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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME TWO


THE AGE OF CHIVALRY

OR

LEGENDS OF KING ARTHUR

BY THOMAS BULFINCH
[1858]


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    Table of Contents    

Glossary

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Part I.



King Arthur and His Knights.


Chapter VII.


The Story of Launcelot.– The Adventure of the Cart.


SO it befell in the month of May, Queen Guenever called unto her knights of the Table Round, and she gave them warning that early upon the morrow she would ride on maying into the woods and fields beside Westminster. "And I warn you that there be none of you but that he be well horsed, and that ye be all clothed in green, either in silk, either in cloth, and I shall bring with me ten ladies, and every knight shall have a lady behind him, and every knight shall have a squire and two yeomen, and I will that ye all be well horsed." So they made them ready in the freshest manner, and these were the names of the knights: Sir Kay the seneschal, Sir Agravaine, Sir Brandeles, Sir Sagramour le Desirus, Sir Dodynas le Sauvage, Sir Ozanna le Cure Hardy, Sir Ladynas of the Forest Savage, Sir Perseant of Inde, Sir Ironside that was called the knight of the red lawns, and Sir Pelleas the lover; and these ten knights made them ready in the freshest manner to ride with the queen. And so upon the morn they took their horses, with the queen, and rode on maying in woods and meadows, as it pleased them, in great joy and delight; for the queen had cast to have been again with King Arthur at the furthest by ten of the clock, and so was that time her purpose. Then there was a knight, that knight Meleagans, and he was son unto King Bagdemagus, and this knight had at that time a castle, of the gift of King Arthur, within seven miles of Westminster; and this knight Sir Meleagans loved passing well Queen Guenever, and so had he done long and many years. And he had lain in a wait for to steal away the queen, but evermore he forbore, because of Sir Launcelot, for in no wise would he meddle with the queen if Sir Launcelot were in her company, or else if he were near at hand to her. And at that time was such a custom the queen rode never without a great fellowship of men of arms about her; and they were many good knights, and the most part were young men that would have worship, and they were called the queen's knights, and never in no battle, tournament, nor joust, they bare none of them no manner of acknowledging of their own arms, but plain white shields, and thereby they were called the queen's knights. And then when it happed any of them to be of great worship by his noble deeds, then at the next feast of Pentecost, if there were any slain or dead, as there was no year that these failed, but some were dead, then was there chosen in his stead the most men of worship that were called the queen's knights. And thus they came up all first, or they were renowned men of worship, both Sir Launcelot and the remnant of them.

But this knight, Sir Meleagans, had espied the queen well and her purpose, and how Sir Launcelot was not with her, and how she had no men of arms with her but the ten noble knights all arrayed in green for maying. Then he provided him a twenty men of arms and an hundred archers, for to destroy the queen and her knights, for he thought that time was the best season to take the queen. So as the queen had mayed and all her knights, all were bedashed with herbs, mosses, and flowers, in the best manner and freshest. Right so came out of a wood Sir Meleagans with an eightscore men well harnessed, as they should fight in a battle of arrest, and bade the queen and her knights abide, for maugre their heads they should abide. "Traitor knight," said Queen Guenever, "what castest thou for to do? Wilt thou shame thyself? Bethink thee how thou art a king's son, and knight of the Table Round, and thou to be about to dishonor the noble king that made thee knight; thou shamest all knighthood and thyself, and me. I let thee wit, me shalt thou never shame, for I had lever cut my throat in twain than thou shouldst dishonor me." "As for all this language," said Sir Meleagans, "be it as it may, for wit you well, madam, I have loved you many a year, and never or now could I get you at such an advantage as I do now, and therefore I will take you as I find you." Then spake all the ten noble knights at once, and said: "Sir Meleagans, wit thou well ye are about to jeopard your worship to dishonor, and also ye cast to jeopard our persons; howbeit we be unarmed, ye have us at great avail, for it seemeth by you that ye have laid watch upon us; but rather than ye should put the queen to shame, find us all, we had as lief to depart from our lives, for if we other ways did we should be ashamed forever." Then Sir Meleagans said, "Dress you as well as you can, and keep the queen." Then all the ten knights of the Table Round drew their swords, and the other let run at them with their spears, and the ten knights manly abode them, and smote away their spears, that no spear did them none harm. Then they lashed together with swords, and anon Sir Kay, Sir Sagramour, Sir Agravaine, Sir Dodynas, Sir Ladynas, and Sir Ozanna were smitten to the earth with grimly wounds. Then Sir Brandiles, and Sir Persant, Sir Ironside, and Sir Pelleas fought long, and they were sorely wounded; for these ten knights or ever they were laid to the ground slew forty men of the boldest and best of them. So when the queen saw her knights thus dolefully wounded, and needs must be slain at the last, then for pity and sorrow she cried, "Sir Meleagans, slay not my noble knights, and I will go with thee upon this covenant, that thou save them, and suffer them to be no more hurt, with this, that they be led with me wheresoever thou leadest me; for I will rather slay myself than I will go with thee, unless that these my noble knights may be in my presence." "Madam," said Meleagans, "for your sake they shall be led with you into mine own castle, with that ye will be ruled and ride with me." Then the queen prayed the four knights to leave their fighting, and she and they would not part. "Madam," said Sir Pelleas, "we will do as ye do, for as for me I take no force of my life nor death." for Sir Pelleas gave such buffets that none armor might hold him.

Then by the queen's commandment they left battle, and dressed the wounded knights on horseback, some sitting, some overthwart their horses, that it was pity to behold them. And then Sir Meleagans charged the queen and all her knights that none of all her fellowship should depart from her; for full sore he dreaded Sir Launcelot du Lac lest he should have any knowledging. All this espied the Queen and privily she called unto her a child of her chamber, that was swiftly horsed, to whom she said, "Go thou, when thou seest thy time, and bear this ring to Sir Launcelot du Lac, and pray him, as he loveth me, that he will see me, and rescue me if ever he will have joy of me; and spare thou not thy horse," said the queen, "neither for water nor for land." So the child espied his time, and lightly he took his horse with the spurs, and departed as fast as he might. And when Sir Meleagans saw him so flee he understood that it was by the queen's commandment for to warn Sir Launcelot. Then they that were best horsed chased him, and shot at him, but from them all the child went suddenly; and then Sir Meleagans said unto the queen, "Madam, ye are about to betray me, but I shall ordain for Sir Launcelot that he shall not come lightly to you." And then he rode with her and them all to his castle in all the haste that he might. And by the way Sir Meleagans laid in an ambushment the best archers that he might get in his country, to the number of thirty, to await upon Sir Launcelot, charging them that if they saw such a manner of knight come by the way upon a white horse, that in any wise they slay his horse, but in no manner of wise have not ado with him bodily, for he was overhard to be overcome. So this was done, and they were come to his castle, but in no wise the queen would never let none of the ten knights and her ladies out of her sight, but always they were in her presence. So when the child was departed from the fellowship of Sir Meleagans, within awhile he came to Westminster. And anon he found Sir Launcelot. And when he had told him his message, and delivered him the queen's ring, "Alas!" said Sir Launcelot, "now am I shamed forever, unless that I may rescue that noble lady from dishonor." Then eagerly he asked his armor, and ever the child told Sir Launcelot how the ten knights fought marvellously, and how Sir Pelleas, and Sir Ironside, and Sir Brandiles, and Sir Persant of Inde fought strongly, but as for Sir Pelleas there might none withstand him, and how they all fought till at last they were laid to the earth, and then the queen made appointment for to save their lives, and go with Sir Meleagans. "Alas!" said Sir Launcelot, "that most noble lady that she should be so destroyed! I had lever," said Sir Launcelot, "than all France that I had been there well armed." So when Launcelot was armed and upon his horse, he prayed the child of the queen's chamber to warn Sir Lavaine how suddenly he was departed, and for what cause,– "and pray him, as he loveth me, that he will hie him after me, and that he stint not until he come to the castle where Sir Meleagans abideth or dwelleth, for there," said Launcelot, "shall he hear of me if I am a man living, and rescue the queen and, her ten knights, the which he traitorously hath taken, and that shall I prove upon his head, and all them that hold with him."

Then Sir Launcelot rode as fast as he might, and he took the water at Westminster, and made his horse to swim over Thames at Lambeth. And then within a while he came to the place where the ten knights had fought with Sir Meleagans, and then Sir Launcelot followed that track until he came to a wood, and there was a straight way, and there the thirty archers bade Sir Launcelot turn again, and follow no longer that track. "What commandment have ye thereto," said Sir Launcelot, "to cause me, that am a knight of the Round Table, to leave my right way?" "This way shalt thou leave, or else thou shalt go it on thy foot, for wit thou well thy horse shall be slain." "That is little mastery," said Launcelot, "to slay my horse, but as for myself, when my horse is slain, I give right nought for you, not if ye were five hundred more." So then they shot Sir Launcelot's horse, and smote him with many arrows. And then Sir Launcelot avoided his horse and went on foot; but there were so many ditches and hedges betwixt them and him that he might meddle with none of them. "Alas, for shame," said Sir Launcelot, "that ever one knight should betray another knight, but it is an old saw, ‘A good man is never in danger but when he is in danger of a coward.'" Then Sir Launcelot went a while, and then he was foul cumbered of his armor, his shield, and his spear, and all that belonged to him. Wit ye well he was sore annoyed, and full loth he was to leave anything that belonged to him, for he dreaded sore the treason of Sir Meleagans. And then by fortune there came by a cart that came thither for to fetch wood.

Now at this time carts were but little used save for carrying offal or such like, and for conveying criminals to execution. But Sir Launcelot took no thought save of rescuing the queen. "Say me, carter," said he, "what shall I give thee for to suffer me to leap into thy cart, and that thou shalt bring me unto a castle within this two mile?" "Thou shalt not come within my cart," said the carter, "for I am sent for to fetch wood for my lord Sir Meleagans." "With him would I speak." "Thou shalt not go with me," said the carter. Then Sir Launcelot lept to him, and "gave him such a buffet that he fell to the earth stark dead. Then the other carter, his fellow, thought to have gone the same way, and then he cried, "Fair lord, save my life, and I shall bring you where you will."

So then Sir Launcelot placed himself in the cart, and only lamented that with much jolting he made but little progress. Then it happened Sir Gawain passed by, and seeing an armed knight travelling in that unusual way, he drew near to see who it might be. Then Sir Launcelot told him how the queen had been carried off, and how, in hastening to her rescue, his horse had been disabled, and he had been compelled to avail himself of the cart rather than give up Then Sir Gawain said, "Surely it is unworthy of a to travel in such sort!" but Sir Launcelot heeded him not.

At nightfall they arrived at a castle, and the lady thereof came out at the head of her damsels to welcome Sir Gawain. But to admit his companion, whom she supposed to be a criminal, or at least a prisoner, it pleased her not; however, to oblige Sir Gawain, she consented. At supper Sir Launcelot came near being consigned to the kitchen, and was only admitted to the lady's table at the earnest solicitation of Sir Gawain. Neither would the damsels prepare a bed for him. He seized the first he found unoccupied, and was left undisturbed.

Next morning he saw from the turrets of the castle a train accompanying a lady, whom he imagined to be the queen. Sir Gawain thought it might be so, and became equally eager to depart. The lady of the castle supplied Sir Launcelot with a horse, and they traversed the plain at full speed. They learned from some travellers whom they met that there were two roads which led to the castle of Sir Meleagans. Here therefore the friends separated. Sir Launcelot found his way beset with obstacles, which he encountered successfully, but not without much loss of time. As evening approached he was met by a young and sportive damsel, who gayly proposed to him a supper at her castle. The knight, who was hungry and weary, accepted the offer, though with no very good grace. He followed the lady to her castle, and ate voraciously of her supper, but was quite impenetrable to all her amorous advances. Suddenly the scene changed, and he was assailed by six furious ruffians, whom he dealt with so vigorously that most of them were speedily disabled, when again there was a change, and he found himself alone with his fair hostess, who informed him that she was none other than his guardian fairy, who had but subjected him to tests of his courage and fidelity. The next day the fairy brought him on his road, and before parting gave him a ring, which she told him would by its changes of color disclose to him all enchantments, and enable him to subdue them.

Sir Launcelot pursued his journey, being but little troubled save by the taunts of travellers, who all seemed to have learned by some means his disgraceful drive in the cart. One, more insolent than the rest, had the audacity to interrupt him during dinner, and even to risk a battle in support of his pleasantry. Launcelot, after an easy victory, only doomed him to be carted in his turn.

At night he was received at another castle, with great apparent hospitality, but found himself in the morning in a dungeon and loaded with chains. Consulting his ring, and finding that this was an enchantment, he burst his chains, seized his armor in spite of the visionary monsters who attempted to defend it, broke open the gates of the tower, and continued his journey. At length his progress was checked by a wide and rapid torrent, which could only be passed on a narrow bridge, on which a false step would prove his destruction. Launcelot, leading his horse by the bridle, and making him swim by his side, passed over the bridge, and was attacked, as soon as he reached the bank, by a lion and a leopard, both of which he slew, and then, exhausted and bleeding, seated himself on the grass, and endeavored to bind up his bounds, when he was accosted by Brademagus, the father of Meleagans, whose castle was then in sight, and at no great distance. The king, no less courteous than his son was haughty and insolent, after complimenting Sir Launcelot on the valor and skill he had displayed in the perils of the bridge and the wild beasts, offered him his assistance, and informed him that the queen was safe in his castle, but could only be rescued by encountering Meleagans. Launcelot demanded the battle for the next day, and accordingly it took place, at the foot of the tower, and under the eyes of the fair captive. Launcelot was enfeebled by his wounds, and fought not with his usual spirit, and the contest for a time was doubtful; till Guenever exclaimed, "Ah, Launcelot! my knight, truly have I been told that thou art no longer worthy of me!" These words instantly revived the drooping knight; be resumed at once his usual superiority, and soon laid at his feet his haughty adversary.

He was on the point of sacrificing him to his resentment when Guenever, moved by the entreaties of Brademagus, ordered him to withhold the blow, and he obeyed. The castle and its prisoners were now at his disposal. Launcelot hastened to the apartment of the queen, threw himself at her feet, and was about to kiss her hand, when she exclaimed, "Ah, Launcelot! why do I see thee again, yet feel thee to be no longer worthy of me, after having been disgracefully drawn about the country in a–" She had not time to finish the phrase, for her lover suddenly started from her, and bitterly lamenting that he had incurred the displeasure of his sovereign lady, rushed out of the castle, threw his sword and his shield to the right and left, ran furiously into the woods, and disappeared.

It seems that the story of the abominable cart, which haunted Launcelot at every step, had reached the ears of Sir Kay, who had told it to the queen, as a proof that her knight must have been dishonored. But Guenever had full leisure to repent the haste with which she had given credit to the tale. Three days elapsed, during which Launcelot wandered without knowing where he went, till at last he began to reflect that his mistress had doubtless been deceived by misrepresentation, and that it was his duty to set her right. He therefore returned, compelled Meleagans to release his prisoners, and, taking the road by which they expected the arrival of Sir Gawain, had the satisfaction of meeting him the next day; after which the whole company proceeded gayly towards Camelot.


    Table of Contents    

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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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