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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME THREE


LEGENDS OF CHARLEMAGNE

OR

ROMANCE OF THE MIDDLE AGES.

BY THOMAS BULFINCH
[1863]


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    Table of Contents    

Glossary

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THE PEERS, OR PALADINS


The twelve most illustrious knights of Charlemagne were called Peers, for the equality that reigned among them; while the name of Paladins, also conferred on them, implies that they were inmates of the palace and companions of the king. Their names are always given alike by the romancers, yet we may enumerate the most distinguished of them as follows: Orlando or Roland (the former the Italian, the latter the French form of the name), favorite nephew of Charlemagne; Rinaldo of Montalban, cousin of Orlando; Namo, Duke of Bavaria; Salomon, king of Brittany; Turpin, the Archbishop; Astolpho, of England; Ogier, the Dane; Malagigi, the Enchanter; and Florismart, the friend of Orlando. There were others who are sometimes named as paladins, and the number cannot be strictly limited to twelve. Charlemagne himself must be counted one, and Ganelon, or Gano, of Mayence, the treacherous enemy of all the rest, was rated high on the list by his deluded sovereign, who was completely the victim of his arts.

We shall introduce more particularly to our readers a few of the principal peers, leaving the others to make their own introduction as they appear in the course of our narrative. We begin with Orlando.



ORLANDO


Milon, or Milone, a knight of great family, and distantly related to Charlemagne, having secretly married Bertha, the Emperor's sister, was banished from France, and excommunicated by the Pope. After a long and miserable wandering on foot as mendicants Milon and his wife arrived at Sutri, in Italy, where they took refuge in a cave, and in that cave Orlando was born. There his mother continued, deriving a scanty support from the compassion of the neighboring peasants; while Milon, in quest of honor and fortune, went into foreign lands. Orlando grew up among the children of the peasantry, surpassing them all in strength and manly graces. Among his companions in age, though in station far more elevated, was Oliver, son of the governor of the town. Between the two boys a feud arose that led to a fight, in which Orlando thrashed his rival; but this did not prevent a friendship springing up between the two, which lasted through life.

Orlando was so poor that he was sometimes half naked. As he was a favorite of the boys, one day four of them brought some cloth to make him clothes. Two brought white and two red; and from this circumstance Orlando took his coat-of-arms, or quarterings.

When Charlemagne was on his way to Rome to receive the imperial crown he dined in public in Sutri. Orlando and his mother that day had nothing to eat, and Orlando coming suddenly upon the royal party, and seeing abundance of provisions, seized from the attendants as much as he could carry off, and made good his retreat in spite of their resistance. The Emperor, being told of this incident, was reminded of an intimation he had received in a dream, and ordered the boy to be followed. This was done by three of the knights, whom Orlando would have encountered with a cudgel on their entering the grotto, had not his mother restrained him. When they heard from her who she was they threw themselves at her feet, and promised to obtain her pardon from the Emperor. This was easily effected. Orlando was received into favor by the Emperor, returned with him to France, and so distinguished himself that he became the most powerful support of the throne and of Christianity. [Footnote: It is plain that Shakspeare borrowed from this source the similar incident in his "As you Like it." The names of characters in the play, Orlando, Oliver, Rowland indicate the same thing.]



ROLAND AND FERRAGUS


Orlando, or Roland, particularly distinguished himself by his combat with Ferragus. Ferragus was a giant, and moreover his skin was of such impenetrable stuff that no sword could make any impression upon it. The giant's mode of fighting was to seize his adversary in his arms and carry him off, in spite of all the struggles he could make. Roland's utmost skill only availed to keep him out of the giant's clutches, but all his efforts to wound him with the sword were useless. After long fighting Ferragus was so weary that he proposed a truce, and when it was agreed upon he lay down and immediately fell asleep. He slept in perfect security, for it was against all the laws of chivalry to take advantage of an adversary under such circumstances. But Ferragus lay so uncomfortably for the want of a pillow that Orlando took pity upon him, and brought a smooth stone and placed it under his head. When the giant woke up, after a refreshing nap, and perceived what Orlando had done, he seemed quite grateful, became sociable, and talked freely in the usual boastful style of such characters. Among other things he told Orlando that he need not attempt to kill him with a sword, for that every part of his body was invulnerable, except this; and as he spoke, he put his hand to the vital part, just in the middle of his breast. Aided by this information Orlando succeeded, when the fight was renewed, in piercing the giant in the very spot he had pointed out, and giving him a death-wound. Great was the rejoicing in the Christian camp, and many the praises showered upon the victorious paladin by the Emperor and all his host.

On another occasion Orlando encountered a puissant Saracen warrior, and took from him, as the prize of victory, the sword Durindana. This famous weapon had once belonged to the illustrious prince Hector of Troy. It was of the finest workmanship, and of such strength and temper that no armor in the world could stand against it.



A ROLAND FOR AN OLIVER


Guerin de Montglave held the lordship of Vienne, subject to Charlemagne. He had quarrelled with his sovereign, and Charles laid siege to his city, having ravaged the neighboring country. Guerin was an aged warrior, but relied for his defence upon his four sons and two grandsons, who were among the bravest knights of the age. After the siege had continued two months Charlemagne received tidings that Marsilius, king of Spain, had invaded France, and, finding himself unopposed, was advancing rapidly in the Southern provinces. At this intelligence Charles listened to the counsel of his peers, and consented to put the quarrel with Guerin to the decision of Heaven, by single combat between two knights, one of each party, selected by lot. The proposal was acceptable to Guerin and his sons. The names of the four, together with Guerin's own, who would not be excused, and of the two grandsons, who claimed their lot, being put into a helmet, Oliver's was drawn forth, and to him, the youngest of the grandsons, was assigned the honor and the peril of the combat. He accepted the award with delight, exulting in being thought worthy to maintain the cause of his family. On Charlemagne's side Roland was the designated champion, and neither he nor Oliver knew who his antagonist was to be.

They met on an island in the Rhone, and the warriors of both camps were ranged on either shore, spectators of the battle. At the first encounter both lances were shivered, but both riders kept their seats, immovable. They dismounted, and drew their swords. Then ensued a combat which seemed so equal, that the spectators could not form an opinion as to the probable issue. Two hours and more the knights continued to strike and parry, to thrust and ward, neither showing any sign of weariness, nor ever being taken at unawares. At length Orlando struck furiously upon Oliver's shield, burying Durindana in its edge so deeply that he could not draw it back, and Oliver, almost at the same moment, thrust so vigorously upon Orlando's breastplate that his sword snapped off at the handle. Thus were the two warriors left weaponless. Scarcely pausing a moment, they rushed upon one another, each striving to throw his adversary to the ground, and failing in that, each snatched at the other's helmet to tear it away. Both succeeded, and at the same moment they stood bare-headed face to face, and Roland recognized Oliver, and Oliver Roland. For a moment they stood still; and the next, with open arms, rushed into one another's embrace. "I am conquered," said Orlando. "I yield me." said Oliver.

The people on the shore knew not what to make of all this. Presently they saw the two late antagonists standing hand in hand, and it was evident the battle was at an end. The knights crowded round them, and with one voice hailed them as equals in glory. If there were any who felt disposed to murmur that the battle was left undecided they were silenced by the voice of Ogier the Dane, who proclaimed aloud that all had been done that honor required, and declared that he would maintain that award against all gainsayers.

The quarrel with Guerin and his sons being left undecided, a truce was made for four days, and in that time, by the efforts of Duke Namo on the one side, and of Oliver on the other, a reconciliation was effected. Charlemagne, accompanied by Guerin and his valiant family, marched to meet Marsilius, who hastened to retreat across the frontier.




RINALDO


Rinaldo was one of the four sons of Aymon, who married Aya, the sister of Charlemagne. Thus Rinaldo was nephew to Charlemagne and cousin of Orlando.

When Rinaldo had grown old enough to assume arms Orlando had won for himself an illustrious name by his exploits against the Saracens, whom Charlemagne and his brave knights had driven out of France. Orlando's fame excited a noble emulation in Rinaldo. Eager to go in pursuit of glory, he wandered in the country near Paris, and one day saw at the foot of a tree a superb horse, fully equipped and loaded with a complete suit of armor. Rinaldo clothed himself in the armor and mounted the horse, but took not the sword. On the day when, with his brothers, he had received the honor of knighthood from the Emperor he had sworn never to bind a sword to his side till he had wrested one from some famous knight.

Rinaldo took his way to the forest of Arden, celebrated for so many adventures. Hardly had he entered it when he met an old man, bending under the weight of years, and learned from him that the forest was infested with a wild horse, untamable, that broke and overturned everything that opposed his career. To attack him, he said, or even to meet him, was certain death. Rinaldo, far from being alarmed, showed the most eager desire to combat the animal. This was the horse Bayard, afterward so famous. He had formerly belonged to Amadis of Gaul. After the death of that hero he had been held under enchantment by the power of a magician, who predicted that, when the time came to break the spell, he should be subdued by a knight of the lineage of Amadis, and not less brave than he.

To win this wonderful horse it was necessary to conquer him by force or skill; for from the moment when he should be thrown down he would become docile and manageable. His habitual resort was a cave on the borders of the forest; but woe be to any one who should approach him, unless gifted with strength and courage more than mortal. Having told this, the old man departed. He was not, in fact, an old man, but Malagigi, the enchanter, cousin of Rinaldo, who, to favor the enterprises of the young knight, had procured for him the horse and armor which he so opportunely found, and now put him in the way to acquire a horse unequalled in the world.

Rinaldo plunged into the forest, and spent many days in seeking Bayard, but found no traces of him. One day he encountered a Saracen knight, with whom he made acquaintance, as often happened to knights, by first meeting him in combat. This knight, whose name was Isolier, was also in quest of Bayard. Rinaldo succeeded in the encounter, and so severe was the shock that Isolier was a long time insensible. When he revived, and was about to resume the contest, a peasant who passed by (it was Malagigi) interrupted them with the news that the terrible horse was near at hand, advising them to unite their powers to subdue him, for it would require all their ability.

Rinaldo and Isolier, now become friends, proceeded together to the attack of the horse. They found Bayard, and stood a long time, concealed by the wood, admiring his strength and beauty.

A bright bay in color (whence he was called Bayard), with a silver star in his forehead, and his hind feet white, his body slender, his head delicate, his ample chest filled out with swelling muscles, his shoulders broad and full, his legs straight and sinewy, his thick mane falling over his arching neck,--he came rushing through the forest, regardless of rocks, bushes, or trees, rending everything that opposed his way, and neighing defiance.

He first descried Isolier, and rushed upon him. The knight received him with lance in rest, but the fierce animal broke the spear, and his course was not delayed by it for an instant. The Spaniard adroitly stepped aside, and gave way to the rushing tempest. Bayard checked his career, and turned again upon the knight, who had already drawn his sword. He drew his sword, for he had no hope of taming the horse; that, he was satisfied, was impossible.

Bayard rushed upon him; fiercely rearing, now on this side, now on that. The knight struck him with his sword, where the white star adorned his forehead, but struck in vain, and felt ashamed, thinking that he had struck feebly, for he did not know that the skin of that horse was so tough that the keenest sword could make no impression upon it.

Whistling fell the sword once more, and struck with greater force, and the fierce horse felt it, and drooped his head under the blow, but the next moment turned upon his foe with such a buffet that the Pagan fell stunned and lifeless to the earth.

Rinaldo, who saw Isolier fall, and thought that his life was reft, darted towards the horse, and, with his fist gave him such a blow on the jaws that the blood tinged his mouth with vermilion. Quicker than an arrow leaves the bow the horse turned upon him, and tried to seize his arm with his teeth.

The knight stepped back, and then, repeating his blow, struck him on the forehead. Bayard turned, and kicked with both his feet with a force that would have shattered a mountain. Rinaldo was on his guard, and evaded his attacks, whether made with head or heels. He kept at his side avoiding both; but, making a false step, he at last received a terrible blow from the horse's foot, and at the shock almost fainted away. A second such blow would have killed him, but the horse kicked at random, and a second blow did not reach Rinaldo, who in a moment recovered himself. Thus the contest continued until by chance Bayard's foot got caught between the branches of an oak. Rinaldo seized it and putting forth all his strength and address, threw him on the ground.

No sooner had Bayard touched the ground than all his rage subsided. No longer an object of terror, he became gentle and quiet, yet with dignity in his mildness.

The paladin patted his neck, stroked his breast, and smoothed his mane, while the animal neighed and showed delight to be caressed by his master. Rinaldo, seeing him now completely subdued, took the saddle and trappings from the other horse, and adorned Bayard with the spoils.

Rinaldo became one of the most illustrious knights of Charlemagne's court,--indeed, the most illustrious, if we except Orlando. Yet he was not always so obedient to the Emperor's commands as he should have been, and every fault he committed was sure to be aggravated by the malice of Gan, Duke of Maganza, the treacherous enemy of Rinaldo and all his house.

At one time Rinaldo had incurred the severe displeasure of Charlemagne, and been banished from court. Seeing no chance of being ever restored to favor, he went to Spain, and entered into the service of the Saracen king, Ivo. His brothers, Alardo, Ricardo, and Ricciardetto, accompanied him, and all four served the king so faithfully that they rose to high favor with him. The king gave them land in the mountains on the frontiers of France and Spain, and subjected all the country round to Rinaldo's authority. There was plenty of marble in the mountains, the king furnished workmen, and they built a castle for Rinaldo, surrounded with high walls, so as to be almost impregnable. Built of white stone, and placed on the brow of a marble promontory, the castle shone like a star, and Rinaldo gave it the name of Montalban. Here he assembled his friends, many of whom were banished men like himself, and the country people furnished them with provisions in return for the protection the castle afforded. Yet some of Rinaldo's men were lawless, and sometimes the supplies were not furnished in sufficient abundance, so that Rinaldo and his garrison got a bad name for taking by force what they could not obtain by gift; and we sometimes find Montalban spoken of as a nest of freebooters, and its defenders called a beggarly garrison.

Charlemagne's displeasure did not last long, and, at the time our history commences, Rinaldo and his brothers were completely restored to the favor of the Emperor, and none of his cavaliers served him with greater zeal and fidelity than they, throughout all his wars with the Saracens and Pagans.


    Table of Contents    

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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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