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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME TWO


THE AGE OF CHIVALRY

OR

LEGENDS OF KING ARTHUR

BY THOMAS BULFINCH
[1858]


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    Table of Contents    

Glossary

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Part II.



The Mabinogeon.


Chapter XXIII.


Geraint, the Son of Erbin.


ARTHUR was accustomed to hold his court at Caerleon upon Usk. And there he held it seven Easters and five Christmases. And once upon a time he held his court there at Whitsuntide. For Caerleon was the place most easy of access in his dominions, both by sea and by land. And there were assembled nine crowned kings, who were his tributaries, and likewise earls and barons. For they were his invited guests at all the high festivals, unless they were prevented by any great hinderance. And when he was at Caerleon holding his court, thirteen churches were set apart for mass. And thus they were appointed: one church for Arthur and his kings, and his guests; and the second for Guenever and her ladies; and the third for the steward of the household and the suitors; and the fourth for the Franks and the other officers; and the other nine churches were for the nine masters of the household, and chiefly for Gawain, for he, from the eminence of his warlike fame, and from the nobleness of his birth, was the most exalted of the nine. And there was no other arrangement respecting the churches than that which we have here mentioned.

And on Whit–Tuesday, as the king sat at the banquet, lo, there entered a tall, fair-headed youth, clad in a coat and surcoat of satin, and a golden-hilted sword about his neck, and low shoes of leather upon his feet. And he came and stood before Arthur. "Hail to thee, lord," said he. "Heaven prosper thee," he answered, "and be thou welcome." "Dost thou bring any new tidings?" "I do, lord," he said. "I am one of thy foresters, lord, in the forest of Dean, and my name is Madoc, son of Turgadarn. In the forest I saw a stag, the like of which beheld I never yet." "What is there about him," asked Arthur, "that thou never yet didst see his like?" "He is of pure white, lord, and he does not herd with any other animal, through stateliness and pride, so royal is his bearing. And I come to seek thy counsel, lord, and to know thy will concerning him. "It seems best to me," said Arthur, "to go and hunt him to-morrow at break of day, and to cause general notice thereof to be given to-night, in all quarters of the court." And Arryfuerys was Arthur's chief huntsman, and Arelivri his chief page. And all received notice; and thus it was arranged.

Then Guenever said to Arthur, "Wilt thou permit me, lord, to go to-morrow to see and hear the hunt of the stag of which the young man spoke?" "I will gladly," said Arthur. And Gawain said to Arthur, "Lord, if it seem well to thee, permit that into whose hunt soever the stag shall come, that one, be he a knight or one on foot, may cut off his head, and give it to whom he pleases, whether to his own lady-love, or to the lady of his friend." "I grant it gladly," said Arthur, "and let the steward of the household be chastised, if all things are not ready to-morrow for the chase."

And they passed the night with songs and diversions and discourse, and ample entertainment. And when it was time for them all to go to sleep, they went. And when the next day came, they arose. And Arthur called the attendants who guarded his couch. And there were four pages whose names were Cadyrnerth, the son of Gandwy, and Ambreu, the son of Bedwor, and Amhar, the son of Arthur, and Goreu, the son of Custennin. And these men came to Arthur and saluted him, and arrayed him in his garments. And Arthur wondered that Guenever did not awake, and the attendants wished to awaken her. "Disturb her not," said Arthur, "for she had rather sleep than go to see the hunting."

Then Arthur went forth, and he heard two horns sounding, one from near the lodging of the chief huntsman, and the other from near that of the chief page. And the whole assembly of the multitudes came to Arthur, and they took the road to the forest.

And after Arthur had gone forth from the palace, Guenever awoke, and called to her maidens, and apparelled herself. "Maidens," said she, "I had leave last night to go and see the hunt. Go one of you to the stable, and order hither a horse such as a woman may ride." And one of them went, and she found but two horses in the stable; and Guenever and one of her maidens mounted them, and went through the Usk, and followed the track of the men and the horses. And as they rode thus, they heard a loud and rushing sound; and they looked behind them, and beheld a knight upon a hunter foal of mighty size. And the rider was a fair-haired youth, bare-legged, and of princely mien; and a golden-hilted sword was at his side, and a robe and a surcoat of satin were upon him, and two low shoes of leather were upon his feet; and around him was a scarf of blue purple, at each corner of which was a golden apple. And his horse stepped stately and swift and proud; and he overtook Guenever, and saluted her. "Heaven prosper thee, Geraint," said she; "and why didst thou not go with thy lord to hunt?" "Because I knew not when he went," said he. "I marvel too," said she, "how he could go, unknown to me. But thou, O young man, art the most agreeable companion I could have in the whole kingdom; and it may be I shall be more amused with the hunting than they; for we shall hear the horns when they sound, and we shall hear the dogs when they are let loose and begin to cry."

So they went to the edge of the forest, and there they stood. "From this place," said she, "we shall hear when the dogs are let loose." And thereupon they heard a loud noise; and they looked towards the spot whence it came, and they beheld a dwarf riding upon a horse, stately and foaming and prancing and strong and spirited. And in the hand of the dwarf was a whip. And near the dwarf they saw a lady upon a beautiful white horse, of steady and stately pace; and she was clothed in a garment of gold brocade. And near her was a knight upon a war-horse of large size, with heavy and bright armor both upon himself and upon his horse. And truly they never before saw a knight, or a horse, or armor, of such remarkable size.

"Geraint," said Guenever, "knowest thou the name of that tall knight yonder?" "I know him not," said he, "and the strange armor that he wears prevents my either seeing his face or his features." "Go, maiden," said Guenever, "and ask the dwarf who that knight is." Then the maiden went up to the dwarf; and she inquired of the dwarf who the knight was. "I will not tell thee," he answered. "Since thou art so churlish," said she, "I will ask him, myself." "Thou shalt not ask him, by my faith," said he. "Wherefore not?" said she. "Because thou art not of honor sufficient to befit thee to speak to my lord." Then the maiden turned her horse's head towards the knight, upon which the dwarf struck her with the whip that was in his hand across the face and the eyes, so that the blood flowed forth. And the maiden returned to Guenever, complaining of the hurt she had received. "Very rudely has the dwarf treated thee," said Geraint, and he put his hand upon the hilt of his sword. But he took counsel with himself, and considered that it would be no vengeance for him to slay the dwarf, and to be attacked unarmed by the armed knight; so he refrained.

"Lady," said he, "I will follow him, with thy permission, and at last he will come to some inhabited place, where I may have arms, either as a loan or for a pledge, so that I may encounter the knight." "Go," said she, "and do not attack him until thou hast good arms; and I shall be very anxious concerning thee, until I hear tidings of thee." "If I am alive," said he, "thou shalt hear tidings of me by to-morrow afternoon;" and with that he departed.

And the road they took was below the palace of Caerleon, and across the ford of the Usk; and they went along a fair and even and lofty ridge of ground, until they came to a town, and at the extremity of the town they saw a fortress and a castle. And as the knight passed through the town, all the people arose and saluted him, and bade him welcome. And when Geraint came into the town, he looked at every house to see if he knew any of those whom he saw. But he knew none, and none knew him, to do him the kindness to let him have arms, either as a loan or for a pledge. And every house he saw was full of men and arms and horses. And they were polishing shields, and burnishing swords, and washing armor, and shoeing horses. And the knight and the lady and the dwarf rode up to the castle, that was in the town, and every one was glad in the castle. And from the battlements and the gates they risked their necks, through their eagerness to greet them, and to show their joy.

Geraint stood there to see whether the knight would remain in the castle; and when he was certain that he would do so, he looked around him. And at a little distance from the town he saw an old palace in ruins, wherein was a hall that was falling to decay. And as he knew not any one in the town, he went towards the old palace. And when he came near to the palace, he saw a hoary-headed man, standing by it, in tattered garments. And Geraint gazed steadfastly upon him. Then the hoary-headed man said to him, "Young man, wherefore art thou thoughtful?" "I am thoughtful," said he, "because I know not where to pass the night." "Wilt thou come forward this way, chieftain," said he, "and thou shalt have of the best that can be procured for thee." So Geraint went forward. And the hoary-headed man led the way into the hall. And in the hall he dismounted, and he left there his horse. Then he went on to the upper chamber with the hoary-headed man. And in the chamber he beheld an old woman, sitting on a cushion, with old, worn-out garments upon her; yet it seemed to him that she must have been comely when in the bloom of youth. And beside her was a maiden, upon whom were a vest and a veil, that were old, and beginning to be worn out. And truly he never saw a maiden more full of comeliness and grace and beauty than she. And the hoary-headed man sail to the maiden, "There is no attendant for the horse of this youth but thyself." "I will render the best service I am able," said she, "both to him and to his horse." And the maiden disarrayed the youth, and then she furnished his horse with straw and with corn; and then she returned to the chamber. And the hoary-headed man said to the maiden, "Go to the town, and bring hither the best that thou canst find, both of food and of liquor." "I will gladly, lord," said she. And to the town went the maiden. And they conversed together while the maiden was at the town. And behold, the maiden came back, and a youth with her, bearing on his back a costrel full of good purchased mead, ind a quarter of a young bullock. And in the hands of the maiden was a quantity of white bread, and she had some manchet bread in her veil, and she came into the chamber. "I could not obtain better than this," said she, "nor with better should I have been trusted." "It is good enough," said Geraint. And they caused the meat to be boiled; and when their food was ready, they sat down. And it was in this wise. Geraint sat between the hoary-headed man and his wife, and the maiden served them. And they ate and drank.

And when they had finished eating, Geraint talked with the hoary-headed man, and he asked him in the first place to whom belonged the palace that he was in. "Truly," said he, "it was I that built it, and to me also belonged the city and the castle which thou sawest." "Alas!" said Geraint, "how is it that thou hast lost them now?" "I lost a great earldom as well as these," said he, "and this is how I lost them. I had a nephew, the son of my brother, and I took care of his possessions; but he was impatient to enter upon them, so he made war upon me, and wrested from me not only his own, but also my estates, except this castle." "Good sir," said Geraint, "wilt thou tell me wherefore came the knight and the lady and the dwarf just now into the town, and what is the preparation which I saw, and the putting of arms in order?" "I will do so," said he. "The preparations are for the game that is to be held to-morrow by the young earl, which will be on this wise. In the midst of a meadow which is here, two forks will be set up, and upon the two forks a silver rod, and upon the silver rod a sparrow-hawk, and for the sparrow-hawk there will be a tournament. And to the tournament will go all the array thou didst see in the city, of men and of horses and of arms. And with each man will go the lady he loves best; and no man can joust for the sparrow-hawk, except the lady he loves best be with him. And the knight that thou sawest has gained the sparrow-hawk these two years; and if he gains it the third year, he will be called the Knight of the Sparrow-hawk from that time forth." "Sir," said Geraint, "what is thy counsel to me concerning this knight, on account of the insult which the maiden of Guenever received from the dwarf?" And Geraint told the hoary-headed man what the insult was that the maiden had received. "It is not easy to counsel thee, inasmuch as thou hast neither dame nor maiden belonging to thee, for whom thou canst joust. Yet I have arms here, which thou couldst have, and there is my horse also, if he seem to thee better than thine own." "Ah, sir," said he, "Heaven reward thee! But my own horse, to which I am accustomed, together with thine arms, will suffice me. And if, when the appointed time shall come to-morrow, thou wilt permit me, sir, to challenge for yonder maiden that is thy daughter, I will engage, if I escape from the tournament, to love the maiden as long as I live." "Gladly will I permit thee," said the hoary-headed man; "and since thou dost thus resolve, it is necessary that thy horse and arms should be ready to-morrow at break of day. For then the Knight of the Sparrow-hawk will make proclamation, and ask the lady he loves best to take the sparrow-hawk; and if any deny it to her, by force will he defend her claim. And therefore," said the hoary-headed man, "it is needful for thee to be there at daybreak, and we three will be with thee." And thus was it settled.

And at night they went to sleep. And before the dawn they arose and arrayed themselves; and by the time that it was day, they were all four in the meadow. And there was the Knight of the Sparrow-hawk making the proclamation and asking his lady-love to take the sparrow-hawk. "Take it not," said Geraint, "for here is a maiden who is fairer, and more noble, and more comely, and who has a better claim to it than thou." Then said the knight, "If thou maintainest the sparrow-hawk to be due to her, come forward and do battle with me." And Geraint went forward to the top of the meadow, having upon himself and upon his horse armor which was heavy and rusty, and of uncouth shape. Then they encountered each other, and they broke a set of lances; and they broke a second set, and a third. And when the earl and his company saw the Knight of the Sparrow-hawk gaining the mastery, there was shouting and joy and mirth amongst them; and the hoary-headed man and his wife and his daughter were sorrowful. And the hoary-headed man served Geraint with lances as often as he broke them, and the dwarf served the Knight of the Sparrow-hawk. Then the hoary-headed man said to Geraint, "O chieftain, since no other will hold with thee, behold, here is the lance which was in my hand on the day when I received the honor of knighthood, and from that time to this I never broke it, and it has an excellent point." Then Geraint took the lance, thanking the hoary-headed man. And thereupon the dwarf also brought a lance to his lord. "Behold, here is a lance for thee, not less good than his," said the dwarf. "And bethink thee that no knight ever withstood thee so long as this one has done." "I declare to Heaven," said Geraint, "that unless death takes me quickly hence, he shall fare never the better for thy service." And Geraint pricked his horse towards him from afar, and, warning him, he rushed upon him, and gave him a blow so severe, and furious, and fierce, upon the face of his shield, that he cleft it in two, and broke his armor, and burst his girths, so that both he and his saddle were borne to the ground over the horse's crupper. And Geraint dismounted quickly. And be was wroth, and he drew his sword, and rushed fiercely upon him. Then the knight also arose, and drew his sword against Geraint. And they fought on foot with their swords until their arms struck sparks of fire like stars from one another; and thus they continued fighting until the blood and sweat obscured the light from their eyes. At length Geraint called to him all his strength, and struck the knight upon the crown of his head, so that he broke all his head-armour, and cut through all the flesh and the skin, even to the skull, until he wounded the bone.

Then the knight fell upon his knees, and cast his sword from his hand, and besought mercy from Geraint. "Of a truth," said he, "I relinquish my over-daring and my pride, and crave thy mercy; and unless I have time to commit myself to Heaven for my sins, and to talk with a priest, thy mercy will avail me little." "I will grant thee grace upon this condition," said Geraint; "That thou go to Guenever, the wife of Arthur, to do her satisfaction for the insult which her maiden received from thy dwarf. Dismount not from the time thou goest hence until thou comest into the presence of Guenever, to make her what atonement shall be adjudged at the court of Arthur." "This will I do gladly; and who art thou?" "I am Geraint, the son of Erbin; and declare thou also who thou art." "I am Edeyrn, the son of Nudd." Then he threw himself upon his horse, and went forward to Arthur's court; and the lady he loved best went before him, and the dwarf, with much lamentation.

Then came the young earl and his hosts to Geraint, and saluted him, and bade him to his castle. "I may not go," said Geraint; "but where I was last night, there will I be to-night also." "Since thou wilt none of my inviting, thou shalt have abundance of all that I can command for thee; and I will order ointment for thee, to recover thee from thy fatigues, and from the weariness that is upon thee." "Heaven reward thee," said Geraint, "and I will go to my lodging." And thus went Geraint and Earl Ynywl, and his wife and his daughter. And when they reached the old mansion, the household servants and attendants of the young earl had arrived, and had arranged all the apartments, dressing them with straw and with fire; and in a short time the ointment was ready, and Geraint came there, and they washed his head. Then came the young earl, with forty honorable knights from among his attendants, and those who were bidden to the tournament. And Geraint came from the anointing. And the earl asked him to go to the hall to eat. "Where is the Earl Ynywl," said Geraint, "and his wife and his daughter?" "They are in the chamber yonder," said the earl's chamberlain, "arraying themselves in garments which the earl has caused to be brought for them." "Let not the damsel array herself," said he, "except in her vest and her veil, until she come to the court of Arthur, to be clad by Guenever in such garments as she may choose." So the maiden did not array herself.

Then they all entered the hall, and they washed, and sat down to meat. And thus were they seated. On one side of Geraint sat the young earl, and Earl Ynywl beyond him, and on the other side of Geraint was the maiden and her mother. And after these all sat according to their precedence in honor. And they ate. And they were served abundantly, and they received a profusion of divers kinds of gifts. Then they conversed together. And the young earl invited Geraint to visit him next day. "I will not, by Heaven," said Geraint. "To the court of Arthur will I go with this maiden to-morrow. And it is enough for me, as long as Earl Ynywl is in poverty and trouble; and I go chiefly to seek to add to his maintenance." "Ah, chieftain," said the young earl, "it is not by my fault that Earl Ynywl is without his possessions." "By my faith," said Geraint, "he shall not remain without them, unless death quickly takes me hence." "O chieftain," said he, "with regard to the disagreement between me and Ynywl, I will gladly abide by thy counsel, and agree to what thou mayest judge right between us." "I but ask thee," said Geraint, "to restore to him what is his, and what he should have received from the time he lost his possessions even until this day." "That will I do, gladly, for thee," answered he. "Then," said Geraint, "whosoever is here who owes homage to Ynywl, let him come forward, and perform it on the spot." And all the men did so; and by that treaty they abided. And his castle and his town, and all his possessions, were restored to Ynywl. And he received back all that he had lost, even to the smallest jewel.

Then spoke Earl Ynywl to Geraint. "Chieftain," said he, "behold the maiden for whom thou didst challenge at the tournament; I bestow her upon thee." "She shall go with me," said Geraint, "to the court of Arthur, and Arthur and Guenever, they shall dispose of her as they will." And the next day they proceeded to Arthur's court. So far concerning Geraint.


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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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