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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME TWO


THE AGE OF CHIVALRY

OR

LEGENDS OF KING ARTHUR

BY THOMAS BULFINCH
[1858]


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    Table of Contents    

Glossary

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Part II.



The Mabinogeon.


Chapter XXV.


Geraint, the Son of Erbin, Continued.


GERAINT, as he had been used to do when he was at Arthur's court, frequented tournaments. And he became acquainted with valiant and mighty men, until he had gained as much fame there as he had formerly done elsewhere. And he enriched his court, and his companions, and his nobles, with the best horses and the best arms, and with the best and most valuable jewels, and he ceased not until his fame had flown over the face of the whole kingdom. When he knew that it was thus, he began to love ease and pleasure, for there was no one who was worth his opposing. And he loved his wife, and liked to continue in the palace, with minstrelsy and diversions. So he began to shut himself up in the chamber of his wife, and he took no delight in anything besides, insomuch that he gave up the friendship of his nobles, together with his hunting and his amusements, and lost the hearts of all the host in his court. And there was murmuring and scoffing concerning him among the inhabitants of the palace, on account of his relinquishing so completely their companionship for the love of his wife. These tidings came to Erbin. And when Erbin had heard these things, he spoke unto Enid, and inquired of her whether it was she that had caused Geraint to act thus, and to forsake his people and his hosts. "Not I, by my confession unto heaven," said she; "there is nothing more hateful unto me than this." And she knew not what she should do, for, although it was hard for her to own this to Geraint, yet was it not more easy for her to listen to what she heard, without warning Geraint concerning it. And she was very sorrowful.

One morning in the summer-time they were upon their couch, and Geraint lay upon the edge of it. And Enid was without sleep in the apartment, which had windows of glass;26 and the sun shone upon the couch. And the clothes had slipped from off his arms and his breast, and he was asleep. Then she gazed upon the marvellous beauty of his appearance, and she said, "Alas! and am I the cause that these arms and this breast have lost their glory, and the warlike fame which they once so richly enjoyed?" As she said this the tears dropped from her eyes, and they fell upon his breast. And the tears she shed, and the words she had spoken awoke him. And another thing contributed to awaken him, and that was the idea that it was not in thinking of him that she spoke thus, but that it was because she loved some other more than him, and that she wished for other society. Thereupon Geraint was troubled in his mind, and he called his squire; and when he came to him, "Go quickly," said he, and prepare my horse and my arms, and make them ready. And do thou arise," said he to Enid, "and apparel thyself; and cause thy horse to be accoutred, and clothe thee in the worst riding-dress that thou hast in thy possession. And evil betide me," said he, "if thou returnest here until thou knowest whether I have lost my strength so completely as thou didst say. And if it be so, it will then be easy for thee to seek the society thou didst wish for of him of whom thou wast thinking." So she arose, and clothed herself in her meanest garments. "I know nothing, lord," said she, "of thy meaning." "Neither wilt thou know at this time," said he.

26 The terms of admiration in which the older writers invariably speak of glass windows would be sufficient proof, if other evidence were wanting, how rare an article of luxury they were in the houses of our ancestors. They were first introduced in ecclesiastical architecture, to which they were for a long time confined. Glass is said not to have been employed in domestic architecture before the fourteenth century.

Then Geraint went to see Erbin. "Sir," said he, "I am going upon a quest, and I am not certain when I may come back. Take heed, therefore, unto thy possessions until my return." "I will do so," said he; "but it is strange to me that thou shouldst go so suddenly. And who will proceed with thee, since thou art not strong enough to traverse the land of Loegyr alone?" "But one person only will go with me." "Heaven counsel thee, my son," said Erbin, "and may many attach themselves to thee in Loegyr." Then went Geraint to the place where his horse was, and it was equipped with foreign armor, heavy and shining. And he desired Enid to mount her horse, and to ride forward, and to keep a long way before him. "And whatever thou mayest see, and whatever thou mayest hear concerning me," said he, "do thou not turn back. And unless I speak unto thee, say not thou one word either." So they set forward. And he did not choose the pleasantest and most frequented road, but that which was the wildest and most beset by thieves and robbers and venomous animals.

And they came to a high-road, which they followed till they saw a vast forest; and they saw four armed horsemen come forth from the forest. When the armed men saw them, they said one to another, "Here is a good occasion for us to capture two horses and armor, and a lady likewise; for this we shall have no difficulty in doing against yonder single knight, who hangs his head so pensively and heavily." Enid heard this discourse, and she knew not what she do through fear of Geraint, who had told her to be silent. "The vengeance of Heaven be upon me," said she, "if I would not rather receive my death from his hand than from the hand of any other; and though he should slay me, yet will I speak to him, lest I should have the misery to witness his death." So she waited for Geraint until he came near to her. "Lord," said she, "didst thou hear the words of those men concerning thee?" Then he lifted up his eyes, and looked at her angrily. "Thou hadst only," said he, "to hold thy peace, as I bade thee. I wish but for silence, and not for warning. And though thou shouldst desire to see my defeat and my death by the hands of those men, yet I do feel no dread." Then the foremost of them couched his lance, and rushed upon Geraint. And he received him, and that not feebly. But he let the thrust go by him, while he struck the horseman upon the centre of the shield, in such a manner that his shield was split, and his armor broken, so that a cubit's length of the shaft of Geraint's lance passed through his body, and sent him to the earth, the length of the lance over his horse's crupper. Then the second horseman attacked him furiously, being wroth at the death of his companion. But with one thrust Geraint overthrew him also, and killed him as he had done the other. Then the third set upon him, and he killed him in like manner. And thus also he slew the fourth. Sad and sorrowful was the maiden as she saw all this. Geraint dismounted his horse, and took the arms of the men he had slain, and placed them upon their saddles, and tied together the reins of their horses; and he mounted his horse again. "Behold what thou must do," said he; "take the four horses, and drive them before thee, and proceed forward as I bade thee just now. And say not one word unto me, unless I speak first unto thee. And I declare unto Heaven," said he, "if thou doest not thus, it will be to thy cost." "I will do as far as I can, lord," said she, "according to thy desire."

So the maiden went forward, keeping in advance of Geraint, as he had desired her; and it grieved him as much as his wrath would permit to see a maiden so illustrious as she having so much trouble with the care of the horses. Then they reached a wood, and it was both deep and vast, and in the wood night overtook them. "Ah, maiden," said he, "it is vain to attempt proceeding forward." "Well, lord," said she, "whatever thou wishest we will do." "It will be best for us," he answered, "to rest and wait for the day in order to pursue our journey." "That will we, gladly," said she. And they did so. Having dismounted himself, he took her down from her horse. "I cannot by any means refrain from sleep through weariness," said he; "do thou therefore watch the horses and sleep not." "I will, lord," said she. Then he went to sleep in his armor, and thus passed the night, which was not long at that season. And when she saw the dawn of day appear she looked around her to see if he were waking, and thereupon he awoke. Then he arose, and said unto her, "Take the horses and ride on, and keep straight on as thou didst yesterday." And they left the wood, and they came to an open country, with meadows on one hand, and mowers mowing the meadows. And there was a river before them, and the horses bent down and drank of the water. And they went up out of the river by a lofty steep; and there they met a slender stripling with a satchel about his neck, and they saw there was something in the satchel, but they knew not what it was. And he had a small blue pitcher in his hand, and a bowl on the mouth of the pitcher. And the youth saluted Geraint. "Heaven prosper thee!" said Geraint; "and whence dost thou come?" "I come," said he, "from the city that lies before thee. My lord," he added, "will it be displeasing to thee if I ask whence thou comest also?" "By no means; through yonder wood did I come." "Thou camest not through the wood to-day." "No," he replied; "we were in the wood last night." "I warrant," said the youth, "that thy condition there last night was not the most pleasant, and that thou hadst neither meat nor drink." "No, by my faith," said he. "Wilt thou follow my counsel," said the youth, "and take thy meal from me?" "What sort of meal?" he inquired. "The breakfast which is sent for yonder mowers, nothing less than bread and meat and wine; and if thou wilt, sir, they shall have none of it." "I will," said he, "and Heaven reward thee for it."

So Geraint alighted, and the youth took the maiden from off her horse. Then they washed, and took their repast. And the youth cut the bread in slices, and gave them drink, and served them withal. And when they had finished the youth arose and said to Geraint, "My lord, with thy permission, I will now go and fetch some food, for the mowers." "Go first to the town," said Geraint, "and take a lodging for me in the best place thou knowest, and the most commodious one for the horses; and take thou whichever horse and arms thou choosest in payment for thy service and thy gift." "Heaven reward thee, lord!" said the youth; "and this would be ample to repay services much greater than those I have rendered unto thee." And to the town went the youth, and he took the best and most pleasant lodgings that he knew; and after that he went to the palace, having the horse and armor with him, and proceeded to the place where the earl was, and told him all his adventure. "I go now, lord," said he, "to meet the knight, and to conduct him to his lodging." "Go, gladly," said the earl, "and right joyfully shall he be received here, if he so come." And the youth went to meet Geraint, and told him that he would be received gladly by the earl in his own palace; but he would go only to his lodgings. And he had a goodly chamber, in which was plenty of straw and drapery, and a spacious and commodious place he had for the horses; and the youth prepared for them plenty of provender. After they had disarrayed themselves, Geraint spoke thus to Enid: "Go," said he, "to the other side of the chamber, and come not to this side of the house; and thou mayst call to thee the woman of the house if thou wilt." "I will do, lord," said she, "as thou sayest." Thereupon the man of the house came to Geraint, and welcomed him. And after they had eaten and drank Geraint went to sleep, and so did Enid also.

In the evening, behold, the earl came to visit Geraint, and his twelve honorable knights with him. And Geraint rose up and welcomed him. Then they all sat down according to their precedence in honor. And the earl conversed with Geraint, and inquired of him the object of his journey. "I have none," he replied, "but to seek adventures and to follow my own inclination." Then the earl cast his eye upon Enid, and he looked at her steadfastly. And he thought he had never seen a maiden fairer or more comely than she. And he set all his thoughts and his affections upon her. Then he asked of Geraint, "Have I thy permission to go and converse with yonder maiden, for I see that she is apart from thee?" "Thou hast it gladly," said he. So the earl went to the place where the maiden was, and spake with her. "Ah! maiden," said he, "it cannot be pleasant to thee to journey with yonder man." "It is not unpleasant to me," said she. "Thou hast neither youths nor maidens to serve thee," said he. "Truly," she replied, "it is more pleasant for me to follow yonder man than to be served by youths and maidens." "I will give thee good counsel," said he; "all my earldom will I place in thy possession if thou wilt dwell with me." "That will I not, by Heaven," she said; "yonder man was the first to whom my faith was pledged, and shall I prove inconstant to him?" "Thou art in the wrong," said the earl; "if I slay the man yonder I can keep thee with me as long as I choose; and when thou no longer pleasest me I can turn thee away. But if thou goest with me by thy own goodwill, I protest that our union shall continue as long as I shall remain alive." Then she pondered those words of his, and she considered that it was advisable to encourage him in his request. "Behold then, chieftain, this is most expedient for thee to do to save me from all reproach; come here to-morrow and take me away as though I knew nothing thereof." "I will do so," said he. So he arose and took his leave, and went forth with his attendants. And she told not then to Geraint any of the conversation which she had had with the earl lest it should rouse his anger, and cause him uneasiness and care.

And at the usual hour they went to sleep. And at the beginning of the night Enid slept a little; and at midnight she arose, and placed all Geraint's armor together, so that it might be ready to put on. And though fearful of her errand, she came to the side of Geraint's bed; and she spoke to him softly and gently, saying, "My lord, arise, and clothe thyself, for these were the words of the earl to me, and his intention concerning me." So she told Geraint all that had passed. And although he was wroth with her, he took warning, and clothed himself. And she lighted a candle that he might have light to do so. "Leave there the candle," said he, "and desire the man of the house to come here." Then she went, and the man of the house came to him. "Dost thou know how much I owe thee?" asked Geraint. "I think thou owest but little." "Take the three horses, and the three suits of armor." "Heaven reward thee, Lord," said he, "but I spent not the value of one suit of armor upon thee." "For that reason," said he, "thou wilt be the richer. And now, wilt thou come to guide me out of the town?" "I will, gladly," said he; "and in which direction dost thou intend to go?" "I wish to leave the town by a different way from that by which I entered it." So the man of the lodgings accompanied him as far as he desired. Then he bade the maiden to go on before him, and she did so, and went straight forward, and his host returned home.

And Geraint and the maiden went forward along the high-road. And as they journeyed thus, they heard an exceeding loud wailing near to them. "Stay thou here," said he, "and I will go and see what is the cause of this wailing." "I will," said she. Then he went forward into an open glade that was near the road. And in the glade he saw two horses, one having a man's saddle, and the other a woman's saddle upon it. And behold there was a knight lying dead in his armor, and a young damsel in a riding-dress standing over him lamenting. "Ah, lady," said Geraint, "what hath befallen thee?" "Behold," she answered, "I journeyed here with my beloved husband, when lo! three giants came upon us, and without any cause in the world, they slew him." "Which way went they hence?" said Geraint. "Yonder by the high-road," she replied. So he returned to Enid. "Go," said he, "to the lady that is below yonder, and await me there till I come." She was sad when he ordered her to do thus, but nevertheless she went to the damsel, whom it was ruth to hear, and she felt certain that Geraint would never return.

Meanwhile Geraint followed the giants, and overtook them. And each of them was greater in stature than three other men, and a huge club was on the shoulder of each. Then he rushed upon one of them, and thrust his lance through his body. And having drawn it forth again, he pierced another of them through likewise. But the third turned upon him, and struck him with his club so that he split his shield and crushed his shoulder. But Geraint drew his sword, and gave the giant a blow on the crown of his head, so severe, and fierce, and violent, that his head and his neck were split down to his shoulders, and he fell dead. So Geraint left him thus, and returned to Enid. And when he reached the place where she was, he fell down lifeless from his horse. Piercing and loud and thrilling was the cry that Enid uttered. And she came and stood over him where he had fallen. And at the sound of her cries came the Earl of Limours, and they who journeyed with him, whom her lamentations brought out of their road. And the earl said to Enid, "Alas, lady, what hath befallen thee?" "Ah, good sir," said she, "the only man I have loved, or ever shall love, is slain." Then he said to the other, "And what is the cause of thy grief?" "They have slain my beloved husband also," said she. "And who was it that slew them?" "Some giants," she answered, "slew my best-beloved, and the other knight went in pursuit of them, and came back in the state thou seest." The earl caused the knight that was dead to be buried, but he thought that there still remained some life in Geraint; and to see if he yet would live, he had him carried with him in the hollow of his shield, and upon a bier. And the two damsels went to the court; and when they arrived there, Geraint was placed upon a little couch in front of the table that was in the hall. Then they all took off their travelling-gear, and the earl besought Enid to do the same, and to clothe herself in other garments. "I will not, by Heaven," said she. "Ah, lady," said he, "be not so sorrowful for this matter." "It were hard to persuade me to be otherwise," said she. "I will act towards thee in such wise that thou needest not be sorrowful, whether yonder knight live or die. Behold, a good earldom, together with myself, will I bestow upon thee; be therefore happy and joyful." "I declare to Heaven," said she, "that henceforth I shall never be joyful while I live." "Come," said he, "and eat." "No, by Heaven, I will not." "But by Heaven, thou shalt," said he. So he took her with him to the table against her will, and many times desired her to eat. "I call Heaven to witness," said she, "that I will not eat until the man that is upon yonder bier shall eat likewise." "Thou canst not fulfil that," said the earl; "yonder man is dead already." "I will prove that I can," said she. Then he offered her a goblet of liquor. "Drink this goblet," he said, "and it will cause thee to change thy mind." "Evil betide me," she answered, "if I drink aught until he drink also." "Truly," said the earl, "it is of no more avail for me to be gentle with thee than ungentle." And he gave her a box in the ear. Thereupon she raised a loud and piercing shriek, and her lamentations were much greater than they had been before; for she considered in her mind that, had Geraint been alive, he durst not have struck her thus. But behold, at the sound of her cry, Geraint revived from his swoon, and he sat up on the bier; and finding his sword in the hollow of his shield, he rushed to the place where the earl was, and struck him a fiercely-wounding, severely-venomous, and sternly-smiting blow upon the crown of his head, so that he clove him in twain, until his sword was staid by the table. Then all left the board and fled away. And this was not so much through fear of the living, as through the dread they felt at seeing the dead man rise up to slay them. And Geraint looked upon Enid, and he was grieved for two causes; one was to see that Enid had lost her color and her wonted aspect; and the other, to know that she was in the right. "Lady," said he, "knowest thou where our horses are?" "I know, lord, where thy horse is," she replied, "but I know not where is the other. Thy horse is in the house yonder." So he went to the house, and brought forth his horse, and mounted him, and took up Enid, and placed her upon the horse with him. And he rode forward. And their road lay between two hedges; and the night was gaining on the day. And lo! they saw behind them the shafts of spears betwixt them and the sky, and they heard the tramping of horses, and the noise of a host approaching. "I hear something following us," said he, "and I will put thee on the other side of the hedge." And thus he did. And thereupon, behold, a knight pricked towards him, and couched his lance. When Enid saw this, she cried out, saying, "O chieftain, whoever thou art, what renown wilt thou gain by slaying a dead man?" "O Heaven!" said he, "is it Geraint?" "Yes, in truth," said she; "and who art thou?" "I am Gwiffert Petit," said he, "thy husband's ally, coming to thy assistance, for I heard that thou wast in trouble. Come with me to the court of a son-in-law of my sister, which is near here, and thou shalt have the best medical assistance in the kingdom." "I will do so gladly," said Geraint. And Enid was placed upon the horse of one of Gwiffert's squires, and they went forward to the baron's palace. And they were received there with gladness, and they met with hospitality and attention. The next morning they went to seek physicians; and it was not long before they came, and they attended Geraint until he was perfectly well. And while Geraint was under medical care, Gwiffert caused his armor to be repaired, until it was as good as it had ever been. And they remained there a month and a fortnight. Then they separated, and Geraint went towards his own dominions, and thenceforth he reigned prosperously, and his warlike fame and splendor lasted with renown and honor both to him and to Enid,27 from that time forward.

27 Throughout the broad and varied regions of romance, it would be difficult do find a character of greater simplicity and truth than that of Enid, the daughter of Earl Ynywl. Conspicuous for her beauty and noble bearing, we are at a loss whether more to admire the patience with which she bore all the hardships she was destined to undergo, or the constancy and affection which finally achieved the triumph she so richly deserved.

The character of Enid is admirably sustained through the whole tale; and as it is more natural, because less overstrained, so perhaps it is even more touching, than that of Griselda, over which, however, Chaucer has thrown a charm that leads us to forget the improbability of her story.


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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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