Bulfinch's Mythology:
All VolumesThomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.
This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.
After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.
Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.
A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.
Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.
The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.
Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)
Mythology The Gods, Heroes, and Monsters of Ancient Greece
Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.
In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.
Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)
The Illustrated A-Z Of Classic Mythology
A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.
About the Author
Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.
Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)
Love
Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)
Prayer
Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)
Suffering
There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)
Angels
The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)
Our Divine Destiny
If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)
Family
Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)
Faith
…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)
History/Science
The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)
From the Inside Flap
What’s Inside?
Parts I and II
God, the inhabited universes, life after death, angels and other beings, the war in heaven.
Part III
The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.
Part IV
The life and teachings of Jesus including the missing years. AND MUCH MORE…
Excerpts
God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)
The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)
The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)
Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)
Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)
Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)
About the Author
The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.
Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)
Mythology: Timeless Tales of Gods and Heroes
In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.
About the Author
Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.
Jim Tierney studied illustration at the University of the Arts in Philadelphia.
Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)
The Ultimate Encyclopedia of Mythology
In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.
About the Author
Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.
Paperback: 512 pages
Publisher: Southwater (September 16, 2012)
100 Characters from Classical Mythology
Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:
- The Primordial Gods: Gaia, Uranus, Cronus, and others
- The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
- Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
- Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
- Figures from the Odyssey: Odysseus, Penelope, Circe, and others
This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.
Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)
All VolumesThomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.
This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.
After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.
Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.
A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.
Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.
The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.
Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)
BULFINCH'S MYTHOLOGY
VOLUME TWO
THE AGE OF CHIVALRY
OR
LEGENDS OF KING ARTHUR
BY THOMAS BULFINCH
[1858]
Part II.
The Mabinogeon.
Chapter XXXII.
Taliesin.
GWYDDNO GARANHIR was sovereign of Gwaelod, a territory bordering on the sea. And he possessed a weir upon the strand between Dyvi and Aberstwyth, near to his own castle, and the value of an hundred pounds was taken in that weir every May eve, And Gwyddno had an only son named Elphin, the most helpless of youths, and the most needy. And it grieved his father sore, for he thought he was born in an evil hour. By the advice of his council his father had granted him the drawing of the weir that year, to see if good luck would ever befall him, and to give him something wherewith to begin the world. And this was on the twenty-ninth of April.
The next day, when Elphin went to look, there was nothing in the weir but a leather bag upon a pole of the weir. Then said the wier-ward unto Elphin, "All thy ill-luck aforetime was nothing to this; and now thou hast destroyed the virtues of the weir, which always yielded the value of an hundred pounds every May eve; and to-night there is nothing but this leathern skin in it." "How now," said Elphin, "there may be therein the value of a hundred pounds." Well! they took up the leathern bag, and he who opened it saw the forehead of an infant, the fairest that was ever seen; and he said, "Behold a radiant brow!" (in the Welsh language, taliesin.) "Taliesin be he called," said Elphin. And he lifted the bag in his arms, and, lamenting his bad luck, placed the boy sorrowfully behind him. And he made his horse amble gently, that before had been trotting, and he carried him as softly as if he had been sitting in the easiest chair in the world. And presently the boy made a Consolation and praise to Elphin; and the Consolation was as you may here see:–
"Fair Elphin, cease to lament!
Never in Gwyddno's weir
Was there such good luck as this night.
Being sad will not avail;
Better to trust in God than to forebode ill;
Weak and small as I am,
On the foaming beach of the ocean,
In the day of trouble I shall be
Of more service to thee than three hundred salmon."
This was the first poem that Taliesin ever sung, being to console Elphin in his grief for that the produce of the weir was lost and, what was worse, that all the world would consider that it was through his fault and ill-luck. Then Elphin asked him what he was, whether man or spirit. And he sung thus:–
"I have been formed a comely person;
Although I am but little, I am highly gifted;
Into a dark leathern bag I was thrown,
And on a boundless sea I was set adrift.
From seas and from mountains
God brings wealth to the fortunate man."
Then came Elphin to the house of Gwyddno, his father, and Taliesin with him. Gwyddno asked him if he had had a good haul at the weir, and he told him that he had got that which was better than fish. "What was that?" said Gwyddno. "A bard," said Elphin. Then said Gwyddno, "Alas! what will he profit thee?" And Taliesin himself replied and said, "He will profit him more than the weir ever profited thee." Asked Gwyddno, "Art thou able to speak, and thou so little?" And Taliesin answered him, "I am better able to speak than thou to question me," "Let me hear what thou canst say," quoth Gwyddno. Then Taliesin sang:–
"Three times have I been born, I know by meditation;
All the sciences of the world are collected in my breast,
For I know what has been, and what hereafter will occur."
Elphin gave his haul to his wife, and she nursed him tenderly and lovingly. Thenceforward Elphin increased in riches more and more, day by day, and in love and favor with the king; and there abode Taliesin until he was thirteen years old, when Elphin, son of Gwyddno, went by a Christmas invitation to his uncle, Maelgan Gwynedd, who held open court at Christmas-tide in the castle of Dyganwy, for all the number of lords of both degrees, both spiritual and temporal, with a vast and thronged host of knights and squires. And one arose and said, "Is there in the whole world a king so great as Maelgan, or one on whom Heaven has bestowed so many gifts as upon him,– form, and beauty, and meekness, and strength, besides all the powers of the soul?" And together with these they said that Heaven had given one gift that exceeded all the others, which was the beauty, and grace, and wisdom, and modesty of his queen, whose virtues surpassed those of all the ladies and noble maidens throughout the whole kingdom. And with this they put questions one to another, Who had braver men? Who had fairer or swifter horses or greyhounds? Who had more skilful or wiser bards than Maelgan?
When they had all made an end of their praising the king and his gifts, it befell that Elphin spoke on this wise: "Of a truth, none but a king may vie with a king; but were he not a king, I would say that my wife was as virtuous as any lady in the kingdom, and also that I have a bard who is more skilful than all the king's bards." In a short space some of his fellows told the king all the boastings of Elphin; and the king ordered him to be thrown into a strong prison until he might show the truth as to the virtues of his wife and the wisdom of his bard.
Now when Elphin had been put in a tower of the castle with a thick chain about his feet (it is said that it was a silver chain, as he was of royal blood), the king, as the story relates, sent his son Rhun to inquire into the demeanor of Elphin's wife. Now Rhun was the most graceless man in the world, and there was neither wife nor maiden with whom he held converse but was evil spoken of. While Rhun went in haste towards Elphin's dwelling, being fully minded to bring disgrace upon his wife, Taliesin told his mistress how that the king had placed his master in durance in prison, and how that Rhun was coming in haste to strive to bring disgrace upon her. Wherefore he caused his mistress to array one of the maids of the kitchen in her apparel; which the noble lady gladly did, and she loaded her hands with the best rings that she and her husband possessed.
In this guise Taliesin caused his mistress to put the maiden to sit at the board in her room at supper; and he made her to seem as her mistress, and the mistress to seem as the maid. And when they were in due time seated at their supper, in the manner that has been said, Rhun suddenly arrived at Elphin's dwelling, and was received with joy, for the servants knew him; and they brought him to the room of their mistress, in the semblance of whom the maid rose up from supper and welcomed him gladly. And afterwards she sat down to supper again, and Rhun with her. Then Rhun began jesting with the maid, who still kept the semblance of the mistress. And verily this story shows that the maiden became so intoxicated that she fell asleep; and the story relates that it was a powder that Rhun put into the drink that made her sleep so soundly that she never felt it when he cut off from her hand her little finger, whereon was the signet ring of Elphin, which he had sent to his wife as a token a short time before. And Rhun returned to the king with the finger and the ring as a proof, to show that he had cut it off from her hand without her awaking from her sleep of intemperance.
The king rejoiced greatly at these tidings, and he sent for his councillors, to whom he told the whole story from the beginning. And he caused Elphin to be brought out of prison, and he chided him because of his boast. And he spake on this wise: "Elphin, be it known to thee beyond a doubt, that it is but folly for a man to trust in the virtues of his wife further than he can see her; and that thou mayest be certain of thy wife's vileness, behold her finger, with thy signet ring upon it, which was cut from her hand last night, while she slept the sleep of intoxication." Then thus spake Elphin: "With thy leave, mighty king, I cannot deny my ring, for it is known of many; but verily I assert that the finger around which it is was never attached to the hand of my wife; for in truth and certainty there are three notable things pertaining to it, none of which ever belonged to any of my wife's fingers. The first of the three is, that it is certainly known to me that this ring would never remain upon her thumb, whereas you can plainly see that it is hard to draw it over the joint of the little finger of the hand whence this was cut. The second thing is, that my wife has never let pass one Saturday since I have known her, without paring her nails before going to bed, and you can see fully that the nail of this little finger has not been pared for a month. The third is, truly, that the hand whence this finger came was kneading rye dough within three days before the finger was cut therefrom, and I can assure your highness that my wife has never kneaded rye dough since my wife she has been."
The king was mightily wroth with Elphin for so stoutly withstanding him, respecting the goodness of his wife; wherefore he ordered him to his prison a second time, saying that he should not be loosed thence until he had proved the truth of his boast, as well concerning the wisdom of his bard as the virtues of his wife.
In the meantime his wife and Taliesin remained joyful at Elphin's dwelling. And Taliesin showed his mistress how that Elphin was in prison because of them; but he bade her be glad, for that he would go to Maelgan's court to free his master. So he took leave of his mistress, and came to the court of Maelgan, who was going to sit in his hall, and dine in his royal state, as it was the custom in those days for kings and princes to do at every chief feast. As soon as Taliesin entered the hall, he placed himself in a quiet corner, near the place where the bards and the minstrels were wont to come, in doing their service and duty to the king, as is the custom at the high festivals, when the bounty is proclaimed. So, when the bards and the heralds came to cry largess, and to proclaim the power of the king, and his strength, at the moment when they passed by the corner wherein he was crouching, Taliesin pouted out his lips after them, and played, "Blerwm, blerwm!" with his finger upon his lips. Neither took they much notice of him as they went by, but proceeded forward till they came before the king, unto whom they made their obeisance with their bodies, as they were wont, without speaking a single word, but pouting out their lips, and making mouths at the king, playing "Blerwm, blerwm!" upon their lips with their fingers, as they had seen the boy do. This sight caused the king to wonder, and to deem within himself that they were drunk with many liquors. Wherefore he commanded one of his lords, who served at the board, to go to them and desire them to collect their wits, and to consider where they stood, and what it was fitting for them to do. And this lord did so gladly. But they ceased not from their folly any more than before. Whereupon he sent to them a second time, and a third, desiring them to go forth from the hall. And the last the king ordered one of his squires to give a blow to the chief of them, named Heinin Vardd; and the squire took a broom and struck him on the head, so that he fell back in his seat. Then he arose, and went on his knees, and besought leave of the king's grace to show that this their fault was not through want of knowledge, neither through drunkenness, but by the influence of some spirit that was in the hall. And he spoke on this wise: "O honorable king, be it known to your grace that not from the strength of drink, or of too much liquor, are we dumb, but through the influence of a spirit that sits in the corner yonder, in the form of a child." Forthwith the king commanded the squire to fetch him; and he went to the nook where Taliesin sat, and brought him before the king, who asked him what he was, and whence he came. And be answered the king in verse:–
"Primary chief bard am I to Elphin,
And my native country is the region of the summer stars;
I have been in Asia with Noah in the ark,
I have seen the destruction of Sodom and Gomorrah,
I was in India when Rome was built,
I have now come here to the remnant of Troia."
When the king and his nobles had heard the song, they wondered much, for they had never heard the like from a boy so young as he. And when the king knew that he was the bard of Elphin, he bade Heinin, his first and wisest bard, to answer Taliesin, and to strive with him. But when he came, he could do no other than play "Blerwm!" on his lips; and when he sent for the others of the four and twenty bards, they all did likewise, and could do no other. And Maelgan asked the boy Taliesin what was his errand, and he answered him in song:–
"Elphin, the son of Gwyddno,
Is in the land of Artro,
Secured by thirteen locks,
For praising his instructor.
Therefore I, Taliesin,
Chief of the bards of the west,
Will loosen Elphin
Out of a golden fetter."
Then he sang to them a riddle:–
"Discover thou what is
The strong creature from before the flood,
Without flesh, without bone,
Without vein, without blood,
Without head, without feet;
It will neither be older nor younger
Than at the beginning.
Behold how the sea whitens
When first it comes,
When it comes from the south,
When it strikes on coasts.
It is in the field, it is in the wood,
But the eye cannot perceive it.
One Being has prepared it,
By a tremendous blast,
To wreak vengeance
On Maelgan Gwynedd."
While he was thus singing his verse, there arose a mighty storm of wind, so that the king and all his nobles thought that the castle would fall upon their heads. And the king caused them to fetch Elphin in haste from his dungeon, and placed him before Taliesin. And it is said that immediately he sung a verse, so that the chains opened from about his feet.
After that Taliesin brought Elphin's wife before them, and showed that she had not one finger wanting. And in this manner did he set his master free from prison, and protect the innocence of his mistress, and silence the bards so that not one of them dared to say a word, Right glad was Elphin, right glad was Taliesin.
The Complete World of Greek Mythology (The Complete Series)
A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.
Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.
"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.
"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.
"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.
"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.
"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.
"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.
"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.
Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.
250 illustrations, 120 in color
Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)
The national bestseller, now available in a non-illustrated, standard format paperback edition
The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.
This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.
Paperback: 293 pages
Publisher: Anchor (June 1, 1991)
World Mythology: The Illustrated Guide
The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.
Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.
Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.
About the Author
Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.
Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)
All VolumesThomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.
This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.
After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.
Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.
A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.
Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.
The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.
Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)
The Library of Greek Mythology (Oxford World's Classics)
The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.
Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.
Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.
About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.
About the Author
Robin Hard is Tutor in the Department of Philosophy at the University of Reading.
Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)
D'aulaire's Book of Greek Myths
No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.
The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter
Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)
World Mythology: An Anthology of Great Myths and Epics
World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.
About the Author
McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.
Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)
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Urantia Book, 44:0.11 - The Celestial Artisans
Never in your long ascendancy will you lose the power to recognize your associates of former existences. Always, as you ascend inward in the scale of life, will you retain the ability to recognize and fraternize with the fellow beings of your previous and lower levels of experience. Each new translation or resurrection will add one more group of spirit beings to your vision range without in the least depriving you of the ability to recognize your friends and fellows of former estates.
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Princess Bride 1987 Wallace Shawn (Vizzini) and Mandy Patinkin (Inigo Montoya)
Vizzini: HE DIDN'T FALL? INCONCEIVABLE.
Inigo Montoya: You keep using that word. I do not think it means what you think it means. -
Urantia Book, 117:4.14 - The Finite God
And here is mystery: The more closely man approaches God through love, the greater the reality -- actuality -- of that man. The more man withdraws from God, the more nearly he approaches nonreality -- cessation of existence. When man consecrates his will to the doing of the Father's will, when man gives God all that he has, then does God make that man more than he is.
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Urantia Book, 167:7.4 - The Talk About Angels
"And do you not remember that I said to you once before that, if you had your spiritual eyes anointed, you would then see the heavens opened and behold the angels of God ascending and descending? It is by the ministry of the angels that one world may be kept in touch with other worlds, for have I not repeatedly told you that I have other sheep not of this fold?"
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Urantia Book, Foreword - 0:12.12 - The Trinities
But we know that there dwells within the human mind a fragment of God, and that there sojourns with the human soul the Spirit of Truth; and we further know that these spirit forces conspire to enable material man to grasp the reality of spiritual values and to comprehend the philosophy of universe meanings. But even more certainly we know that these spirits of the Divine Presence are able to assist man in the spiritual appropriation of all truth contributory to the enhancement of the ever-progressing reality of personal religious experience—God-consciousness.
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Urantia Book, 1:4.3 - The Mystery Of God
When you are through down here, when your course has been run in temporary form on earth, when your trial trip in the flesh is finished, when the dust that composes the mortal tabernacle "returns to the earth whence it came"; then, it is revealed, the indwelling "Spirit shall return to God who gave it." There sojourns within each moral being of this planet a fragment of God, a part and parcel of divinity. It is not yet yours by right of possession, but it is designedly intended to be one with you if you survive the mortal existence.
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Urantia Book, 1:4.1 - The Mystery Of God
And the greatest of all the unfathomable mysteries of God is the phenomenon of the divine indwelling of mortal minds. The manner in which the Universal Father sojourns with the creatures of time is the most profound of all universe mysteries; the divine presence in the mind of man is the mystery of mysteries.
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Urantia Book, 1:4.6 - The Mystery Of God
To every spirit being and to every mortal creature in every sphere and on every world of the universe of universes, the Universal Father reveals all of his gracious and divine self that can be discerned or comprehended by such spirit beings and by such mortal creatures. God is no respecter of persons, either spiritual or material. The divine presence which any child of the universe enjoys at any given moment is limited only by the capacity of such a creature to receive and to discern the spirit actualities of the supermaterial world.
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Urantia Book, 11:0.1 - The Eternal Isle Of Paradise
Paradise is the eternal center of the universe of universes and the abiding place of the Universal Father, the Eternal Son, the Infinite Spirit, and their divine co-ordinates and associates. This central Isle is the most gigantic organized body of cosmic reality in all the master universe. Paradise is a material sphere as well as a spiritual abode. All of the intelligent creation of the Universal Father is domiciled on material abodes; hence must the absolute controlling center also be material, literal. And again it should be reiterated that spirit things and spiritual beings are real.
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Urantia Book, 50:6.4 - Planetary Culture
Culture presupposes quality of mind; culture cannot be enhanced unless mind is elevated. Superior intellect will seek a noble culture and find some way to attain such a goal. Inferior minds will spurn the highest culture even when presented to them ready-made.
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Urantia Book, 54:1.6 - True And False Liberty
True liberty is the associate of genuine self-respect; false liberty is the consort of self-admiration. True liberty is the fruit of self-control; false liberty, the assumption of self-assertion. Self-control leads to altruistic service; self-admiration tends towards the exploitation of others for the selfish aggrandizement of such a mistaken individual as is willing to sacrifice righteous attainment for the sake of possessing unjust power over his fellow beings.
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Urantia Book, 54:1.9 - True And False Liberty
How dare the self-willed creature encroach upon the rights of his fellows in the name of personal liberty when the Supreme Rulers of the universe stand back in merciful respect for these prerogatives of will and potentials of personality! No being, in the exercise of his supposed personal liberty, has a right to deprive any other being of those privileges of existence conferred by the Creators and duly respected by all their loyal associates, subordinates, and subjects.
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Urantia Book, 54:1.8 - True And False Liberty
There is no error greater than that species of self-deception which leads intelligent beings to crave the exercise of power over other beings for the purpose of depriving these persons of their natural liberties. The golden rule of human fairness cries out against all such fraud, unfairness, selfishness, and unrighteousness.
