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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME THREE


LEGENDS OF CHARLEMAGNE

OR

ROMANCE OF THE MIDDLE AGES.

BY THOMAS BULFINCH
[1863]


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Glossary

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HUON OF BORDEAUX


WHEN Charlemagne grew old he felt the burden of government become heavier year by year, till at last he called together his high barons and peers to propose to abdicate the empire and the throne of France in favor of his sons, Charlot and Lewis.

The Emperor was unreasonably partial to his eldest son; he would have been glad to have had the barons and peers demand Charlot for their only sovereign; but that prince was so infamous, for his falsehood and cruelty, that the council strenuously opposed the Emperor's proposal of abdicating, and implored him to continue to hold a sceptre which he wielded with so much glory.

Amaury of Hauteville, cousin of Ganelon, and now head of the wicked branch of the house of Maganza, was the secret partisan of Charlot, whom he resembled in his loose morals and bad dispositions. Amaury nourished the most bitter resentment against the house of Guienne, of which the former Duke, Sevinus, had often rebuked his misdeeds. He took advantage of this occasion to do an injury to the two young children whom the Duke Sevinus had left under the charge of the Duchess Alice, their mother; and at the same time, to advance his interest with Charlot by increasing his wealth and power. With this view he suggested to the prince a new idea.

He pretended to agree with the opinion of the barons; he said that it would be best to try Charlot's capacity for government by giving him some rich provinces before placing him upon the throne; and that the Emperor, without depriving himself of any part of his realm, might give Charlot the investiture of Guienne. For although seven years had passed since the death of Sevinus, the young Duke, his son, had not yet repaired to the court of Charlemagne to render the homage due to his lawful sovereign.

We have often had occasion to admire the justice and wisdom of the advice which on all occasions the Duke Namo of Bavaria gave to Charlemagne, and he now discountenanced, with indignation, the selfish advice of Amaury. He represented to the Emperor the early age of the children of Sevinus, and the useful and glorious services of their late father, and proposed to Charlemagne to send two knights to the Duchess at Bordeaux, to summon her two sons to the court of the Emperor, to pay their respects and render homage.

Charlemagne approved this advice, and sent two chevaliers to demand the two young princes of their mother. No sooner had the Duchess learned the approach of the two knights, than she sent distinguished persons to receive them; and as soon as they entered the palace she presented herself before them, with her elder and younger sons, Huon and Girard.

The deputies, delighted with the honors and caresses they received, accompanied with rich presents, left Bordeaux with regret and on their return represented to Charlemagne that the young Duke Huon seemed born to tread in the footsteps of his brave father, informing him that in three months the young princes of Guienne would present themselves at his court.

The Duchess employed the short interval in giving her sons her last instructions. Huon received them in his heart, and Girard gave as much heed to them as could be expected from one so young.

The preparations for their departure having been made, the Duchess embraced them tenderly, commending them to the care of Heaven, and charged them to call, on their way, at the celebrated monastery of Cluny, to visit the Abbot, the brother of their father. This Abbot, worthy of his high dignity, had never lost an opportunity of doing good, setting an example of every excellence, and making virtue attractive by his example.

He received his nephews with the greatest magnificence; and, aware how useful his presence might be to them with Charlemagne, whose valued counsellor he was, he took with them the road to Paris.

When Amaury learned what reception the two deputies of Charlemagne had received at Bordeaux, and the arrangements made for the visit of the young princes to the Emperor's court, he suggested to Charlot to give him a troop of his guards, with which he proposed to lay wait for the young men in the wood of Montlery, put them to death, and thereby give the prince Charlot possession of the duchy of Guienne.

A plan of treachery and violence agreed but too well with Charlot's disposition. He not only adopted the suggestion of Amaury, but insisted upon taking a part in it. They went out secretly, by night, followed by a great number of attendants, all armed in black, to lie in ambuscade in the wood where the brothers were to pass.

Girard, the younger of the two, having amused himself as he rode by flying his hawk at such game as presented itself, had ridden in advance of his brother and the Abbot of Cluny. Charlot, who saw him coming, alone and unarmed, went forth to meet him, sought a quarrel with him, and threw him from his horse with a stroke of his lance. Girard uttered a cry as he fell; Huon heard it, and flew to his defence, with no other weapon than his sword. He came up with him, and saw the blood flowing from his wound. "What has this child done to you, wretch!" he exclaimed to Charlot. "How cowardly to attack him when unprepared to defend himself!" "By my faith," said Charlot, "I mean to do the same by you. Know that I am the son of Duke Thierry of Ardennes, from whom your father, Sevinus, took three castles; I have sworn to avenge him, and I defy you." "Coward," answered Huon, "I know well the baseness that dwells in your race; worthy son of Thierry, use the advantage that your armor gives you; but know that I fear you not." At these words Charlot had the wickedness to put his lance in rest, and to run upon Huon, who had barely time to wrap his arm in his mantle. With this feeble buckler he received the thrust of the lance. It penetrated the mantle, but missed his body. Then, rising upon his stirrups, Sir Huon struck Charlot so terrible a blow with his sword that the helmet was cleft asunder, and his head too. The dastardly prince fell dead upon the ground.

Huon now perceived that the wood was full of armed men. He called the men of his suite, and they hastily put themselves in order, but nobody issued from the wood to attack him. Amaury, who saw Charlot's fall, had no desire to compromit himself; and, feeling sure that Charlemagne would avenge the death of his son, he saw no occasion for his doing anything more at present. He left Huon and the Abbot of Cluny to bind up the wound of Girard, and, having seen them depart and resume their way to Paris, he took up the body of Charlot, and, placing it across a horse, had it carried to Paris, where he arrived four hours after Huon.

The Abbot of Cluny presented his nephew to Charlemagne, but Huon refrained from paying his obeisance, complaining grievously of the ambush which had been set for him, which he said could not have been without the Emperor's permission. Charlemagne, surprised at a charge which his magnanimous soul was incapable of meriting, asked eagerly of the Abbot what were the grounds of the complaints of his nephew. The Abbot told him faithfully all that had happened, informing him that a coward knight, who called himself the son of Thierry of Ardennes, had wounded Girard, and run upon Huon, who was unarmed; but by his force and valor he had overcome the traitor, and left him dead upon the plain.

Charlemagne indignantly disavowed any connection with the action of the infamous Thierry, congratulated the young Duke upon his victory, himself conducted the two brothers to a rich apartment, stayed to see the first dressing applied to the wound of Girard, and left the brothers in charge of Duke Namo of Bavaria, who, having been a companion in arms of the Duke Sevinus, regarded the young men almost as if they were his own sons.

Charlemagne had hardly quitted them when, returning to his chamber, he heard cries, and saw through the window a party of armed men just arrived. He recognized Amaury, who bore a dead knight stretched across a horse; and the name of Charlot was heard among the exclamations of the people assembled in the court-yard.

Charles's partiality for this unworthy son was one of his weaknesses. He descended in trepidation to the court-yard, ran to Amaury, and uttered a cry of grief on recognizing Charlot. "It is Huon of Bordeaux," said the traitor Amaury, "who has massacred your son before it was in my power to defend him." Charlemagne, furious at these words, seized a sword, and flew to the apartment of the two brothers to plunge it into the heart of the murderer of his son. Duke Namo stopped his hand for an instant, while Charles told him the crime of which Huon was accused. "He is a peer of the realm," said Namo, "and if he is guilty, is he not here in your power, and are not we peers the proper judges to condemn him to death? Let not your hand be stained with his blood." The Emperor, calmed by the wisdom of Duke Namo, summoned Amaury to his presence. The peers assembled to hear his testimony, and the traitor accused Huon of Bordeaux of having struck the fatal blow without allowing Charlot an opportunity to defend himself, and though he knew that his opponent was the Emperor's eldest son.

The Abbot of Cluny, indignant at the false accusation of Amaury, advanced, and said, "By Saint Benedict, sire, the traitor lies in his throat. If my nephew has slain Charlot it was in his own defence, and after having seen his brother wounded by him, and also in ignorance that his adversary was the prince. Though I am a son of the Church," added the good Abbot, "I forget not that I am a knight by birth. I offer to prove with my body the lie upon Amaury, if he dares sustain it, and I shall feel that I am doing a better work to punish a disloyal traitor, than to sing lauds and matins."

Huon to this time had kept silent, amazed at the black calumny of Amaury; but now he stepped forth, and, addressing Amaury, said: "Traitor! darest thou maintain in arms the lie thou hast uttered?" Amaury, a knight of great prowess, despising the youth and slight figure of Huon, hesitated not to offer his glove, which Huon seized; then, turning again to the peers, he said: "I pray you let the combat be allowed me, for never was there a more legitimate cause." The Duke Namo and the rest, deciding that the question should be remitted to the judgment of Heaven, the combat was ordained, to which Charlemagne unwillingly consented. The young Duke was restored to the charge of Duke Namo, who the next morning invested him with the honors of knighthood, and gave him armor of proof, with a white shield. The Abbot of Cluny, delighted to find in his nephew sentiments worthy of his birth, embraced him, gave him his blessing, and hastened to the church of St. Germains to pray for him, while the officers of the king prepared the lists for the combat.

The battle was long and obstinate. The address and agility of Huon enabled him to avoid the terrible blows which the ferocious Amaury aimed at him. But Huon had more than once drawn blood from his antagonist. The effect began to be perceived in the failing strength of the traitor; at last he threw himself from his horse, and kneeling, begged for mercy. "Spare me," he said, "and I will confess all. Aid me to rise, and lead me to Charlemagne." The brave and loyal Huon, at these words, put his sword under his left arm, and stretched out his right to raise the prostrate man, who seized the opportunity to give him a thrust in the side. The hauberk of Huon resisted the blow, and he was wounded but slightly. Transported with rage at this act of baseness, he forgot how necessary for his complete acquittal the confession of Amaury was, and without delay dealt him the fatal blow.

Duke Namo and the other peers approached, had the body of Amaury dragged forth from the lists, and conducted Huon to Charlemagne. The Emperor, however, listening to nothing but his resentment and grief for the death of his son, refused to be satisfied; and under the plea that Huon had not succeeded in making his accuser retract his charge seemed resolved to confiscate his estates and to banish him forever from France. It was not till after long entreaties on the part of Duke Namo and the rest that he consented to grant Huon his pardon, under conditions which he should impose.

Huon approached, and knelt before the Emperor, rendered his homage, and cried him mercy for the involuntary killing of his son. Charlemagne would not receive the hands of Huon in his own, but touched him with his sceptre, saying, "I receive thy homage, and pardon thee the death of my son, but only on one condition. You shall go immediately to the court of the Sultan Gaudisso; you shall present yourself before him as he sits at meat; you shall cut off the head of the most illustrious guest whom you shall find sitting nearest to him; you shall kiss three times on the mouth the fair princess, his daughter, and you shall demand of the Sultan, as token of tribute to me, a handful of the white hair of his beard, and four grinders from his mouth."

These conditions caused a murmur from all the assembly. "What!" said the Abbot of Cluny; "slaughter a Saracen prince without first offering him baptism?" "The second condition is not so hard," said the young peers, "but the demand that Huon is bound to make of the old Sultan is very uncivil, and will be hard to obtain."

The Emperor's obstinacy when he had once resolved upon a thing is well known. To the courage of Huon nothing seemed impossible. "I accept the conditions," said he, silencing the intercessions of the old Duke of Bavaria; "my liege, I accept my pardon at this price. I go to execute your commands, as your vassal and a peer of France."

The Duke Namo and Abbot of Cluny, being unable to obtain any relaxation of the sentence passed by Charlemagne, led forth the young Duke, who determined to set out at once on his expedition. All that the good Abbot could obtain of him was, that he should prepare for this perilous undertaking by going first to Rome, to pay his homage to the Pope, who was the brother of the Duchess Alice, Huon's mother, and from him demand absolution and his blessing. Huon promised it, and forthwith set out on his way to Rome.


    Table of Contents    

Glossary



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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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