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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME THREE


LEGENDS OF CHARLEMAGNE

OR

ROMANCE OF THE MIDDLE AGES.

BY THOMAS BULFINCH
[1863]


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    Table of Contents    

Glossary

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ADVENTURES OF RINALDO AND ORLANDO


We left Rinaldo when, having overcome the monster, he quitted the castle of Altaripa, and pursued his way on foot. He soon met with a weeping damsel, who, being questioned as to the cause of her sorrow, told him she was in search of one to do battle to rescue her lover, who had been made prisoner by a vile enchantress, together with Orlando and many more. The damsel was Flordelis, the lady-love of Florismart, and Rinaldo promised his assistance, trusting to accomplish the adventure either by valor or skill. Flordelis insisted upon Rinaldo's taking her horse, which he consented to do, on condition of her mounting behind him.

As they rode on through a wood, they heard strange noises, and Rinaldo, reassuring the damsel, pressed forward towards the quarter from which they proceeded. He soon perceived a giant standing under a vaulted cavern, with a huge club in his hand, and of an appearance to strike the boldest spirit with dread. By the side of the cavern was chained a griffin, which, together with the giant, was stationed there to guard a wonderful horse, the same which was once Argalia's. This horse was a creature of enchantment, matchless in vigor, speed, and form, which disdained to share the diet of his fellow-steeds,--corn or grass,--and fed only on air. His name was Rabican.

This marvellous horse, after his master Argalia had been slain by Ferrau, finding himself at liberty, returned to his native cavern, and was here stabled under the protection of the giant and the griffin. As Rinaldo approached, the giant assailed him with his club. Rinaldo defended himself from the giant's blows, and gave him one in return, which, if his skin had not been of the toughest, would have finished the combat. But the giant, though wounded, escaped, and let loose the griffin. This monstrous bird towered in air, and thence pounced down upon Rinaldo, who, watching his opportunity, dealt her a desperate wound. She had, however, strength for another flight, and kept repeating her attacks, which Rinaldo parried as he could, while the damsel stood trembling by, witnessing the contest.

The battle continued, rendered more terrible by the approach of night, when Rinaldo determined upon a desperate expedient to bring it to a conclusion. He fell, as if fainting from his wounds, and, on the close approach of the griffin, dealt her a blow which sheared away one of her wings. The beast, though sinking, griped him fast with her talons, digging through plate and mail; but Rinaldo plied his sword in utter desperation, and at last accomplished her destruction.

Rinaldo then entered the cavern, and found there the wonderful horse, all caparisoned. He was coal-black, except for a star of white on his forehead, and one white foot behind. For speed he was unrivalled, though in strength he yielded to Bayard. Rinaldo mounted upon Rabican, and issued from the cavern.

As he pursued his way he met a fugitive from Agrican's army, who gave such an account of the prowess of a champion who fought on the side of Angelica, that Rinaldo was persuaded this must be Orlando, though at a loss to imagine how he could have been freed from captivity. He determined to repair to the scene of the contest to satisfy his curiosity, and Flordelis, hoping to find Florismart with Orlando, consented to accompany him.

While these things were doing, all was rout and dismay in the Tartarian army, from the death of Agrican. King Galafron, arriving at this juncture with an army for the relief of his capital, Albracca, assaulted the enemy's camp, and carried all before him. Rinaldo had now reached the scene of action, and was looking on as an unconcerned spectator, when he was espied by Galafron. The king instantly recognized the horse Rabican, which he had given to Argalia when he sent him forth on his ill-omened mission to Paris. Possessed with the idea that the rider of the horse was the murderer of Argalia, Galafron rode at Rinaldo, and smote him with all his force. Rinaldo was not slow to avenge the blow, and it would have gone hard with the king had not his followers instantly closed round him and separated the combatants.

Rinaldo thus found himself, almost without his own choice, enlisted on the side of the enemies of Angelica, which gave him no concern, so completely had his draught from the fountain of hate steeled his mind against her.

For several successive days the struggle continued, without any important results, Rinaldo meeting the bravest knights of Angelica's party, and defeating them one after the other. At length he encountered Orlando, and the two knights bitterly reproached one another for the cause they had each adopted, and engaged in a furious combat. Orlando was mounted upon Bayard, Rinaldo's horse, which Agrican had by chance become possessed of, and Orlando had taken from him as the prize of victory. Bayard would not fight against his master, and Orlando was getting the worse of the encounter, when suddenly Rinaldo, seeing Astolpho, who for love of him had arrayed himself on his side, hard beset by numbers, left Orlando to rush to the defence of his friend. Night prevented the combat from being renewed; but a challenge was given and accepted for their next meeting.

But Angelica, sighing in her heart for Rinaldo, was not willing that he should be again exposed to so terrible a venture. She begged a boon of Orlando, promising she would be his if he would do her bidding. On receiving his promise, she enjoined him to set out without delay to destroy the garden of the enchantress Falerina, in which many valiant knights had been entrapped, and were imprisoned.

Orlando departed on his horse Brigliadoro, leaving Bayard in disgrace for his bad deportment the day before. Angelica, to conciliate Rinaldo, sent Bayard to him; but Rinaldo remained unmoved by this as by all her former acts of kindness.

When Rinaldo learned Orlando's departure, he yielded to the entreaties of the lady of Florismart, and prepared to fulfil his promise, and rescue her lover from the power of the enchantress. Thus both Rinaldo and Orlando were bound upon the same adventure, but unknown to one another.

The castle of Falerina was protected by a river, which was crossed by a bridge, kept by a ruffian, who challenged all comers to the combat; and such was his strength that he had thus far prevailed in every encounter, as appeared by the arms of various knights which he had taken from them, and piled up as a trophy on the shore. Rinaldo attacked him, but with as bad success as the rest, for the bridge-ward struck him so violent a blow with an iron mace that he fell to the ground. But when the villain approached to strip him of his armor, Rinaldo seized him, and the bridge-ward, being unable to free himself, leapt with Rinaldo into the lake, where they both disappeared.

Orlando, meanwhile, in discharge of his promise to Angelica, pursued his way in quest of the same adventure. In passing through a wood he saw a cavalier armed at all points, and mounted, keeping guard over a lady who was bound to a tree, weeping bitterly. Orlando hastened to her relief, but was exhorted by the knight not to interfere, for she had deserved her fate by her wickedness. In proof of which he made certain charges against her. The lady denied them all, and Orlando believed her, defied the knight, overthrew him, and, releasing the lady, departed with her seated on his horse's croup.

While they rode another damsel approached on a white palfrey, who warned Orlando of impending danger, and informed him that he was near the garden of the enchantress. Orlando was delighted with the intelligence, and entreated her to inform him how he was to gain admittance. She replied that the garden could only be entered at sunrise and gave him such instructions as would enable him to gain admittance. She gave him also a book in which was painted the garden and all that it contained, together with the palace of the false enchantress, where she had secluded herself for the purpose of executing a magic work in which she was engaged. This was the manufacture of a sword capable of cutting even through enchanted substances. The object of this labor, the damsel told him, was the destruction of a knight of the west, by name Orlando, who she had read in the book of Fate was coming to demolish her garden. Having thus instructed him, the damsel departed.

Orlando, finding he must delay his enterprise till the next morning, now lay down and was soon asleep. Seeing this, the base woman whom he had rescued, and who was intent on making her escape to rejoin her paramour, mounted Brigliadoro, and rode off, carrying away Durindana.

When Orlando awoke, his indignation, as may be supposed, was great on the discovery of the theft; but, like a good knight and true, he was not to be diverted from his enterprise. He tore off a huge branch of an elm to supply the place of his sword; and, as the sun rose, took his way towards the gate of the garden, where a dragon was on his watch. This he slew by repeated blows, and entered the garden, the gate of which closed behind him, barring retreat. Looking round him, he saw a fair fountain, which overflowed into a river, and in the centre of the fountain a figure, on whose forehead was written:

"The stream which waters violet and rose,
From hence to the enchanted palace goes."


Following the banks of this flowing stream, and rapt in the delights of the charming garden, Orlando arrived at the palace, and entering it, found the mistress, clad in white, with a crown of gold upon her head, in the act of viewing herself in the surface of the magic sword. Orlando surprised her before she could escape, deprived her of the weapon, and holding her fast by her long hair, which floated behind, threatened her with immediate death if she did not yield up her prisoners, and afford him the means of egress. She, however, was firm of purpose, making no reply, and Orlando, unable to move her either by threats or entreaties, was under the necessity of binding her to a beech, and pursuing his quest as he best might.

He then bethought him of his book, and, consulting it, found that there was an outlet to the south, but that to reach it a lake was to be passed, inhabited by a siren, whose song was so entrancing as to be quite irresistible to whoever heard it; but his book instructed him how to protect himself against this danger. According to its directions, while pursuing his path, he gathered abundance of flowers, which sprung all around, and filled his helmet and his ears with them; then listened if he heard the birds sing. Finding that, though he saw the gaping beak, the swelling throat, and ruffled plumes, he could not catch a note, he felt satisfied with his defence, and advanced toward the lake. It was small but deep, and so clear and tranquil that the eye could penetrate to the bottom.

He had no, sooner arrived upon the banks than the waters were seen to gurgle, and the siren, rising midway out of the pool, sung so sweetly that birds and beasts came trooping to the water-side to listen. Of this Orlando heard nothing, but, feigning to yield to the charm, sank down upon the bank. The siren issued from the water with the intent to accomplish his destruction. Orlando seized her by the hair, and while she sang yet louder (song being her only defence) cut off her head. Then, following the directions of the book, he stained himself all over with her blood.

Guarded by this talisman, he met successively all the monsters set for defence of the enchantress and her garden, and at length found himself again at the spot where he had made captive the enchantress, who still continued fastened to the beech. But the scene was changed. The garden had disappeared, and Falerina, before so haughty, now begged for mercy, assuring him that many lives depended upon the preservation of hers. Orlando promised her life upon her pledging herself for the deliverance of her captives.

This, however, was no easy task. They were not in her possession, but in that of a much more powerful enchantress, Morgana, the Lady of the Lake, the very idea of opposing whom made Falerina turn pale with fear. Representing to him the hazards of the enterprise, she led him towards the dwelling of Morgana. To approach it he had to encounter the same uncourteous bridge-ward who had already defeated and made captive so many knights, and last of all, Rinaldo. He was a churl of the most ferocious character, named Arridano. Morgana had provided him with impenetrable armor, and endowed him in such a manner that his strength always increased in proportion to that of the adversary with whom he was matched. No one had ever yet escaped from the contest, since, such was his power of endurance, he could breathe freely under water. Hence, having grappled with a knight, and sunk with him to the bottom of the lake, he returned, bearing his enemy's arms in triumph to the surface.

While Falerina was repeating her cautions and her counsels Orlando saw Rinaldo's arms erected in form of a trophy, among other spoils made by the villain, and, forgetting their late quarrel, determined upon revenging his friend. Arriving at the pass, the churl presuming to bar the way, a desperate contest ensued, during which Falerina escaped. The churl finding himself overmatched at a contest of arms, resorted to his peculiar art, grappled his antagonist, and plunged with him into the lake. When he reached the bottom Orlando found himself in another world, upon a dry meadow, with the lake overhead, through which shone the beams of our sun, while the water stood on all sides like a crystal wall. Here the battle was renewed, and Orlando had in his magic sword an advantage which none had hitherto possessed. It had been tempered by Falerina so that no spells could avail against it. Thus armed, and countervailing the strength of his adversary by his superior skill and activity, it was not long before he laid him dead upon the field.

Orlando then made all haste to return to the upper air, and, passing through the water, which opened a way before him (such was the power of the magic sword), he soon regained the shore, and found himself in a field as thickly covered with precious stones as the sky is with stars.

Orlando crossed the field, not tempted to delay his enterprise by gathering any of the brilliant gems spread all around him. He next passed into a flowery meadow planted with trees, covered with fruit and flowers, and full of all imaginable delights.

In the middle of this meadow was a fountain, and fast by it lay Morgana asleep; a lady of a lovely aspect, dressed in white and vermilion garments, her forehead well furnished with hair, while she had scarcely any behind.

While Orlando stood in silence contemplating her beauty he heard a voice exclaim: "Seize the fairy by the forelock, if thou hopest fair success." But his attention was arrested by another object, and he heeded not the warning. He saw on a sudden an array of towers, pinnacles and columns, palaces with balconies and windows, extended alleys with trees, in short a scene of architectural magnificence surpassing all he had ever beheld. While he stood gazing in silent astonishment the scene slowly melted away and disappeared. [Footnote: This is a poetical description of a phenomenon which is said to be really exhibited in the strait of Messina, between Sicily and Calabria. It is called Fata Morgana, or Mirage.]

When he had recovered from his amazement he looked again toward the fountain. The fairy had awaked and risen, and was dancing round its border with the lightness of a leaf, timing her footsteps to this song:


"Who in this world would wealth and treasure share,
Honor, delight, and state, and what is best,
Quick let him catch me by the lock of hair
Which flutters from my forehead; and be blest.


"But let him not the proffered good forbear,
Nor till he seize the fleeting blessing rest;
For present loss is sought in vain to-morrow,
And the deluded wretch is left in sorrow."


The fairy, having sung thus, bounded off, and fled from the flowery meadow over a high and inaccessible mountain. Orlando pursued her through thorns and rocks, while the sky gradually became overcast, and at last he was assailed by tempest, lightning, and hail.

While he thus pursued, a pale and meagre woman issued from a cave, armed with a whip, and, treading close upon his steps, scourged him with vigorous strokes. Her name was Repentance, and she told him it was her office to punish those who neglected to obey the voice of Prudence, and seize the fairy Fortune when he might.

Orlando, furious at this chastisement, turned upon his tormentor, but might as well have stricken the wind. Finding it useless to resist, he resumed his chase of the fairy, gained upon her, and made frequent snatches at her white and vermilion garments, which still eluded his grasp. At last, on her turning her head for an instant, he profited by the chance, and seized her by the forelock. In an instant the tempest ceased, the sky became serene, and Repentance retreated to her cave.

Orlando now demanded of Morgana the keys of her prison, and the fairy, feigning a complacent aspect, delivered up a key of silver, bidding him to be cautious in the use of it, since to break the lock would be to involve himself and all in inevitable destruction; a caution which gave the Count room for long meditation, and led him to consider

How few amid the suitors who importune
The dame, know how to turn the keys of Fortune.


Keeping the fairy still fast by the forelock, Orlando proceeded toward the prison, turned the key, without occasioning the mischiefs apprehended, and delivered the prisoners.

Among these were Florismart, Rinaldo, and many others of the bravest knights of France. Morgana had disappeared, and the knights, under the guidance of Orlando, retraced the path by which he had come. They soon reached the field of treasure. Rinaldo, finding himself amidst this mass of wealth, remembered his needy garrison of Montalban, and could not resist the temptation of seizing part of the booty. In particular a golden chain, studded with diamonds, was too much for his self-denial, and he took it and was bearing it off, notwithstanding the remonstrances of Orlando, when a violent wind caught him and whirled him back, as he approached the gate. This happened a second and a third time, and Rinaldo at length yielded to necessity, rather than to the entreaties of his friends, and cast away his prize.

They soon reached the bridge and passed over without hindrance to the other side, where they found the trophy decorated with their arms. Here each knight resumed his own, and all, except the paladins and their friends, separated as their inclinations or duty prompted. Dudon, the Dane, one of the rescued knights, informed the cousins that he had been made prisoner by Morgana while in the discharge of an embassy to them from Charlemagne, who called upon them to return to the defence of Christendom. Orlando was too much fascinated by Angelica to obey this summons, and, followed by the faithful Florismart, who would not leave him, returned towards Albracca. Rinaldo, Dudon, Iroldo, Prasildo, and the others took their way toward the west.


    Table of Contents    

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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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