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Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


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Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME TWO


THE AGE OF CHIVALRY

OR

LEGENDS OF KING ARTHUR

BY THOMAS BULFINCH
[1858]


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    Table of Contents    

Glossary

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Part I.



King Arthur and His Knights.


Chapter X.


The Story of Tristram of Lyonesse.


MELIADUS was king of Leonois, or Lyonesse, a country famous in the annals of romance, which adjoined the kingdom of Cornwall, but has now disappeared from the map, having been, it is said, overwhelmed by the ocean. Meliadus was married to Isabella, sister of Mark, king of Cornwall. A fairy fell in love with him, and drew him away by enchantment while he was engaged in hunting. His queen set out in quest of him, but was taken ill on her journey, and died, leaving an infant son, whom, from the melancholy circumstances of his birth, she called Tristram.

Gouvernail, the queen's squire, who had accompanied her, took charge of the child, and restored him to his father, who had at length burst the enchantments of the fairy, and returned home.

Meliadus, after seven years, married again, and the new queen, being jealous of the influence of Tristram with his father, laid plots for his life, which were discovered by Gouvernail, who, in consequence, fled with the boy to the court of the king of France, where Tristram was kindly received, and grew up improving in every gallant and knightly accomplishment, adding to his skill in arms the arts of music and of chess. In particular, he devoted himself to the chase and to all woodland sports, so that he became distinguished above all other chevaliers of the court for his knowledge of all that relates to hunting. No wonder that Belinda, the king's daughter, fell in love with him; but as he did not return her passion, she, in a sudden impulse of anger, excited her father against him, and he was banished the kingdom. The princess soon repented of her act, and in despair destroyed herself, having first written a most tender letter to Tristram, sending him at the same time a beautiful and sagacious dog, of which she was very fond, desiring him to keep it as a memorial of her. Meliadus was now dead, and as his queen, Tristram's stepmother, held the throne, Gouvernail was afraid to carry his pupil to his native country, and took him to Cornwall, to his uncle Mark, who gave him a kind reception.

King Mark resided at the castle of Tintadel, already mentioned in the history of Uther and Iguerne. In this court Tristram became distinguished in all the exercises incumbent on a knight; nor was it long before he had an opportunity of practically employing his valor and skill. Moraunt, a celebrated champion, brother to the queen of Ireland, arrived at the court, to demand tribute of King Mark. The knights of Cornwall are in ill repute, in romance, for their cowardice and they exhibited it on this occasion. King Mark could find no champion who dared to encounter the Irish knight, till his nephew Tristram, who had not yet received the honors of knighthood, craved to be admitted to the order, offering at the same time to fight the battle of Cornwall against the Irish champion. King Mark assented with reluctance; Tristram received the accolade, which conferred knighthood upon him; and the place and time were assigned for the encounter.

Without attempting to give the details of this famous combat, the first and one of the most glorious of Tristram's exploits, we shall only say that the young knight, though severely wounded, cleft the head of Moraunt, leaving a portion of his sword in the wound. Moraunt, half dead with his wound and the disgrace of his defeat, hastened to hide himself in his ship, sailed away with all speed for Ireland, and died soon after arriving in his own country.

The kingdom of Cornwall was thus delivered from its tribute. Tristram, weakened by loss of blood, fell senseless. His friends flew to his assistance. They dressed his wounds, which in general healed readily; but the lance of Moraunt was poisoned, and one wound which it made yielded to no remedies, but grew worse day by day. The surgeons could do no more. Tristram asked permission of his uncle to depart, and seek for aid in the kingdom of Loegria (England). With his consent he embarked, and, after tossing for many days on the sea, was driven by the winds to the coast of Ireland. He landed, full of joy and gratitude that he had escaped the peril of the sea; took his rote,11 and began to play. It was a summer evening, and the king of Ireland and his daughter, the beautiful Isoude, were at a window which overlooked the sea. The strange harper was sent for, and conveyed to the palace, where, finding that he was in Ireland, whose champion he had lately slain, he concealed his name, and called himself Tramtris. The queen undertook his cure, and by a medicated bath gradually restored him to health. His skill in music and in games occasioned his being frequently called to court, and he became instructor of the Princess Isoude in minstrelsy and poetry, who profited so well under his care, that she soon had no equal in the kingdom, except her instructor.

11 A musical instrument.

At this time a tournament was held, at which many knights of the Round Table, and others, were present. On the first day a Saracen prince, named Palamedes, obtained the advantage over all. They brought him to the court, and gave him a feast, at which Tristram, just recovering from his wound, was present. The fair Isoude appeared on this occasion in all her charms. Palamedes could not behold them without emotion, and made no effort to conceal his love. Tristram perceived it, and the pain he felt from jealousy taught him how dear the fair Isoude had already become to him.

Next day the tournament was renewed. Tristram, still feeble from his wound, rose during the night, took his arms, and concealed them in a forest near the place of the contest, and, after it had begun, mingled with the combatants. He overthrew all that encountered him, in particular Palamedes, whom he brought to the ground with a stroke of his lance, and then fought him hand to hand, bearing off the prize of the tourney. But his exertions caused his wound to reopen; he bled fast, and in this sad state, yet in triumph, they bore him to the palace. The fair Isoude devoted herself to his relief with an interest which grew more vivid day by day; and her skilful care soon restored him to health.

It happened one day that a damsel of the court, entering the closet where Tristram's arms were deposited, perceived that a part of the sword had been broken off. It occurred to her that the missing portion was like that which was left in the skull of Moraunt, the Irish champion. She imparted her thought to the queen, who compared the fragment taken from her brother's wound with the sword of Tristram, and was satisfied that it was part of the same, and that the weapon of Tristram was that which reft her brother's life. She laid her griefs and resentment before the king, who satisfied himself with his own eyes of the truth of her suspicions. Tristram was cited before the whole court, and reproached with having dared to present himself before them after having slain their kinsman. He acknowledged that he had fought with Moraunt to settle the claim for tribute, and said that it was by force of winds and waves alone that he was thrown on their coast. The queen demanded vengeance for the death of her brother; the fair Isoude trembled and grew pale, but a murmur rose from all the assembly that the life of one so handsome and so brave should not be taken for such a cause, and generosity finally triumphed over resentment in the mind of the king. Tristram was dismissed in safety, but commanded to leave the kingdom without delay, and never to return thither under pain of death. Tristram went back, with restored health, to Cornwall.

King Mark made his nephew give him a minute recital of his adventures. Tristram told him all minutely; but when he came to speak of the fair Isoude, he described her charms with a warmth and energy such as none but a lover could display. King Mark was fascinated with the description, and, choosing a favorable time, demanded a boon12 of his nephew, who readily granted it. The king made him swear upon the holy reliques that he would fulfil his commands. Then Mark directed him to go to Ireland, and obtain for him the fair Isoude to be queen of Cornwall.

12 "Good faith was the very corner-stone of chivalry. Whenever a knight's word was pledged (it mattered not how rashly), it was to be redeemed at any price. Hence the sacred obligation of the boon granted by a knight to his suppliant. Instances without number occur in romance, in which a knight, by rashly granting an indefinite boon, was obliged to do or suffer something extremely to his prejudice. But it is not in romance alone that we find such singular instances of adherence to an indefinite promise. The history of the times presents authentic transactions equally embarrassing and absurd."– SCOTT, note of Sir Tristram.

Tristram believed it was certain death for him to return to Ireland; and how could he act as ambassador for his uncle in such a cause? Yet, bound by his oath, he hesitated not for an instant. He only took the precaution to change his armor. He embarked for Ireland; but a tempest drove him to the coast of England, near Camelot, where King Arthur was holding his court, attended by the knights of the Round Table, and many others, the most illustrious in the world.

Tristram kept himself unknown. He took part in many jousts; he fought many combats, in which he covered himself with glory. One day he saw among those recently arrived the king of Ireland, father of the fair Isoude. This prince, accused of treason against his liege sovereign, Arthur, came to Camelot to free himself of the charge. Blaanor, one of the most redoubtable warriors of the Round Table, was his accuser, and Argius, the king, had neither youthful vigor nor strength to encounter him. He must therefore seek a champion to sustain his innocence. But the knights of the Round Table were not at liberty to fight against one another, unless in a quarrel of their own. Argius heard of the great renown of the unknown knight; he also was witness of his exploits. He sought him, and conjured him to adopt his defence, and on his oath declared that he was innocent of the crime of which he was accused. Tristram readily consented, and made himself known to the king, who on his part promised to reward his exertions, if successful, with whatever gift he might ask.

Tristram fought with Blaanor, and overthrew him, and held his life in his power. The fallen warrior called on him to use his right of conquest, and strike the fatal blow. "God forbid," said Tristram, "that I should take the life of so brave a knight!" He raised him up and restored him to his friends. The judges of the field decided that the king of Ireland was acquitted of the charge against him, and they led Tristram in triumph to his tent. King Argius, full of gratitude, conjured Tristram to accompany him to his kingdom. They departed together, and arrived in Ireland; and the queen, forgetting her resentment for her brother's death, exhibited to the preserver of her husband's life nothing but gratitude and good-will.

How happy a moment for Isoude, who knew that her father had promised his deliverer whatever boon he might ask. But the unhappy Tristram gazed on her with despair, at the thought of the cruel oath which bound him. His magnanimous soul subdued the force of his love. He revealed the oath which he had taken, and with trembling voice demanded the fair Isoude for his uncle.

Argius consented, and soon all was prepared for the departure of Isoude. Brengwain, her favorite maid-of-honor, was to accompany her. On the day of departure the queen took aside this devoted attendant, and told her that she had observed that her daughter and Tristram were attached to one another, and that to avert the bad effects of this inclination she had procured from a powerful fairy a potent philter (love-draught), which she directed Brengwain to administer to Isoude and to King Mark on the evening of their marriage.

Isoude and Tristram embarked together. A favorable wind filled the sails and promised them a fortunate voyage. The lovers gazed upon one another, and could not repress their sighs. Love seemed to light up all his fires on their lips, as in their hearts. The day was warm; they suffered from thirst. Isoude first complained. Tristram descried the bottle containing the love-draught, which Brengwain had been so imprudent as to leave in sight. He took it, gave some of it to the charming Isoude, and drank the remainder himself. The dog Houdain licked the cup. The ship arrived in Cornwall, and Isoude was married to King Mark. The old monarch was delighted with his bride, and his gratitude to Tristram was unbounded. He loaded him with honors, and made him chamberlain of his palace, thus giving him access to the queen at all times.

In the midst of the festivities of the court which followed the royal marriage, an unknown minstrel one day presented himself, bearing a harp of peculiar construction. He excited the curiosity of King Mark by refusing to play upon it till he should grant him a boon. The king having promised to grant his request, the minstrel, who was none other than the Saracen knight, Sir Palamedes, the lover of the fair Isoude, sung to the harp a lay, in which he demanded Isoude as the promised gift. King Mark could not by the laws of knighthood withhold the boon. The lady was mounted on her horse and led away by her triumphant lover. Tristram, it is needless to say, was absent at the time, and did not return until their departure. When he heard what had taken place, he seized his rote, and hastened to the shore, where Isoude and her new master had already embarked. Tristram played upon his rote, and the sound reached the ears of Isoude, who became so deeply affected that Sir Palamedes was induced to return with her to land, that they might see the unknown musician. Tristram watched his opportunity, seized the lady's horse by the bridle, and plunged with her into the forest, tauntingly informing his rival that "what he had got by the harp he had lost by the rote." Palamedes pursued, and a combat was about to commence, the result of which must have been fatal to one or other of these gallant knights; but Isoude stepped between them, and, addressing Palamedes, said, "You tell me that you love me; you will not then deny me the request I am about to make?" "Lady," he replied, "I will perform your bidding." "Leave, then," said she, "this contest, and repair to King Arthur's court, and salute Queen Guenever for me; tell her that there are in the world but two ladies, herself and I, and two lovers, hers and mine; and come thou not in future in any place where I am." Palamedes burst into tears. "Ah, lady," said he, "I will obey you; but I beseech you that you will not forever steel your heart against me." "Palamedes," she replied, "may I never taste of joy again if I ever quit my first love." Palamedes then went his way. The lovers remained a week in concealment, after which Tristram restored Isoude to her husband, advising him in future to reward minstrels in some other way.

The king showed much gratitude to Tristram, but in the bottom of his heart he cherished bitter jealousy of him. One day Tristram and Isoude were alone together in her private chamber. A base and cowardly knight of the court, named Audret, spied them through a keyhole. They sat at a table of chess, but were not attending to the game. Andret brought the king, having first raised his suspicions, and placed him so as to watch their motions. The king saw enough to confirm his suspicions, and he burst into the apartment with his sword drawn, and had nearly slain Tristram before he was put on his guard. But Tristram avoided the blow, drew his sword, and drove before him the cowardly monarch, chasing him through all the apartments of the palace, giving him frequent blows with the flat of his sword, while he cried in vain to his knights to save him. They were not inclined, or did not dare to interpose in his behalf.

A proof of the great popularity of the tale of Sir Tristram is the fact that the Italian poets, Boiardo and Ariosto, have founded upon it the idea of the two enchanted fountains, which produced the opposite effects of love and hatred. Boiardo thus describes the fountain of hatred:–

"Fair was that fountain, sculptured all of gold,

With alabaster sculptured, rich and rare;

And in its basin clear thou might'st behold

The flowery marge reflected fresh and fair.

Sage Merlin framed the font,- so legends bear,-

When on fair Isoude doated Tristram brave,

That the good errant knight, arriving there,

Might quaff oblivion in the enchanted wave,

And leave his luckless love, and ‘scape his timeless grave.

"But ne'er the warrior's evil fate allowed

His steps that fountain's charmed verge to gain,

Though restless, roving on adventure proud,

He traversed oft the land and oft the main."

. . . . . . . .


    Table of Contents    

Glossary



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The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


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