made ample requital to her for her hospitality; and he took his departure.

And as he journeyed he heard a loud yelling in a wood. And it was repeated a second and a third time. And Owain went towards the spot, and beheld a huge craggy mound, in the middle of the wood, on the side of which was a gray rock. And there was a cleft in the rock, and a serpent was within the cleft. And near the rock stood a black lion, and every time the lion sought to go thence the serpent darted towards him to attack him. And Owain unsheathed his sword, and drew near to the rock; and as the serpent sprung out he struck him with his sword and cut him in two. And he dried his sword, and went on his way as before. But behold the lion followed him, and played about him, as though it had been a greyhound that he had reared.

They proceeded thus throughout the day, until the evening. And when it was time for Owain to take his rest he dismounted, and turned his horse loose in a flat and wooded meadow. And he struck fire, and when the fire was kindled the lion brought him fuel enough to last for three nights. And the lion disappeared. And presently the lion returned, bearing a fine large roebuck. And he threw it down before Owain, who went towards the fire with it.

And Owain took the roebuck and skinned it, and placed collops of its flesh upon skewers round the fire. The rest of the buck he gave to the lion to devour. While he was so employed he heard a deep groan near him, and a second, and a third. And the place whence the groans proceeded was a cave in the rock; and Owain went near, and called out to know who it was that groaned so piteously. And a voice answered, "I am Luned, the handmaiden of the Countess of the Fountain." "And what dost thou here?" said he. "I am imprisoned," said she, "on account of the knight who came from Arthur's court and married the Countess. And he stayed a short time with her, but he afterwards departed for the court of Arthur, and has not returned since. And two of the Countess's pages traduced him, and called him a deceiver. And because I said I would vouch for it he would come before long and maintain his cause against both of them they imprisoned me in this cave, and said that I should be put to death unless he came to deliver me by a certain day; and that is no further off than tomorrow, and I have no one to send to seek him for me. His name is Owain, the son of Urien." "And art thou certain that if that knight knew all this he would come to thy rescue?" "I am most certain of it," said she.

When the collops were cooked, Owain divided them into two parts, between himself and the maiden, and then Owain laid himself down to sleep; and never did sentinel keep stricter watch over his lord than the lion that night over Owain.

And the next day there came two pages with a great troop of attendants to take Luned from her cell, and put her to death. And Owain asked them what charge they had against her. And they told him of the compact that was between them; as the maiden had done the night before. "And," said they, "Owain has failed her, therefore we are taking her to be burnt." "Truly," said Owain, "he is a good knight, and if he knew that the maiden was in such peril, I marvel that he came not to her rescue. But if you will accept me in his stead, I will do battle with you." "We will," said the youths.

And they attacked Owain, and he was hard beset by them. And with that, the lion came to Owain's assistance, and they two got the better of the young men. And they said to him, "Chieftain, it was not agreed that we should fight save with thyself alone, and it is harder for us to contend with yonder animal than with thee." And Owain put the lion in the place where Luned had been imprisoned, and blocked up the door with stones. And he went to fight with the young men as before. But Owain had not his usual strength, and the two youths pressed hard upon him. And the lion roared incessantly at seeing Owain in trouble. And he burst through the wall, until he found his way out, and rushed upon the young men and instantly slew them. So Luned was saved from being burned.

Then Owain returned with Luned to the castle of the Lady of the Fountain. And when he went thence, he took the Countess with him to Arthur's court, and she was his wife as long as she lived.


    Table of Contents    

Glossary



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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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