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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME THREE


LEGENDS OF CHARLEMAGNE

OR

ROMANCE OF THE MIDDLE AGES.

BY THOMAS BULFINCH
[1863]


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    Table of Contents    

Glossary

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THE BATTLE OF RONCESVALLES


After the expulsion of the Saracens from France Charlemagne led his army into Spain, to punish Marsilius, the king of that country, for having sided with the African Saracens in the late war. Charlemagne succeeded in all his attempts, and compelled Marsilius to submit, and pay tribute to France. Our readers will remember Gano, otherwise called Gan, or Ganelon, whom we mentioned in one of our early chapters as an old courtier of Charlemagne, and a deadly enemy of Orlando, Rinaldo, and all their friends. He had great influence over Charles, from equality of age and long intimacy; and he was not without good qualities: he was brave and sagacious, but envious, false, and treacherous. Gan prevailed on Charles to send him as ambassador to Marsilius, to arrange the tribute. He embraced Orlando over and over again at taking leave, using such pains to seem loving and sincere, that his hypocrisy was manifest to every one but the old monarch. He fastened with equal tenderness on Oliver, who smiled contemptuously in his face, and thought to himself, "You may make as many fair speeches as you choose, but you lie." All the other paladins who were present thought the same, and they said as much to the Emperor, adding that Gan should on no account be sent ambassador to the Spaniards. But Charles was infatuated.

Gan was received with great honor by Marsilius. The king, attended by his lords, came fifteen miles out of Saragossa to meet him, and then conducted him into the city with acclamations. There was nothing for several days but balls, games, and exhibitions of chivalry, the ladies throwing flowers on the heads of the French knights, and the people shouting, "France! Mountjoy and St. Denis!"

After the ceremonies of the first reception the king and the ambassador began to understand one another. One day they sat together in a garden on the border of a fountain. The water was so clear and smooth it reflected every object around, and the spot was encircled with fruit-trees which quivered with the fresh air. As they sat and talked, as if without restraint, Gan, without looking the king in the face, was enabled to see the expression of his countenance in the water, and governed his speech accordingly. Marsilius was equally adroit, and watched the face of Gan while he addressed him. Marsilius began by lamenting, not as to the ambassador, but as to the friend, the injuries which Charles had done him by invading his dominions, charging him with wishing to take his kingdom from him and give it to Orlando; till at length he plainly uttered his belief that if that ambitious paladin were but dead good men would get their rights.

Gan heaved a sigh, as if he was unwillingly compelled to allow the force of what the king said; but unable to contain himself long he lifted up his face, radiant with triumphant wickedness, and exclaimed: "Every word you utter is truth; die he must, and die also must Oliver, who struck me that foul blow at court. Is it treachery to punish affronts like these? I have planned everything,--I have settled everything already with their besotted master. Orlando will come to your borders--to Roncesvalles--for the purpose of receiving the tribute. Charles will await him at the foot of the mountains. Orlando will bring but a small band with him: you, when you meet him, will have secretly your whole army at your back. You surround him, and who receives tribute then?"

The new Judas had scarcely uttered these words when his exultation was interrupted by a change in the face of nature. The sky was suddenly overcast, there was thunder and lightning, a laurel was split in two from head to foot, and the Carob-tree under which Gan was sitting, which is said to be the species of tree on which Judas Iscariot hung himself, dropped one of its pods on his head.

Marsilius, as well as Gan, was appalled at this omen; but on assembling his soothsayers they came to the conclusion that the laurel-tree turned the omen against the Emperor, the successor of the Caesars, though one of them renewed the consternation of Gan by saying that he did not understand the meaning of the tree of Judas, and intimating that perhaps the ambassador could explain it. Gan relieved his vexation by anger; the habit of wickedness prevailed over all other considerations; and the king prepared to march to Roncesvalles at the head of all his forces.

Gan wrote to Charlemagne to say how humbly and submissively Marsilius was coming to pay the tribute into the hands of Orlando, and how handsome it would be of the Emperor to meet him half-way, and so be ready to receive him after the payment at his camp. He added a brilliant account of the tribute, and the accompanying presents. The good Emperor wrote in turn to say how pleased he was with the ambassador's diligence, and that matters were arranged precisely as he wished. His court, however, had its suspicion still, though they little thought Gan's object in bringing Charles into the neighborhood of Roncesvalles was to deliver him into the hands of Marsilius, after Orlando should have been destroyed by him.

Orlando, however, did as his lord and sovereign desired. He went to Roncesvalles, accompanied by a moderate train of warriors, not dreaming of the atrocity that awaited him. Gan, meanwhile, had hastened back to France, in order to show himself free and easy in the presence of Charles, and secure the success of his plot; while Marsilius, to make assurance doubly sure, brought into the passes of Roncesvalles no less than three armies, which were successively to fall on the paladin in case of the worst, and so extinguish him with numbers. He had also, by Gan's advice, brought heaps of wine and good cheer to be set before his victims in the first instance; "for that," said the traitor, "will render the onset the more effective, the feasters being unarmed. One thing, however, I must not forget," added he; "my son Baldwin is sure to be with Orlando; you must take care of his life for my sake."

"I give him this vesture off my own body," said the king; "let him wear it in the battle, and have no fear. My soldiers shall be directed not to touch him."

Gan went away rejoicing to France. He embraced the sovereign and the court all round with the air of a man who had brought them nothing but blessings, and the old king wept for very tenderness and delight.

"Something is going on wrong, and looks very black," thought Malagigi, the good wizard; "Rinaldo is not here, and it is indispensably necessary that he should be. I must find out where he is, and Ricciardetto too, and send for them with all speed."

Malagigi called up by his art a wise, terrible, and cruel spirit, named Ashtaroth. "Tell me, and tell me truly, of Rinaldo," said Malagigi to the spirit. The demon looked hard at the paladin, and said nothing. His aspect was clouded and violent.

The enchanter, with an aspect still cloudier, bade Ashtaroth lay down that look, and made signs as if he would resort to angrier compulsion; and the devil, alarmed, loosened his tongue, and said, "You have not told me what you desire to know of Rinaldo."

"I desire to know what he has been doing, and where he is."

"He has been conquering and baptizing the world, east and west," said the demon, "and is now in Egypt with Ricciardetto."

"And what has Gan been plotting with Marsilius?" inquired Malagigi; "and what is to come of it?"

"I know not," said the devil. "I was not attending to Gan at the time, and we fallen spirits know not the future. All I discern is that by the signs and comets in the heavens something dreadful is about to happen--something very strange, treacherous, and bloody; and that Gan has a seat ready prepared for him in hell."

"Within three days," cried the enchanter, loudly, "bring Rinaldo and Ricciardetto into the pass of Ronces-Valles. Do it, and I hereby undertake to summon thee no more."

"Suppose they will not trust themselves with me?" said the spirit.

"Enter Rinaldo's horse, and bring him, whether he trust thee or not."

"It shall be done," returned the demon.

There was an earthquake, and Ashtaroth disappeared.

Marsilius now made his first movement towards the destruction of Orlando, by sending before him his vassal, King Blanchardin, with his presents of wines and other luxuries. The temperate but courteous hero took them in good part, and distributed them as the traitor wished; and then Blanchardin, on pretence of going forward to salute Charlemagne, returned, and put himself at the head of the second army, which was the post assigned him by his liege-lord. King Falseron, whose son Orlando had slain in battle, headed the first army, and King Balugante the third. Marsilius made a speech to them, in which he let them into his design, and concluded by recommending to their good will the son of his friend Gan, whom they would know by the vest he had sent him, and who was the only soul amongst the Christian they were to spare.

This son of Gan, meanwhile, and several of the paladins, who distrusted the misbelievers, and were anxious at all events to be with Orlando, had joined the hero in the fatal valley; so that the little Christian host, considering the tremendous valor of their lord and his friends, were not to be sold for nothing. Rinaldo, alas! the second thunderbolt of Christendom, was destined not to be there in time to meet the issue. The paladins in vain begged Orlando to be on his guard against treachery, and send for a more numerous body of men. The great heart of the Champion of the Faith was unwilling to harbor suspicion as long as he could help it. He refused to summon aid which might be superfluous; neither would he do anything but what his liege-lord had directed. And yet he could not wholly repress a misgiving. A shadow had fallen on his heart, great and cheerful as it was. The anticipations of his friends disturbed him, in spite of the face with which he met them. Perhaps by a certain foresight he felt his death approaching; but he felt bound not to encourage the impression. Besides, time pressed; the moment of the looked-for tribute was at hand, and little combinations of circumstances determine often the greatest events.

King Marsilius was to arrive early next day with the tribute, and Oliver, with the morning sun, rode forth to reconnoitre, and see if he could discover the peaceful pomp of the Spanish court in the distance. He rode up the nearest height, and from the top of it beheld the first army of Marsilius already forming in the passes. "O devil Gan," he exclaimed, "this then is the consummation of thy labors!" Oliver put spurs to his horse, and galloped back down the mountain to Orlando.

"Well," cried the hero, "what news?"

"Bad news," said his cousin, "such as you would not hear of yesterday. Marsilius is here in arms, and all the world is with him."

The paladins pressed round Orlando, and entreated him to sound his horn, in token that he needed help. His only answer was to mount his horse, and ride up the mountain with Sansonetto.

As soon, however, as he cast forth his eyes, and beheld what was round about him, he turned in sorrow, and looked down into Roncesvalles, and said, "O miserable valley! the blood shed in thee this day will color thy name forever."

Orlando's little camp were furious against the Saracens. They armed themselves with the greatest impatience. There was nothing but lacing of helmets and mounting of horses, while good Archbishop Turpin went from rank to rank exhorting and encouraging the warriors of Christ. Orlando and his captains withdrew for a moment to consultation. He fairly groaned for sorrow, and at first had not a word to say, so wretched he felt at having brought his people to die in Roncesvalles. Then he said: "If it had entered into my heart to conceive the king of Spain to be such a villain never would you have seen this day. He has exchanged with me a thousand courtesies and good words; and I thought that the worse enemies we had been before, the better friends we had become now. I fancied every human being capable of this kind of virtue on a good opportunity, saving, indeed, such base-hearted wretches as can never forgive their very forgivers; and of these I did not suppose him to be one. Let us die, if die we must, like honest and gallant men, so that it shall be said of us it was only our bodies that died. The reason why I did not sound the horn was partly because I thought it did not become us, and partly because our liege lord could hardly save us, even if he heard it." And with these words Orlando sprang to his horse, crying, "Aways against the Saracens!" But he had no sooner turned his face than he wept bitterly, and said, "O Holy Virgin, think not of me, the sinner Orlando, but have pity on these thy servants!"

And now with a mighty dust, and an infinite sound of horns and tambours, which came filling the valley, the first army of the infidels made its appearance, horses neighing, and a thousand pennons flying in the air. King Falseron led them on, saying to his officers: "Let nobody dare to lay a finger on Orlando. He belongs to myself. The revenge of my son's death is mine. I will cut the man down that comes between us." "Now, friends," said Orlando, "every man for himself, and St. Michael for us all! There is not one here that is not a perfect knight." And he might well say it, for the flower of all France was there, except Rinaldo and Ricciardetto--every man a picked man, all friends and constant companions of Orlando.

So the captains of the little troop and of the great army sat looking at one another, and singling one another out as the latter came on, and then the knights put spear in rest, and ran for a while two and two in succession, one against the other.

Astolpho was the first to move. He ran against Arlotto of Sorio, and thrust his antagonist's body out of the saddle, and his soul into the other world. Oliver encountered Malprimo, and, though he received a thrust which hurt him, sent his lance right through the heart of Malprimo.

Falseron was daunted at this blow. "Truly," thought he, "this is a marvel." Oliver did not press on among the Saracens, his wound was too painful; but Orlando now put himself and his whole band in motion, and you may guess what an uproar ensued. The sound of the rattling of blows and helmets was as if the forge of Vulcan had been thrown open. Falseron beheld Orlando coming so furiously, that he thought him a Lucifer who had burst his chain, and was quite of another mind than when he purposed to have him all to himself. On the contrary, he recommended himself to his gods, and turned away, meaning to wait for a more auspicious season of revenge. But Orlando hailed him with a terrible voice, saying, "O thou traitor! was this the end to which old quarrels were made up?" Then he dashed at Falseron with a fury so swift, and at the same time with a mastery of his lance so marvellous, that, though he plunged it in the man's body so as instantly to kill him, and then withdrew it, the body did not move in the saddle. The hero himself, as he rushed onwards, was fain to see the end of a stroke so perfect, and turning his horse back, touched the carcass with his sword, and it fell on the instant!

When the infidels beheld their leader dead such fear fell upon them that they were for leaving the field to the paladins, but they were unable. Marsilius had drawn the rest of his forces round the valley like a net, so that their shoulders were turned in vain. Orlando rode into the thick of them, and wherever he went thunderbolts fell upon helmets. Oliver was again in the fray, with Walter and Baldwin, Avino and Avolio, while Arch-bishop Turpin had changed his crosier for a lance, and chased a new flock before him to the mountains.

Yet what could be done against foes without number? Marsilius constantly pours them in. The paladins are as units to thousands. Why tarry the horses of Rinaldo and Ricciardetto?

The horses did not tarry, but fate had been quicker than enchantment. Ashtaroth had presented himself to Rinaldo in Egypt, and, after telling his errand, he and Foul-mouth, his servant, entered the horses of Rinaldo and Ricciardetto, which began to neigh, and snort, and leap with the fiends within them, till off they flew through the air over the pyramids and across the desert, and reached Spain and the scene of action just as Marsilius brought up his third army. The two paladins on their horses dropped right into the midst of the Saracens, and began making such havoc among them that Marsilius, who overlooked the fight from a mountain, thought his soldiers had turned against one another. Orlando beheld it, and guessed it could be no other but his cousins, and pressed to meet them. Oliver coming up at the same moment, the rapture of the whole party is not to be expressed. After a few hasty words of explanation they were forced to turn again upon the enemy, whose numbers seemed perfectly without limit.

Orlando, making a bloody passage towards Marsilius, struck a youth on the head, whose helmet was so strong as to resist the blow, but at the same time flew off, Orlando prepared to strike a second blow, when the youth exclaimed, "Hold! you loved my father; I am Bujaforte!" The paladin had never seen Bujaforte, but he saw the likeness to the good old man, his father, and he dropped his sword. "O Bujaforte," said he, "I loved him indeed; but what does his son do here fighting against his friends?"

Bujaforte could not at once speak for weeping. At length he said: "I am forced to be here by my lord and master, Marsilius; and I have made a show of fighting, but have not hurt a single Christian. Treachery is on every side of you. Baldwin himself has a vest given him by Marsilius, that everybody may know the son of his friend Gan, and do him no harm."

"Put your helmet on again," said Orlando, "and behave just as you have done. Never will your father's friend be an enemy to the son."

The hero then turned in fury to look for Baldwin, who was hastening towards him at that moment, with friendliness in his looks.

"'Tis strange," said Baldwin, "I have done my duty as well as I could, yet nobody will come against me. I have slain right and left, and cannot comprehend what it is that makes the stoutest infidels avoid me."

"Take off your vest," said Orlando, contemptuously, "and you will soon discover the secret, if you wish to know it. Your father has sold us to Marsilius, all but his honorable son."

"If my father," said Baldwin, impetuously tearing off the vest, "has been such a villain, and I escape dying, I will plunge this sword through his heart. But I am no traitor, Orlando, and you do me wrong to say it. Think not I can live with dishonor."

Baldwin spurred off into the fight, not waiting to hear another word from Orlando, who was very sorry for what he had said, for he perceived that the youth was in despair.

And now the fight raged beyond all it had done before; twenty pagans went down for one paladin, but still the paladins fell. Sansonetto was beaten to earth by the club of Grandonio, Walter d'Amulion had his shoulder broken, Berlinghieri and Ottone were slain, and at last Astolpho fell, in revenge of whose death Orlando turned the spot where he died into a lake of Saracen blood. The luckless Bujaforte met Rinaldo, and before he could explain how he seemed to be fighting on the Saracen side received such a blow upon the head that he fell, unable to utter a word. Orlando, cutting his way to a spot where there was a great struggle and uproar, found the poor youth Baldwin, the son of Gan, with two spears in his breast. "I am no traitor now," said Baldwin, and those were the last words he said. Orlando was bitterly sorry to have been the cause of his death, and tears streamed from his eyes. At length down went Oliver himself. He had become blinded with his own blood, and smitten Orlando without knowing him. "How now, cousin," cried Orlando, "have you too gone over to the enemy?" "O my lord and master," cried the other, "I ask your pardon. I can see nothing; I am dying. Some traitor has stabbed me in the back. If you love me, lead my horse into the thick of them, so that I may not die unavenged."

"I shall die myself before long," said Orlando, "out of very toil and grief; so we will go together."

Orlando led his cousin's horse where the press was thickest, and dreadful was the strength of the dying man and his tired companion. They made a street through which they passed out of the battle, and Orlando led his cousin away to his tent, and said, "Wait a little till I return, for I will go and sound the horn on the hill yonder."

"'Tis of no use," said Oliver, "my spirit is fast going and desires to be with its Lord and Saviour."

He would have said more, but his words came from him imperfectly, like those of a man in a dream, and so he expired.

When Orlando saw him dead he felt as if he was alone on the earth, and he was quite willing to leave it, only he wished that King Charles, at the foot of the mountains, should know how the case stood before he went. So he took up the horn and blew it three times, with such force that the blood burst out of his nose and mouth. Turpin says that at the third blast the horn broke in two.

In spite of all the noise of the battle, the sound of the horn broke over it like a voice out of the other world. They say that birds fell dead at it, and that the whole Saracen army drew back in terror. Charlemagne was sitting in the midst of his court when the sound reached him, and Gan was there. The Emperor was the first to hear it.

"Do you hear that?" said he to his nobles. "Did you hear the horn as I heard it?"

Upon this they all listened, and Gan felt his heart misgive him. The horn sounded a second time.

"What is the meaning of this?" said Charles.

"Orlando is hunting," observed Gan, "and the stag is killed."

But when the horn sounded yet a third time, and the blast was one of so dreadful a vehemence, everybody looked at the other, and then they all looked at Gan in a fury. Charles rose from his seat.

"This is no hunting of the stag," said he. "The sound goes to my very heart. O Gan! O Gan! Not for thee do I blush, but for myself. O foul and monstrous villain! Take him, gentleman, and keep him in close prison. Would to God I had not lived to see this day!"

But it was no time for words. They put the traitor in prison and then Charles, with all his court, took his way to Roncesvalles, grieving and praying.

It was afternoon when the horn sounded, and half an hour after it when the Emperor set out; and meantime Orlando had returned to the fight that he might do his duty, however hopeless, as long as he could sit his horse. At length he found his end approaching, for toil and fever, and rode all alone to a fountain where he had before quenched his thirst. His horse was wearier than he, and no sooner had his master alighted than the beast, kneeling down as if to take leave, and to say, "I have brought you to a place of rest," fell dead at his feet. Orlando cast water on him from the fountain, not wishing to believe him dead; but when he found it to no purpose, he grieved for him as if he had been a human being, and addressed him by name with tears, and asked forgiveness if he had ever done him wrong. They say that the horse, at these words, opened his eyes a little, and looked kindly at his master, and then stirred never more. They say also that Orlando then summoning all his strength, smote a rock near him with his beautiful sword Durindana, thinking to shiver the steel in pieces, and so prevent its falling into the hands of the enemy, but though the rock split like a slate, and a great cleft remained ever after to astonish the eyes of pilgrims, the sword remained uninjured.

And now Rinaldo and Ricciardetto came up, with Turpin, having driven back the Saracens, and told Orlando that the battle was won. Then Orlando knelt before Turpin and begged remission of his sins, and Turpin gave him absolution. Orlando fixed his eyes on the hilt of his sword as on a crucifix, and embraced it, and he raised his eyes and appeared like a creature seraphical and transfigured, and bowing his head, he breathed out his pure soul.

And now King Charles and his nobles came up. The Emperor, at sight of the dead Orlando, threw himself, as if he had been a reckless youth, from his horse, and embraced and kissed the body, and said: "I bless thee, Orlando; I bless thy whole life, and all that thou wast, and all that thou ever didst, and the father that begat thee; and I ask pardon of thee for believing those who brought thee to thine end. They shall have their reward, O thou beloved one! But indeed it is thou that livest, and I who am worse than dead."

Horrible to the Emperor's eyes was the sight of the field of Roncesvalles. The Saracens indeed had fled, conquered; but all his paladins but two were left on it dead, and the whole valley looked like a great slaughter-house, trampled into blood and dirt, and reeking to the heat. Charles trembled to his heart's core for wonder and agony. After gazing dumbly on the place he cursed it with a solemn curse, and wished that never grass might grow in it again, nor seed of any kind, neither within it nor on any of its mountains around, but the anger of Heaven abide over it forever.

Charles and his warriors went after the Saracens into Spain. They took and fired Saragossa, and Marsilius was hung to the carob-tree under which he had planned his villainy with Gan; and Gan was hung and drawn and quartered in Roncesvalles, amidst the execrations of the country.


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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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