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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME TWO


THE AGE OF CHIVALRY

OR

LEGENDS OF KING ARTHUR

BY THOMAS BULFINCH
[1858]


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    Table of Contents    

Glossary

#


Part I.



King Arthur and His Knights.


Chapter XII.


The Story of Sir Tristram of Lyonesse.


SIR TRISTRAM rode through a forest, and saw ten men fighting, and one man did battle against nine. So he rode to the knights and cried to them, bidding them cease their battle, for they did themselves great shame, so many knights to fight against one. Then answered the master of the knights (his name was Sir Breuse sans Pitie, who was at that time the most villainous knight living): "Sir knight, what have ye to do to meddle with us? If ye be wise, depart on your way as you came, for this knight shall not escape us." "That were pity," said Sir Tristram, "that so good a knight should be slain so cowardly; therefore I warn you I will succor him with all my puissance."

Then Sir Tristram alighted off his horse, because they were on foot, that they should not slay his horse. And he smote on the right hand and on the left so vigorously, that well-nigh at every stroke he struck down a knight. At last they fled, with Breuse sans Pitie, into the tower, and shut Sir Tristram without the gate. Then Sir Tristram returned back to the rescued knight, and found him sitting under a tree, sore wounded. "Fair knight," said he, "how is it with you?" "Sir knight," said Sir Palamedes, for he it was, "I thank you for your great goodness, for ye have rescued me from death." "What is your name?" said Sir Tristram. He said, "My name is Sir Palamedes." "Say ye so?" said Sir Tristram; "now know that thou art the man in the world that I most hate; therefore make thee ready, for I will do battle with thee." "What is your name?" said Sir Palamedes. "My name is Sir Tristram, your mortal enemy." "It may be so," said Sir Palamedes; "but you have done overmuch for me this day, that I should fight with you. Moreover, it will be no honor for you to have to do with me, for you are fresh and I am wounded. Therefore, if you will needs have to do with me, assign me a day, and I shall meet you without fail." "You say well," said Sir Tristram; "now I assign you to meet me in the meadow by the river of Camelot, where Merlin set the monument." So they were agreed. Then they departed, and took their ways diverse. Sir Tristram passed through a great forest into a plain, till he came to a priory, and there he reposed him with a good man six days.

Then departed Sir Tristram, and rode straight into Camelot to the monument of Merlin, and there he looked about him for Sir Palamedes. And he perceived a seemly knight, who came riding against him all in white, with a covered shield. When he came nigh, Sir Tristram said aloud, "Welcome, sir knight, and well and truly have you kept your promise." Then they made ready their shields and spears, and came together with all the might of their horses, so fiercely, that both the horses and the knights fell to the earth. And as soon as they might, they quitted their horses, and struck together with bright swords as men of might, and each wounded the other wonderfully sore, so that the blood ran out upon the grass. Thus they fought for the space of four hours, and never one would speak to the other one word. Then at last spake the white knight, and said, "Sir, thou fightest wonderful well, as ever I saw knight; therefore, if it please you, tell me your name." "Why dost thou ask my name?" said Sir Tristram; "art thou not Sir Palamedes?" "No, fair knight," said he, "I am Sir Launcelot of the Lake." "Alas!" said Sir Tristram, "what have I done? for you are the man of the world that I love best." "Fair knight," said Sir Launcelot, "tell me your name." "Truly," said he, "my name is Sir Tristram de Lyonesse." "Alas! alas!" said Sir Launcelot, "what adventure has befallen me!" And therewith Sir Launcelot kneeled down, and yielded him up his sword; and Sir Tristram kneeled down, and yielded him up his sword; and so either gave other the degree. And then they both went to the stone, and sat them down upon it, and took off their helms, and each kissed the other a hundred times. And then anon they rode toward Camelot, and on the way they met with Sir Gawain and Sir Gaheris, that had made promise to Arthur never to come again to the court till they had brought Sir Tristram with them.

"Return again," said Sir Launcelot, "for your quest is done; for I have met with Sir Tristram. Lo, here he is in his own person." Then was Sir Gawain glad, and said to Sir Tristram, "Ye are welcome." With this came King Arthur, and when he wist there was Sir Tristram, he ran unto him, and took him by the hand, and said, "Sir Tristram, ye are as welcome as any knight that ever came to this court." Then Sir Tristram told the king how he came thither for to have had to do with Sir Palamedes, and how he had rescued him from Sir Breuse sans Pitie and the nine knights. Then King Arthur took Sir Tristram by the hand, and went to the Table Round, and Queen Guenever came, and many ladies with her, and all the ladies said with one voice, "Welcome, Sir Tristram." "Welcome," said the knights. "Welcome," said Arthur, "for one of the best knights, and the gentlest of the world, and the man of most worship; for of all manner of hunting thou bearest the prize, and of all measures of blowing thou art the beginning, and of all the terms of hunting and hawking ye are the inventor, and of all instruments of music ye are the best skilled; therefore, gentle knight," said Arthur, "ye are welcome to this court." And then King Arthur made Sir Tristram knight of the Table Round with great nobley and feasting as can be thought.

The Round Table had been made by the famous enchanter Merlin, and on it he had exerted all his skill and craft. Of the seats which surrounded it he had constructed thirteen, in memory of the thirteen Apostles. Twelve of these seats only could be occupied, and they only by knights of the highest fame; the thirteenth represented the seat of the traitor Judas. It remained always empty. It was called the perilous seat ever since a rash and haughty Saracen knight had dared to place himself in it, when the earth opened and swallowed him up.

A magic power wrote upon each seat the name of the knight who was entitled to sit in it. No one could succeed to a vacant seat unless he surpassed in valor and glorious deeds the knight who had occupied it before him; without this qualification he would be violently repelled by a hidden force. Thus proof was made of all those who presented themselves to replace any companions of the order who had fallen.

One of the principal seats, that of Moraunt of Ireland, had been vacant ten years, and his name still remained over it ever since the time when that distinguished champion fell beneath the sword of Sir Tristram. Arthur now took Tristram by the hand and led him to that seat. Immediately the most melodious sounds were heard, and exquisite perfumes filled the place; the name of Moraunt disappeared, and that of Tristram blazed forth in light. The rare modesty of Tristram had now to be subjected to a severe task; for the clerks charged with the duty of preserving the annals of the Round Table attended, and he was required by the law of his order to declare what feats of arms he had accomplished to entitle him to take that seat. This ceremony being ended, Tristram received the congratulations of all his companions. Sir Launcelot and Guenever took occasion to speak to him of the fair Isoude, and to express their wish that some happy chance might bring her to the kingdom of Loegria.

While Tristram was thus honored and caressed at the court of King Arthur, the most gloomy and malignant jealousy harassed the soul of Mark. He could not look upon Isoude without remembering that she loved Tristram, and the good fortune of his nephew goaded him to thoughts of vengeance. He at last resolved to go disguised into the kingdom of Loegria, attack Tristram by stealth, and put him to death. He took with him two knights, brought up in his court, who he thought were devoted to him; and, not willing to leave Isoude behind, named two of her maidens to attend her, together with her faithful Brengwain, and made them accompany him.

Having arrived in the neighborhood of Camelot, Mark imparted his plan to his two knights, but they rejected it with horror; nay, more, they declared that they would no longer remain in his service; and left him, giving him reason to suppose that they should repair to the court to accuse him before Arthur. It was necessary for Mark to meet and rebut their accusation; so, leaving Isoude in an abbey, he pursued his way alone to Camelot.

Mark had not ridden far when he encountered a party of knights of Arthur's court, and would have avoided them, for he knew their habit of challenging to a joust every stranger knight whom they met. But it was too late. They had seen his armor, and recognized him as a Cornish knight, and at once resolved to have some sport with him. It happened they had with them, Daguenet, King Arthur's fool, who, though deformed and weak of body, was not wanting in courage. The knights as Mark approached laid their plan that Daguenet should personate Sir Launcelot of the Lake, and challenge the Cornish knight. They equipped him in armor belonging to one of their number who was ill, and sent him forward to the cross-road to defy the strange knight. Mark, who saw that his antagonist was by no means formidable in appearance, was not disinclined to the combat; but when the dwarf rode towards him, calling out that he was Sir Launcelot of the Lake, his fears prevailed, he put spurs to his horse, and rode away at full speed, pursued by the shouts and laughter of the party.

Meanwhile, Isoude, remaining at the abbey with her faithful Brengwain, found her only amusement in walking occasionally in a forest adjoining the abbey. There, on the brink of a fountain girdled with trees, she thought of her love, and sometimes joined her voice and her harp in lays reviving the memory of its pains or pleasures. One day the caitiff knight, Breuse the Pitiless, heard her voice, concealed himself, and drew near. She sang:–

"Sweet silence, shadowy bower, and verdant lair,

Ye court my troubled spirit to repose,

Whilst I, such dear remembrance rises there,

Awaken every echo with my woes.

"Within these woods, by Nature's hand arrayed,

A fountain springs, and feeds a thousand flowers;

Ah! how my groans do all its murmurs aid!

How my sad eyes do swell it with their showers!

"What doth my knight the while? to him is given

A double meed; in love and arms' emprise,

Him the Round Table elevates to heaven!

Tristram! ah me! he hears not Isoude's cries."

Breuse the Pitiless, who, like most other caitiffs, had felt the weight of Tristram's arm, and hated him accordingly, at hearing his name breathed forth by the beautiful songstress, impelled by a double impulse, rushed forth from his concealment and laid hands on his victim. Isoude fainted, and Brengwain filled the air with her shrieks. Breuse carried Isoude to the place where he had left his horse; but the animal had got away from his bridle, and was at some distance. He was obliged to lay down his fair burden, and go in pursuit of his horse. Just then a knight came up, drawn by the cries of Brengwain, and demanded the cause of her distress. She could not speak, but pointed to her mistress lying insensible on the ground.

Breuse had by this time returned, and the cries of Brengwain, renewed at seeing him, sufficiently showed the stranger the cause of the distress. Tristram spurred his horse towards Breuse, who, not unprepared, ran to the encounter. Breuse was unhorsed, and lay motionless, pretending to be dead; but when the stranger knight left him to attend to the distressed damsels, he mounted his horse, and made his escape.

The knight now approached Isoude, gently raised her head, drew aside the golden hair which covered her countenance, gazed thereon for an instant, uttered a cry, and fell back insensible. Brengwain came; her caress soon restored her mistress to life, and they then turned their attention to the fallen warrior. They raised his visor, and discovered the countenance of Sir Tristram. Isoude threw herself on the body of her lover, and bedewed his face with her tears. Their warmth revived the knight, and Tristram, on awaking, found himself in the arms of his dear Isoude.

It was the law of the Round Table that each knight after his admission should pass the next ten days in quest of adventures, during which time his companions might meet him in disguised armor, and try their strength with him. Tristram had now been out seven days, and in that time had encountered many of the best knights of the Round Table, and acquitted himself with honor. During the remaining three days Isoude remained at the abbey, under his protection, and then set out with her maidens, escorted by Sir Tristram, to rejoin King Mark at the court of Camelot.

This happy journey was one of the brightest epochs in the lives of Tristram and Isoude. He celebrated it by a lay upon the harp in a peculiar measure, to which the French give the name of Triolet:–

"With fair Isoude, and with love,

Ah! how sweet the life I lead!

How blest forever thus to rove,

With fair Isoude, and with love!

As she wills, I live and move,

And cloudless days to days succeed:

With fair Isoude, and with love,

Ah! how sweet the life I lead!

"Journeying on from break of day,

Feel you not fatigued, my fair?

Yon green turf invites to play;

Journeying on from day to day,

Ah! let us to that shade away,

Were it but to slumber there!

Journeying on from break of day,

Feel you not fatigued, my fair?"

They arrived at Camelot, where Sir Launcelot received them most cordially. Isoude was introduced to King Arthur and Queen Guenever, who welcomed her as a sister. As King Mark was held in arrest under the accusation of the two Cornish knights, Queen Isoude could not rejoin her husband, and Sir Launcelot placed his castle of La Joyeuse Garde at the disposal of his friends, who there took up their abode.

King Mark, who found himself obliged to confess the truth of the charge against him, or to clear himself by combat with his accusers, preferred the former, and King Arthur, as his crime had not been perpetrated, remitted the penalty, only enjoining upon him, under pain of his signal displeasure, to lay aside all thoughts of vengeance against his nephew. In the presence of the king and his court, all parties were formally reconciled; Mark and his queen departed for their home, and Tristram remained at Arthur's court.


    Table of Contents    

Glossary



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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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