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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME THREE


LEGENDS OF CHARLEMAGNE

OR

ROMANCE OF THE MIDDLE AGES.

BY THOMAS BULFINCH
[1863]


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    Table of Contents    

Glossary

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HUON OF BORDEAUX (Continued)


HUON, having traversed the Apennines and Italy, arrived at the environs of Rome, where, laying aside his armor, he assumed the dress of a pilgrim. In this attire he presented himself before the Pope, and not till after he had made a full confession of his sins did he announce himself as his nephew. "Ah! my dear nephew," exclaimed the Holy Father, "what harder penance could I impose than the Emperor has already done? Go in peace, my son," he added, absolving him, "I go to intercede for you with the Most High." Then he led his nephew into his palace, and introduced him to all the Cardinals and Princes of Rome as the Duke of Guienne, son of the Duchess Alice, his sister.

Huon, at setting out, had made a vow not to stop more than three days in a place. The Holy Father took advantage of this time to inspire him with zeal for the glory of Christianity, and with confidence in the protection of the Most High. He advised him to embark for Palestine, to visit the Holy Sepulchre, and to depart thence for the interior of Asia.

Loaded with the blessings of the Holy Father, Huon, obeying his counsels, embarked for Palestine, arrived, and visited with the greatest reverence the holy places. He then departed, and took his way toward the east.

But, ignorant of the country and of the language, he lost himself in a forest, and remained three days without seeing a human creature, living on honey and wild fruits which he found on the trees. The third day, seeking a passage through a rocky defile, he beheld a man in tattered clothing, whose beard and hair covered his breast and shoulders. This man stopped on seeing him, observed him, and recognized the arms and bearing of a French knight. He immediately approached, and exclaimed, in the language of the South of France, "God be praised! Do I indeed behold a chevalier of my own country, after fifteen years passed in this desert without seeing the face of a fellow-countryman?"

Huon, to gratify him still more, unlaced his helmet, and came towards him with a smiling countenance. The other regarded him with more surprise than at first. "Good Heaven!" he exclaimed, "was there ever such a resemblance? Ah, noble sir," he added, "tell me, I beseech you, of what country and race you come?" "I require," replied Huon, "before telling you mine, that you first reveal your own; let it suffice you at present to know that I am a Christian, and that in Guienne I was born." "Ah! Heaven grant that my eyes and my heart do not deceive me," exclaimed the unknown; "my name is Sherasmin; I am brother to Guire, the Mayor of Bordeaux. I was taken prisoner in the battle where my dear and illustrious master, Sevinus, lost his life. For three years I endured the miseries of slavery; at length I broke my chains and escaped to this desert, where I have sustained myself in solitude ever since. Your features recall to me my beloved sovereign, in whose service I was from my infancy till his death." Huon made no reply but by embracing the old man, with tears in his eyes. Then Sherasmin learned that his arms enfolded the son of the Duke Sevinus. He led him to his cabin, and spread before him the dry fruits and honey which formed his only aliment.

Huon recounted his adventures to Sherasmin, who was moved to tears at the recital. He then consulted him on means of conducting his enterprise. Sherasmin hesitated not to confess that success seemed impossible; nevertheless he swore a solemn oath never to abandon him. The Saracen language, which he was master of, would be serviceable to them when they should leave the desert, and mingle with men.

They took the route of the Red Sea, and entered Arabia. Their way lay through a region which Sherasmin described as full of terrors. It was inhabited by Oberon, King of the Fairies, who made captive such knights as were rash enough to penetrate into it, and transformed them into Hobgoblins. It was possible to avoid this district at the expense of somewhat lengthening their route; but no dangers could deter Huon of Bordeaux; and the brave Sherasmin, who had now resumed the armor of a knight, reluctantly consented to share with him the dangers of the shorter route.

They entered a wood, and arrived at a spot whence alleys branched off in various directions. One of them seemed to be terminated by a superb palace, whose gilded roofs were adorned with brilliant weathercocks covered with diamonds. A superb chariot issued from the gate of the palace, and drove toward Huon and his companion, as if to meet them half-way. The prince saw no one in the chariot but a child apparently about five years old, very beautiful, and clad in a robe which glittered with precious stones. At the sight of him, Sherasmin's terror was extreme. He seized the reins of Huon's horse, and turned him about, hurrying the prince away, and assuring him that they were lost if they stopped to parley with the mischievous dwarf, who, though he appeared a child, was full of years and of treachery. Huon was sorry to lose sight of the beautiful dwarf, whose aspect had nothing in it to alarm; yet he followed his friend, who urged on his horse with all possible speed. Presently a storm began to roar through the forest, the daylight grew dim, and they found their way with difficulty. From time to time they seemed to hear an infantine voice, which said, "Stop, Duke Huon; listen to me: it is in vain you fly me!"

Sherasmin only fled the faster, and stopped not until he had reached the gate of a monastery of monks and nuns, the two communities of which were assembled at that time in a religious procession. Sherasmin, feeling safe from the malice of the dwarf in the presence of so many holy persons and the sacred banners, stopped to ask an asylum, and made Huon dismount also. But at that moment they were joined by the dwarf, who blew a blast upon an ivory horn which hung from his neck. Immediately the good Sherasmin, in spite of himself, began to dance like a young collegian, and seizing the hand of an aged nun, who felt as if it would be her death, they footed it briskly over the grass, and were imitated by all the other monks and nuns, mingled together, forming the strangest dancing-party ever beheld. Huron alone felt no disposition to dance; but he came near dying of laughter at seeing the ridiculous postures and leaps of the others.

The dwarf, approaching Huon, said, in a sweet voice, and in Huon's own language, "Duke of Guienne, why do you shun me? I conjure you, in Heaven's name, speak to me." Huon, hearing himself addressed in this serious manner, and knowing that no evil spirit would dare to use the holy name in aid of his schemes, replied, "Sir, whoever you are, I am ready to hear and answer you." "Huon, my friend," continued the dwarf, "I always loved your race, and you have been dear to me ever since your birth. The gracious state of conscience in which you were when you entered my wood has protected you from all enchantments, even if I had intended to practise any upon you. If these monks, these nuns, and even your friend Sherasmin, had had a conscience as pure as yours, my horn would not have set them dancing; but where is the monk or the nun who can always be deaf to the voice of the tempter, and Sherasmin in the desert has often doubted the power of Providence."

At these words Huon saw the dancers overcome with exertion. He begged mercy for them, the dwarf granted it, and the effect of the horn ceased at once; the nuns got rid of their partners, smoothed their dresses, and hastened to resume their places in the procession. Sherasmin, overcome with heat, panting, and unable to stand on his legs, threw himself upon the grass, and began, "Did not I tell you"--He was going on in an angry tone, but the dwarf, approaching, said, "Sherasmin, why have you murmured against Providence? Why have you thought evil of me? You deserved this light punishment; but I know you to be good and loyal; I mean to show myself your friend, as you shall soon see." At these words he presented him a rich goblet. "Make the sign of the cross on this cup," said he, "and then believe that I hold my power from the God you adore, whose faithful servant I am, as well as you." Sherasmin obeyed, and on the instant the cup was filled with delicious wine, a draught of which restored vigor to his limbs, and made him feel young again. Overcome with gratitude, he threw himself on his knees, but the dwarf raised him, and bade him sit beside him, and thus commenced his history:

"Julius Caesar, going by sea to join his army, was driven by a storm to take shelter in the island of Celea, where dwelt the fairy Glorianda. From this renowned pair I draw my birth. I am the inheritor of that which was most admirable in each of my parents: my father's heroic qualities, and my mother's beauty and magic art. But a malicious sister of my mother's, in revenge for some slight offence, touched me with her wand when I was only five years old, and forbade me to grow any bigger; and my mother, with all her power, was unable to annul the sentence. I have thus continued infantile in appearance, though full of years and experience. The power which I derive from my mother I use sometimes for my own diversion, but always to promote justice and to reward virtue. I am able and willing to assist you, Duke of Guienne, for I know the errand on which you come hither. I presage for you, if you follow my counsels, complete success; and the beautiful Clarimunda for a wife."

When he had thus spoken he presented to Huon the precious and useful cup, which had the faculty of filling itself when a good man took it in his hand. He gave him also his beautiful horn of ivory, saying to him, "Huon, when you sound this gently, you will make the hearers dance, as you have seen; but if you sound it forcibly, fear not that I shall hear it, though at a hundred leagues' distance, and will fly to your relief; but be careful not to sound it in that way, unless upon the most urgent occasion."

Oberon directed Huon what course he should take to reach the country of the Sultan Gaudisso. "You will encounter great perils," said he, "before arriving there, and I fear me," he added, with tears in his eyes, "that you will not in everything obey my directions, and in that case you will suffer much calamity." Then he embraced Huon and Sherasmin, and left them.

Huon and his follower travelled many days through the desert before they reached any inhabited place, and all this while the wonderful cup sustained them, furnishing them not only wine, but food also. At last they came to a great city. As day was declining, they entered its suburbs, and Sherasmin, who spoke the Saracen language perfectly, inquired for an inn where they could pass the night. A person who appeared to be one of the principal inhabitants, seeing two strangers of respectable appearance making this inquiry, stepped forward and begged them to accept the shelter of his mansion. They entered, and their host did the honors of his abode with a politeness which they were astonished to see in a Saracen. He had them served with coffee and sherbet, and all was conducted with great decorum, till one of the servants awkwardly overturned a cup of hot coffee on the host's legs, when he started up, exclaiming in very good Gascon, "Blood and thunder! you blockhead, you deserve to be thrown over the mosque!"

Huon could not help laughing to see the vivacity and the language of his country thus break out unawares. The host, who had no idea that his guests understood his words, was astonished when Huon addressed him in the dialect of his country. Immediately confidence was established between them; especially when the domestics had retired. The host, seeing that he was discovered, and that the two pretended Saracens were from the borders of the Garonne, embraced them, and disclosed that he was a Christian. Huon, who had learned prudence from the advice of Oberon, to test his host's sincerity, drew from his robe the cup which the Fairy-king had given him, and presented it empty to the host. "A fair cup," said he, "but I should like it better if it was full." Immediately it was so. The host, astonished, dared not put it to his lips. "Drink boldly, my dear fellow-countryman," said Huon; "your truth is proved by this cup, which only fills itself in the hands of an honest man." The host did not hesitate longer; the cup passed freely from hand to hand; their mutual cordiality increased as it passed, and each recounted his adventures. Those of Huon redoubled his host's respect; for he recognized in him his legitimate sovereign: while the host's narrative was in these words:

"My name is Floriac; this great and strong city, you will hear with surprise and grief, is governed by a brother of Duke Sevinus, and your uncle. You have no doubt heard that a young brother of the Duke of Guienne was stolen away from the sea-shore, with his companions, by some corsairs. I was then his page, and we were carried by those corsairs to Barbary, where we were sold for slaves. The Barbary prince sent us as part of the tribute which he yearly paid to his sovereign, the Sultan Gaudisso. Your uncle, who had been somewhat puffed up by the flattery of his attendants, thought to increase his importance with his new master by telling him his rank. The Sultan, who, like a true Mussulman, detested all Christian princes, exerted himself from that moment to bring him over to the Saracen faith. He succeeded but too well. Your uncle, seduced by the arts of the Santons, and by the pleasures and indulgences which the Sultan allowed him, committed the horrid crime of apostasy; he renounced his baptism, and embraced Mahometanism. Gaudisso then loaded him with honors, made him espouse one of his nieces, and sent him to reign over this city and adjoining country. Your uncle preserved for me the same friendship which he had had when a boy; but all his caresses and efforts could not make me renounce my faith. Perhaps he respected me in his heart for my resistance to his persuasions, perhaps he had hopes of inducing me in time to imitate him. He made me accompany him to this city, of which he was master, he gave me his confidence, and permits me to keep in my service some Christians, whom I protect for the sake of their faith."

"Ah!" exclaimed Huon, "take me to this guilty uncle. A prince of the house of Guienne, must he not blush at the cowardly abandonment of the faith of his fathers?"

"Alas!" replied Floriac, "I fear he will neither be sensible of shame at your reproaches, nor of pleasure at the sight of a nephew so worthy of his lineage. Brutified by sensuality, jealous of his power, which he often exercises with cruelty, he will more probably restrain you by force or put you to death."

"Be it so," said the brave and fervent Huon, "I could not die in a better cause; and I demand of you to conduct me to him to-morrow, after having told him of my arrival and my birth." Floriac still objected, but Huon would take no denial, and he promised obedience.

Next morning Floriac waited upon the Governor and told him of the arrival of his nephew, Huon of Bordeaux; and of the intention of the prince to present himself at his court that very day. The Governor, surprised, did not immediately answer; though he at once made up his mind what to do. He knew that Floriac loved Christians and the princes of his native land too well to aid in any treason to one of them; he therefore feigned great pleasure at hearing of the arrival of the eldest born of his family at his court. He immediately sent Floriac to find him; he caused his palace to be put in festal array, his divan to be assembled, and after giving some secret orders, went himself to meet his nephew, whom he introduced under his proper name and title to all the great officers of his court.

Huon burned with indignation at seeing his uncle with forehead encircled with a rich turban, surmounted with a crescent of precious stones. His natural candor made him receive with pain the embraces which the treacherous Governor lavished upon him. Meanwhile the hope of finding a suitable moment to reproach him for his apostasy made him submit to those honors which his uncle caused to be rendered to him. The Governor evaded with address the chance of being alone with Huon and spent all the morning in taking him through his gardens and palace. At last, when the hour of dinner approached, and the Governor took him by the hand to lead him into the dining-hall, Huon seized the opportunity and said to him in a low voice, "O my uncle! O Prince, brother of the Duke Sevinus! in what condition have I the grief and shame of seeing you!" The Governor pretended to be moved, pressed his hand, and whispered in his ear, "Silence! my dear nephew; to-morrow morning I will hear you fully."

Huon, comforted a little by these words, took his seat at the table by the side of the Governor. The Mufti, some Cadis, Agas, and Santons, filled the other places. Sherasmin sat down with them; but Floriac, who would not lose sight of his guests, remained standing, and passed in and out to observe what was going on within the palace. He soon perceived a number of armed men gliding through the passages and antechambers connected with the dining-hall. He was about to enter to give his guests notice of what he had seen when he heard a violent noise and commotion in the hall. The cause was this.

Huon and Sherasmin were well enough suited with the first course and ate with good appetite; but the people of their country not being accustomed to drink only water at their meals, Huon and Sherasmin looked at one another, not very well pleased at such a regimen. Huon laughed outright at the impatience of Sherasmin, but soon, experiencing the same want himself, he drew forth Oberon's cup and made the sign of the cross. The cup filled and he drank it off, and handed it to Sherasmin, who followed his example. The Governor and his officers, seeing this abhorred sign, contracted their brows and sat in silent consternation. Huon pretended not to observe it, and having filled the cup again handed it to his uncle, saying, "Pray, join us, dear uncle; it is excellent Bordeaux wine, the drink that will be to you like mother's milk." The Governor, who often drank in secret with his own favorite Sultanas the wines of Greece and Shiraz, never in public drank anything but water. He had not for a long time tasted the excellent wines of his native land; he was sorely tempted to drink what was now handed to him, it looked so bright in the cup, outshining the gold itself. He stretched forth his hand, took the brimming goblet, and raised it to his lips, when immediately it dried up and disappeared. Huon and Sherasmin, like Gascons as they were, laughed at his astonishment. "Christian dogs!" he exclaimed, "do you dare to insult me at my own table? But I will soon be revenged." At these words he threw the cup at the head of his nephew, who caught it with his left hand, while with the other he snatched the turban, with its crescent, from the Governor's head and threw it on the floor. All the Saracens started up from table, with loud outcries, and prepared to avenge the insult. Huon and Sherasmin put themselves on their defence, and met with their swords the scimitars directed against them. At this moment the doors of the hall opened and a crowd of soldiers and armed eunuchs rushed in, who joined in the attack upon Huon and Sherasmin. The Prince and his followers took refuge on a broad shelf or side-board, where they kept at bay the crowd of assailants, making the most forward of them smart for their audacity. But more troops came pressing in and the brave Huon, inspired by the wine of Bordeaux, and not angry enough to lose his relish for a joke, blew a gentle note on his horn, and no sooner was it heard than it quelled the rage of the combatants and set them to dancing. Huon and Sherasmin, no longer attacked, looked down from their elevated position on a scene the most singular and amusing. Very soon the Sultanas, hearing the sound of the dance and finding their guards withdrawn, came into the hall and mixed with the dancers. The favorite Sultana seized upon a young Santon, who performed jumps two feet high; but soon the long dresses of this couple got intermingled and threw them down. The Santon's beard was caught in the Sultana's necklace, and they could not disentangle them. The Governor by no means approved this familiarity, and took two steps forward to get at the Santon, but he stumbled over a prostrate Dervise and measured his length on the floor. The dancing continued till the strength of the performers was exhausted, and they fell, one after the other, and lay helpless. The Governor at length made signs to Huon that he would yield everything if he would but allow him to rest. The bargain was ratified; the Governor allowed Huon and Sherasmin to depart on their way, and even gave them a ring which would procure them safe passage through his country and access to the Sultan Gaudisso. The two friends hastened to avail themselves of this favorable turn, and taking leave of Floriac, pursued their journey.


    Table of Contents    

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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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