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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME TWO


THE AGE OF CHIVALRY

OR

LEGENDS OF KING ARTHUR

BY THOMAS BULFINCH
[1858]


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    Table of Contents    

Glossary

#


Part II.



The Mabinogeon.


Chapter XXVIII.


Manawyddan.


PWYLL and Rhiannon had a son, whom they named Pryderi. And when he was grown up, Pwyll, his father, died. And Pryderi married Kicva, the daughter of Gwynn Gloy.

Now Manawyddan returned from the war in Ireland, and he found that his cousin had seized all his possessions, and much grief and heaviness came upon him. "Alas! woe is me!" he exclaimed; "there is none save myself without a home and a resting-place." "Lord," said Pryderi, "be not so sorrowful. Thy cousin is king of the Island of the Mighty, and though he has done thee wrong, thou hast never been a claimant of land or possessions." "Yea," answered he, "but although this man is my cousin, it grieveth me to see any one in the place of my brother, Bendigeid Vran; neither can I be happy in the same dwelling with him." "Wilt thou follow the counsel of another?" said Pryderi. "I stand in need of counsel," he answered, "and what may that counsel be?" "Seven cantrevs belong unto me," said Pryderi, "wherein Rhiannon, my mother, dwells. I will bestow her upon thee, and the seven cantrevs with her; and though thou hadst no possessions but those cantrevs only, thou couldst not have any fairer than they. Do thou and Rhiannon enjoy them; and if thou desire any possessions thou wilt not despise these." "I do not, chieftain," said he. "Heaven reward thee for thy friendship! I will go with thee to seek Rhiannon, and to look at thy possessions." "Thou wilt do well," he answered; "and I believe thou didst never hear a lady discourse better than she, and when she was in her prime, none was ever fairer. Even now her aspect is not uncomely."

They set forth, and, however long the journey, they came at last to Dyved; and a feast was prepared for them by Rhiannon and Kicva. Then began Manawyddan and Rhiannon to sit and talk together; and his mind and his thoughts became warmed towards her, and he thought in his heart he had never beheld any lady more fulfilled of grace and beauty than she. "Pryderi," said he, "I will that it be as thou didst say." "What saying was that?" asked Rhiannon. "Lady," said Pryderi, "I did offer thee as a wife to Manawyddan, the son of Llyr." "By that will I gladly abide," said Rhiannon. "Right glad am I also," said Manawyddan; "may Heaven reward him who hath shown unto me friendship so perfect as this."

And before the feast was over she became his bride. Said Pryderi, "Tarry ye here the rest of the feast, and I will go into England to tender my homage unto Caswallawn, the son of Beli." "Lord," said Rhiannon, "Caswallawn is in Kent; thou mayest therefore tarry at the feast, and wait until he shall be nearer." "We will wait," he answered. So they finished the feast. And they began to make the circuit of Dyved, and to hunt, and to take their pleasure. And as they went through the country, they had never seen lands more pleasant to live in, nor better hunting-grounds, nor greater plenty of honey and fish. And such was the friendship between these four, that they would not be parted from each other by night nor by day.

And in the midst of all this be went to Caswallawn at Oxford, and tendered his homage; and honorable was his reception there, and highly was he praised for offering his homage.

And after his return Pryderi and Manawyddan feasted and took their ease and pleasure. And they began a feast at Narberth, for it was the chief palace. And when they had ended the first meal, while those who served them ate, they arose and went forth, and proceeded to the Gorsedd, that is, the Mound of Narberth, and their retinue with them. And as they sat thus, behold a peal of thunder, and with the violence of the thunder-storm, lo! there came a fall of mist, so thick that not one of them could see the other. And after the mist it became light all around. And when they looked towards the place where they were wont to see cattle and herds and dwellings, they saw nothing now, neither house, nor beast, nor smoke, nor fire, nor man, nor dwelling, but the buildings of the court empty, and desert, and uninhabited, without either man or beast within them. And truly all their companions were lost to them, without their knowing aught of what had befallen them, save those four only.

"In the name of Heaven," said Manawyddan, "where are they of the court, and all my host beside? Let us go and see."

So they came to the castle, and saw no man, and into the hall, and to the sleeping-place, and there was none; and in the mead-cellar and in the kitchen there was naught but desolation. Then they began to go through the land, and all the possessions that they had; and they visited the houses and dwellings, and found nothing but wild beasts. And when they had consumed their feast and all their provisions, they fed upon the prey they killed in hunting, and the honey of the wild swarms.

And one morning Pryderi and Manawyddan rose up to hunt, and they ranged their dogs and went forth. And some of the dogs ran before them, and came to a bush which was near at hand; but as soon as they were come to the bush, they hastily drew back, and returned to the men, their hair bristling up greatly. "Let us go near to the bush," said Pryderi, "and see what is in it." And as they came near, behold, a wild boar of a pure white color rose up from the bush. Then the dogs, being set on by the men, rushed towards him; but he left the bush, and fell back a little way from the men, and made a stand against the dogs, without retreating from them, until the men had come near. And when the men came up, he fell back a second time, and betook him to flight. Then they pursued the boar until they beheld a vast and lofty castle, all newly built, in a place where they had never before seen either stone or building. And the boar ran swiftly into the castle, and the dogs after him. Now when the boar and the dogs had gone into the castle, the men began to wonder at finding a castle in a place where they had never seen any building whatsoever. And from the top of the Gorsedd they looked and listened for the dogs. But so long as they were there, they heard not one of the dogs, nor aught concerning them.

"Lord," said Pryderi, "I will go into the castle to get tidings if the dogs." "Truly," he replied, "thou wouldst be unwise to go into this castle, which thou hast never seen till now. If thou wouldst follow my counsel, thou wouldst not enter therein. Whosoever has cast a spell over this land, has caused this castle to be here." "Of a truth," answered Pryderi, "I cannot thus give up my dogs." And for all the counsel that Manawyddan gave him, yet to the castle he went.

When he came within the castle neither man, nor beast, nor boar, nor do, nor house, nor dwelling, saw he within it. But in the centre of the castle floor he beheld a fountain with marble-work around it, and on the margin of the fountain a golden bowl upon a marble slab, and chains banging from the air, to which he saw no end.

And he was greatly pleased with the beauty of the gold, and with the rich workmanship of the bowl; and he went up to the bowl, and laid hold of it. And when he had taken hold of it his hands stuck to the bowl, and his feet to the slab on which the bowl was placed; and all his joyousness forsook him, so that he could not utter a word. And thus he stood.

And Manawyddan waited for him till near the close of the day. And late in the evening, being certain that he should have no tidings of Pryderi or the dogs, he went back to the palace. And as he entered Rhiannon looked at him. "Where," said she, "are thy companion and thy dogs?" "Behold," he answered, "the adventure that has befallen me." And he related it all unto her. "An evil companion hast thou been," said Rhiannon, "and a good companion hast thou lost." And with that word she went out, and proceeded towards the castle, according to the direction which he gave her. The gate of the castle she found open. She was nothing daunted, and she went in. And as she went in she perceived Pryderi laying hold of the bowl, and she went towards him. "O my lord," said she, "what dost thou here?" And she took hold of the bowl with him; and as she did so her hands also became fast to the bowl, and her feet to the slab, and she was not able to utter a word. And with that, as it became night, lo! there came thunder upon them, and a fall of mist; and thereupon the castle vanished, and they with it.

When Kicva, the daughter of Gwynn Gloy, saw that there was no one in the palace but herself and Manawyddan, she sorrowed so that she cared not whether she lived or died. And Manawyddan saw this. "Thou art in the wrong," said he, "if through fear of me thou grievest thus. I call Heaven to witness that thou hast never seen friendship more pure than that which I will bear thee, as long as Heaven will that thou shouldst be thus. I declare to thee that, were I in the dawn of youth, I would keep my faith unto Pryderi, and unto thee also will I keep it. Be there no fear upon thee, therefore." "Heaven reward thee!" she said; "and that is what I deemed of thee." And the damsel thereupon took courage, and was glad.

"Truly, lady," said Manawyddan, "it is not fitting for us to stay here; we have lost our dogs, and cannot get food. Let us go into England; it is easier for us to find support there." "Gladly, lord," said she, "we will do so." And they set forth together to England.

"Lord," said she, "what craft wilt thou follow? Take up one that is seemly." "None other will I take," answered he, "but that of making shoes." "Lord," said she, "such a craft becomes not a man so nobly born as thou." "By that however will I abide," said he. "I know nothing thereof," said Kicva. "But I know," answered Manawyddan, "and I will teach thee to stitch. We will not attempt to dress the leather, but we will buy it ready dressed, and will make the shoes from it."

So they went into England, and went as far as Hereford; and they betook themselves to making shoes. And he began by buying the best cordwain that could be had in town, and none other would he buy. And he associated himself with the best goldsmith in the town, and caused him to make clasps for the shoes, and to gild the clasps; and he marked how it was done until be learned the method. And therefore is he called one of the three makers of gold shoes. And when they could be had from him not a shoe nor hose was bought from any of the cordwainers in the town. But when the cordwainers perceived that their gains were failing (for as Manawyddan shaped the work so Kicva stitched it), they came together and took counsel, and agreed that they would slay them. And he had warning thereof, and it was told him how the cordwainers had agreed to slay him.

"Lord," said Kicva, "wherefore should this be borne from these boors?" "Nay," said he, "we will go back unto Dyved." So towards Dyved they set forth.

Now Manawyddan, when he set out to return to Dyved, took with him a burden of wheat. And he proceeded towards Narberth, and there he dwelt. And never was he better pleased than when he saw Narberth again, and the lands where he had been wont to hunt with Pryderi and with Rhiannon. And he accustomed himself to fish and to hunt the deer in their covert. And then he began to prepare some ground, and he sowed a croft, and a second, and a third. And no wheat in the world ever sprang up better. And the three crofts prospered with perfect growth, and no man ever saw fairer wheat than it.

And thus passed the seasons of the year until the harvest came. And he went to look at one of his crofts, and, behold, it was ripe. "I will reap this to-morrow," said he. And that night he went back to Narberth, and on the morrow, in the gray dawn, he went to reap the croft; and when he came there he found nothing but the bare straw. Every one of the ears of the wheat was cut off from the stalk, and all the ears carried entirely away, and nothing but the straw left. And at this he marvelled greatly.

Then he went to look at another croft, and, behold, that also was ripe. "Verily," said he, "this will I reap to-morrow." And on the morrow he came with the intent to reap it; and when he came there he found nothing but the bare straw. "O gracious Heaven!" he exclaimed, "I know that whomsoever has begun my ruin is completing it, and has also destroyed the country with me."

Then he went to look at the third croft; and when he came there, finer wheat had there never been seen, and this also was ripe. "Evil betide me," said he, "if I watch not here to-night. Whoever carried off the other corn will come in like manner to take this, and I will know who it is." And he told Kicva all that had befallen. "Verily," said she, "what thinkest thou to do?" "I win watch the croft tonight," said he. And he went to watch the croft.

And at midnight he heard something stirring among the wheat; and he looked, and behold, the mightiest host of mice in the world, which could neither be numbered nor measured. And he knew not what it was until the mice had made their way into the croft, and each of them, climbing up the straw, and bending it down with its weight, had cut off one of the ears of wheat, and had carried it away, leaving there the stalk; and he saw not a single straw there that had not a mouse to it. And they all took their way, carrying the ears with them.

In wrath and anger did he rush upon the mice; but he could no more come up with them than if they had been gnats or birds of the air, except one only, which, though it was but sluggish, went so fast that a man on foot could scarce overtake it. And after this one he went, and he caught it, and put it in his glove, and tied up the opening of the glove with a string, and kept it with him, and returned to the palace. Then he came to the hall where Kicva was, and he lighted a fire, and hung the glove by the string upon a peg. "What hast thou there, lord?" said Kicva. "A thief," said he, "that I found robbing me." "What kind of a thief may it be, lord, that thou couldst put into thy glove?" said she. Then he told her how the mice came to the last of the fields in his sight. "And one of them was less nimble than the rest, and is now in my glove; to-morrow I will hang it." "My lord," said she, "this is marvellous; but yet it would be unseemly for a man of dignity like thee to be hanging such a reptile as this." "Woe betide me," said he "if I would not hang them all, could I catch them, and such as I have I will hang." "Verily, lord," said she, "there is no reason that I should succor this reptile, except to prevent discredit unto thee. Do therefore, lord, as thou wilt."

Then he went to the Mound of Narberth, taking the mouse with him. And he set up two forks on the highest part of the mound. And while he was doing this, behold, he saw a scholar coming towards him, in old and poor and tattered garments. And it was now seven years since he had seen in that place either man or beast, except those four persons who had remained together until two of them were lost.

"My lord," said the scholar, "good day to thee." "Heaven prosper thee, and my greeting be unto thee! And whence dost thou come, scholar?" asked he. "I come, lord, from singing in England; and wherefore dost thou inquire?" "Because for the last seven years," answered he, "I have seen no man here save four secluded persons, and thyself this moment." "Truly, lord," said he, "I go through this land unto mine own. And what work art thou upon, lord?" "I am hanging a thief that I caught robbing me," said he. "What manner of thief is that?" asked the scholar. "I see a creature in thy hand like unto a mouse, and ill does it become a man of rank equal to thine to touch a reptile such as this. Let it go forth free." "I will not let it go free, by Heaven," said he, "I caught it robbing me, and the doom of a thief will I inflict upon it, and I will hang it." "Lord," said he, "rather than see a man of rank equal to thine at such a work as this, I would give thee a pound, which I have received as alms, to let the reptile go forth free." "I will not let it go free," said he, "neither will I sell it." "As thou wilt, lord," he answered; "I care naught." And the scholar went his way.

And as he was placing the cross-beam upon the two forks, behold, a priest came towards him, upon a horse covered with trappings. "Good day to thee, lord," said he. "Heaven prosper thee!" said Manawyddan; "thy blessing." "The blessing of Heaven be upon thee! And what, lord, art thou doing?" "I am hanging a thief that I caught robbing me," said he. "What manner of thief, lord?" asked he. "A creature," he answered, "in form of a mouse. It has been robbing me, and I am inflicting upon it the doom of a thief." "Lord," said he, "rather than see thee touch this reptile, I would purchase its freedom." "By my confession to Heaven, neither will I sell it nor set it free." "It is true, lord, that it is worth nothing to buy; but rather than see thee defile thyself by touching such a reptile as this, I will give thee three pounds to let it go." "I will not, by Heaven," said he, "take any price for it. As it ought, so shall it be hanged." And the priest went his way.

Then he noosed the string around the mouse's neck, and as he was about to draw it up, behold, he saw a bishop's retinue, with his sumpter-horses and his attendants. And the bishop himself came towards him. And he stayed his work. "Lord Bishop," said he, "thy blessing." "Heaven's blessing be unto thee!" said he. "What work art thou upon?" "Hanging a thief that I caught robbing me," said he. "Is not that a mouse that I see in thy hand?" "Yes," answered he, "and she has robbed me." "Ah," said he, "since I have come at the doom of this reptile, I will ransom it of thee. I will give thee seven pounds for it, and that rather than see a man of rank equal to thine destroying so vile a reptile as this. Let it loose, and thou shalt have the money." "I declare to Heaven that I will not let it loose." "If thou wilt not loose it for this, I will give thee four and twenty pounds of ready money to set it free." "I will not set it free, by Heaven, for as much again," said he. "If thou wilt not set it free for this, I will give thee all the horses that thou seest in this plain, and the seven loads of baggage, and the seven horses that they are upon." "By Heaven, I will not," he replied. "Since for this thou wilt not set it free, do so at what price soever thou wilt." "I will that Rhiannon and Pryderi be free," said he. "That thou shalt have," he answered. "Not yet will I loose the mouse, by Heaven." "What then wouldst thou?" "That the charm and the illusion be removed from the seven cantrevs of Dyved." "This shalt thou have also; set therefore the mouse free." "I will not set it free, by Heaven," said he, "till I know who the mouse may be." "She is my wife." "Wherefore came she to me?" "To despoil thee," he answered. "I am Lloyd, the son of Kilwed, and I cast the charm over the seven cantrevs of Dyved. And it was to avenge Gawl, the son of Clud, from the friendship that I had towards him, that I cast the charm. And upon Pryderi did I avenge Gawl, the son of Clud, for the game of Badger in the Bag, that Pwyll, the son of Auwyn, played upon him. And when it was known that thou wast come to dwell in the land, my household came and besought me to transform them into mice, that they might destroy thy corn. And they went the first and the second night, and destroyed thy two crops. And the third night came unto me my wife and the ladies of the court, and besought me to transform them. And I transformed them. Now she is not in her usual health. And had she been in her usual health, thou wouldst not have been able to overtake her; but since this has taken place, and she has been caught, I will restore to thee Pryderi and Rhiannon, and I will take the charm and illusion from off Dyved. Set her therefore free." "I will not set her free yet." "What wilt thou more?" he asked. "I will that there be no more charm upon the seven cantrevs of Dyved, and that none shall be put upon it henceforth; moreover, that vengeance be never taken for this, either upon Pryderi or Rhiannon, or upon me." "All this shalt thou have. And truly thou hast done wisely in asking this. Upon thy head would have lit all this trouble." "Yea," said he, "for fear thereof was it that I required this." "Set now my wife at liberty." "I will not," said he, "until I see Pryderi and Rhiannon with me free." "Behold, here they come," she answered.

And thereupon behold Pryderi and Rhiannon. And he rose up to meet them, and greeted them, and sat down beside them. "Ah, chieftain, set now my wife at liberty," said the bishop. "Hast thou not received all thou didst ask?" "I will release her, gladly," said he. And thereupon he set her free.

Then he struck her with a magic wand, and she was changed back into a young woman, the fairest ever seen.

"Look round upon thy land," said he, "and thou wilt see it all tilled and peopled as it was in its best estate." And he rose up and looked forth. And when he looked he saw all the lands tilled, and full of herds and dwellings.

And thus ends this portion of the Mabinogi.

The following allusions to the preceding story are found in a letter of the poet Southey to John Rickman, Esq., dated June 6th, 1802:–

"You will read the Mabinogeon, concerning which I ought to have talked to you. In the last, that most odd and Arabian-like story of the mouse, mention is made of a begging scholar, that helps to the date; but where did the Cymri get the imagination that could produce such a tale? That enchantment of the basin hanging by the chain from heaven is in the wildest spirit of the Arabian Nights. I am perfectly astonished that such fictions should exist in Welsh. They throw no light on the origin of romance, everything being utterly dissimilar to what we mean by that term, but they do open a new world of fiction; and if the date of their language be fixed about the twelfth or thirteenth century, I cannot but think the mythological substance is of far earlier date; very probably brought from the East by some of the first settlers or conquerors."


    Table of Contents    

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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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