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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME TWO


THE AGE OF CHIVALRY

OR

LEGENDS OF KING ARTHUR

BY THOMAS BULFINCH
[1858]


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    Table of Contents    

Glossary

#


Part III.



The Knights of English History.


Chapter XXXV.


Robin Hood and His Adventures.


"They say he is already in the forest of Arden, and a many merry men with him; and there they live like the old Robin Hood of England . . . and fleet the time carelessly as they did in the golden world."–

--AS YOU LIKE IT.

AS has been already said, some of the ballad makers have so far erred from the truth as to represent Robin Hood as being outlawed by Henry VIII., and several stories are told of Queen Katherine's interceding with her husband for the pardon of the bold outlaw.40However this may be, it is known that Robin Hood once shot a match on the queen's side against the king's archers, and here is the story:–

40 This seems to have been the opinion of the author from whom we draw the following account of our hero's life,– to show how the doctors will disagree even on a topic as important as Robin Hood:–


The Noble Birth and the Achievements of Robin Hood.


"Robin Hood was descended from the noble family of the Earl of Huntingdon, and being outlawed by Henry VIII. for many extravagancies and outrages he had committed, he did draw together a company of such bold and licentious persons as himself, who lived for the most part on robberies committed in or near unto Sherwood Forest in Nottinghamshire. He had these always ready at his command, so that if need did require he at the winding of his horn would have fifty or more of them in readiness to assist him. He whom he most affected was called Little John by reason of his low stature, though not inferior to any of them in strength of body and stoutness of spirit. He would not entertain any into his service whom he had not first fought with himself and made sufficient trial of his courage and dexterity how to use his weapons, which was the reason that oftentimes he came home hurt and beaten as he was; which was nevertheless no occasion of the diminution of his love to the person whom he fought with, for ever afterwards he would be the more familiar with him, and better respect him for it. Many petitions were referred to the king for a pardon for him, which the king (understanding of the many mad pranks he and his associates played) would give no ear unto; but being attended with a considerable guard, did make a progress himself to find him out and bring him to condign punishment. At last, by the means and mediation of Queen Katherine the king's wrath was qualified, and his pardon sealed, and he spent his old age in peace, at a house of his own, not far from Nottingham, being generally beloved and respected by all."

Robin Hood on one occasion sent a present to Queen Katherine with which she was so pleased that she swore she would be a friend to the noble outlaw as long as she might live. So one day the queen went to her chamber and called to her a page of her company and bade him make haste and prepare to ride to Nottinghamshire to find Robin Hood in Sherwood Forest; for the queen had made a match with the king, her archers against his archers, and the queen proposed to have Robin Hood and his band to shoot on her side against the king's archers.

Now as for the page, he started for Nottingham and posted all the way, and inquired on the road for Robin Hood, where he might be, but he could not find any one who could let him know exactly. So he took up his quarters at an inn at Nottingham. And in the room of the inn he sat him down and called for a bottle of Rhenish wine, and he drank the queen's health out of it. Now at his side was sitting a yeoman of the country, clad in Lincoln green, with a long bow in his hand. And he turned to the page and asked him, "What is thy business, my sweet boy, so far in the north country, for methinks you must come from London?" So then the page told him that it was his business to find Robin Hood the outlaw, and for that he asked every yeoman that he met. And he asked his friend if he knew anything which might help him. "Truly," said the yeoman, "that I do. And if you will get to horse early to-morrow morning I will show you Robin Hood and all his gay yeomen."

So the next morning they got them to horse and rode out into the forest, and the yeoman brought the page to where were Robin Hood and his yeomen. And the page fell down on his knee and said to Robin Hood, "Queen Katherine greets you well by me, and hath sent you this ring as a token. She bids you post up to London town, for that there shall be some sport there in which she has a mind you shall have a hand." And at this Robin took off his mantle of Lincoln green from his back and sent it by the page to Queen Katherine with a promise that he and his band would follow him as soon as they might.

So Robin Hood clothed all his men in Lincoln green and himself in scarlet, and each man wore a black hat with a white feather stuck therein. And thus Robin Hood and his band came up to London. And Robin fell down on his knees before the queen, and she bade him welcome with all his band. For the match between the queen's archers and the king's was to come off the next day in Finsbury fields.

Here first came the king's archers marching with bold bearing, and then came Robin Hood and his archers for the queen. And they laid out the marks there. And the king laid a wager with the queen on the shooting. Now the wager was three hundred tun of Rhenish, and three hundred tun of good English beer, and three hundred fat harts. So then the queen asked if there were any knights with the king who would take her side. But they were unwilling, for said they, "How shall we bet on these men whom we have never seen, when we know Clifton and the rest of the king's archers, and have seen them shoot?" Now this Clifton was one of the king's archers and a great boaster. And when he had reached the shooting field he had cried out, "Measure no marks for us, my lord the king, for we will shoot at the sun and moon." But for all that Robin Hood beat him at the shooting. And the queen asked the Bishop of Herefordshire to back her archers. But he swore by his mitre that he would not bet a single penny on the queen's archers for he knew them not. "What will you bet against them," asked Robin Hood at this, "since you think our shooting is the worse?" "Truly," said the bishop, "I will bet all the money that may be in my purse," and he pulled it up from where it hung at his side. "What is in your purse?" asked Robin Hood. And the bishop tossed it down on the ground saying, "Fifteen rose-nobles, and that's an hundred pound." So Robin Hood tossed out a bag beside the bishop's purse on the green.

And with that they began shooting, and shot three bouts and they came out even; the king's and the queen's. "The next three shots," said the king, "shall pay for all." And so the king's archers shot, and then Robin Hood, and Little John and Midge the miller's son shot for the queen, and came every man of them nearer the prick in the willow wand than did any of the king's men. So the queen's archers having beaten, Queen Katherine asked a boon of the king, and he granted it. "Give me, I pray you," said the queen, "safe conduct for the archers of my party to come and to go home and to stay in London here some time to enjoy themselves." "I grant it," said the king. "Then you are welcome, Robin Hood," said the queen, "and so is Little John and Midge the miller's son and every one of you." "Is this Robin Hood?" asked the king, "for I had heard that he was killed in a quarrel in the north country." And the bishop too asked, "Is this Robin Hood? If I had known that I would not have bet a penny with him. He took me one Saturday evening and bound me fast to a tree, and there he made me sing a mass for him and his yeomanry about." "Well, if I did," said Robin Hood, "surely I needed all the masses that I might get for my soul." And with that he and his yeomanry departed, and when their safe conduct was expired they journeyed north again to Sherwood Forest.


Robin Hood and the Beggar.


But Robin Hood, once having supplied himself with good store of money, which he had gotten of the sheriff of Nottingham, bought him a stout gelding, and riding on him one day towards Nottingham, it was his fortune to meet with a poor beggar. Robin Hood was of a frolic spirit, and no accepter of persons; but observing the beggar to have several sorts of bags, which were fastened to his patched coat, he did ride up to him, and giving him the time of day, he demanded of him what countryman he was. "A Yorkshireman," said the beggar; "and I would desire of you to give me something." "Give thee!" said Robin Hood; "why, I have nothing to give thee. I am a poor ranger in the forest, and thou seemest to be a lusty knave; shall I give thee a good bastinado over thy shoulders?" "Content, content," said the beggar; "I durst lay all my bags to a threaden joust, thou wilt repent it." With that Robin Hood alighted, and the beggar, with his long quarterstaff, so well defended himself, that, let Robin Hood do what he could, he could not come within the beggar, to flash him to a remembrance of his overboldness; and nothing vexed him more than to find that the beggar's staff was as hard and as obdurate as iron itself; but not so Robin Hood's head, for the beggar with all his force did let his staff descend with such a side blow, that Robin Hood, for all his skill, could not defend it, but the blood came trickling down his face, which, turning Robin Hood's courage into revenge and fury, he let fly at him with his trusty sword, and doubled blow upon blow; but perceiving that the beggar did hold him so hard to it that one of his blows was but the forerunner of another, and every blow to be almost the Postilion of Death, he cried out to him to hold his hand. "That will I not do," said the beggar, "unless thou wilt resign unto me thy horse, and thy sword, and thy clothes, with all the money thou hast in thy pockets." "The change is uneven," said Robin Hood, "but for once I am content."

So, putting on the beggar's clothes, the beggar was the gentleman, and Robin Hood was the beggar, who, entering into Nottingham town with his patched coat and several wallets, understood that three brethren were that day to suffer at the gallows, being condemned for killing the king's deer, he made no more ado, but went directly to the sheriff's house, where a young gentleman, seeing him to stand at the door, demanded of him what he would have. Robin Hood returned answer that he came to crave neither meat nor drink, but the lives of these three brothers who were condemned to die. "That cannot be," said the young gentleman, "for they are all this day to suffer according to law, for stealing of the king's deer, and they are already conveyed out of the town to the place of execution." "I will be with them presently," said Robin Hood, and coming to the gallows he found many making great lamentation for them. Robin Hood did comfort them, and assured them they should not die; and blowing his horn, behold on a sudden a hundred brave archers came unto him, by whose help, having released the prisoners, and killed the, hangman, and hurt many of the sheriff's officers, they took those who were condemned to die for killing the king's deer along with them, who, being very thankful for the preservation of their lives, became afterwards of the yeomanry of Robin Hood.


Robin Hood and King Richard.


Now King Richard, hearing of the deeds of Robin Hood and his men, wondered much at them, and desired greatly himself to see him, and his men as well. So he with a dozen of his lords rode to Nottingham town and there took up his abode. And being at Nottingham, the king one day with his lords put on friars' gowns every one, and rode forth from Fountain Abbey down to Barnsdale. And as they were riding there they saw Robin Hood and all his band standing ready to assail them. The king, being taller than the rest, was thought by Robin to be the abbot. So he made up to him, and seized his horse by the head, and bade him stand. "For," said he, "it is against such knaves as you that I am bound to make war." "But," said the king himself, "we are messengers from the king, who is but a little away, waiting to speak with you." "God save the king," said Robin Hood, "and all his well-wishers. And accursed be every one who may deny his sovereignty." "You are cursing yourself," said the king, "for you are a traitor." "Now," said Robin Hood, "if you were not the king's messenger, I would make you rue that word of yours. I am as true a man to the king as lives. And I never yet injured any honest man and true, but only those who make their living by stealing from others. I have never in my life harmed either husbandman or huntsman. But my chief spite lies against the clergy, who have in these days great power. But I am right glad to have met you here. Come with me, and you shall taste our greenwood cheer." But the king and his lords marvelled, wondering what kind of cheer Robin might provide for them. And Robin took the king's horse by the head, and led him towards his tent. "It is because thou comest from the king," said he, "that I use you in this wise; and hadst thou as much gold as ever I had, it should be all of it safe for good King Richard's sake." And with that he took out his horn, and blew on it a loud blast. And thereat came marching forth from the wood five score and ten of Robin's followers, and each one bent the knee before Robin Hood. "Surely," thought the king, "it is a goodly sight to see; for they are more humble to their master than my servants are to me, Here may the court learn something from the greenwood." And here they laid a dinner for the king and his lords, and the king swore that he had never feasted better. Then Robin Hood, taking a can of ale, said, "Let us now begin, each man with his can. Here's a health to the king." And they all drank the health to the king, the king himself, as well as another.

And after the dinner they all took their bows, and showed the king such archery that the king said he had never seen such men as they in any foreign land. And then said the king to Robin Hood, "If I could get thee a pardon from King Richard, wouldst thou serve the king well in everything?" "Yes, with all my heart," said Robin. And so said all his men.

And with that the king declared himself to them, and said, "I am the king, your sovereign, that is now before you." And at this Robin and all his men fell down on their knees; but the king raised them up, saying to them that he pardoned each one of them, and that they should every one of them be in his service. So the king returned to Nottingham, and with him returned Robin Hood and his men, to the great joy of the townspeople, whom they had for a long time sorely vexed.

"And they are gone to London court,

Robin Hood and all his train;

He once was there a noble peer,

And now he's there again."


The Death of Robin Hood.


But Robin Hood returned to Sherwood Forest, and there met his death. For one day, being wounded in a fight, he fled out of the battle with Little John. And being at some distance, Robin Hood said to his lieutenant, "Now truly I cannot shoot even one shot more, for the arrows will not fly. For I am sore wounded. So I will go to my cousin, the abbess, who dwelleth near here in Kirkley Hall, and she shall bleed me, that I may be well again." So Robin Hood left Little John, and he went his way to Kirkley; and reaching the Hall, his strength nearly left him, yet he knocked heavily at the door. And his cousin came down first to let him in. And when she saw him she knew that it was her cousin Robin Hood, and she received him with a joyful face. Then said Robin, "You see me, my cousin, how weak I am. Therefore I pray you to bleed me, that I may be whole again." And his cousin took him by the hand, and led him into an upper room, and laid him on a bed, and she bled him. But the treacherous woman tied not up the vein again, but left him so that his life began to flow from him. And he, finding his strength leaving him, thought to escape; but he could not, for the door was locked, and the casement window was so high that he might not leap down from it. Then, knowing that he must die, he reached forth his hand to his bugle horn, which lay by him on the bed. And setting the horn to his mouth, be blew weakly, though with all his strength, three blasts upon it. And Little John, as he sat under the tree in the greenwood, heard his blowing, and he said, "Now must Robin be near death, for his blast is very weak."

And he got up and ran to Kirkley Hall as fast as he might. And coming to the door, he found it locked; but he broke it down, and so came to Robin Hood. And coming to the bed, he fell upon his knees, and said, "Master, I beg a boon of thee,– that thou lettest me burn down Kirkley Hall and all the nunnery." "Nay," quoth Robin Hood; "nay, I cannot grant you your boon; for never in my life did I hurt woman, or man in woman's company, nor shall it be done when I die. But for me, give me my long bow, and I will let fly an arrow, and where you shall find the arrow, there bury me. And make my grave long and broad, that I may rest easily; and place my head upon a green sod, and place my bow at my side." And these words Little John readily promised him, so that Robin Hood was pleased. And they buried him as he had asked, an arrow-shot from Kirkley Hall.


    Table of Contents    

Glossary



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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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