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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME TWO


THE AGE OF CHIVALRY

OR

LEGENDS OF KING ARTHUR

BY THOMAS BULFINCH
[1858]


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    Table of Contents    

Glossary

#


Part II.



The Mabinogeon.


Chapter XXIX.


Kilwich and Olwen.


KILYDD, the son of Prince Kelyddon, desired a wife as a helpmate, and the wife that he chose was Goleudid, the daughter of Prince Anlawd. And after their union the people put up prayers that they might have an heir. And they had a son through the prayers of the people; and called his name Kilwich.

After this the boy's mother, Goleudid, the daughter of Prince Anlawd, fell sick. Then she called her husband to her, and said to him, "Of this sickness I shall die, and thou wilt take another wife. Now wives are the gift of the Lord, but it would be wrong for thee to harm thy son. Therefore I charge thee that thou take not a wife until thou see a briar with two blossoms upon my grave." And this he promised her. Then she besought him to dress her grave every year, that no weeds might grow thereon. So the queen died. Now the king sent an attendant. every morning to see if anything were growing upon the grave. And at the end of the seventh year they neglected that which they had promised to the queen.

One day the king went to hunt; and he rode to the place of burial, to see the grave, and to know if it were time that he should take a wife; and the king saw the briar. And when he saw it, the king took counsel where he should find a wife. Said one of his counsellors, "I know a wife that will suit thee well; and she is the wife of King Doged." And they resolved to go to seek her; and they slew the king, and brought away his wife. And they conquered the king's lands. And he married the widow of King Doged, the sister of Yspadaden Penkawr.

And one day his stepmother said to Kilwich, "It were well for thee to have a wife." "I am not yet of an age to wed," answered the youth. Then said she unto him, "I declare to thee that it is thy destiny not to be suited with a wife until thou obtain Olwen, the daughter of Yspadaden Penkawr." And the youth blushed, and the love of the maiden diffused itself through all his frame, although he had never seen her. And his father inquired of him, "What has come over thee, my son, and what aileth thee?" "My stepmother has declared to me that I shall never have a wife until I obtain Olwen, the daughter of Yspadaden Penkawr." "That will be easy for thee," answered his father. "Arthur is thy cousin. Go, therefore, unto Arthur, to cut thy hair, and ask this of him as a boon."

And the youth pricked forth upon a steed with head dappled gray, four winters old, firm of limb, with shell-formed hoofs, having a bridle of linked gold on his head, and upon him a saddle of costly gold. And in the youth's hand were two spears of silver, sharp, well tempered, headed with steel, three ells in length, of an edge to wound the wind, and cause blood to flow, and swifter than the fall of the dew-drop from the blade of reed-grass, when the dew of June is at the heaviest. A gold-hilted sword was upon his thigh, the blade of which was gilded, bearing a cross of inlaid gold of the hue of the lightning of heaven. His war-horn was of ivory. Before him were two brindled, white-breasted greyhounds, having strong collars of rubies about their necks, reaching from the shoulder to the ear. And the one that was upon the left side bounded across to the right side, and the one on the right to the left, and, like two sea-swallows, sported around him. And his courser cast up four sods, with his four hoofs, like four swallows in the air, about his head, now above, now below. About him was a four-cornered cloth of purple, and an apple of gold was at each corner, and every one of the apples was of the value of an hundred kine. And there was precious gold of the value of three hundred kine upon his shoes, and upon his stirrups, from his knee to the tip of his toe. And the blade of grass bent not beneath him, so light was his courser's tread, as he journeyed toward the gate of Arthur's palace.

Spoke the youth: "Is there a porter?" "There is; and if thou holdest not thy peace, small will be thy welcome. I am Arthur's porter every first day of January." "Open the portal." "I will not open it." "Wherefore not?" "The knife is in the meat, and the drink is in the horn, and there is revelry in Arthur's hall; and none may enter therein but the son of a king of a privileged country, or a craftsman bringing his craft. But there will be refreshment for thy dogs and for thy horse; and for thee there will be collops cooked and peppered, and luscious wine, and mirthful songs; and food for fifty men shall be brought unto thee in the guest-chamber, where the stranger and the sons of other countries eat, who come not into the precincts of the palace of Arthur. Thou wilt fare no worse there than thou wouldst with Arthur in the court. A lady shall smooth thy couch, and shall lull thee with songs; and early to-morrow morning, when the gate is open for the multitude that come hither to-day, for thee shall it be opened first, and thou mayest sit in the place that thou shalt choose in Arthur's hall, from the upper end to the lower." Said the youth: "That will I not do. If thou openest the gate, it is well. If thou dost not open it, I will bring disgrace upon thy lord, and evil report upon thee. And I will set up three shouts at this very gate, than which none were ever heard more deadly." "What clamor soever thou mayest make," said Glewlwyd the porter, "against the laws of Arthur's palace, shalt thou not enter therein, until I first go and speak with Arthur."

Then Glewlwyd went into the hall. And Arthur said to him, "Hast thou news from the gate?" "Half of my life is passed," said Glewlwyd, "and half of thine. I was heretofore in Kaer Se and Asse, in Sach and Salach, in Lotor and Fotor, and I have been in India the Great and India the Lesser, and I have also been in Europe and Africa, and in the islands of Corsica, and I was present when thou didst conquer Greece in the East. Nine supreme sovereigns, handsome men, saw we there, but never did I behold a man of equal dignity with him who is now at the door of the portal." Then said Arthur, "If walking thou didst enter here, return thou running. It is unbecoming to keep such a man as thou sayest he is in the wind and the rain." Said Kay: "By the hand of my friend, if thou wouldst follow my counsel, thou wouldst not break through the laws of the court because of him." "Not so, blessed Kay," said Arthur; "it is an honor to us to be resorted to, and the greater our courtesy, the greater will be our renown and our fame and our glory."

And Glewlwyd came to the gate, and opened the gate before Kilwich; and although all dismounted upon the horse-block at the gate, yet did he not dismount, but he rode in upon his charger. Then said he, "Greeting be unto thee, sovereign ruler of this island, and be this greeting no less unto the lowest than unto the highest. and be it equally unto thy guests and thy warriors and thy chieftains; let all partake of it as completely as thyself. And complete be thy favor and thy fame and thy glory, throughout all this island." "Greeting unto thee also," said Arthur; "sit thou between two of my warriors, and thou shalt have minstrels before thee, and thou shalt enjoy the privileges of a king born to a throne, as long as thou remainest here. And when I dispense my presents to the visitors and strangers in this court, they shall be in thy hand at my commencing." Said the youth: "I came not here to consume meat and drink; but if I obtain the boon that I seek, I will requite it thee, and extol thee; but if I have it not I will bear forth thy dispraise to the four quarters of the world, as far as thy renown has extended." Then said Arthur, "Since thou wilt not remain here, chieftain, thou shalt receive the boon, whatsoever thy tongue may name, as far as the wind dries, and the rain moistens, and the sun revolves, and the sea encircles, and the earth extends; save only my ship Prydwen, and my mantle, and Caleburn, my sword, and Rhongomyant, my lance, and Guenever, my wife. By the truth of Heaven, thou shalt have it cheerfully, name what thou wilt." "I would that thou bless my hair," said he. "That shall be granted thee."

And Arthur took a golden comb, and scissors whereof the loops were of silver, and he combed his hair. And Arthur inquired of him who he was; "for my heart warms unto thee, and I know that thou art come of my blood. Tell me, therefore, who thou art." "I will tell thee," said the youth. "I am Kilwich, the son of Kilydd, the son of Prince Kelyddon, by Goleudid my mother, the daughter of Prince Anlawd." "That is true," said Arthur; "thou art my cousin. Whatsoever boon thou mayest ask, thou shalt receive, be it what it may that thy tongue shall name." "Pledge the truth of Heaven and the faith of thy kingdom thereof." "I pledge it thee gladly." "I crave of thee, then, that thou obtain for me Olwen, the daughter of Yspadaden Penkawr, to wife; and this boon I likewise seek at the hands of thy warriors. I seek it from Kay and from Bedwyr; and from Gwynn, the son of Nudd, and Gadwy, the son of Geraint, and Prince Flewddur Flam, and Iona, king of France, and Sel, the son of Selgi, and Taliesin, the chief of the bards, and Geraint, the son of Erbin, Garanwyn, the son of Kay, and Amren, the son of Bedwyr, Ol, the son of Olwyd, Bedwin, the bishop, Guenever, the chief lady, and Guenhywach, her sister, Morved, the daughter of Urien, and Gwenlian Deg, the majestic maiden, Creiddylad,32 the daughter of Lludd, the constant maiden, and Ewaedan, the daughter of Kynvelyn,33 the half-man." All these did Kilwich, the son of Kilydd, adjure to obtain his boon.

32 Creiddylad is no other than Shakespeare's Cordelia, whose father, King Lear, is by the Welsh authorities called indiscriminately Llyr or Llydd. All the old chroniclers give the story of her devotion to her aged parent, but none of them seems to have been aware that she is destined to remain with him till the day of doom. whilst Gwyn ap Nudd, the king of the fairies, and Gwythyr ap Greidiol, fight for her every first of May, and whichever of them may be fortunate enough to be the conqueror at that time will obtain her as his bride.

33 The Welsh have a fable on the subject of the half-man, taken to be illustrative of the force of habit. In this allegory Arthur is supposed to be met by a sprite, who appears at first in a small and indistinct form, but who, on approaching nearer, increases in size, and, assuming the semblance of half a man, endeavors to provoke the king to wrestle. Despising his weakness, and considering that he should gain no credit by the encounter, Arthur refuses to do so, and delays the contest until at length the half-man (Habit) becomes so strong that it requires his utmost efforts to overcome him.

Then said Arthur, "O chieftain, I have never heard of the maiden of whom thou speakest, nor of her kindred, but I will gladly send messengers in search of her. Give me time to seek her." And the youth said, "I will willingly grant from this night to that at the end of the year to do so." Then Arthur sent messengers to every land within his dominions to seek for the maiden, and at the end of the year Arthur's messengers returned without having gained any knowledge or intelligence concerning Olwen more than on the first day. Then said Kilwich, "Every one has received his boon, and I yet lack mine. I will depart, and bear away thine honor with me." Then said Kay, "Rash chieftain! dost thou reproach Arthur? Go with us, and we will not part until thou dost either confess that the maiden exists not in the world, or until we obtain her." Thereupon Kay rose up. And Arthur called Bedwyr, who never shrank from any enterprise upon which Kay was bound. None were equal to him in swiftness throughout this island except Arthur alone; and although he was one-handed, three warriors could not shed blood faster than he on the field of battle.

And Arthur called to Kyndelig, the guide, "Go thou upon this expedition with the chieftain." For as good a guide was he in a land which he had never seen as he was in his own.

He called Gurhyr Gwalstat, because he knew all tongues.

He called Gawain, the son of Gwyar, because he never returned home without achieving the adventure of which he went in quest.

And Arthur called Meneu, the son of Teirgwed, in order that, if they went into a savage country, be might cast a charm and an illusion over them, so that none might see them whilst they could see every one.

They journeyed until they came to a vast open plain, wherein they saw a great castle, Which was the fairest of the castles of the world. And when they came before the castle they beheld a vast flock of sheep. And upon the top of a mound there was a herdsman keeping the sheep. And a rug made of skins was upon him, and by his side was a shaggy mastiff, larger than a steed nine winters old.

Then said Kay, "Gurhyr Gwalstat, go thou and salute yonder man." "Kay," said he, "I engaged not to go further than thou thyself." "Let us go then together," answered Kay. Said Meneu, "Fear not to go thither, for I will cast a spell upon the dog so that he shall injure no one." And they went up to the mound whereon the herdsman was, and they said to him, "How dost thou fare, herdsman?" "Not less fair be it to you than to me." "Whose are the sheep that Thou dost keep, and to whom does yonder castle belong?" "Stupid are ye, truly! not to know that this is the castle of Yspadaden Penkawr. And ye also, who are ye?" "We are an embassy from Arthur, come to seek Olwen, the daughter of Yspadaden Penkawr." "O men! the mercy of Heaven be upon you; do not that for all the world. None who ever came hither on this quest has returned alive." And the herdsman rose up. And as he rose Kilwich gave unto him a ring of gold. And he went home and gave the ring to his spouse to keep. And she took the ring when it was given her, and she said, "Whence came this ring, for thou art not wont to have good fortune?" "O wife, him to whom this ring belonged thou shalt see here this evening." "And who is he?" asked the woman. "Kilwich, the son of Kilydd, by Goleudid, the daughter of Prince Anlawd, who is come to seek Olwen as his wife." And when the heard that she had joy that her nephew, the son of her sister, was coming to her, and sorrow because she had never known any one depart alive who had come on that quest.

And the men went forward to the gate of the herdsman's dwelling. And when she heard their footsteps approaching she ran out with joy to meet them. And Kay snatched a billet out of the pile. And when she met them she sought to throw her arms about their necks. And Kay placed the log between her two hands, and she squeezed it so that it became a twisted coil. "O woman," said Kay, "if thou hadst squeezed me thus none could ever again set their affections on me. Evil love were this." They entered into the house and were served; and soon after they all went forth to amuse themselves. Then the woman opened a stone chest that was before the chimney-corner, and out of it rose a youth with yellow, curling hair. Said Gurhyr, "It is a pity to hide this youth. I know that it is not his own crime that is thus visited upon him." "This is but a remnant," said the woman. "Three and twenty of my sons has Yspadaden Penkawr slain, and I have no more hope of this one than of the others." Then said Kay, "Let him come and be a companion with me and he shall not be slain unless I also am slain with him." And they ate. And the woman asked them, "Upon what errand come you here?" "We come to seek Olwen for this youth." Then said the woman, "In the name of Heaven, since no one from the castle hath yet seen you, return again whence you came." "Heaven is our witness that we will not return until we have seen the maiden. Does she ever come hither, so that she may be seen?" "She comes here every Saturday to wash her head, and in the vessel where she washes she leaves all her rings, and she never either comes herself or sends any messenger to fetch them." "Will she come here if she is sent to?" "Heaven knows that I will not destroy my soul, nor will I betray those that trust me; unless you will pledge me your faith that you will not harm her I will not send to her." "We pledge it," said they. So a message was sent, and she came.

The maiden was clothed in a robe of flame-colored silk, and about her neck was a collar of ruddy gold, on which were precious emeralds and rubies. More yellow was her head than the flower of the broom,34 and her skin was whiter than the foam of the wave, and fairer were her hands and her fingers than the blossoms of the wood-anemone amidst the spray of the meadow fountain. The eye of the trained hawk was not brighter than hers. Her bosom was more snowy than the breast of the white swan, her cheek was redder than the reddest roses. Whoso beheld her was filled with her love. Four white trefoils sprung up wherever she trod. And therefore was she called Olwen.

34 The romancers dwell with great complacency on the fair hair and delicate complexion of their heroines. This taste continued for a long time, and to render the hair light was an object of education. Even when wigs came into fashion they were all flaxen. Such was the color of the hair of the Gauls and of their German conquerors. It required some centuries to reconcile their eyes to the swarthy beauties of their Spanish and Italian neighbors.

She entered the house and sat beside Kilwich upon the foremost bench; and as soon as he saw her he knew her. And Kilwich said unto her, "Ah! maiden, thou art she whom I have loved; come away with me lest they speak evil of thee and of me. Many a day have I loved thee." "I cannot do this, for I have pledged my faith to my father not to go without his counsel, for his life will last only until the time of my espousals. Whatever is to be, must be. But I will give thee advice, if thou wilt take it. Go ask me of my father, and that which he shall require of thee, grant it, and thou wilt obtain me; but if thou deny him anything, thou wilt not obtain me, and it will be well for thee if thou escape with thy life." "I promise all this, if occasion offer," said he.

She returned to her chamber, and they all rose up, and followed her to the castle. And they slew the nine porters, that were at the nine gates, in silence And they slew the nine watch-dogs without one of them barking. And they went forward to the hall.

"The greeting of Heaven and of man be unto thee, Yspadaden Penkawr," said they. "And you, wherefore come you?" "We come to ask thy daughter Olwen for Kilwich, the son of Kilydd, the son of Prince Kelyddon." "Where are my pages and my servants? Raise up the forks beneath my two eyebrows, which have fallen over my eyes, that I may see the fashion of my son-in-law." And they did so. "Come hither to-morrow, and you shall have an answer."

They rose to go forth, and Yspadaden Penkawr seized one of the three poisoned darts that lay beside him, and threw it after them. And Bedwyr caught it, and flung it, and pierced Yspadaden Penkawr grievously with it through the knee. Then he said, "A cursed ungentle son-in-law, truly! I shall ever walk the worse for his rudeness, and shall ever be without a cure. This poisoned iron pains me like the bite of a gad-fly. Cursed be the smith who forged it, and the anvil on which it was wrought! So sharp is it!

That night also they took up their abode in the house of the herdsman. The next day, with the dawn, they arrayed themselves and proceeded to the castle, and entered the hall; and they said, "Yspadaden Penkawr, give us thy daughter in consideration of her dower and her maiden fee, which we will pay to thee, and to her two kinswomen likewise." Then he said, "Her four great-grandmothers, and her four great-grandsires are yet alive; it is needful that I take counsel of them." "Be it so," they answered; "we will go to meat." As they rose up, he took the second dart that was beside him, and cast it after them. And Meneu, the son of Gawedd, caught it, and flung it back at him, and wounded him in the centre of the breast. "A cursed ungentle son-in-law, truly!" said he; "the hard iron pains me like the bite of a horse-leech. Cursed be the hearth whereon it was heated, and the smith who formed it! So sharp is it! Henceforth, whenever I go up hill, I shall have a scant in my breath, and a pain in my chest, and I shall often loathe my food." And they went to meat.

And the third day they returned to the palace. And Yspadaden Penkawr said to them, "Shoot not at me again, unless you desire death. Where are my attendants? Lift up the forks of my eyebrows, which have fallen over my eyeballs, that I may see the fashion of my son-in-law." Then they arose, and, as they did so, Yspadaden Penkawr took the third poisoned dart and cast it at them. And Kilwich caught it, and threw it vigorously, and wounded him through the eyeball. "A cursed ungentle son-in-law, truly! As long as I remain alive, my eyesight will be the worse. Whenever I go against the wind, my eyes will water; and peradventure my head will burn, and I shall have a giddiness every new moon. Like the bite of a mad dog is the stroke of this poisoned iron. Cursed be the fire in which it was forged!" And they went to meat.

And the next day they came again to the palace, and they said, "Shoot not at us any more, unless thou desirest such hurt and harm and torture as thou now hast, and even more." Said Kilwich, "Give me thy daughter; and if thou wilt not give her, thou shalt receive thy death because of her." "Where is he that seeks my daughter? Come hither, where I may see thee." And they placed him a chair face to face with him.

Said Yspadaden Penkawr, "Is it thou that seekest my daughter?"

"It is I," answered Kilwich.

"I must have thy pledge that thou wilt not do toward me otherwise than is just; and when I have gotten that which I shall name, my daughter thou shalt have."

"I promise thee that, willingly," said Kilwich; "name what thou wilt."

"I will do so," said he. "Seest thou yonder red tilled ground?"

"I see it."

"When first I met the mother of this maiden, nine bushels of flax were sown therein, and none has yet sprung up, white or black. I require to have the flax to sow in the new land yonder, that when it grows up it may make a white wimple for my daughter's head on the day of thy wedding."

"It will be easy for me to compass this, although thou mayest think it will not be easy."

"Though thou get this, there is yet that which thou wilt not get,– the harp of Teirtu, to play to us that night. When a man desires that it should play, it does so of itself; and when he desires that it should cease, it ceases. And this he will not give of his own free will, and thou wilt not be able to compel him."

"It will be easy for me to compass this, although thou mayest think that it will not be easy."

"Though thou get this, there is yet that which thou wilt not get. I require thee to get me for my huntsman Mabon, the son of Modron. He was taken from his mother when three nights old, and it is not known where he now is, nor whether he is living or dead."

"It will be easy for me to compass this, although thou mayest think it will not be easy."

"Though thou get this, there is yet that which thou wilt not get,– the two cubs of the wolf Gast Rhymhi; no leash in the world will hold them, but a leash made from the beard of Dillus Varwawc, the robber. And the leash will be of no avail unless it be plucked from his beard while he is alive. While he lives, he will not suffer this to be done to him, and the leash will be of no use should he be dead, because it will be brittle."

"It will be easy for me to compass this, although thou mayest think it will not be easy."

"Though thou get this, there is yet that which thou wilt not get,– the sword of Gwernach the Giant; of his own free will he will not give it, and thou wilt never be able to compel him."

"It will be easy for me to compass this, although thou mayest think it will not be easy."

"Though thou get this, there is yet that which thou wilt not get. Difficulties shalt thou meet with, and nights without sleep, in seeking this, and if thou obtain it not, neither shalt thou obtain my daughter."

"Horses shall I have, and chivalry; and my lord and kinsman, Arthur, will obtain for me all these things. And I shall gain thy daughter, and thou shalt lose thy life."

"Go forward. And thou shalt not be chargeable for food or raiment for my daughter while thou art seeking these things; and when thou hast compassed all these marvels, thou shalt have my daughter for thy wife."


    Table of Contents    

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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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