Reality Roars Bentley
Amazon Portal
Header
Reality Roars Header
Book Leader Row 1
Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


#

#

Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME TWO


THE AGE OF CHIVALRY

OR

LEGENDS OF KING ARTHUR

BY THOMAS BULFINCH
[1858]


#

    Table of Contents    

Glossary

#


Part III.



Hero Myths of the British Race.



BEOWULF.


Notable among the names of heroes of the British race is that of Beowulf, which appeals to all English-speaking people in a very special way, since he is the one hero in whose story we may see the ideals of our English forefathers before they left their Continental home to cross to the islands of Britain.

Although this hero had distinguished himself by numerous feats of strength during his boyhood and early youth, it was as the deliverer of Hrothgar, king of Denmark, from the monster Grendel that he first gained wide renown. Grendel was half monster and half man, and had his abode in the fen-fastnesses in the vicinity of Hrothgar's residence. Night after night he would steal into the king's great palace called Heorot and slay sometimes as many as thirty at one time of the knights sleeping there.

Beowulf put himself at the head of a selected band of warriors, went against the monster, and after a terrible fight slew it. The following night Grendel's mother, a fiend scarcely less terrible than her son, carried off one of Hrothgar's boldest thanes. Once more Beowulf went to the help of the Danish king, followed the she-monster to her lair at the bottom of a muddy lake in the midst of the swamp, and with his good sword Hrunting and his own muscular arms broke the sea-woman's neck.

Upon his return to his own country of the Geats, loaded with honors bestowed upon him by Hrothgar, Beowulf served the king of Geatland as the latter's most trusted counsellor and champion. When, after many years, the king fell before an enemy, the Geats unanimously chose Beowulf for their new king. His fame as a warrior kept his country free from invasion, and his wisdom as a statesman increased its prosperity and happiness.

In the fiftieth year of Beowulf's reign, however, a great terror fell upon the land in the way of a monstrous fire-dragon, which flew forth by night from its den in the rocks, lighting up the blackness with its blazing breath, and burning houses and homesteads, men and cattle, with the flames from its mouth. When the news came to Beowulf that his people were suffering and dying, and that no warrior dared to risk his life in an effort to deliver the country from this deadly devastation, the aged king took up his shield and sword and went forth to his last fight. At the entrance of the dragon's cave Beowulf raised his voice and shouted a furious defiance to the awesome guardian of the den. Roaring hideously and napping his glowing wings together, the dragon rushed forth and half flew, half sprang, on Beowulf. Then began a fearful combat, which ended in Beowulf's piercing the dragon's scaly armor and inflicting a mortal wound, but alas! in himself being given a gash in the neck by his opponent's poisoned fangs which resulted in his death. As he lay stretched on the ground, his head supported by Wiglaf, an honored warrior who had helped in the fight with the dragon, Beowulf roused himself to say, as he grasped Wiglaf's hand:

   "Thou must now look to the needs of the nation;
Here dwell I no longer, for Destiny calleth me!
Bid thou my warriors after my funeral pyre
Build me a burial-cairn high on the sea-cliff's head;
So that the seafarers Beowulf's Barrow
Henceforth shall name it, they who drive far and wide
Over the mighty flood their foamy keels.
Thou art the last of all the kindred of Wagmund!
Wyrd has swept all my kin, all the brave chiefs away!
Now must I follow them!"


These last words spoken, the king of the Geats, brave to seek danger and brave to look on death and Fate undaunted, fell back dead. According to his last desires, his followers gathered wood and piled it on the cliff-head. Upon this funeral pyre was laid Beowulf's body and consumed to ashes. Then, upon the same cliff of Hronesness, was erected a huge burial cairn, wide-spread and lofty, to be known thereafter as Beowulf's Barrow.


CUCHULAIN, CHAMPION OF IRELAND


Among all the early literatures of Europe, there are two which, at exactly opposite corners of the continent, display most strikingly similar characteristics. These are the Greek and the Irish, and the legend of the Irish champion Cuchulain, which well illustrates the similarity of the literatures, bears so close a resemblance to the story of Achilles as to win for this hero the title of "the Irish Achilles." Certainly in reckless courage, power of inspiring dread, sense of personal merit, and frankness of speech the Irish hero is fully equal to the mighty Greek.

Cuchulain was the nephew of King Conor of Ulster, son of his sister Dechtire, and it is said that his father was no mortal man, but the great god Lugh of the Long Hand. Cuchulain was brought up by King Conor himself, and even while he was still a boy his fame spread all over Ireland. His warlike deeds were those of a proved warrior, not of a child of nursery age; and by the time Cuchulain was seventeen he was without peer among the champions of Ulster.

Upon Cuchulain's marriage to Emer, daughter of Forgall the Wily, a Druid of great power, the couple took up their residence at Armagh, the capital of Ulster, under the protection of King Conor. Here there was one chief, Bricriu of the Bitter Tongue, who, like Thersites among the Grecian leaders, delighted in making mischief. Soon he had on foot plans for stirring up strife among the heroes of Ulster, leaders among whom were the mighty Laegaire, Conall Cearnach, cousin of Cuchulain, and Cuchulain himself. Inviting the members of King Conor's court to dinner, Bricriu arranged that a contest should arise over who should have the "champion's portion," and so successful was he that, to avoid a bloody fight, the three heroes mentioned decided to submit their claims to the championship of Ireland to King Ailill of Connaught.

Ailill put the heroes to an unexpected test. Their dinner was served them in a separate room, into which three magic beasts, in the shape of monstrous cats, were sent by the king. When they saw them Laegire and Conall rose from their meal, climbed among the rafters, and stayed there all night. Cuchulain waited until one cat attacked him, and then, drawing his sword, struck the monster. It showed no further sign of fight, and at daybreak the magic beasts disappeared.

As Laegire and Conall claimed that this test was an unfair one, Ailill sent the three rivals to Curoi of Kerry, a just and wise man, who set out to discover by wizardry and enchantments the best among the heroes. In turn they stood watch outside Curoi's castle, where Laegire and Conall were overcome by a huge giant, who hurled spears of mighty oak trees, and ended by throwing them over the wall into the courtyard. Cuchulain alone withstood the giant, whereupon he was attacked by other magic foes. Among these was a dragon, which flew on horrible wings from a neighboring lake, and seemed ready to devour everything in its way. Cuchulain sprang up, giving his wonderful hero-leap, thrust his arm into the dragon's mouth and down its throat, and tore out its heart. After the monster fell dead, he cut off its scaly head.

As even yet Cuchulain's opponents would not admit his championship, they were all three directed to return to Armagh, to await Curoi's judgment. Here it happened that all the Ulster heroes were in the great hall one night, except Cuchulain and his cousin Conall. As they sat in order of rank, a terrible stranger, gigantic in stature, hideous of aspect, with ravening yellow eyes, entered. In his hand he bore an enormous axe, with keen and shining edge. Upon King Conor's inquiring his business there, the stranger replied:

"Behold my axe! The man who will grasp it to-day may cut my head off with it, provided that I may, in like manner, cut off his head to-morrow. If you have no champion who dare face me, I will say that Ulster has lost her courage and is dishonored."

At once Laegire accepted the challenge. The giant laid his head on a block, and at a blow the hero severed it from the body. Thereupon the giant arose, took the head and the axe, and thus, headless, strode from the hall. But the following night, when he returned, sound as ever, to claim the fulfilment of Laegire's promise, the latter's heart failed him and he did not come forward. The stranger then jeered at the men of Ulster because their great champion durst not keep his agreement, nor face the blow he should receive in return for the one he gave.

The men of Ulster were utterly ashamed, but Conall Cearnach, who was present that night, made a new agreement with the stranger. He gave a blow which beheaded the giant, but again, when the latter returned whole and sound on the following evening, the champion was not to be found.

Now it was the turn of Cuchulain, who, as the others had done, cut off the giant's head at one stroke. The next day the members of Conor's court watched Cuchulain to see what he would do. They would not have been surprised if he had failed like the others, who now were present. The champion, however, showed no signs of failing or retreat. He sat sorrowfully in his place, and with a sigh said to King Conor as they waited: "Do not leave this place till all is over. Death is coming to me very surely, but I must fulfil my agreement, for I would rather die than break my word."

Towards the close of day the stranger strode into the hall exultant.

"Where is Cuchulain?" he cried.

"Here I am," was the reply.

"Ah, poor boy! your speech is sad to-night, and the fear of death lies heavy on you; but at least you have redeemed your word and have not failed me."

The youth rose from his seat and went towards him, as he stood with the great axe ready, and knelt to receive the blow.

The hero of Ulster laid his head on the block; but the giant was not satisfied. "Stretch out your neck better," said he.

"You are playing with me, to torment me," said Cuchulain. "Slay me now speedily, for I did not keep you waiting last night."

However, he stretched out his neck as ordered, and the stranger raised his axe till it crashed upwards through the rafters of the hall, like the crash of trees falling in a storm. When the axe came down with a terrific sound all men looked fearfully at Cuchulain. The descending axe had not even touched him; it had come down with the blunt side on the ground, and the youth knelt there unharmed. Smiling at him, and leaning on his axe, stood no terrible and hideous stranger, but Curoi of Kerry, come to give his decision at last.

"Rise up, Cuchulain," said Curoi. "There is none among all the heroes of Ulster to equal you in courage and loyalty and truth. The Championship of the Heroes of Ireland is yours from this day forth, and the Champion's Portion at all feasts; and to your wife I adjudge the first place among all the women of Ulster. Woe to him who dares to dispute this decision!" Thereupon Curoi vanished, and the warriors gathered around Cuchulain, and all with one voice acclaimed him the Champion of the Heroes of all Ireland—a title which has clung to him until this day.

This is one of many stories told of the Irish champion, whose deeds of bravery would fill many pages. Cuchulain finally came to his end on the field of battle, after a fight in which he displayed all his usual gallantry but in which unfair means were used to overcome him.

For Wales and for England during centuries Arthur has been the representative "very gentle perfect knight." In a similar way, in England's sister isle, Cuchulain stands ever for the highest ideals of the Irish Gaels.


HEREWARD THE WAKE


In Hereward the Wake (or "Watchful") is found one of those heroes whose date can be ascertained with a fair amount of exactness and yet in whose story occur mythological elements which seem to belong to all ages. The folklore of primitive races is a great storehouse whence a people can choose tales and heroic deeds to glorify its own national hero, careless that the same tales and deeds have done duty for other peoples and other heroes. Hence it happens that Hereward the Saxon, a patriot hero as real and actual as Nelson or George Washington, whose deeds were recorded in prose and verse within forty years of his death, was even then surrounded by a cloud of romance and mystery, which hid in vagueness his family, his marriage, and even his death.

Briefly it may be stated that Hereward was a native of Lincolnshire, and was in his prime about 1070. In that year he joined a party of Danes who appeared in England, attacked Peterborough and sacked the abbey there, and afterward took refuge in the Isle of Ely. Here he was besieged by William the Conqueror, and was finally forced to yield to the Norman. He thus came to stand for the defeated Saxon race, and his name has been passed down as that of the darling hero of the Saxons. For his splendid defence of Ely they forgave his final surrender to Duke William; they attributed to him all the virtues supposed to be inherent in the free-born, and all the glorious valor on which the English prided themselves; and, lastly, they surrounded his death with a halo of desperate fighting, and made his last conflict as wonderful as that of Roland at Roncesvalles. If Roland is the ideal of Norman feudal chivalry, Hereward is equally the ideal of Anglo-Saxon sturdy manliness and knighthood.

An account of one of Hereward's adventures as a youth will serve as illustration of the stories told of his prowess. On an enforced visit to Cornwall, he found that King Alef, a petty British chief, had betrothed his fair daughter to a terrible Pictish giant, breaking off, in order to do it, her troth-plight with Prince Sigtryg of Waterford, son of a Danish king in Ireland. Hereward, ever chivalrous, picked a quarrel with the giant and killed him in fair fight, whereupon the king threw him into prison. In the following night, however, the released princess arranged that the gallant Saxon should be freed and sent hot-foot for her lover, Prince Sigtryg. After many adventures Hereward reached the prince, who hastened to return to Cornwall with the young hero. But to the grief of both, they learned upon their arrival that the princess had just been betrothed to a wild Cornish hero, Haco, and the wedding feast was to be held that very day. Sigtryg at once sent a troop of forty Danes to King Alef demanding the fulfilment of the troth-plight between himself and his daughter, and threatening vengeance if it were broken. To this threat the king returned no answer, and no Dane came back to tell of their reception.

Sigtryg would have waited till morning, trusting in the honor of the king, but Hereward disguised himself as a minstrel and obtained admission to the bridal feast, where he soon won applause by his beautiful singing. The bridegroom, Haco, in a rapture offered him any boon he liked to ask, but he demanded only a cup of wine from the hands of the bride. When she brought it to him he flung into the empty cup the betrothal ring, the token she had sent to Sigtryg, and said: "I thank thee, lady, and would reward thee for thy gentleness to a wandering minstrel; I give back the cup, richer than before by the kind thoughts of which it bears the token." The princess looked at him, gazed into the goblet, and saw her ring; then, looking again, she recognized her deliverer and knew that rescue was at hand.

While men feasted Hereward listened and talked, and found out that the forty Danes were prisoners, to be released on the morrow when Haco was sure of his bride, but released useless and miserable, since they would be turned adrift blinded. Haco was taking his lovely bride back to his own land, and Hereward saw that any rescue, to be successful, must be attempted on the march.

Returning to Sigtryg, the young Saxon told all that he had learned, and the Danes planned an ambush in the ravine where Haco had decided to blind and set free his captives. The whole was carried out exactly as Hereward arranged it. The Cornishmen, with the Danish captives, passed first without attack; next came Haco, riding grim and ferocious beside his silent bride, he exulting in his success, she looking eagerly for any signs of rescue. As they passed Hereward sprang from his shelter, crying, "Upon them, Danes, and set your brethren free!" and himself struck down Haco and smote off his head. There was a short struggle, but soon the rescued Danes were able to aid their deliverers, and the Cornish guards were all slain; the men of King Alef, never very zealous for the cause of Haco, fled, and the Danes were left masters of the field.

Sigtryg had in the meantime seen to the safety of the princess, and now, placing her between himself and Hereward, he escorted her to the ship, which soon brought them to Waterford and a happy bridal. The Prince and Princess of Waterford always recognized in Hereward their deliverer and best friend, and in their gratitude wished him to dwell with them always; but the hero's roving and daring temper forbade his settling down, but rather urged him on to deeds of arms in other lands, where he quickly won a renown second to none.


ROBIN HOOD


Among the earliest heirlooms of the Anglo-Saxon tongue are the songs and legends of Robin Hood and his merry outlaws, which have charmed readers young and old for more than six hundred years. These entertaining stories date back to the time when Chaucer wrote his "Canterbury Tales," when the minstrel and scribe stood in the place of the more prim and precise modern printed book.

The question of whether or not Robin Hood was a real person has been asked for many years, just as a similar question has been asked about William Tell and others whom everyone would much rather accept on faith. It cannot be answered by a brief "yes" or "no," even though learned men have pored over ancient records and have written books on the subject. According to the general belief Robin was an outlaw in the reign of Richard I, when in the depths of Sherwood Forest he entertained one hundred tall men, all good archers, with the spoil he took; but "he suffered no woman to be oppressed or otherwise molested; poore men's goods he spared, abundantlie relieving them with that which by theft he got from abbeys and houses of rich carles." Consequently Robin was an immense favorite with the common people.

This popularity extended from the leader to all the members of his hardy band. "God save Robin Hood and all his good yeomanry" is the ending of many old ballads. The clever archer who could outshoot his fellows, the brave yeoman inured to blows, and the man who could be true to his friends through thick and thin were favorites for all time; and they have been idealized in the persons of Robin Hood and his merry outlaws.

One of the best-known stories of this picturesque figure of early English times is that given by Sir Walter Scott in "Ivanhoe," concerning the archery contest during the rule or misrule of Prince John, in the absence of Richard from the kingdom. Robin Hood, under the assumed name of Locksley, boldly presents himself at a royal tournament at Ashby, as competitor for the prize in shooting with the long-bow. From the eight or ten archers who enter the contest, the number finally narrows down to two,— Hubert, a forester in the service of one of the king's nobles, and Locksley or Robin Hood. Hubert takes the first shot in the final trial of skill, and lands his arrow within the inner ring of the target, but not exactly in the centre.

"'You have not allowed for the wind, Hubert,' said Locksley, 'or that had been a better shot.'

"So saying, and without showing the least anxiety to pause upon his aim, Locksley stepped to the appointed station, and shot his arrow as carelessly in appearance as if he had not even looked at the mark. He was speaking almost at the instant that the shaft left the bow-string, yet it alighted in the target two inches nearer to the white spot which marked the centre than that of Hubert.

"'By the light of Heaven!' said Prince John to Hubert, 'an thou suffer that runagate knave to overcome thee, thou art worthy of the gallows!'

"Hubert had but one set speech for all occasions. 'An your highness were to hang me,' he said, 'a man can but do his best. Nevertheless, my grandsire drew a good bow—'

"'The foul fiend on thy grandsire and all his generation!' interrupted John; 'shoot, knave, and shoot thy best, or it shall be worse for thee!'

"Thus exhorted, Hubert resumed his place, and not neglecting the caution which he had received from his adversary, he made the necessary allowance for a very light air of wind, which had just risen, and shot so successfully that his arrow alighted in the very centre of the target.

"'A Hubert! a Hubert!' shouted the populace, more interested in a known person than in a stranger. 'In the clout!—in the clout!—a Hubert forever!'

"'Thou canst not mend that shot, Locksley,' said the Prince, with an insulting smile.

"'I will notch his shaft for him, however,' replied Locksley.

"And letting fly his arrow with a little more precaution than before, it lighted right upon that of his competitor, which it split to shivers. The people who stood around were so astonished at his wonderful dexterity, that they could not even give vent to their surprise in their usual clamor. 'This must be the devil, and no man of flesh and blood,' whispered the yeomen to each other; 'such archery was never seen since a bow was first bent in Britain.'

"'And now,' said Locksley, 'I will crave your Grace's permission to plant such a mark as is used in the North Country; and welcome every brave yeoman who shall try a shot at it to win a smile from the bonny lass he loves best.'"

Locksley thereupon sets up a willow wand, six feet long and as thick as a man's thumb. Hubert is forced to decline the honor of taking part in such a trial of archery skill, but his rival easily splits the wand at a distance of three hundred feet and carries off the prize.

"Even Prince John, in admiration of Locksley's skill, lost for an instant his dislike to his person. 'These twenty nobles,' he said, 'which, with the bugle, thou hast fairly won, are thine own; we will make them fifty, if thou wilt take livery and service with us as a yeoman of our bodyguard, and be near to our person. For never did so strong a hand bend a bow, or so true an eye direct a shaft.'" [Footnote: Ivanhoe, Vol. 1, chap. XIII.]

Locksley, however, declares that it is impossible for him to enter the Prince's service, generously shares his prize with the worthy Hubert, and retires once more to his beloved haunts among the lights and shadows of the good greenwood.


    Table of Contents    

Glossary



# #

social-bar-article-content
fb-apps-ub-segment
 

bl-mythology-02
The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


#
footer-scroller
footer-pages
sidebar-menu