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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME THREE


LEGENDS OF CHARLEMAGNE

OR

ROMANCE OF THE MIDDLE AGES.

BY THOMAS BULFINCH
[1863]


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    Table of Contents    

Glossary

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THE INVASION OF FRANCE (Continued)


Mandricardo, having completed his story, now turned to Rogero, and proposed that arms should decide which of the two was most worthy to bear the symbol of the Trojan knight.

Rogero felt no other objection to this proposal than the scruple which arose on observing that his antagonist was without a sword. Mandricardo insisted that this need be no impediment, since his oath prevented him from using a sword until he should have achieved the conquest of Durindana.

This was no sooner said than a new antagonist started up in Gradasso, who now accompanied Mandricardo. Gradasso vindicated his prior right to Durindana, to obtain which he had embarked (as was related in the beginning) in that bold inroad upon France. A quarrel was thus kindled between the kings of Tartary and Sericane. While the dispute was raging a knight arrived upon the ground, accompanied by a damsel, to whom Rogero related the cause of the strife. The knight was Florismart, and his companion Flordelis. Florismart succeeded in bringing the two champions to accord, by informing them that he could bring them to the presence of Orlando, the master of Durindana.

Gradasso and Mandricardo readily made truce, in order to accompany Florismart, nor would Rogero be left behind.

As they proceeded on their quest they were met by a dwarf, who entreated their assistance in behalf of his lady, who had been carried off by an enchanter, mounted on a winged horse. However unwilling to leave the question of the sword undecided, it was not possible for the knights to resist this appeal. Two of their number, Gradasso and Rogero, therefore accompanied the dwarf. Mandricardo persisted in his search for Orlando, and Florismart, with Flordelis, pursued their way to the camp of Charlemagne.

Atlantes, the enchanter, who had brought up Rogero, and cherished for him the warmest affection, knew by his art that his pupil was destined to be severed from him, and converted to the Christian faith through the influence of Bradamante, that royal maiden with whom chance had brought him acquainted. Thinking to thwart the will of Heaven in this respect, he now put forth all his arts to entrap Rogero into his power. By the aid of his subservient demons he reared a castle on an inaccessible height, in the Pyrenean mountains, and to make it a pleasant abode to his pupil, contrived to entrap and convey thither knights and damsels many a one, whom chance had brought into the vicinity of his castle. Here, in a sort of sensual paradise, they were but too willing to forget glory and duty, and to pass their time in indolent enjoyment.

It was by the enchanter that the dwarf had now been sent to tempt the knights into his power.

But we must now return to Rinaldo, whom we left interrupted in his combat with Rodomont. In search of his late antagonist and intent on bringing their combat to a decision he entered the forest of Arden, whither he suspected Rodomont had gone. While engaged on this quest he was surprised by the vision of a beautiful child dancing naked, with three damsels as beautiful as himself. While he was lost in admiration at the sight the child approached him, and, throwing at him handfuls of roses and lilies, struck him from his horse. He was no sooner down than he was seized by the dancers, by whom he was dragged about and scourged with flowers till he fell into a swoon. When he began to revive one of the group approached him, and told him that his punishment was the consequence of his rebellion against that power before whom all things bend; that there was but one remedy to heal the wounds that had been inflicted, and that was to drink of the waters of Love. Then they left him.

Rinaldo, sore and faint, dragged himself toward a fountain which flowed near by, and, being parched with thirst, drank greedily and almost unconsciously of the water, which was sweet to the taste, but bitter to the heart. After repeated draughts he recovered his strength and recollection, and found himself in the same place where Angelica had formerly awakened him with a rain of flowers, and whence he had fled in contempt of her courtesy.

This remembrance of the scene was followed by the recognition of his crime; and, repenting bitterly his ingratitude, he leaped upon Bayard, with the intention of hastening to Angelica's country, and soliciting his pardon at her feet.

Let us now retrace our steps, and revert to the time when the paladins having learned from Dudon the summons of Charlemagne to return to France to repel the invaders, had all obeyed the command with the exception of Orlando, whose passion for Angelica still held him in attendance on her. Orlando, arriving before Albracca, found it closely beleaguered. He, however, made his way into the citadel, and related his adventures to Angelica, from the time of his departure up to his separation from Rinaldo and the rest, when they departed to the assistance of Charlemagne. Angelica, in return, described the distresses of the garrison, and the force of the besiegers; and in conclusion prayed Orlando to favor her escape from the pressing danger, and escort her into France. Orlando, who did not suspect that love for Rinaldo was her secret motive, joyfully agreed to the proposal, and the sally was resolved upon.

Leaving lights burning in the fortress, they departed at nightfall, and passed in safety through the enemy's camp. After encountering numerous adventures they reached the sea-side, and embarked on board a pinnace for France. The vessel arrived safely, and the travellers, disembarking in Provence, pursued their way by land. One day, heated and weary, they sought shelter from the sun in the forest of Arden, and chance directed Angelica to the fountain of Disdain, of whose waters she eagerly drank.

Issuing thence, the Count and damsel encountered a stranger-knight. It was no other than Rinaldo, who was just on the point of setting off on a pilgrimage in search of Angelica, to implore her pardon for his insensibility, and urge his new found passion. Surprise and delight at first deprived him of utterance, but soon recovering himself, he joyfully saluted her, claiming her as his, and exhorting her to put herself under his protection. His presumption was repelled by Angelica with disdain, and Orlando, enraged at the invasion of his rights, challenged him to decide their claims by arms.

Terrified at the combat which ensued, Angelica fled amain through the forest, and came out upon a plain covered with tents. This was the camp of Charlemagne, who led the army of reserve destined to support the troops which had advanced to oppose Marsilius. Charles having heard the damsel's tale, with difficulty separated the two cousins, and then consigned Angelica, as the cause of quarrel, to the care of Namo, Duke of Bavaria, promising that she should be his who should best deserve her in the impending battle.

But these plans and hopes were frustrated. The Christian army, beaten at all points, fled from the Saracens; and Angelica, indifferent to both her lovers, mounted a swift palfrey and plunged into the forest, rejoicing, in spite of her terror, at having regained her liberty. She stopped at last in a tufted grove, where a gentle zephyr blew, and whose young trees were watered by two clear runnels, which came and mingled their waters, making a pleasing murmur. Believing herself far from Rinaldo, and overcome by fatigue and the summer heat, she saw with delight a bank covered with flowers so thick that they almost hid the green turf, inviting her to alight and rest. She dismounted from her palfrey, and turned him loose to recruit his strength with the tender grass which bordered the streamlets. Then, in a sheltered nook tapestried with moss and fenced in with roses and hawthorn-flowers, she yielded herself to grateful repose.

She had not slept long when she was awakened by the noise made by the approach of a horse. Starting up, she saw an armed knight who had arrived at the bank of the stream. Not knowing whether he was to be feared or not, her heart beat with anxiety. She pressed aside the leaves to allow her to see who it was, but scarce dared to breathe for fear of betraying herself. Soon the knight threw himself on the flowery bank, and leaning his head on his hand fell into a profound reverie. Then arousing himself from his silence he began to pour forth complaints, mingled with deep sighs. Rivers of tears flowed down his cheeks, and his breast seemed to labor with a hidden flame. "Ah, vain regrets!" he exclaimed; "cruel fortune! others triumph, while I endure hopeless misery! Better a thousand times to lose life, than wear a chain so disgraceful and so oppressive!"

Angelica by this time had recognized the stranger, and perceived that it was Sacripant, king of Circassia, one of the worthiest of her suitors. This prince had followed Angelica from his country, at the very gates of the day, to France, where he heard with dismay that she was under the guardianship of the Paladin Orlando, and that the Emperor had announced his decree to award her as the prize of valor to that one of his nephews who should best deserve her.

As Sacripant continued to lament, Angelica, who had always opposed the hardness of marble to his sighs, thought with herself that nothing forbade her employing his good offices in this unhappy crisis. Though firmly resolved never to accept him as a spouse, she yet felt the necessity of giving him a gleam of hope in reward for the service she required of him. All at once, like Diana, she stepped forth from the arbor. "May the gods preserve thee," she said, "and put far from thee all hard thoughts of me!" Then she told him all that had befallen her since she parted with him at her father's court, and how she had availed herself of Orlando's protection to escape from the beleaguered city. At that moment the noise of horse and armor was heard as of one approaching; and Sacripant, furious at the interruption, resumed his helmet, mounted his horse, and placed his lance in rest. He saw a knight advancing, with scarf and plume of snowy whiteness. Sacripant regarded him with angry eyes, and, while he was yet some distance off, defied him to the combat. The other, not moved by his angry tone to make reply, put himself on his defence. Their horses, struck at the same moment with the spur, rushed upon one another with the impetuosity of a tempest. Their shields were pierced each with the other's lance, and only the temper of their breastplates saved their lives. Both the horses recoiled with the violence of the shock; but the unknown knight's recovered itself at the touch of the spur; the Saracen king's fell dead, and bore down his master with him. The white knight, seeing his enemy in this condition, cared not to renew the combat, but, thinking he had done enough for glory, pursued his way through the forest, and was a mile off before Sacripant had got free from his horse.

As a ploughman, stunned by a thunder-clap which has stricken dead the oxen at his plough, stands motionless, sadly contemplating his loss, so Sacripant stood confounded and overwhelmed with mortification at having Angelica a witness of his defeat. He groaned, he sighed, less from the pain of his bruises than for the shame of being reduced to such a state before her. The princess took pity on him, and consoled him as well as she could. "Banish your regrets, my lord," she said, "this accident has happened solely in consequence of the feebleness of your horse, which had more need of rest and food than of such an encounter as this. Nor can your adversary gain any credit by it, since he has hurried away, not venturing a second trial." While she thus consoled Sacripant they perceived a person approach, who seemed a courier, with bag and horn. As soon as he came up, he accosted Sacripant, and inquired if he had seen a knight pass that way, bearing a white shield and with a white plume to his helmet. "I have, indeed, seen too much of him," said Sacripant, "it is he who has brought me to the ground; but at least I hope to learn from you who that knight is." "That I can easily inform you," said the man; "know then that, if you have been overthrown, you owe your fate to the high prowess of a lady as beautiful as she is brave. It is the fair and illustrious Bradamante who has won from you the honors of victory."

At these words the courier rode on his way, leaving Sacripant more confounded and mortified than ever. In silence he mounted the horse of Angelica, taking the lady behind him on the croup, and rode away in search of a more secure asylum. Hardly had they ridden two miles when a new sound was heard in the forest, and they perceived a gallant and powerful horse, which, leaping the ravines and dashing aside the branches that opposed his passage, appeared before them, accoutred with a rich harness adorned with gold.

"If I may believe my eyes, which penetrate with difficulty the underwood," said Angelica, "that horse that dashes so stoutly through the bushes is Bayard, and I marvel how he seems to know the need we have of him, mounted as we are both on one feeble animal." Sacripant, dismounting from the palfrey, approached the fiery courser, and attempted to seize his bridle, but the disdainful animal, turning from him, launched at him a volley of kicks enough to have shattered a wall of marble. Bayard then approached Angelica with an air as gentle and loving as a faithful dog could his master after a long separation. For he remembered how she had caressed him, and even fed him, in Albracca. She took his bridle in her left hand, while with her right she patted his neck. The beautiful animal, gifted with wonderful intelligence, seemed to submit entirely. Sacripant, seizing the moment to vault upon him, controlled his curvetings, and Angelica, quitting the croup of the palfrey, regained her seat.

But, turning his eyes toward a place where was heard a noise of arms, Sacripant beheld Rinaldo. That hero now loves Angelica more than his life, and she flies him as the timid crane the falcon.

The fountain of which Angelica had drunk produced such an effect on the beautiful queen that, with distressed countenance and trembling voice, she conjured Sacripant not to wait the approach of Rinaldo, but to join her in flight.

"Am I, then," said Sacripant, "of so little esteem with you that you doubt my power to defend you? Do you forget the battle of Albracca, and how, in your defence, I fought single-handed against Agrican and all his knights?"

Angelica made no reply, uncertain what to do; but already Rinaldo was too near to be escaped. He advanced menacingly to the Circassian king, for he recognized his horse.

"Vile thief," he cried, "dismount from that horse, and prevent the punishment that is your due for daring to rob me of my property. Leave, also, the princess in my hands; for it would indeed be a sin to suffer so charming a lady and so gallant a charger to remain in such keeping."

The king of Circassia, furious at being thus insulted, cried out, "Thou liest, villain, in giving me the name of thief, which better belongs to thyself than to me. It is true, the beauty of this lady and the perfection of this horse are unequalled; come on, then, and let us try which of us is most worthy to possess them."

At these words the king of Circassia and Rinaldo attacked one another with all their force, one fighting on foot, the other on horseback. You need not, however, suppose that the Saracen king found any advantage in this; for a young page, unused to horsemanship, could not have failed more completely to manage Bayard than did this accomplished knight. The faithful animal loved his master too well to injure him, and refused his aid as well as his obedience to the hand of Sacripant, who could strike but ineffectual blows, the horse backing when he wished him to go forward, and dropping his head and arching his back, throwing out with his legs, so as almost to shake the knight out of the saddle. Sacripant, seeing that he could not manage him, watched his opportunity, rose on his saddle, and leapt lightly to the earth; then, relieved from the embarrassment of the horse, renewed the combat on more equal terms. Their skill to thrust and parry were equal; one rises, the other stoops; with one foot set firm they turn and wind, to lay on strokes or to dodge them. At last Rinaldo, throwing himself on the Circassian, dealt him a blow so terrible that Fusberta, his good sword, cut in two the buckler of Sacripant, although it was made of bone, and covered with a thick plate of steel well tempered. The arm of the Saracen was deprived of its defence, and almost palsied with the stroke. Angelica, perceiving how victory was likely to incline, and shuddering at the thought of becoming the prize of Rinaldo, hesitated no longer. Turning her horse's head, she fled with the utmost speed; and, in spite of the round pebbles which covered a steep descent, she plunged into a deep valley, trembling with the fear that Rinaldo was in pursuit. At the bottom of this valley she encountered an aged hermit, whose white beard flowed to his middle, and whose venerable appearance seemed to assure his piety.

This hermit, who appeared shrunk by age and fasting, travelled slowly, mounted upon a wretched ass. The princess, overcome with fear, conjured him to save her life; and to conduct her to some port of the sea, whence she might embark and quit France, never more to hear the odious name of Rinaldo.

The old hermit was something of a wizard. He comforted Angelica, and promised to protect her from all peril. Then he opened his scrip, and took from thence a book, and had read but a single page when a goblin, obedient to his incantations, appeared, under the form of a laboring man, and demanded his orders. He received them, transported himself to the place where the knights still maintained their conflict, and boldly stepped between the two.

"Tell me, I pray you," he said, "what benefit will accrue to him who shall get the better in this contest? The object you are contending for is already disposed of; for the Paladin Orlando, without effort and without opposition, is now carrying away the princess Angelica to Paris. You had better pursue them promptly; for if they reach Paris you will never see her again."

At these words you might have seen those rival warriors confounded, stupefied, silently agreeing that they were affording their rival a fair opportunity to triumph over them. Rinaldo, approaching Bayard, breathes a sigh of shame and rage, and swears a terrible oath that, if he overtakes Orlando, he will tear his heart out. Then mounting Bayard and pressing his flanks with his spurs, he leaves the king of Circassia on foot in the forest.

Let it not appear strange that Rinaldo found Bayard obedient at last, after having so long prevented any one from even touching his bridle; for that fine animal had an intelligence almost human; he had fled from his master only to draw him on the track of Angelica, and enable him to recover her. He saw when the princess fled from the battle, and Rinaldo being then engaged in a fight on foot, Bayard found himself free to follow the traces of Angelica. Thus he had drawn his master after him, not permitting him to approach, and had brought him to the sight of the princess. But Bayard now, deceived like his master with the false intelligence of the goblin, submits to be mounted and to serve his master as usual, and Rinaldo, animated with rage, makes him fly toward Paris, more slowly than his wishes, though the speed of Bayard outstripped the winds. Full of impatience to encounter Orlando, he gave but a few hours that night to sleep. Early the next day he saw before him the great city, under the walls of which the Emperor Charles had collected the scattered remains of his army. Foreseeing that he would soon be attacked on all sides, the Emperor had caused the ancient fortifications to be repaired, and new ones to be built, surrounded by wide and deep ditches. The desire to hold the field against the enemy made him seize every means of procuring new allies. He hoped to receive from England aid sufficient to enable him to form a new camp, and as soon as Rinaldo rejoined him he selected him to go as his ambassador into England, to plead for auxiliaries. Rinaldo was far from pleased with his commission, but he obeyed the Emperor's commands, without giving himself time to devote a single day to the object nearest his heart. He hastened to Calais, and lost not a moment in embarking for England, ardently desiring a hasty despatch of his commission, and a speedy return to France.


    Table of Contents    

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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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