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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME TWO


THE AGE OF CHIVALRY

OR

LEGENDS OF KING ARTHUR

BY THOMAS BULFINCH
[1858]


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    Table of Contents    

Glossary

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Part I.



King Arthur and His Knights.


Chapter XVI.


The End of the Quest.


Sir Bohort.


WHEN Sir Bohort departed from Camelot he met with a religious man, riding upon an ass; and Sir Bohort saluted him. "What are ye?" said the good man. "Sir," said Sir Bohort, "I am a knight that fain would be counselled in the quest of the Sangreal." So rode they both together till they came to a hermitage; and there he prayed Sir Bohort to dwell that night with him. So he alighted, and put away his armor, and prayed him that he might be confessed. And they went both into the chapel, and there he was clean confessed. And they ate bread and drank water together. "Now," said the good man, "I pray thee that thou eat none other till thou sit at the table where the Sangreal shall be." "Sir," said Sir Bohort, "but how know ye that I shall sit there?" "Yea," said the good man "that I know well; but there shall be few of your fellows with you." Then said Sir Bohort, "I agree me thereto." And the good man, when he had heard his confession, found him in so pure a life and so stable that he marvelled thereof.

On the morrow, as soon as the day appeared, Sir Bohort departed thence, and rode into a forest unto the hour of midday. And there befell him a marvellous adventure. For he met, at the parting of two ways, two knights that led Sir Lionel, his brother, all naked, bound upon a strong hackney, and his hands bound before his breast; and each of them held in his hand thorns wherewith they went beating him, so that he was all bloody before and behind; but he said never a word, but, as he was great of heart, he suffered all that they did to him as though he had felt none anguish. Sir Bohort prepared to rescue his brother. But he looked on the other side of him, and saw a knight dragging along a fair gentlewoman, who cried out, "Saint Mary! succor your maid!" And when she saw Sir Bohort, she called to him and said, "By the faith that ye owe to knighthood, help me!" When Sir Bohort heard her say thus, he had such sorrow that he wist not what to do. For if I let my brother be he must be slain, and that would I not for all the earth; and if I help not the maid I am shamed forever." Then lift he up his eyes and said, weeping, "Fair Lord, whose liegeman I am, keep Sir Lionel, my brother, that none of these knights slay him, and for pity of you, and our Lady's sake, I shall succor this maid."

Then he cried out to the knight, "Sir knight, lay your hand off that maid, or else ye be but dead." Then the knight set down the maid, and took his shield, and drew out his sword. And Sir Bohort smote him so hard that it went through his shield and habergeon, on the left shoulder, and he fell down to the earth. Then came Sir Bohort to the maid, "Ye be delivered of this knight this time." "Now," said she, "I pray you lead me there where this knight took me." "I shall gladly do it," said Sir Bohort. So he took the horse of the wounded knight and set the gentlewoman upon it, and brought her there where she desired to be. And there he found twelve knights seeking after her; and when she told them how Sir Bohort had delivered her, they made great joy, and besought him to come to her father, a great lord, and he should be right welcome. "Truly," said Sir Bohort, "that may not be; for I have a great adventure to do." So he commended them to God and departed.

Then Sir Bohort rode after Sir Lionel, his brother, by the trace of their horses. Thus he rode, seeking, a great while. Then he overtook a man clothed in a religious clothing, who said, "Sir knight, what seek ye?" "Sir," said Sir Bohort, "I seek my brother, that I saw within a little space beaten of two knights." "Ah, Sir Bohort, trouble not thyself to seek for him, for truly he is dead." Then he showed him a new-slain body, lying in a thick bush; and it seemed him that it was the body of Sir Lionel. And then he made such sorrow that he fell to the ground in a swoon, and lay there long. And when he came to himself again he said, "Fair brother, since the fellowship of you and me is sundered, shall I never have joy again; and now He that I have taken for my master He be my help!" And when he had said thus, he took up the body in his arms, and put it upon the horse. And then he said to the man, "Canst thou tell me the way to some chapel, where I may bury this body?" "Come on," said the man, "here is one fast by." And so they rode till they saw a fair tower, and beside it a chapel. Then they alighted both, and put the body into a tomb of marble.

Then Sir Bohort commended the good man unto God, and departed. And he rode all that day, and harbored with an old lady. And on the morrow he rode unto the castle in a valley, and there he met with a yeoman. "Tell me," said Sir Bohort, "knowest thou of any adventure?" "Sir," said he, "here shall be, under this castle, a great and marvellous tournament." Then Sir Bohort thought to be there, if he might meet with any of the fellowship that were in quest of the Sangreal; so he turned to a hermitage that was on the border of the forest. And when he was come thither, he found there Sir Lionel his brother, who sat all armed at the entry of the chapel door. And when Sir Bohort saw him, he had great joy, and he alighted off his horse, and said, "Fair brother, when came ye hither?" As soon as Sir Lionel saw him, he said, "Ah, Sir Bohort, make ye no false show, for, as for you, I might have been slain, for ye left me in peril of death to go succor a gentlewoman; and for that misdeed I now insure you but death, for ye have right well deserved it." When Sir Bohort perceived his brother's wrath, he kneeled down to the earth and cried him mercy, holding up both his hands, and prayed him to forgive him. "Nay," said Sir Lionel, "thou shalt have but death for it, if I have the upper hand; therefore leap upon thy horse and keep thyself; and if thou do not, I will run upon thee there, as thou standest on foot, and so the shame shall be mine, and the harm thine, but of that I reck not." When Sir Bohort saw that he must fight with his brother or else die, he wist not what to do. Then his heart counselled him not so to do, inasmuch as Sir Lionel was his elder brother, wherefore he ought to bear him reverence. Yet kneeled he down before Sir Lionel's horse's feet, and said, "Fair brother, have mercy upon me, and slay me not." But Sir Lionel cared not, for the fiend had brought him in such a will that he should slay him. When he saw that Sir Bohort would not rise to give him battle, he rushed over him, so that he smote him with his horse's feet to the earth, and hurt him sore, that he swooned of distress. When Sir Lionel saw this, he alighted from his horse for to have smitten off his head; and so he took him by the helm, and would have rent it from his head. But it happened that Sir Colgrevance, a knight of the Round Table, came at that time thither, as it was our Lord's will; and then he beheld how Sir Lionel would have slain his brother, and he knew Sir Bohort, whom he loved right well. Then leapt he down from his horse, and took Sir Lionel by the shoulders, and drew him strongly back from Sir Bohort, and said, "Sir Lionel, will ye slay your brother?" "Why," said Sir Lionel, "will ye slay me? If ye interfere in this, I will slay you, and him after." Then he ran upon Sir Bohort, and would have smitten him; but Sir Colgrevance ran between them, and said, "If ye persist to do so any more, we two shall meddle together." Then Sir Lionel defied him, and gave him a great stroke through the helm. Then he drew his sword, for he was a passing good knight, and defended himself right manfully. So long endured the battle, that Sir Bohort rose up all anguishly, and beheld Sir Colgrevance, the good knight, fight with his brother for his quarrel. Then was he full sorry and heavy, and thought that, if Sir Colgrevance slew him that was his brother, he should never have joy, and if his brother slew Sir Colgrevance, the shame should ever be his.

Then would he have risen for to have parted them, but he had not so much strength to stand on his feet; so he staid so long that Sir Colgrevance had the worse, for Sir Lionel was of great chivalry and right hardy. Then cried Sir Colgrevance, "Ah, Sir Bohort, why come ye not to bring me out of peril of death, wherein I have put me to succor you?" With that, Sir Lionel smote off his helm, and bore him to the earth. And when he had slain Sir Colgrevance, he ran upon his brother as a fiendly man, and gave him such a stroke that he made him stoop. And he that was full of humility prayed him, "For God's sake leave this battle, for if it befell, fair brother, that I slew you, or ye me, we should be dead of that sin." "Pray ye not me for mercy," said Sir Lionel. Then Sir Bohort, all weeping, drew his sword, and said, "Now God have mercy upon me, though I defend my life against my brother." With that Sir Bohort lifted up his sword, and would have stricken his brother. Then heard he a voice that said, "Flee, Sir Bohort, and touch him not." Right so alighted a cloud between them, in the likeness of a fire, and a marvellous flame, so that they both fell to the earth, and lay there a great while in a swoon. And when they came to themselves, Sir Bohort saw that his brother had no harm; and he was right glad, for he dread sore that God had taken vengeance upon him. Then Sir Lionel said to his brother, "Brother, forgive me, for God's sake, all that I have trespassed against you." And Sir Bohort answered, "God forgive it thee, and I do."

With that Sir Bohort heard a voice say, "Sir Bohort, take thy way anon, right to the sea, for Sir Perceval abideth thee there." So Sir Bohort departed, and rode the nearest way to the sea. And at last he came to an abbey that was nigh the sea. That night he rested him there, and in his sleep there came a voice unto him and bade him go to the sea-shore. He started up, and made the sign of the cross on his forehead, and armed himself and made ready his horse and mounted him, and at a broken wall he rode out, and came to the sea-shore. And there he found a ship, covered all with white samite. And he entered into the ship; but it was anon so dark that he might see no man, and he laid him down and slept till it was day. Then he awaked, and saw in the middle of the ship a knight all armed, save his helm. And then he knew it was Sir Perceval de Galis, and each made of other right great joy. Then said Sir Perceval, "We lack nothing now but the good knight Sir Galahad."


Of Sir Launcelot Again.


It befell upon a night Sir Launcelot arrived before a castle, which was rich and fair. And there was a postern that opened toward the sea, and was open without any keeping, save two lions kept the entry; and the moon shined clear. Anon Sir Launcelot heard a voice that said, "Launcelot, enter into the castle, where thou shalt see a great part of thy desire." So he went unto the gate, and saw the two lions; then he set hands to his sword, and drew it. Then there came suddenly as it were a stroke upon the arm, so sore that the sword fell out of his hand, and he heard a voice that said, "O man of evil faith, wherefore believest thou more in thy armor than in thy Maker?" Then said Sir Launcelot, "Fair Lord, I thank thee of thy great mercy, that thou reprovest me of my misdeed; now see I well that thou holdest me for thy servant." Then he made a cross on his forehead, and came to the lions; and they made semblance to do him harm, but he passed them without hurt, and entered into the castle, and he found no gate nor door but it was open. But at the last he found a chamber whereof the door was shut; and he set his hand thereto, to have opened it, but he might not. Then he listened, and heard a voice which sung so sweetly that it seemed none earthly thing; and the voice said, "Joy and honor be to the Father of heaven." Then Sir Launcelot kneeled down before the chamber, for well he wist that there was the Sangreal in that chamber. Then said he, "Fair, sweet Lord, if ever I did anything that pleased thee for thy pity show me something of that which I seek." And with that he saw the chamber door open, and there came out a great clearness, that the house was as bright as though all the torches of the world had been there. So he came to the chamber door, and would have entered; and anon a voice said unto him, "Stay, Sir Launcelot, and enter not." And he withdrew him back, and was right heavy in his mind. Then looked he in the midst of the chamber, and saw a table of silver, and the holy vessel, covered with red samite, and many angels about it; whereof one held a candle of wax burning, and another held a cross, and the ornaments of the altar. Then, for very wonder and thankfulness, Sir Launcelot forgot himself, and he stepped forward and entered the chamber. And suddenly a breath that seemed intermixed with fire smote him so sore in the visage, that therewith he fell to the ground, and had no power to rise. Then felt he many hands about him, which took him up, and bare him out of the chamber, without any amending of his swoon, and left him there, seeming dead to all the people. So on the morrow, when it was fair daylight, and they within were arisen, they found Sir Launcelot lying before the chamber door. And they looked upon him and felt his pulse, to know it there were any life in him. And they found life in him, but he might neither stand nor stir any member that he had. So they took him and bare him into a chamber, and laid him upon a bed, far from all folk, and there he lay many days. Then the one said he was alive, and others said nay. But said an old man, "He is as full of life as the mightiest of you all, and therefore I counsel you that he be well kept till God bring him back again." And after twenty-four days he opened his eyes; and when he saw folk, he made great sorrow, and said, "Why have ye wakened me? for I was better at ease than I am now." "What have ye seen?" said they about him. "I have seen," said he, "great marvels that no tongue can tell, and more than any heart can think." Then they said, "Sir, the quest of the Sangreal is achieved right now in you, and never shall ye see more of it than ye have seen." "I thank God," said Sir Launcelot, "of His great mercy, for that I have seen, for it sufficeth me." Then he rose up and clothed himself; and when he was so arrayed, they marvelled all, for they knew it was Sir Launcelot, the good knight. And, after four days, he took his leave of the lord of the castle, and of all the fellowship that were there, and thanked them for their great labor and care of him. Then he departed, and turned to Camelot, where he found King Arthur and Queen Guenever; but many of the knights of the Round Table were slain and destroyed, more than half. Then all the court was passing glad of Sir Launcelot; and he told the king all his adventures that had befallen him since he departed.


Sir Galahad.


Now when Sir Galahad had rescued Perceval from the twenty knights, he rode into a vast forest, wherein he abode many days. Then he took his way to the sea, and it befell him that he was benighted in a hermitage. And the good man was glad when he saw he was a knight-errant. And when they were at rest, there came a gentlewoman knocking at the door; and the good man came to the door to wit what she would. Then she said, "I would speak with the knight which is with you." Then Galahad went to her, and asked her what she would. "Sir Galahad," said she, "I will that ye arm you, and mount upon your horse, and follow me; for I will show you the highest adventure that ever knight saw." Then Galahad armed himself and commended himself to God, and bade the damsel go before, and he would follow where she led.

So she rode as fast as her palfrey might bear her, till she came to the sea; and there they found the ship where Sir Bohort and Sir Perceval were, who cried from the ship, "Sir Galahad, you are welcome; we have awaited you long," And when he heard them, he asked the damsel who they were. "Sir," said she, "leave your horse here, and I shall leave mine, and we will join ourselves to their company." So they entered the ship, and the two knights received them both with great joy. For they knew the damsel, that she was Sir Perceval's sister. Then the wind arose and drove them through the sea all that day and the next, till the ship arrived between two rocks, passing great and marvellous; but there they might not land, for there was a whirlpool; but there was another ship, and upon it they might go without danger. "Go we thither," said the gentlewoman, and there shall we see adventures, for such is our Lord's will." Then Sir Galahad blessed him, and entered therein, and then next the gentlewoman, and then Sir Bohort and Sir Perceval. And when they came on board, they found there the table of silver, and the Sangreal, which was covered with red samite. And they made great reverence thereto, and Sir Galahad prayed a long time to our Lord, that at what time he should ask to pass out of this world, he should do so; and a voice said to him, "Galahad, thou shalt have thy request; and when thou askest the death of thy body thou shalt have it, and then shalt thou find the life of thy soul.

And anon the wind drove them across the sea, till they came to the city of Sarras. Then they took our of the ship the table of silver, and he took it to Sir Perceval and Sir Bohort to go before, and Sir Galahad came behind, and right so they came to the city, and at the gate of the city they saw an old man, crooked. Then Sir Galahad called him and bade him help bear this heavy thing. "Truly," said the old man, "it is ten years ago that I might not go save with crutches." "Care thou not," said Sir Galahad, "but arise up and show thy good will." And so he assayed and found himself as whole as ever he was. Then ran he to the table and took one part against Sir Galahad. And anon arose there a great noise in the city, that a cripple was made whole by knights marvellous that entered into the city. Then anon after, the three knights went to the water, and brought up into the palace Sir Perceval's sister. And when the king of the city, which was cleped Estorause, saw the fellowship, he asked them of whence they were, and what thing it was they had brought upon the table of silver. And they told him the truth of the Sangreal, and the power which God had set there. Then the king was a tyrant, and was come of the line of Paynims, and took them and put them in prison in a deep hole.

But as soon as they were there, our Lord sent them the Sangreal, through whose grace they were always filled while that they were in prison. So at the year's end it befell that this king Estorause lay sick, and felt that he should die. Then he sent for the three knights, and they came afore him, and he cried them mercy of that he had done to them, and they forgave it him goodly, and he died anon. When the king was dead, all the city was dismayed, and wist not who might be their king. Right so they were in council, there came a voice among them, and bade them choose the youngest knight of them three to be their king, "for he shall well maintain you and all yours." So they made Sir Galahad king by all the assent of the whole city, and else they would have slain him. And when he was come to behold the land, he had made about the table of silver a chest of gold and of precious stones that covered the holy vessel, and every day early the three fellows would come afore it and make their prayers. Now at the year's end, and the next day after Sir Galahad had borne the crown of gold, he rose up early, and his fellows, and came to the palace, and saw before them the holy vessel, and a man kneeling on his knees, in likeness of a bishop, that had about him a great fellowship of angels, as it had been Jesus Christ himself. And then he arose and began a mass of Our Lady. And when he came to the sacrament of the mass, and had done, anon he called Sir Galahad, and said to him, "Come forth, the servant of Jesus Christ, and thou shalt see that thou hast much desired to see." And then he began to tremble right hard, when the deadly flesh began to behold the spiritual things. Then he held up his hands toward heaven, and said, "Lord, I thank thee. for now I see that that hath been my desire many a day. Now. blessed Lord. would I not longer live; if it might please thee, Lord." And therewith the good man took our Lord's body betwixt his hands and proffered it to Sir Galahad, and he received it right gladly and meekly. "Now, wottest thou what I am?" said the good man. "Nay," said Sir Galahad. "I am Joseph of Arimathea, which our Lord hath sent here to bear thee fellowship. And wottest thou wherefore that he hath sent me more than any other? For thou hast resembled me in two things, in that thou hast seen the marvels of the Sangreal, and in that thou hast been a clean maiden as I have been and am." And when he had said these words Sir Galahad went to Sir Perceval and kissed him, and commended him to God. And so he went to Sir Bohort and kissed him, and commended him to God, and said, "Fair lord, salute me to my lord Sir Launcelot, my father, and as soon as ye see him bid him remember of this unstable world." And therewith he kneeled down before the table and made his prayers, and then suddenly his soul departed to Jesus Christ, and a great multitude of angels bare his soul up to heaven, that the two fellows might well behold it. Also the two fellows saw come from heaven a hand, but they saw not the body; and then it came right to the vessel, and took it and the spear, and so bare it up to heaven. Sithen there was never man so hardy to say that he had seen the Sangreal.

When Sir Perceval and Sir Bohort saw Sir Galahad dead they made as much sorrow as ever did two men; and if they had not been good men they might lightly have fallen into despair. And the people of the country and of the city were right heavy. And then he was buried. And as soon as he was buried Sir Perceval yielded him to an hermitage out of the city, and took a religious clothing; and Sir Bohort was always with him, but never changed he his secular clothing, for that he purposed to go again into the realm of Loegria. Thus a year and two months lived Sir Perceval in the hermitage a full holy life, and then he passed out of this world. And Sir Bohort let bury him by his sister and by Sir Galahad.

And when Sir Bohort saw that he was in so far countries as in the parts of Babylon, he departed from Sarras, and armed him, and came to the sea, and entered into a ship, and so it befell him in good adventure he came into the realm of Loegria. And he rode so fast till he came to Camelot, where the king was. And then was there great joy made of him in the court, for they wend all he had been dead, forasmuch as he had been so long out of the country. And when they had eaten, the king made great clerks to come afore him, that they should chronicle of the high adventures of the good knights. Then Sir Bohort told him of the adventures of the Sangreal, such as had befallen him and his three fellows, that was Sir Launcelot, Sir Perceval, and Sir Galahad. Then Sir Launcelot told the adventures of the Sangreal that he had seen. All this was made in great books, and put in almeries in Salisbury. And anon Sir Bohort said to Sir Launcelot, "Galahad, your own son, saluted you by me, and after you King Arthur, and all the court, and so did Sir Perceval; for I buried them with mine own hands in the city of Sarras. Also, Sir Launcelot, Galahad prayeth you to remember of this uncertain world, as ye behight him when ye were together more than half a year." "This is true," said Sir Launcelot; "now I trust to God his prayer shall avail me." Then Sir Launcelot took Sir Bohort in his arms, and said, "Gentle cousin, ye are right welcome to me, and all that ever I may do for you and for yours, ye shall find my poor body ready at all times whiles the spirit is in it, and that I promise you faithfully, and never to fail. And wit ye well, gentle cousin Sir Bohort, that ye and I will never part in sunder whilst our lives may last." "Sir," said he, "I will as ye will."

Thus endeth the history of the Sangreal, which is a story chronicled as one of the truest and holiest that is in this world.

Tennyson has among his shorter poems one on Sir Galahad which we add as being the conception of this purest of knights held by the poet who has loved best of all English poets the old stories of the Knights of the Round Table:–


Sir Galahad.


"My good blade carves the casques of men,

My tough lance thrusteth sure,

My strength is as the strength of ten,

Because my heart is pure.

The shattering trumpet shrilleth high,

The hard brands shiver on the steel,

The splintered spear-shafts crack and fly,

The horse and rider reel:

They reel, they roll in clanging lists,

And when the tide of combat stands,

Perfume and flowers fall in showers,

That lightly rain from ladies' hands

"How sweet are looks that ladies bend

On whom their favors fall!

For them I battle to the end,

To save from shame and thrall:

But all my heart is drawn above,

My knees are bound in crypt and shrine:

I never felt the kiss of love,

Nor maiden's hand in mine.

More bounteous aspects on me beam,

Me mightier transports move and thrill;

So keep I fair thro' faith and prayer,

A virgin heart in work and will.

"When down the stormy crescent goes,

A light before me swims,

Between dark stems the forest glows,

I hear a noise of hymns:

Then by some secret shrine I ride;

I hear a voice, but none are there;

The stalls are void, the doors are wide,

The tapers burning fair.

Fair gleams the snowy altar-cloth,

The silver vessels sparkle clean,

The shrill bell rings, the censer swings,

And solemn chants resound between.

"Sometimes on lonely mountain meres

I find a magic bark;

I leap on board; no helmsman steers:

I float till all is dark,

A gentle sound, an awful light!

Three angels bear the holy Grail:

With folded feet, in stoles of white,

On sleeping wings they sail.

Ah, blessed vision! blood of God!

My spirit beats her mortal bars,

As down dark tides the glory slides

And star-like mingles with the stars.

"When on my goodly charger borne

Thro' dreaming towns I go,

The cock crows ere the Christmas morn,

The streets are dumb with snow.

The tempest crackles on the leads,

And, ringing, springs from brand and mail;

But o'er the dark a glory spreads

And gilds the driving hail.

I leave the plain, I climb the height;

No branchy thicket shelter yields;

But blessed forms in whisking storms

Fly o'er waste fens and windy fields.

"A maiden knight- to me is given

Such hope, I know not fear;

I yearn to breathe the airs of heaven

That often meet me here.

I muse on joy that will not cease,

Pure spaces clothed in living beams,

Pure lilies of eternal peace,

Whose odors haunt my dreams;

And stricken by an angel's hand,

This mortal armour that I wear,

This weight and rise, this heart and eyes,

Are touched, are turned to finest air.

"The clouds are broken in the sky,

And thro' the mountain-walls

A rolling organ-harmony

Swells up, and shakes and falls.

Then move the trees, the copses nod,

Wings flutter, voices hover clear:

O just and faithful knight of God!

Ride on! the prize is near!

So pass I hostel, hall, and grange;

By hedge and ford, by park and pale,

All armed I ride, whate'er betide,

Until I find the holy Grail."


    Table of Contents    

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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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