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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME TWO


THE AGE OF CHIVALRY

OR

LEGENDS OF KING ARTHUR

BY THOMAS BULFINCH
[1858]


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    Table of Contents    

Glossary

#


Part I.



King Arthur and His Knights.


Chapter II.


The Mythical History of England.


ACCORDING to the earliest accounts, Albion, a giant, and son of Neptune, a contemporary of Hercules, ruled over the island, to which he gave his name. Presuming to oppose the progress of Hercules in his western march, he was slain by him.

Another story is that Histion, the son of Japhet, the son of Noah, had four sons,– Francus, Romanus, Alemannus, and Britto, from whom descended the French, Roman, German, and British people.

Rejecting these and other like stories, Milton gives more regard to the story of Brutus, the Trojan, which, he says, is supported by "descents of ancestry long continued laws and exploits not plainly seeming to be borrowed or devised, which on the common belief have wrought no small impression; defended by many, denied utterly by few." The principal authority is Geoffrey of Monmouth, whose history, written in the twelfth century, purports to be a translation of a history of Britain, brought over from the opposite shore of France, which, under the name of Brittany, was chiefly peopled by natives of Britain, who from time to time emigrated thither, driven from their own country by the inroads of the Picts and Scots. According to this authority, Brutus was the son of Silvius, and he of Ascanius, the son of AEneas, whose flight from Troy and settlement in Italy will be found narrated in "The Age of Fable."

Brutus, at the age of fifteen, attending his father to the chase, unfortunately killed him with an arrow. Banished therefor by his kindred, he sought refuge in that part of Greece where Helenus, with a band of Trojan exiles, had become established. But Helenus was now dead, and the descendants of the Trojans were oppressed by Pandrasus, the king of the country. Brutus, being kindly received among them, so throve in virtue and in arms as to win the regard of all the eminent of the land above all others of his age. In consequence of this the Trojans not only began to hope, but secretly to persuade him to lead them the way to liberty. To encourage them they had the promise of help from Assaracus, a noble Greek youth, whose mother was a Trojan. He had suffered wrong at the hands of the king, and for that reason the more willingly cast in his lot with the Trojan exiles.

Choosing a fit opportunity, Brutus with his countrymen withdrew to the woods and hills, as the safest place from which to expostulate, and sent this message to Pandrasus: "That the Trojans, holding it unworthy of their ancestors to serve in a foreign land, had retreated to the woods, choosing rather a savage life than a slavish one. If that displeased him, then, with his leave, they would depart to some other country." Pandrasus, not expecting so bold a message from the sons of captives, went in pursuit of them, with such forces as he could gather, and met them on the banks of the Achelous, where Brutus got the advantage, and took the king captive. The result was, that the terms demanded by the Trojans were granted; the king gave his daughter Imogen in marriage to Brutus, and furnished shipping, money, and fit provision for them all to depart from the land.

The marriage being solemnized, and shipping from all parts got together, the Trojans, in a fleet of no less than three hundred and twenty sail, betook themselves to the sea. On the third day they arrived at a certain island, which they found destitute of inhabitants, though there were appearances of former habitation, and among the ruins a temple of Diana. Brutus, here performing sacrifice at the shrine of the goddess, invoked an oracle for his guidance, in these lines:–

"Goddess of shades, and huntress, who at will

Walk'st on the rolling sphere, and through the deep;

On thy third realm, the earth, look now and tell

What land, what seat of rest, thou bidd'st me seek;

What certain seat where I may worship thee

For aye, with temples vowed and virgin choirs."

To whom, sleeping before the altar, Diana, in a vision thus answered:–

"Brutus! far to the west, in the ocean wide,

Beyond the realm of Gaul, a land there lies,

Seagirt it lies, where giants dwelt of old;

Now, void, it fits thy people: thither bend

Thy course; there shalt thou find a lasting seat;

There to thy sons another Troy shall rise,

And kings be born of thee, whose dreaded might

Shall save the world, and conquer nations bold."

Brutus, guided now, as he thought, by Divine direction, sped his course towards the west, and, arriving at a place on the Tyrrhene sea, found there the descendants of certain Trojans who with Antenor came into Italy, of whom Corineus was the chief. These joined company, and the ships pursued their way till they arrived at the mouth of the river Loire, in France, where the expedition landed, with a view to a settlement, but were so rudely assaulted by the inhabitants that they put to sea again, and arrived at a part of the coast of Britain now called Devonshire, where Brutus felt convinced that he had found the promised end of his voyage, landed his colony, and took possession.

The island, not yet Britain, but Albion, was in a manner desert and inhospitable, occupied only by a remnant of the giant race whose excessive force and tyranny had destroyed the others. The Trojans encountered these and extirpated them, Corineus in particular signalizing himself by his exploits against them; from whom Cornwall takes its name, for that region fell to his lot, and there the hugest giants dwelt, lurking in rocks and caves, till Corineus rid the land of them.

Brutus built his capital city, and called it Trojanova (New Troy), changed in time to Trinovantum, now London;1 and, having governed the isle twenty-four years, died, leaving three sons, Locrine, Albanact, and Camber. Locrine had the middle part, Camber the west, called Cambria from him, and Albanact Albania, now Scotland. Locrine was married to Guendolen, the daughter of Corineus; but, having seen a fair maid named Estrildis, who had been brought captive from Germany, he became enamored of her, and had by her a daughter, whose name was Sabra. This matter was kept secret while Corineus lived; but after his death, Locrine divorced Guendolen, and made Estrildis his queen. Guendolen, all in rage, departed to Cornwall, where Madan, her son, lived, who had been brought up by Corineus, his grandfather. Gathering an army of her father's friends and subjects, she gave battle to her husband's forces, and Locrine was slain. Guendolen caused her rival, Estrildis, with her daughter Sabra, to be thrown into the river, from which cause the river thenceforth bore the maiden's name, which by length of time is now changed into Sabrina or Severn. Milton alludes to this in his address to the river– and in

"Severn swift, guilty of maiden's death";-

his "Comus" tells the story with a slight variation, thus:–

"There is a gentle nymph not far from hence,

That with moist curb sways the smooth Severn stream;

Sabrina is her name, a virgin pure:

Whilom she was the daughter of Locrine,

That had the sceptre from his father, Brute.

She, guiltless damsel, flying the mad pursuit

Of her enraged step-dame, Guendolen,

Commended her fair innocence to the flood,

That stayed her flight with his cross-flowing course.

The water-nymphs that in the bottom played

Held up their pearled wrists and took her in,

Bearing her straight to aged Nereus' hall,

Who, piteous of her woes, reared her lank head,

And gave her to his daughters to imbathe

In nectared lavers strewed with asphodel,

And through the porch and inlet of each sense

Dropped in ambrosial oils till she revived,

And underwent a quick, immortal change,

Made goddess of the river," etc.

1 "For noble Britons sprong from Trojans bold,

And Troynovant was built of old Troy's ashes cold."

SPENSER, Book III, Canto IX. 38.

If our readers ask when all this took place, we must answer, in the first place, that mythology is not careful of dates; and next that, as Brutus was the great-grandson of AEneas, it must have been not far from a century subsequent to the Trojan war, or about 1100 years before the invasion of the island by Julius Caesar. This long interval is filled with the names of princes whose chief occupation was in warring with one another. Some few, whose names remain connected with places, or embalmed in literature, we will mention.


Bladud.


Bladud built the city of Bath, and dedicated the medicinal waters to Minerva. He was a man of great invention, and practised the arts of magic, till, having made him wings to fly, he fell down upon the temple of Apollo, in Trinovant, and so died, after twenty years' reign.


Leir.


Leir, who next reigned, built Leicester, and called it after his name. He had no male issue, but only three daughters. When grown old, he determined to divide his kingdom among his daughters, and bestow them in marriage. But first, to try which of them loved him best, he determined to ask them solemnly in order, and judge of the warmth of their affection by their answers. Goneril, the eldest, knowing well her father's weakness, made answer that she loved him, "above her soul." "Since thou so honorest my declining age," said the old man, "to thee and to thy husband I give the third part of my realm." Such good success for a few words soon uttered was ample instruction to Regan, the second daughter, what to say. She therefore, to the same question replied, that "she loved him more than all the world beside"; and so received an equal reward with her sister. But Cordeilla, the youngest, and hitherto the best beloved, too honest to profess in words more than she felt in her heart, was not moved from the solid purpose of a sincere and virtuous answer, and replied: "Father, my love towards you is as my duty bids. They who pretend beyond this flatter." When the old man, sorry to hear this, and wishing her to recall these words, persisted in asking, she still restrained her expressions so as to say rather less than more than the truth. Then Leir, all in a passion, burst forth: "Since thou hast not reverenced thy aged father like thy sisters, think not to have any part in my kingdom or what else I have";– and without delay, giving in marriage his other daughters, Goneril to the Duke of Albany, and Regan to the Duke of Cornwall, he divides his kingdom between them. Cordeilla, portionless, married the prince of France, who shortly after succeeded his father upon the throne.

King Leir went to reside with his eldest daughter, attended only by a hundred knights. But in a short time his attendants, being complained of as too numerous and disorderly, are reduced to thirty. Resenting that affront, the old king betakes him to his second daughter; but she, instead of soothing his wounded pride, takes part with her sister, and refuses to admit a retinue of more than five. Then back he returns to the other, who now will not receive him with more than one attendant. Then the remembrance of Cordeilla comes to his thoughts, and he takes his journey into France to seek her, with little hope of kind consideration from one whom he had so injured, but to pay her the last recompense he can render,– confession of his injustice. When Cordeilla is informed of his approach, and of his sad condition, she pours forth true filial tears. And, not willing that her own or others' eyes should see him in that forlorn condition, she sends one of her trusted servants to meet him, and convey him privately to some comfortable abode, and to furnish him with such state as befitted his dignity. After which Cordeilla, with the king her husband, went in state to meet him, and, after an honorable reception, the king permitted his wife Cordeilla to go with an army and set her father again upon his throne. They prospered, subdued the wicked sisters and their consorts, and Leir obtained the crown and held it three years. Cordeilla succeeded him, and reigned five years; but the sons of her sisters, after that, rebelled against her, and she lost both her crown and life.

Shakespeare has chosen this story as the subject of his tragedy of King Lear, varying its details in some respects. The madness of Lear, and the ill success of Cordeilla's attempt to reinstate her father, are the principal variations, and those in the names will also be noticed. Our narrative is drawn from Milton's History; and thus the reader will perceive that the story of Leir has had the distinguished honor of being told by the two acknowledged chiefs of British literature.


Ferrex and Porrex.


Ferrex and Porrex were brothers, who held the kingdom after Leir. They quarrelled about the supremacy, and Porrex expelled his brother, who, obtaining aid from Suard, king of the Franks, returned and made war upon Porrex. Ferrex was slain in battle, and his forces dispersed. When their mother came to hear of her son's death, who was her favorite, she fell into a great rage, and conceived a mortal hatred against the survivor. She took, therefore, her opportunity when he was asleep, fell upon him, and, with the assistance of her women, tore him in pieces. This horrid story would not be worth relating, were it not for the fact that it has furnished the plot for the first tragedy which was written in the English language. It was entitled Gorboduc, but in the second edition Ferrex and Porrex, and was the production of Thomas Sackville, afterwards Earl of Dorset, and Thomas Norton, a barrister. Its date was 1561.


Dunwallo Molmutius.


This is the next name of note. Molmutius established the Molmutine laws, which bestowed the privilege of sanctuary on temples, cities, and the roads leading to them, and gave the same protection to ploughs, extending a religious sanction to the labors of the field. Shakespeare alludes to him in Cymbeline, Act III, Sc. I.:–

"Molmutius made our laws;

Who was the first of Britain which did put

His brows within a golden crown, and called

Himself a king."


Brennus and Belinus,


the sons of Molmutius, succeeded him. They quarrelled, and Brennus was driven out of the island, and took refuge in Gaul, where he met with such favor from the king of the Allobroges, that he gave him his daughter in marriage, and made him his partner on the throne. Brennus is the name which the Roman historians give to the famous leader of the Gauls who took Rome in the time of Camillus. Geoffrey of Monmouth claims the glory of the conquest for the British prince, after he had become king of the Allobroges.


Elidure.


After Belinus and Brennus there reigned several kings of little note, and then came Elidure. Arthgallo, his brother, being king, gave great offence to his powerful nobles, who rose against him, deposed him, and advanced Elidure to the throne. Arthgallo fled, and endeavored to find assistance in the neighboring kingdoms to reinstate him, but found none. Elidure reigned prosperously and wisely. After five years' possession of the kingdom, one day, when hunting, he met in the forest his brother, Arthgallo, who had been deposed. After long wandering, unable longer to bear the poverty to which he was reduced, he had returned to Britain, with only ten followers, designing to repair to those who had formerly been his friends. Elidure, at the sight of his brother in distress, forgetting all animosities, ran to him, and embraced him. He took Arthgallo home with him, and concealed him in the palace. After this he feigned himself sick, and, calling his nobles about him, induced them, partly by persuasion, partly by force, to consent to his abdicating the kingdom, and reinstating his brother on the throne. The agreement being ratified, Elidure took the crown from his own head, and put it on his brother's head. Arthgallo after this reigned ten years, well and wisely, exercising strict justice towards all men.

He died, and left the kingdom to his sons, who reigned with various fortunes, but were not long-lived, and left no offspring, so that Elidure was again advanced to the throne, and finished the course of his life in just and virtuous actions, receiving the name of the pious, from the love and admiration of his subjects.

Wordsworth has taken the story of Artegal and Elidure for the subject of a poem, which is No. 2 of "Poems founded on the Affections."


Lud.


After Elidure the Chronicle names many kings, but none of special note, till we come to Lud, who greatly enlarged Trinovant, his capital, and surrounded it with a wall. He changed its name, bestowing upon it his own, so that thenceforth it was called Lud's town, afterwards London. Lud was buried by the gate of the city called after him Ludgate. He had two sons, but they were not old enough at the time of their father's death to sustain the cares of government, and therefore their uncle Caswallaun, or Cassibellaunus, succeeded to the kingdom. He was a brave and magnificent prince, so that his fame reached to distant countries.


Cassibellaunus.


About this time it happened (as is found in the Roman histories) that Julius Caesar, having subdued Gaul, came to the shore opposite Britain. And having resolved to add this island also to his conquest, he prepared ships and transported his army across the sea, to the mouth of the river Thames. Here he was met by Cassibellaun, with all his forces, and a battle ensued, in which Nennius, the brother of Cassibellaun, engaged in single combat with Caesar. After several furious blows given and received, the sword of Caesar stuck so fast in the shield of Nennius, that it could not be pulled out, and, the combatants being separated by the intervention of the troops, Nennius remained possessed of this trophy. At last, after the greater part of the day was spent, the Britons poured in so fast that Caesar was forced to retire to his camp and fleet. And finding it useless to continue the war any longer at that time, he returned to Gaul.

Shakespeare alludes to Cassibellaunus, in Cymbeline:–

"The famed Cassibelan, who was once at point

(O giglot fortune!) to master Caesar's sword,

Made Lud's town with rejoicing fires bright,

And Britons strut with courage."


Kymbelinus, or Cymbeline.


Caesar, on a second invasion of the island, was more fortunate and compelled the Britons to pay tribute. Cymbeline, the nephew of the king, was delivered to the Romans as a hostage for the faithful fulfilment of the treaty, and, being carried to Rome by Caesar, he was there brought up in the Roman arts and accomplishments. Being afterwards restored to his country, and placed on the throne, he was attached to the Romans, and continued through all his reign at peace with them. His sons, Guiderius and Arviragus, who make their appearance in Shakespeare's play of Cymbeline, succeeded their father, and, refusing to pay tribute to the Romans, brought on another invasion. Guiderius was slain, but Arviragus afterward made terms with the Romans, and reigned prosperously many years.


Armorica.


The next event of note is the conquest and colonization of Armorica, by Maximis, a Roman general, and Conan, lord of Miniadoc or Denbigh-land, in Wales. The name of the country was changed to Brittany, or Lesser Britain; and so completely was it possessed by the British colonists, that the language became assimilated to that spoken in Wales, and it is said that to this day the peasantry of the two countries can understand each other when speaking their native language.

The Romans eventually succeeded in establishing themselves in the island, and after the lapse of several generations they became blended with the natives so that no distinction existed between the two races. When at length the Roman armies were withdrawn from Britain, their departure was a matter of regret to the inhabitants, as it left them without protection against the barbarous tribes, Scots, Picts, and Norwegians, who harassed the country incessantly. This was the state of things when the era of King Arthur began.

The adventure of Albion, the giant, with Hercules is alluded to by Spenser, Faery Queene, Book IV., Canto XI.:–

"For Albion the son of Neptune was;

Who for the proof of his great puissance,

Out of his Albion did on dry foot pass,

Into old Gaul that now is cleped France,

To fight with Hercules, that did advance

To vanquish all the world with matchless might;

And there his mortal part by great mischance

Was slain."


    Table of Contents    

Glossary



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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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