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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME TWO


THE AGE OF CHIVALRY

OR

LEGENDS OF KING ARTHUR

BY THOMAS BULFINCH
[1858]


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    Table of Contents    

Glossary

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Part II.



The Mabinogeon.


Chapter XXI.


The Lady of the Fountain, Continued.


Owain's Adventure.22


22 Amongst all the characters of early British history none is more interesting or occupies a more conspicuous place, than the hero of this tale. Urien, his father, was prince of Rheged, a district comprising the present Cumberland and part of the adjacent country. His valor and the consideration in which he was held are a frequent theme of Bardic song, and form the subject of several very spirited odes by Taliesin. Among the Triads there is one relating to him; it is thus translated:–

"Three Knights of Battle were in the court of Arthur: Cadwr the Earl of Cornwall, Launcelot du Lac, and Owain the son of Urien. And this was their characteristic,– that they would not retreat from battle, neither for spear, nor for arrow, nor for sword. And Arthur never had shame in battle the day he saw their faces there. And they were called the Knights of Battle."

"Now," quoth Owain, "would it not be well to go and endeavor to discover that place?"

"By the hand of my friend," said Kay, "often dost thou utter that with thy tongue which thou wouldest not make good with thy deeds."

"In very truth," said Guenever, "it were better thou wert hanged, Kay, than to use such uncourteous speech towards a man like Owain."

"By the hand of my friend, good lady," said Kay; "thy praise of Owain is not greater than mine."

With that Arthur awoke, and asked if he had not been sleeping a little.

"Yes, lord," answered Owain, "thou hast slept awhile."

"Is it time for us to go to meat?"

"It is, lord," said Owain.

Then the horn for washing was sounded, and the king and all his household sat down to eat. And when the meal was ended, Owain withdrew to his lodging, and made ready his horse and his arms.

On the morrow with the dawn of day he put on his armor, and mounted his charger, and travelled through distant lands, and over desert mountains. And at length he arrived at the valley which Kynon had described to him, and he was certain that it was the same that he sought. And journeying along the valley, by the side of the river, he followed its course till he came to the plain, and within sight of the castle. When he approached the castle, he saw the youths shooting with their bows, in the place where Kynon had seen them, and the yellow man, to whom the castle belonged, standing hard by. And no sooner had Owain saluted the yellow man, than he was saluted by him in return.

And he went forward towards the castle, and there he saw the chamber; and when he had entered the chamber, he beheld the maidens working at satin embroidery, in chains of gold. And their beauty and their comeliness seemed to Owain far greater than Kynon had represented to him. And they arose to wait upon Owain, as they had done to Kynon. And the meal which they set before him gave even more satisfaction to Owain than it had done to Kynon.

About the middle of the repast the yellow man asked Owain the object of his journey. And Owain made it known to him, and said, "I am in quest of the knight who guards the fountain." Upon this the yellow man smiled, and said that he was as loath to point out that adventure to him as he had been to Kynon. However, he described the whole to Owain, and they retired to rest.

The next morning Owain found his horse made ready for him by the damsels, and he set forward and came to the glade where the black man was. And the stature of the black man seemed more wonderful to Owain than it had done to Kynon; and Owain asked of him his road, and he showed it to him. And Owain followed the road till he came to the green tree; and he beheld the fountain, and the slab beside the fountain, and the bowl upon it. And Owain took the bowl and threw a bowlful of water upon the slab. And, lo! the thunder was heard, and after the thunder came the shower, more violent than Kynon had described, and after the shower the sky became bright. And immediately the birds came and settled upon the tree and sang. And when their song was most pleasing to Owain, he beheld a knight coming towards him through the valley; and he prepared to receive him, and encountered him violently. Having broken both their lances, they drew their swords and fought blade to blade. Then Owain struck the knight a blow through his helmet, head-piece, and visor, and through the skin, and the flesh, and the bone, until it wounded the very brain. Then the black knight felt that he had received a mortal wound, upon which he turned his horse's head and fled. And Owain pursued him, and followed close upon him, although he was not near enough to strike him with his sword. Then Owain descried a vast and resplendent castle; and they came to the castle gate. And the black knight was allowed to enter, and the portcullis was let fall upon Owain; and it struck his horse behind the saddle, and cut him in two, and carried away the rowels of the spurs that were upon Owain's heels. And the portcullis descended to the floor. And the rowels of the spurs and part of the horse were without, and Owain with the other part of the horse remained between the two gates, and the inner gate was closed, so that Owain could not go thence; and Owain was in a perplexing situation. And while he was in this state, he could see through an aperture in the gate a street facing him, with a row of houses on each side. And he beheld a maiden, with yellow, curling hair, and a frontlet of gold upon her head; and she was clad in a dress of yellow satin, and on her feet were shoes of variegated leather. And she approached the gate, and desired that it should be opened. "Heaven knows, lady," said Owain, "it is no more possible for me to open to thee from hence, than it is for thee to set me free." And he told her his name, and who he was. "Truly," said the damsel, "it is very sad that thou canst not be released; and every woman ought to succor thee, for I know there is no one more faithful in the service of ladies than thou. Therefore," quoth she, "whatever is in my power to do for thy release, I will do it. Take this ring, and put it on thy finger, with the stone inside thy hand, and close thy hand upon the stone. And as long as thou concealest it, it will conceal thee. When they come forth to fetch thee, they will be much grieved that they cannot find thee. And I will await thee on the horseblock yonder, and thou wilt be able to see me, though I cannot see thee. Therefore come and place thy hand upon my shoulder, that I may know that thou art near me. And by the way that I go hence, do thou accompany me."

Then the maiden went away from Owain, and he did all that she had told him. And the people of the castle came to seek Owain to put him to death; and when they found nothing but the half of his horse, they were sorely grieved.

And Owain vanished from among them, and went to the maiden, and placed his hand upon her shoulder; whereupon she set off, and Owain followed her, until they came to the door of a large and beautiful chamber, and the maiden opened it, and they went in. And Owain looked around the chamber, and behold there was not a single nail in it that was not painted with gorgeous colors, and there was not a single panel that had not sundry images in gold portrayed upon it.

The maiden kindled a fire, and took water in a silver bowl, and gave Owain water to wash. Then she placed before him a silver table, inlaid with gold; upon which was a cloth of yellow linen, and she brought him food. And, of a truth, Owain never saw any kind of meat that was not there in abundance, but it was better cooked there than he had ever found it in any other place. And there was not one vessel from which he was served that was not of gold or of silver. And Owain ate and drank until late in the afternoon, when, lo! they heard a mighty clamor in the castle, and Owain asked the maiden what it was. "They are administering extreme unction," said she, "to the nobleman who owns the castle." And she prepared a couch for Owain which was meet for Arthur himself, and Owain went to sleep.

And a little after daybreak he heard an exceeding loud clamor and wailing, and asked the maiden what was the cause of it. "They are bearing to the church the body of the nobleman who owned the castle."

And Owain rose up, and clothed himself, and opened a window of the chamber, and looked towards the castle; and he could see neither the bounds nor the extent of the hosts that filled the streets. And they were fully armed; and a vast number of women were with them, both on horseback and on foot, and all the ecclesiastics in the city singing. In the midst of the throng he beheld the bier, over which was a veil of white linen; and wax tapers were burning beside and around it; and none that supported the bier was lower in rank than a powerful baron.

Never did Owain see an assemblage so gorgeous with silk23 and satin. And, following the train, he beheld a lady with yellow hair falling over her shoulders, and stained with blood; and about her a dress of yellow satin, which was torn. Upon her feet were shoes of variegated leather. And it was a marvel that the ends of her fingers were not bruised from the violence with which she smote her hands together. Truly she would have been the fairest lady Owain ever saw had she been in her usual guise. And her cry was louder than the shout of the men or the clamor of the trumpets. No sooner had he beheld the lady than he became inflamed with her love, so that it took entire possession of him.

23 Before the sixth century all the silk used by Europeans had been brought to them by the Seres, the ancestors of the present Boukharians, whence it derived its Latin name of Serica. In 551 the silkworm was brought by two monks to Constantinople; but the manufacture of silk was confined to the Greek empire till the year 1130, when Roger, king of Sicily, returning from a crusade, collected some manufacturers from Athens and Corinth, and established them at Palermo, whence the trade was gradually disseminated over Italy. The varieties of silk stuffs known at this time were velvet, satin (which was called samite), and taffety (called cendal or sendall), all of which were occasionally stitched with gold and silver.

Then he inquired of the maiden who the lady was. "Heaven knows," replied the maiden, "she is the fairest, and the most chaste, and the most liberal, and the most noble of women. She is my mistress, and she is called the Countess of the Fountain, the wife of him whom thou didst slay yesterday." "Verily," said Owain, "she is the woman that I love best." "Verily," said the maiden, "she shall also love thee, not a little."

Then the maiden prepared a repast for Owain, and truly he thought he had never before so good a meal, nor was he ever so well served. Then she left him, and went towards the castle. When she came there she found nothing but mourning and sorrow; and the Countess in her chamber could not bear the sight of any one through grief. Luned, for that was the name of the maiden, saluted her, but the Countess answered her not. And the maiden bent down towards her, and said, "What aileth thee that thou answerest no one to-day?" "Luned," said the Countess, "what change hath befallen thee that thou hast not come to visit me in my grief? It was wrong in thee, and I so sorely afflicted." "Truly," said Luned, "I thought thy good sense was greater than I find it to be. Is it well for thee to mourn after that good man, or for anything else that thou canst not have?" "I declare to Heaven," said the Countess, "that in the whole world there is not a man equal to him." "Not so," said Luned, "for an ugly man would be as good as, or better than he." "I declare to Heaven," said the Countess, "that were it not repugnant to me to put to death one whom I have brought up I would have thee executed for making such comparison to me. As it is, I will banish thee." "I am glad," said Luned, "that thou hast no other cause to do so than that I would have been of service to thee, where thou didst not know what was to thine advantage. Henceforth evil betide whichever of us shall make the first advance towards reconciliation to the other, whether I should seek an invitation from thee, or thou of thine own accord shouldst send to invite me."

With that Luned went forth; and the Countess arose and followed her to the door of the chamber, and began coughing loudly. And when Luned looked back the Countess beckoned to her, and she returned to the Countess. "In truth," said the Countess, "evil is thy disposition; but if thou knowest what is to my advantage, declare it to me." "I will do so," said she.

"Thou knowest that, except by warfare and arms, it is impossible for thee to preserve thy possessions; delay not, therefore, to seek some one who can defend them." "And how can I do that?" said the Countess. "I will tell thee," said Luned; "unless thou canst defend the fountain thou canst not maintain thy dominions; and no one can defend the fountain except it be a knight of Arthur's household. I will go to Arthur's court, and ill betide me if I return not thence with a warrior who can guard the fountain as well as, or even better, than he who defended it formerly." "That will be hard to perform," said the Countess. "Go, however, and make proof of that which thou hast promised."

Luned set out under the pretence of going to Arthur's court; but she went back to the mansion where she had left Owain, and she tarried there as long as it might have taken her to travel to the court of King Arthur and back. And at the end of that time she apparelled herself, and went to visit the Countess. And the Countess was much rejoiced when she saw her, and inquired what news she brought from the court. "I bring thee the best of news," said Luned, "for I have compassed the object of my mission. When wilt thou that I should present to thee the chieftain who has come with me thither?" "Bring him here to visit me to-morrow," said the Countess, "and I will cause the town to be assembled by that time."

And Luned returned home. And the next day, at noon, Owain arrayed himself in a coat and a surcoat, and a mantle of yellow satin, upon which was a broad band of gold lace; and on his feet were high shoes of variegated leather, which were fastened by golden clasps, in the form of lions. And they proceeded to the chamber of the Countess.

Right glad was the Countess of their coming. And she gazed steadfastly upon Owain, and said, "Luned, this knight has not the look of a traveller." "What harm is there in that, lady?" said Luned. "I am certain," said the Countess, "that no other man than this chased the soul from the body of my lord." "So much the better for thee, lady," said Luned, "for had he not been stronger than thy lord, he could not have deprived him of life. There is no remedy for that which is past, be it as it may." "Go back to thine abode," said the Countess, "and I will take counsel."

The next day the Countess caused all her subjects to assemble, and showed them that her earldom was left defenceless, and that it could not be protected but with horse and arms, and military skill. "Therefore," said she, "this is what I offer for your choice: either let one of you take me, or give your consent for me to take a husband from elsewhere, to defend my dominions."

So they came to the determination that it was better that she should have permission to marry some one from elsewhere; and thereupon she sent for the bishops and archbishops, to celebrate her nuptials with Owain. And the men of the earldom did Owain homage.

And Owain defended the fountain with lance and sword. And this is the manner in which he defended it. Whensoever a knight came there, he overthrew him, and sold him for his full worth. And what he thus gained he divided among his barons and his knights, and no man in the whole world could be more beloved than he was by his subjects. And it was thus for the space of three years.24

24 There exists an ancient poem, printed among those of Taliesin, called the Elegy of Owain ap Urien, and containing several very beautiful and spirited passages. It commences:

"The soul of Owain ap Urien,

May its Lord consider its exigencies!

Reged's chief the green turf covers."

In the course of this Elegy, the bard, alluding to the incessant welfare with which this chieftain harassed his Saxon foes, exclaims:

"Could England sleep with the light upon her eyes!"


    Table of Contents    

Glossary



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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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