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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME TWO


THE AGE OF CHIVALRY

OR

LEGENDS OF KING ARTHUR

BY THOMAS BULFINCH
[1858]


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    Table of Contents    

Glossary

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Part II.



The Mabinogeon.


Chapter XXXI.


Peredur, the Son of Evrawc.


ARTHUR was in Caerleon upon the Usk; and he went to hunt, and Peredur35 went with him. And Peredur let loose his dog upon a hart, and the dog killed the hart in a desert place. And a short space from him he saw signs of a dwelling, and towards the dwelling he went, and he beheld a hall, and at the door of the hall he found bold swarthy youths playing at chess. And when he entered he beheld three maidens sitting on a bench, and they were all clothed alike, as became persons of high rank. And he came and sat by them on the bench; and one of the maidens looked steadfastly at Peredur and wept. And Peredur asked her wherefore she was weeping. "Through grief that I shall see so fair a youth as thou art slain." "Who will slay me?" inquired Peredur. "If thou art so daring as to remain here to-night I will tell thee." "How great soever my danger may be from remaining here I will listen unto thee." "This palace is owned by him who is my father," said the maiden, "and he slays every one who comes hither without his leave." "What sort of a man is thy father that he is able to slay every one thus?" "A man who does violence and wrong unto his neighbors, and who renders justice unto none." And hereupon he saw the youths arise and clear the chessmen from the board. And he heard a great tumult; and after the tumult there came in a huge black one-eyed man, and the maidens arose to meet him. And they disarrayed him, and he went and sat down; and after he had rested and pondered awhile, he looked at Peredur, and asked who the knight was. "Lord," said one of the maidens, "he is the fairest and gentlest youth that ever thou didst see. And for the sake of Heaven, and thine own dignity, have patience with him." "For thy sake I will have patience, and I will grant him his life this night." Then Peredur came towards them to the fire, and partook of food and liquor, and entered into discourse with the ladies. And being elated with the liquor, he said to the black man, "It is a marvel to me, so mighty as thou sayest thou art, who could have put out thine eye?" "It is one of my habits," said the black man, "that whosoever puts to me the question which thou hast asked shall not escape with his life, either as a free gift, or for a price." "Lord," said the maiden, "whatsoever he may say to thee in jest, and through the excitement of liquor, make good that which thou saidest and didst promise me just now." "I will do so, gladly, for thy sake," said he. "Willingly will I grant him his life this night." And that night thus they remained.

35 Peredur, the son of Evrawc, is the Welsh for Perceval, a part of whose story in the preceding pages is taken from the Mabinogeon.

And the next day the black man got up and put on his armor, and said to Peredur, "Arise, man, and suffer death." And Peredur said unto him, "Do one of two things, black man; if thou wilt fight with me, either throw off thy own armor, or give arms to me that I may encounter thee." "Ha! man," said he, "couldst thou fight if thou hadst arms? Take then what arms thou dost choose." And thereupon the maiden came to Peredur with such arms as pleased him; and he fought with the black man and forced him to crave his mercy. "Black man, thou shalt have mercy, provided thou tell me who thou art, and who put out thine eye." "Lord, I will tell thee. I lost it in fighting with the Black Serpent of the Carn. There is a mound which is called the Mound of Mourning; and on the mound there is a carn, and in the carn there is a serpent, and on the tail of the serpent there is a stone, and the virtues of the stone are such that whosoever should hold it in one hand, in the other he will have as much gold as he may desire. And in fighting with this serpent was it that I lost my eye. And the Black Oppressor am I called. And for this reason I am called the Black Oppressor, that there is not a single man around me whom I have not oppressed, and justice have I done unto none." "Tell me," said Peredur, "how far is it hence?" "The same day that thou settest forth thou wilt come to the Palace of the Sons of the King of the Tortures." "Wherefore are they called thus?" "The Addanc36 of the Lake slays them once every day. When thou goest thence thou wilt come to the Court of the Countess of Achievements." "What achievements are these?" said Peredur. "Three hundred men are there in her household, and unto every stranger that comes to the Court the achievements of her household are related. And this is the manner of it,– the three hundred men of the household sit next unto the Lady; and that not through disrespect unto the guests, but that they may relate the achievements of the household. And the day that thou goest there thou wilt reach the Mound of Mourning, and round about the mound there are the owners of three hundred tents guarding the serpent." "Since thou hast indeed been an oppressor so long," said Peredur, "I will cause that thou continue so no longer." So he slew him.

36 The Addanc was a mighty aquatic monster.

Then the maiden spoke, and began to converse with him. "If thou wast poor when thou camest here henceforth thou wilt be rich through the treasure of the black man whom thou hast slain. Thou seest the many lovely maidens that there are in this court, thou shalt have her whom thou likest best for the lady of thy love." "Lady, I came not hither from my country to woo; but match yourselves as it liketh you with the comely youths I see here; and none of your goods do I desire, for I need them not." Then Peredur rode forward, and he came to the Palace of the Sons of the King of the Tortures; and when he entered the palace he saw none but women; and they rose up and were joyful at his coming; and as they began to discourse with him he beheld a charger arrive, with a saddle upon it, and a corpse in the saddle. And one of the women arose, and took the corpse from the saddle and anointed it in a vessel of warm water, which was below the door, and placed precious balsam upon it; and the man rose up alive, and came to the place where Peredur was, and greeted him, and was joyful to see him. And two other men came in upon their saddles, and the maiden treated these two in the same manner as she had done the first. Then Peredur asked the chieftain wherefore it was thus. And they told him there was an Addanc in a cave, which slew them once every day. And thus they remained one night.

And next morning the youths arose to sally forth, and Peredur besought them, for the sake of the ladies of their love, to permit him to go with them; but they refused him, saying, "If thou shouldst be slain thou hast none to bring thee back to life again." And they rode forward and Peredur followed after them; and after they had disappeared out of his sight he came to a mound, whereon sat the fairest lady he had ever beheld. "I know thy quest," said she; "thou art going to encounter the Addanc, and he will slay thee, and that not by courage but by craft. He has a cave, and at the entrance of the cave there is a stone pillar, and he sees every one that enters, and none sees him; and from behind the pillar he slays every one with a poisonous dart. And if thou wouldst pledge me thy faith, to love me above all women, I would give thee a stone, by which thou shouldst see him when thou goest in, and he should not see thee." "I will, by my faith," said Peredur, "for when first I beheld thee I loved thee; and where shall I seek thee?" "When thou seekest me seek towards India." And the maiden vanished after placing the stone in Peredur's hand.

And he came towards a valley, through which ran a river; and the borders of the valley were wooded, and on each side of the river were level meadows. And on one side of the river he saw a flock of white sheep, and on the other side a flock of black sheep. And whenever one of the white sheep bleated one of the black sheep would cross over and become white; and when one of the black sheep bleated one of the white sheep would cross over and become black. And he saw a tall tree by the side of the river, one-half of which was in flames from the root to the top, and the other half was green and in full leaf. And nigh thereto he saw a youth sitting upon a mound, and two greyhounds, white-breasted and spotted, in leashes, lying by his side. And certain was he that he had never seen a youth of so royal a bearing as he. And in the wood opposite he heard hounds raising a herd of deer. And Peredur saluted the youth, and the youth greeted him in return. And there were three roads leading from the mound; two of them were wide roads and the third was more narrow. And Peredur inquired where the three roads went. "One of them goes to my palace," said the youth. "And one of two things I counsel thee to do, either to proceed to my palace, which is before thee, and where thou wilt find my wife, or else to remain here to see the hounds chasing the roused deer from the wood to the plain. And thou shalt see the best greyhounds thou didst ever behold, and the boldest in the chase, kill them by the water beside us; and when it is time to go to meat my page will come with my horse to meet me, and thou shalt rest in my palace to-night." "Heaven reward thee; but I cannot tarry, and onward must I go." "The other road leads to the town, which is near here, wherein food and liquor may be bought; and the road which is narrower than the other goes towards the cave of the Addanc." "With thy permission, young man, I will go that way."

And Peredur went towards the cave. And he took the stone in his left hand, and his lance in his right. And as he went in he perceived the Addanc, and he pierced him through with his lance, and cut off his head. And as he came forth from the cave, behold the three companions were at the entrance; and they saluted Peredur, and told him that there was a prediction that he should slay the monster.

And Peredur gave the head to the young man, and they offered him in marriage which ever of the three sisters he might choose, and half their kingdom with her. "I came not hither to woo," said Peredur, "but if peradventure I took a wife, I should prefer your sister to all others." And Peredur rode forward, and he heard a noise behind him. And he looked back, and saw a man upon a red horse, and red armor upon him; and the man rode up by his side, and wished him the favor of Heaven and of man. And Peredur greeted the youth kindly. "Lord, I come to make a request unto thee." "What wouldst thou?" "That thou shouldst take me as thy attendant." "Who should I take as my attendant if I did so?" "I will not conceal from thee what kindred I am of. Etlym Gleddyv Coch am I called, an Earl from the East Country." "I marvel that thou shouldst offer to become attendant to a man whose possessions are no greater than thine own; for I have but an earldom like thyself. But now thou desirest to be my attendant, I will take thee joyfully."

And they went forward to the Court of the Countess, and all they of the Court were glad at their coming; and they were told it was not through disrespect they were placed below the household, but that such was the usage of the Court. For whoever should overthrow the three hundred men of her household would sit next the Countess, and she would love him above all other men. And Peredur, having overthrown the three hundred of her household, sat down beside her, and the Countess said, "I thank Heaven that I have a youth so fair and so radiant as thou, since I have not obtained the man whom best I love." "Whom is he whom best thou lovest? By my faith, Etlym Gleddyv Coch is the man whom I love best, and I have never seen him." "Of a truth, Etlym is my companion; and behold here he is, and for his sake did I come to joust with thy household. And he would have done so better than I had it pleased him." "Heaven reward thee, fair youth, and I will take the man whom I love above all others." And the Countess became Etlym's bride from that moment.

And the next day Peredur set forth toward the Mound of Mourning. "By thy hand, lord, but I will go with thee," said Etlym. Then they went forward till they came in sight of the mound and the forts. "Go unto yonder men," said Peredur to Etlym, "and desire them to come and do me homage." So Etlym went unto them, and said unto them thus: "Come and do homage to my lord." "Who is thy lord?" said they. "Peredur, with the long lance, is my lord," said Etlym. "Were it permitted to slay a messenger, thou shouldst not go back to thy lord alive, for making unto kings and earls and barons so arrogant a demand as to go and do him homage." On this Peredur desired him to go back to them, and to give them their choice, either to do him homage or to do battle with him. And they chose rather to do battle. And that day Peredur overthrew the owners of a hundred tents. And the next day he overthrew the owners of a hundred more; and the third day the remaining third took counsel, to do homage to Peredur. And Peredur inquired of them wherefore they were there. And they told him they were guarding the serpent until he should die. "For then should we fight for the stone among ourselves, and whoever should be conqueror among us would have the stone." "Wait here," said Peredur, "and I will go to encounter the serpent." "No, no, lord," said they; "we will go all together to encounter the serpent." "Verily," said Peredur, "that will I not permit; for if the serpent be slain, I shall derive no more fame therefrom than one of you." Then he went to the place where the serpent was, and slew it, and came back to them, and said, "Reckon up what you have spent since you have been here, and I will repay you to the full." And he paid to each what he said was his claim. And he required of them only that they should acknowledge themselves his vassals. And he said to Etlym, "Go back unto her whom thou lovest best, and I will go forwards, and I will reward thee for having been my attendant." And he gave Etlym the stone. "Heaven repay thee and prosper thee," said Etlym.

And Peredur rode thence, and he came to the fairest valley he had ever seen, through which ran a river; and there he beheld many tents of various colors. And he marvelled still more at the number of windmills and of water-mills that he saw. And there rode up with him a tall, auburn-haired man, in a workman's garb, and Peredur inquired of him who he was. "I am the chief miller," said he, "of all the mills yonder." "Wilt thou give me lodging?" said Peredur. "I will, gladly," he answered. And Peredur came to the miller's house, and the miller had a fair and pleasant dwelling. And Peredur asked money as a loan from the miller, that he might buy meat and liquor for himself, and for the household, and he promised him that he would pay him ere he went thence. And he inquired of the miller wherefore such a multitude were there assembled. Said the miller to Peredur, "One thing is certain; either thou art a man from afar, or thou art beside thyself. The Empress of Cristonobyl the Great is here; and she will have no one but the man who is most valiant; for riches she does not require. And it was impossible to bring food for so many thousands as are here, therefore were all these mills constructed." And that night they took their rest.

And the next day Peredur arose, and he equipped himself and his horse for the tournament. And among other tents he beheld one which was the fairest he had ever seen. And saw a beauteous maiden leaning her head out of a window of a tent, and he had never seen a maiden more lovely than she. And upon her was a garment of satin. And he gazed fixedly on the maiden and began to love her greatly. And he remained there, gazing upon the maiden from morning until midday, and from midday until evening; and then the tournament was ended; and he went to his lodging and drew off his armor. Then he asked money of the miller as a loan, and the miller's wife was wroth with Peredur; nevertheless the miller lent him the money. And the next day he did in like manner as he had done the day before. And at night he came to his lodging, and took money as a loan from the miller. And the third day, as he was in the same place, gazing upon the maiden, he felt a hard blow between the neck and the shoulder from the edge of an axe. And when he looked behind he saw that it was the miller; and the miller said unto him, "Do one of two things; either turn thy head from hence or go to the tournament." And Peredur smiled on the miller, and went to the tournament; and all that encountered him that day he overthrew. And as many as he vanquished he sent as a gift to the Empress, and their horses and arms he sent as a gift to the wife of the miller, in payment of the borrowed money. And the Empress sent to the Knight of the Mill, to ask him to come and visit her. And Peredur went not for the first nor for the second message. And the third time she sent one hundred knights to bring him against his will, and they went to him, and told him their mission from the Empress. And Peredur fought well with them, and caused them to be bound like stags, and thrown into the mill dyke. And the Empress sought advice of a wise man. "With thy permission, I will go to him myself." So he came to Peredur and besought him, for the sake of the lady of his love, to come and visit the Empress. And they went together with the miller. And Peredur went and sat down in the outer chamber of the tent, and she came and placed herself at his side. And there was but little discourse between them. And Peredur took his leave, and went to his lodging.

And the next day he came to visit her, and when he came into the tent there was no one chamber less decorated than the others. And they knew not where he would sit. And Peredur went and sat beside the Empress, and discoursed with her courteously. And while they were there they beheld a black man enter with a goblet full of wine in his hand. And he dropped upon his knee before the Empress, and besought her to give it to no one who would not fight him for it. And she looked upon Peredur. "Lady," said he, "bestow upon me the goblet." And Peredur drank the wine, and gave the goblet to the miller's wife. And while they were thus, behold there entered a black man, of larger stature than the other, with a wild beast's claw in his hand, wrought into the form of a goblet, and filled with wine. And he presented it to the Empress, and besought her to give it to no one but the man who would fight with him. "Lady," said Peredur, "bestow it upon me." And she gave it to him. And Peredur drank the wine, and sent the goblet to the wife of the miller. And when they were thus, behold a rough-looking crisp-haired man, taller than either of the others, came in with a bowl in his hands full of wine; and he bent upon his knee, and gave it into the hands of the Empress, and he besought her to give it to none but him who would fight with him for it; and she gave it to Peredur, and he sent it to the miller's wife. And that night Peredur returned to his lodging; and the next day he accoutred himself and his horse, and went to the meadow, and slew the three men. Then Peredur proceeded to the tent, and the Empress said to him, "Goodly Peredur, remember the faith thou didst pledge me when I gave thee the stone, and thou didst kill the Addanc." "Lady," answered he, "thou sayest truth, I do remember it." For she was the maiden who had been sitting on the mound when Peredur had gone in search of the Addanc.


    Table of Contents    

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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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