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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME TWO


THE AGE OF CHIVALRY

OR

LEGENDS OF KING ARTHUR

BY THOMAS BULFINCH
[1858]


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    Table of Contents    

Glossary

#


Part I.



King Arthur and His Knights.


Chapter XIV.


The Story of Perceval.


"-Sir Percivale,

Whom Arthur and his knighthood called the Pure."

--TENNYSON.


THE father and two elder brothers of Perceval had fallen in battle or tournaments, and hence, as the last hope of his family, his mother retired with him into a solitary region, where he was brought up in total ignorance of arms and chivalry. He was allowed no weapon but "a lyttel Scots spere," which was the only thing of all "her lordes faire gere" that his mother carried to the wood with her. In the use of this he became so skilful that he could kill with it not only the animals of the chase for her table, but even birds on the wing. At length, however, Perceval was roused to a desire of military renown by seeing in the forest five knights who were in complete armor. He said to his mother, "Mother, what are those yonder?" "They are angels, my son," said she. "By my faith, I will go and become an angel with them." And Perceval went to the road and met them. "Tell me, good lad," said one of them, "sawest thou a knight pass this way either to-day or yesterday?" "I know not," said he, "what a knight is." "Such an one as I am," said the knight. "If thou wilt tell me what I ask thee, I will tell thee what thou askest me." "Gladly will I do so," said Sir Owain, for that was the knight's name. "What is this?" demanded Perceval, touching the saddle. "It is a saddle," said Owain. Then he asked about all the accoutrements which he saw upon the men and the horses, and about the arms, and what they were for, and how they were used. And Sir Owain showed him all those things fully. And Perceval in return gave him such information as he had.

Then Perceval returned to his mother, and said to her, "Mother, those were not angels, but honorable knights." Then his mother swooned away. And Perceval went to the place where they kept the horses that carried firewood and provisions for the castle, and he took a bony, piebald horse, which seemed to him the strongest of them. And he pressed a pack into the form of a saddle, and with twisted twigs he imitated the trappings which he had seen upon the horses. When he came again to his mother the countess had recovered from her swoon. "My son," said she, "desirest thou to ride forth?" "Yes, with thy leave," said he. "Go forward then," she said, "to the court of Arthur, where there are the best and the noblest and the most bountiful of men, and tell him thou art Perceval, the son of Pelenore, and ask of him to bestow knighthood on thee. And whenever thou seest a church, repeat there thy paternoster; and if thou see meat and drink, and hast need of them, thou mayest take them. If thou hear an outcry of one in distress, proceed toward it, especially if it be the cry of a woman, and render her what service thou canst. If thou see a fair jewel, win it, for thus shalt thou acquire fame; yet freely give it to another, for thus thou shalt obtain praise. If thou see a fair woman, pay court to her, for thus thou wilt obtain love."

After this discourse Perceval mounted the horse, and, taking a number of sharp-pointed sticks in his hand, he rode forth. And he rode far in the woody wilderness without food or drink. At last he came to an opening in the wood, where he saw a tent, and as he thought it might be a church he said his pater-noster to it. And he went toward it; and the door of the tent was open. And Perceval dismounted and entered the tent. In the tent he found a maiden sitting, with a golden frontlet on her forehead and a gold ring on her hand. And Perceval said, "Maiden, I salute you, for my mother told me whenever I met a lady I must respectfully salute her." Perceiving in one corner of the tent some food, two flasks full of wine, and some boar's flesh roasted, he said, "My mother told me, whenever I saw meat and drink to take it." And he ate greedily, for he was very hungry. "Sir, thou hadst best go quickly from here, for fear that my friends should come, and evil should befall you." But Perceval said, "My mother told me wheresoever I saw a fair jewel to take it," and he took the gold ring from her finger, and put it on his own; and he gave the maiden his own ring in exchange for hers; then he mounted his horse and rode away.

Perceval journeyed on till he arrived at Arthur's court. And it so happened that just at that time an uncourteous knight had offered Queen Guenever a gross insult. For when her page was serving the queen with a golden goblet, this knight struck the arm of the page and dashed the wine in the queen's face and over her stomacher. Then he said, "If any have boldness to avenge this insult to Guenever, let him follow me to the meadow." So the knight took his horse and rode to the meadow, carrying away the golden goblet. And all the household hung down their heads, and no one offered to follow the knight to take vengeance upon him. For it seemed to them that no one would have ventured on so daring an outrage unless he possessed such powers, through magic or charms, that none could be able to punish him. Just then, behold, Perceval entered the hall upon the bony, piebald horse, with his uncouth trappings. In the centre of the hall stood Kay the seneschal. "Tell me, tall man," said Perceval, "is that Arthur yonder?" "What wouldst thou with Arthur?" asked Kay. "My mother told me to go to Arthur and receive knighthood from him." "By my faith," said he, "thou art all too meanly equipped with horse and with arms." Then all the household began to jeer and laugh at him. But there was a certain damsel who had been a whole year at Arthur's court, and had never been known to smile. And the king's fool16 had said that this damsel would not smile till she had seen him who would be the flower of chivalry. Now this damsel came up to Perceval and told him, smiling, that, if he lived, he would be one of the bravest and best of knights. "Truly," said Kay, "thou art ill taught to remain a year at Arthur's court, with choice of society, and smile on no one, and now before the face of Arthur and all his knights to call such a man as this the flower of knighthood;" and he gave her a box on the ear, that she fell senseless to the ground. Then said Kay to Perceval, "Go after the knight who went hence to the meadow, overthrow him and recover the golden goblet, and possess thyself of his horse and arms, and thou shalt have knighthood." "I will do so, tall man," said Perceval. So he turned his horse's head toward the meadow. And when he came there, the knight was riding up and down, proud of his strength and valor and noble mien. "Tell me," said the knight, "didst thou see any one coming after me from the court?" "The tall man that was there," said Perceval, "told me to come and overthrow thee, and to take from thee the goblet and thy horse and armor for myself." "Silence!" said the knight; "go back to the court, and tell Arthur either to come himself, or to send some other to fight with me; and unless he do so quickly, I will not wait for him." "By my faith," said Perceval, "choose thou whether it shall be willingly or unwillingly, for I will have the horse and the arms and the goblet." Upon this the knight ran at him furiously, and struck him a violent blow with the shaft of his spear, between the neck and the shoulder. "Ha, ha, lad!" said Perceval, "my mother's servants were not used to play with me in this wise; so thus will I play with thee." And he threw at him one of his sharp-pointed sticks, and it struck him in the eye, and came out at the back of his head, so that he fell down lifeless.

16 A fool was a common appendage of the courts of those days when this romance was written. A fool was the ornament held in next estimation to a dwarf. He wore a white dress with a yellow bonnet, and carried a bell or bawble in his hand. Though called a fool, his words were often weighed and remembered as if there were a sort of oracular meaning in them.

But at the court of Arthur, Sir Owain said to Kay, "Verily, thou wert ill advised when thou didst send that madman after the knight. For one of two things must befall him. He must either be overthrown or slain. If he is overthrown by the knight, he will be counted by him to be an honorable person of the court, and an eternal disgrace will it be to Arthur and his warriors. And if he is slain, the disgrace will be the same, and moreover his sin will be upon him; therefore will I go to see what has befallen him." So Sir Owain went to the meadow, and he found Perceval dragging the man about. "What art thou doing thus?" said Sir Owain. "This iron coat," said Perceval, "will never come from off him; not by my efforts, at any rate." And Sir Owain unfastened his armor and his clothes. "Here, my good soul," said he, "is a horse and armor better than thine. Take them joyfully, and come with me to Arthur to receive the order of knighthood, for thou dost merit it." And Owain helped Perceval to put it on, and taught him how to put his foot in the stirrup, and use the spur; for Perceval had never used stirrup nor spur, but rode without saddle, and urged on his horse with a stick. Then Owain would have had him return to the court to receive the praise that was his due; but Perceval said, "I will not come to the court till I have encountered the tall man that is there, to revenge the injury he did to the maiden. But take thou the goblet to Queen Guenever, and tell King Arthur that, wherever I am, I will be his vassal, and will do him what profit and service I can." And Sir Owain went back to the court, and related all these things to Arthur and Guenever, and to all the household.

And Perceval rode forward. And as he proceeded, behold a knight met him. "Whence comest thou?" said the knight. "I come from Arthur's court," said Perceval. "Art thou one of his men?" asked he. "Yes, by my faith," he answered. "A good service, truly, is that of Arthur." "Wherefore sayest thou so?" said Perceval. "I will tell thee," said he. "I have always been Arthur's enemy, and all such of his men as I have ever encountered I have slain." And without further parlance they fought, and it was not long before Perceval brought him to the ground, over his horse's crupper. Then the knight besought his mercy. "Mercy thou shalt have," said Perceval, "if thou wilt make oath to me that thou wilt go to Arthur's court and tell him that it was I that overthrew thee, for the honor of his service; and say that I will never come to the court until I have avenged the insult offered to the maiden. The knight pledged him faith of this, and proceeded to the court of Arthur and said as he had promised, and conveyed the threat to Sir Kay.

And Perceval rode forward. And within that week he encountered sixteen knights, and overthrew them all shamefully. And they all went to Arthur's court, taking with them the same message which the first knight had conveyed from Perceval, and the same threat which he had sent to Sir Kay. And thereupon Sir Kay was reproved by Arthur; and Sir Kay was greatly grieved thereat.

And Perceval rode forward. And he came to a lake, on the side of which was a fair castle, and on the border of the lake he saw a hoary-headed man sitting upon a velvet cushion, and his attendants were fishing in the lake. When the hoary-headed man beheld Perceval approaching, he arose and went into the castle. Perceval rode to the castle, and the door was open, and he entered the hall. And the hoary-headed man received Perceval courteously, and asked him to sit by him on the cushion. When it was time, the tables were set, and they went to meat. And when they had finished their meat, the hoary-headed man asked Perceval if he knew how to fight with the sword. "I know not," said Perceval, "but were I to be taught, doubtless I should." "Whoever can play well with the cudgel and shield will also be able to fight with a sword." And the man had two sons; the one had yellow hair and the other auburn. "Arise, youths," said the old man, "and play with the cudgel and the shield." And so did they. "Tell me, my son," said the man, "which of the youths thinkest thou plays best?" "I think," said Perceval, "that the yellow-haired youth could draw blood if he chose." "Arise thou, then, and take the cudgel and the shield from the hand of the youth with the auburn hair, and draw blood from the yellow-haired youth if thou canst." So Perceval arose, and he lifted up his arm, and struck him such a mighty blow that he cut his forehead open from one side to the other. "Ah, my life," said the old man, "come, now, and sit down, for thou wilt become the best fighter with the sword of any in this island; and I am thy uncle, thy mother's brother; I am called King Pecheur.17 Thou shalt remain with me a space, in order to learn the manners and customs of different countries, and courtesy and noble bearing. And this do thou remember: if thou seest aught to cause thy wonder, ask not the meaning of it; if no one has the courtesy to inform thee. the reproach will not fall upon thee, but upon me that am thy teacher." While Perceval and his uncle discoursed together, Perceval beheld two youths enter the hall, bearing a golden cup and a spear of mighty size, with blood dropping from its point to the ground. And when all the company saw this, they began to weep and lament. But for all that, the man did not break off his discourse with Perceval. And as he did not tell him the meaning of what he saw, he forbore to ask him concerning it. Now the cup that Perceval saw was the Sangreal, and the spear the sacred spear; and afterwards King Pecheur removed with those sacred relics into a far country.

17 The word means both fisher and sinner.

One evening Perceval entered a valley, and came to a hermit's cell; and the hermit welcomed him gladly, and there he spent the night. And in the morning he arose, and when he went forth, behold! a shower of snow had fallen in the night, and a hawk had killed a wild-fowl in front of the cell. And the noise of the horse had scared the hawk away, and a raven alighted on the bird. And Perceval stood and compared the blackness of the raven and the whiteness of the snow and the redness of the blood to the hair of the lady that best he loved, which was blacker than jet, and to her skin, which was whiter than the snow, and to the two red spots upon her cheeks, which were redder than the blood upon the snow.

Now Arthur and his household were in search of Perceval, and by chance they came that way. "Know ye," said Arthur, "who is the knight with the long spear that stands by the brook up yonder?" "Lord," said one of them, "I will go and learn who he is." So the youth came to the place where Perceval was, and asked him what he did thus, and who he was. But Perceval was so intent upon his thought that he gave him no answer. Then the youth thrust at Perceval with his lance; and Perceval turned upon him and struck him to the ground. And when the youth returned to the king, and told how rudely he had been treated, Sir Kay said, "I will go myself." And when he greeted Perceval, and got no answer, he spoke to him rudely and angrily. And Perceval thrust at him with his lance, and cast him down so that he broke his arm and his shoulder-blade. And while he lay thus stunned, his horse returned back at a wild and prancing pace.

Then said Sir Gawain, surnamed the Golden–Tongued, because he was the most courteous knight in Arthur's court: "It is not fitting that any should disturb an honorable knight from his thought unadvisedly; for either he is pondering some damage that he has sustained, or he is thinking of the lady he best loves. If it seem well to thee, lord, I will go and see if this knight has changed from his thought, and if he has, I will ask him courteously to come and visit thee."

And Perceval was resting on the shaft of his spear, pondering the same thought, and Sir Gawain came to him, and said, "If I thought it would be as agreeable to thee as it would be to me, I would converse with thee. I have also a message from Arthur unto thee, to pray thee to come and visit him. And two men have been before on this errand." "That is true," said Perceval, "and uncourteously they came. They attacked me, and I was annoyed thereat." Then he told him the thought that occupied his mind, and Gawain said, "This was not an ungentle thought, and I should marvel if it were pleasant for thee to be drawn from it." Then said Perceval, "Tell me, is Sir Kay in Arthur's court?" "He is," said Gawain; "and truly he is the knight who fought with thee last." "Verily," said Perceval, "I am not sorry to have thus avenged the insult to the smiling maiden." Then Perceval told him his name, and said, "Who art thou?" And he replied, "I am Gawain." "I am right glad to meet thee," said Perceval, "for I have everywhere heard of thy prowess and uprightness; and I solicit thy fellowship." "Thou shalt have it, by my faith; and grant me thine," said he. "Gladly will I do so," answered Perceval.

So they went together to Arthur, and saluted him. "Behold, lord," said Gawain, "him whom thou hast sought so long." "Welcome unto thee, chieftain," said Arthur. And hereupon there came the queen and her handmaidens, and Perceval saluted them. And they were rejoiced to see him, and bade him welcome. And Arthur did him great honor and respect, and they returned toward Caerleon.


    Table of Contents    

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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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