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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME TWO


THE AGE OF CHIVALRY

OR

LEGENDS OF KING ARTHUR

BY THOMAS BULFINCH
[1858]


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    Table of Contents    

Glossary

#


Part I.



King Arthur and His Knights.


Chapter XIII.


End of the Story of Sir Tristram of Lyonesse.


WHILE Sir Tristram and the fair Isoude abode yet at La Joyeuse Garde, Sir Tristram rode forth one day, without armor, having no weapon but his spear and his sword. And as he rode he came to a place where he saw two knights in battle, and one of them had gotten the better, and the other lay overthrown. The knight who had the better was Sir Palamedes. When Sir Palamedes knew Sir Tristram, he cried out, "Sir Tristram, now we be met, and ere we depart we will redress our old wrongs." "As for that," said Sir Tristram, "there never yet was Christian man that might make his boast that I ever fled from him, and thou that art a Saracen shalt never say that of me." And therewith Sir Tristram made his horse to run, and with all his might came straight upon Sir Palamedes, and broke his spear upon him. Then he drew his sword and struck at Sir Palamedes six great strokes, upon his helm. Sir Palamedes saw that Sir Tristram had not his armor on, and he marvelled at his rashness and his great folly; and said to himself, "If I meet and slay him I am ashamed wheresoever I go." Then Sir Tristram cried out and said, "Thou coward knight, why wilt thou not do battle with me? for have thou no doubt I shall endure all thy malice." "Ah, Sir Tristram!" said Sir Palamedes, "thou knowest I may not fight with thee for shame; for thou art here naked, and I am armed; now I require that thou answer me a question that I shall ask you." "Tell me what it is," said Sir Tristram. "I put the case," said Sir Palamedes, "that you were well armed, and I naked as ye be; what would you do to me now, by your true knighthood?" "Ah!" said Sir Tristram, "now I understand thee well, Sir Palamedes; and, as God me bless, what I shall say shall not be said for fear that I have of thee. But if it were so, thou shouldest depart from me, for I would not have to do with thee." "No more will I with thee," said Sir Palamedes, "and therefore ride forth on thy way." "As for that, I may choose," said Sir Tristram, "either to ride or to abide. But, Sir Palamedes, I marvel at one thing,– that thou art so good a knight, yet that thou wilt not be christened." "As for that," said Sir Palamedes, "I may not yet be christened, for a vow which I made many years ago; yet in my heart I believe in our Saviour and his mild mother Mary; but I have yet one battle to do, and when that is done I will be christened, with a good will." "By my head," said Sir Tristram, "as for that one battle, thou shalt seek it no longer; for yonder is a knight, whom you have smitten down. Now help me to be clothed in his armor, and I will soon fulfil thy vow." "As ye will," said Sir Palamedes, "so shall it be." So they rode both unto that knight that sat on a bank; and Sir Tristram saluted him, and he full weakly saluted him again. "Sir," said Sir Tristram, "I pray you to lend me your whole armor; for I am unarmed, and I must do battle with this knight." "Sir," said the hurt knight, "you shall have it, with a right good will." Then Sir Tristram unarmed Sir Galleron, for that was the name of the hurt knight, and he as well as he could helped to arm Sir Tristram. Then Sir Tristram mounted upon his own horse, and in his hand he took Sir Galleron's spear. Thereupon Sir Palamedes was ready, and so they came hurtling together, and each smote the other in the midst of their shields. Sir Palamedes' spear broke, and Sir Tristram smote down the horse. Then Sir Palamedes leapt from his horse, and drew out his sword. That saw Sir Tristram, and therewith he alighted and tied his horse to a tree. Then they came together as two wild beasts, lashing the one on the other, and so fought more than two hours; and often Sir Tristram smote such strokes at Sir Palamedes that he made him to kneel, and Sir Palamedes broke away Sir Tristram's shield, and wounded him. Then Sir Tristram was wroth out of measure, and he rushed to Sir Palamedes and wounded him passing sore through the shoulder, and by fortune smote Sir Palamedes' sword out of his hand. And if Sir Palamedes had stooped for his sword, Sir Tristram had slain him. Then Sir Palamedes stood and beheld his sword with a full sorrowful heart. "Now," said Sir Tristram, "I have thee at a vantage, as thou hadst me to-day; but it shall never be said, in court, or among good knights, that Sir Tristram did slay any knight that was weaponless: therefore take thou thy sword, and let us fight this battle to the end." Then spoke Sir Palamedes to Sir Tristram: "I have no wish to fight this battle any more. The offence that I have done unto you is not so great but that, if it please you, we may be friends. All that I have offended is for the love of the queen, La Belle Isoude, and I dare maintain that she is peerless among ladies; and for that offence ye have given me many grievous and sad strokes, and some I have given you again, Wherefore I require you, my lord Sir Tristram, forgive me all that I have offended you, and this day have me unto the next church; and first I will be clean confessed, and after that see you that I be truly baptized, and then we will ride together unto the court of my lord, King Arthur, so that we may be there at the feast of Pentecost." "Now take your horse," said Sir. Tristram, "and as you have said, so shall it be done." So they took their horses, and Sir Galleron rode with them. When they came to the church of Carlisle, the bishop commanded to fill a great vessel with water; and when he had hallowed it, he then confessed Sir Palamedes clean, and christened him; and Sir Tristram and Sir Galleron were his godfathers. Then soon after they departed, and rode toward Camelot, where the noble King Arthur and Queen Guenever were keeping a court royal. And the king and all the court were glad that Sir Palamedes was christened. Then Sir Tristram returned again to La Joyeuse Garde, and Sir Palamedes went his way.

Not long after these events Sir Gawain returned from Brittany, and related to King Arthur the adventure which befell him in the forest of Breciliande,– how Merlin had there spoken to him, and enjoined him to charge the king to go without delay upon the quest of the Holy Greal. While King Arthur deliberated, Tristram determined to enter upon the quest, and the more readily, as it was well known to him that this holy adventure would, if achieved, procure him the pardon of all his sins. He immediately departed for the kingdom of Brittany, hoping there to obtain from Merlin counsel as to the proper course to pursue to insure success.

On arriving in Brittany Tristram found King Hoel engaged in a war with a rebellious vassal, and hard pressed by his enemy. His best knights had fallen in a late battle, and he knew not where to turn for assistance. Tristram volunteered his aid. It was accepted; and the army of Hoel, led by Tristram, and inspired by his example, gained a complete victory. The king penetrated by the most lively sentiments of gratitude, and having informed himself of Tristram's birth, offered him his daughter in marriage. The princess was beautiful and accomplished, and bore the same name with the Queen of Cornwall; but this one is designated by the Romancers as Isoude of the White Hands, to distinguish her from Isoude the Fair.

How can we describe the conflict that agitated the heart of Tristram? He adored the first Isoude, but his love for her was hopeless, and not unaccompanied by remorse. Moreover, the sacred quest on which he had now entered demanded of him perfect purity of life. It seemed as if a happy destiny had provided for him, in the charming princess Isoude of the White Hands, the best security for all his good resolutions. This last reflection determined him. They were married, and passed some months in tranquil happiness at the court of King Hoel. The pleasure which Tristram felt in his wife's society increased day by day. An inward grace seemed to stir within him from the moment when he took the oath to go on the quest of the Holy Greal; it seemed even to triumph over the power of the magic love-potion.

The war, which had been quelled for a time, now burst anew. Tristram, as usual, was foremost in every danger. The enemy was worsted in successive conflicts, and at last shut himself up in his principal city. Tristram led on the attack of the city. As he mounted a ladder to scale the walls, he was struck on the head by a fragment of rock, which the besieged threw down upon him. It bore him to the ground, where he lay insensible.

As soon as he recovered consciousness, he demanded to be carried to his wife. The princess, skilled in the art of surgery, would not suffer any one but herself to touch her beloved husband. Her fair hands bound up his wounds; Tristram kissed them with gratitude, which began to grow into love. At first the devoted cares of Isoude seemed to meet with great success; but after awhile these flattering appearances vanished, and, in spite of all her care, the malady grew more serious day by day.

In this perplexity, an old squire of Tristram's reminded his master that the princess of Ireland, afterward queen of Cornwall, had once cured him under circumstances quite as discouraging. He called Isoude of the White Hands to him, told her of his former cure, added that he believed that the Queen Isoude could heal him, and that he felt sure that she would come to his relief if sent for.

Isoude of the White Hands consented that Gesnes, a trusty man and skilful navigator, should be sent to Cornwall. Tristram called him, and, giving him a ring, "Take this," he said, "to the Queen of Cornwall. Tell her that Tristram, near to death, demands her aid. If you succeed in bringing her with you, place white sails to your vessel on your return, that we may know of your success when the vessel first heaves in sight. But if Queen Isoude refuses, put on black sails; they will be the presage of my impending death."

Gesnes performed his mission successfully. King Mark happened to be absent from his capital, and the queen readily consented to return with the bark to Brittany. Gesnes clothed his vessel in the whitest of sails, and sped his way back to Brittany.

Meantime the wound of Tristram grew more desperate day by day. His strength, quite prostrated, no longer permitted him to be carried to the seaside daily, as had been his custom from the first moment when it was possible for the bark to be on the way homeward. He called a young damsel, and gave her in charge to keep watch in the direction of Cornwall, and to come and tell him the color of the sails of the first vessel she should see approaching.

When Isoude of the White Hands consented that the queen of Cornwall should be sent for, she had not known all the reasons which she had for fearing the influence which renewed intercourse with that princess might have on her own happiness. She had now learned more, and felt the danger more keenly. She thought, if she could only keep the knowledge of the queen's arrival from her husband, she might employ in his service any resources which her skill could supply, and still avert the dangers which she apprehended. When the vessel was seen approaching, with its white sails sparkling in the sun, the damsel, by command of her mistress, carried word to Tristram that the sails were black.

Tristram, penetrated with inexpressible grief, breathed a profound sigh, turned away his face, and said, "Alas, my beloved! we shall never see one another again!" Then he commended himself to God, and breathed his last.

The death of Tristram was the first intelligence which the queen of Cornwall heard on landing. She was conducted almost senseless into the chamber of Tristram, and expired holding him in her arms.

Tristram, before his death, requested that his body should be sent to Cornwall, and that his sword, with a letter he had written, should be delivered to King Mark. The remains of Tristram and Isoude were embarked in a vessel, along with the sword, which was presented to the king of Cornwall, He was melted with tenderness when he saw the weapon which slew Moraunt of Ireland,– which had so often saved his life, and redeemed the honor of his kingdom. In the letter Tristram begged pardon of his uncle, and related the story of the amorous draught.

Mark ordered the lovers to be buried in his own chapel. From the tomb of Tristram there sprung a vine, which went along the walls, and descended into the grave of the queen. It was cut down three times, but each time sprung up again more vigorous than before, and this wonderful plant has ever since shaded the tombs of Tristram and Isoude.

Spenser introduces Sir Tristram in his Faery Queene. In Book VI., Canto ii., Sir Calidore encounters in the forest a young hunter, whom he thus describes:–

"Him steadfastly he marked, and saw to be

A goodly youth of amiable grace,

Yet but a slender slip, that scarce did see

Yet seventeen yeares; but tall and faire of face,

That sure he deemed him borne of noble race.

All in a woodman's jacket he was clad

Of Lincoln greene, belayed with silver lace;

And on his head an hood with aglets13 sprad,

And by his side his hunter's horne he hanging had.

"Buskins he wore of costliest cordawayne,

Pinckt upon gold, and paled part per part,14

As then the guize was for each gentle swayne,

In his right hand he held a trembling dart,

Whose fellow he before had sent apart;

And in his left he held a sharp bore-speare,

With which he wont to launch the salvage heart

Of many a lyon, and of many a beare,

That first unto his hand in chase did happen neare."

13 Aglets, points or tags.

14 Pinckt upon gold, etc., adorned with golden points, or eyelets, and regularly intersected with stripes. Paled (in heraldry), striped.

Tristram is often alluded to by the Romancers as the great authority and model in all matters relating to the chase. In the Faery Queene, Tristram, in answer to the inquiries of Sir Calidore, informs him of his name and parentage, and concludes:–

"All which my days I have not lewdly spent,

Nor spilt the blossom of my tender years

In idlesse; but, as was convenient,

Have trained been with many noble feres

In gentle thewes, and such like seemly leers;15

'Mongst which my most delight hath always been

To hunt the salvage chace, amongst my peers,

Of all that rangeth in the forest green

Of which none is to me unknown that yet was seen.

"Ne is there hawk which mantleth on her perch,

Whether high towering or accosting low,

But I the measure of her flight do search,

And all her prey, and all her diet know.

Such be our joys, which in these forests grow."

15 Feres, companions; thewes, labors; leers, learning.


    Table of Contents    

Glossary



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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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