Reality Roars Bentley
Amazon Portal
Header
Reality Roars Header
Book Leader Row 1
Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies)

Mythology The Gods, Heroes, and Monsters of Ancient Greece (Ologies) Mythology The Gods, Heroes, and Monsters of Ancient Greece

Presenting the newest discovery in the series with the Midas touch — a mythical exploration fit for the gods.

In the early nineteenth century, an English nobleman embarked on a tour of the sites of ancient Greece. He brought as his guide a primer on Greek myths written by his friend Lady Hestia Evans, a devotee of Lord Byron who had recently taken the same voyage. In the true Romantic spirit, Lady Hestia’s book was not only lavishly illustrated but also boasted many paper crafts and novelties, including a card game featuring the twelve Olympians, an oak-leaf oracle of Zeus, a pop-up Pandora’s box (with hope still inside), a booklet retelling the tale of Odysseus, a piece of the Golden Fleece, a gold OBOLOS coin to pay the ferryman on the River Styx, and many more flaps, foldouts, and other surprises. The nobleman added his own witty comments and drawings along the way, but seems to have wished for something odd at the Delphic oracle: as the book nears its end, it slowly begins to turn . . .to gold. Now, for lovers of Greek myths and those just discovering their timeless power, this fascinating volume is faithfully reproduced with all its Romantic ambience, clever wit and novelty features intact.

Hardcover: 29 pages
Publisher: Candlewick Press; First Edition edition (August 28, 2007)

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images

The Illustrated A-Z Of Classic Mythology: The Legends Of Ancient Greece, Rome And The Norse And Celtic Worlds; A Visual Dictionary With 1000 Entries And More Than 600 Fine Art Images The Illustrated A-Z Of Classic Mythology

A comprehensive reference source to the ancient world's most fascinating mythologies, bringing together the Classical legends of ancient Greece and Rome; the fairytale myths of the Celtic world; and from Northern Europe, tales of Germanic gods, Nordic warriors and giants.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world and is respected as a world-renowned authority on the subject. Former Principal of Kingston College in London, he is the author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia.

Hardcover: 256 pages
Publisher: Lorenz Books (January 7, 2014)

The Urantia Book
The Urantia Book The Urantia Book

Love

Love is truly contagious and eternally creative. (p. 2018) “Devote your life to proving that love is the greatest thing in the world.” (p. 2047) “Love is the ancestor of all spiritual goodness, the essence of the true and the beautiful.” (p. 2047) The Father’s love can become real to mortal man only by passing through that man’s personality as he in turn bestows this love upon his fellows. (p. 1289) The secret of a better civilization is bound up in the Master’s teachings of the brotherhood of man, the good will of love and mutual trust. (p. 2065)

Prayer

Prayer is not a technique of escape from conflict but rather a stimulus to growth in the very face of conflict. (p. 1002) The sincerity of any prayer is the assurance of its being heard. … (p. 1639) God answers man’s prayer by giving him an increased revelation of truth, an enhanced appreciation of beauty, and an augmented concept of goodness. (p. 1002) …Never forget that the sincere prayer of faith is a mighty force for the promotion of personal happiness, individual self-control, social harmony, moral progress, and spiritual attainment. (p. 999)

Suffering

There is a great and glorious purpose in the march of the universes through space. All of your mortal struggling is not in vain. (p. 364) Mortals only learn wisdom by experiencing tribulation. (p. 556)

Angels

The angels of all orders are distinct personalities and are highly individualized. (p. 285) Angels....are fully cognizant of your moral struggles and spiritual difficulties. They love human beings, and only good can result from your efforts to understand and love them. (p. 419)

Our Divine Destiny

If you are a willing learner, if you want to attain spirit levels and reach divine heights, if you sincerely desire to reach the eternal goal, then the divine Spirit will gently and lovingly lead you along the pathway of sonship and spiritual progress. (p. 381) …They who know that God is enthroned in the human heart are destined to become like him—immortal. (p. 1449) God is not only the determiner of destiny; he is man’s eternal destination. (p. 67)

Family

Almost everything of lasting value in civilization has its roots in the family. (p. 765) The family is man’s greatest purely human achievement. ... (p. 939)

Faith

…Faith will expand the mind, ennoble the soul, reinforce the personality, augment the happiness, deepen the spirit perception, and enhance the power to love and be loved. (p. 1766) “Now, mistake not, my Father will ever respond to the faintest flicker of faith.” (p. 1733)

History/Science

The story of man’s ascent from seaweed to the lordship of earthly creation is indeed a romance of biologic struggle and mind survival. (p. 731) 2,500,000,000 years ago… Urantia was a well developed sphere about one tenth its present mass. … (p. 658) 1,000,000,000 years ago is the date of the actual beginning of Urantia [Earth] history. (p. 660) 450,000,000 years ago the transition from vegetable to animal life occurred. (p. 669) From the year A.D. 1934 back to the birth of the first two human beings is just 993,419 years. (p. 707) About five hundred thousand years ago…there were almost one-half billion primitive human beings on earth. … (p. 741) Adam and Eve arrived on Urantia, from the year A.D. 1934, 37,848 years ago. (p. 828)

From the Inside Flap

What’s Inside?

Parts I and II

God, the inhabited universes, life after death, angels and other beings, the war in heaven.

Part III

The history of the world, science and evolution, Adam and Eve, development of civilization, marriage and family, personal spiritual growth.

Part IV

The life and teachings of Jesus including the missing years. AND MUCH MORE…

Excerpts

God, …God is the source and destiny of all that is good and beautiful and true. (p. 1431) If you truly want to find God, that desire is in itself evidence that you have already found him. (p. 1440) When man goes in partnership with God, great things may, and do, happen. (p. 1467)

The Origin of Human Life, The universe is not an accident... (p. 53) The universe of universes is the work of God and the dwelling place of his diverse creatures. (p. 21) The evolutionary planets are the spheres of human origin…Urantia [Earth] is your starting point. … (p. 1225) In God, man lives, moves, and has his being. (p. 22)

The Purpose of Life, There is in the mind of God a plan which embraces every creature of all his vast domains, and this plan is an eternal purpose of boundless opportunity, unlimited progress, and endless life. (p. 365) This new gospel of the kingdom… presents a new and exalted goal of destiny, a supreme life purpose. (p. 1778)

Jesus, The religion of Jesus is the most dynamic influence ever to activate the human race. (p. 1091) What an awakening the world would experience if it could only see Jesus as he really lived on earth and know, firsthand, his life-giving teachings! (p. 2083)

Science, Science, guided by wisdom, may become man’s great social liberator. (p. 909) Mortal man is not an evolutionary accident. There is a precise system, a universal law, which determines the unfolding of the planetary life plan on the spheres of space. (p. 560)

Life after Death, God’s love is universal… He is “not willing that any should perish.” (p. 39) Your short sojourn on Urantia [Earth]…is only a single link, the very first in the long chain that is to stretch across universes and through the eternal ages. (p. 435) …Death is only the beginning of an endless career of adventure, an everlasting life of anticipation, an eternal voyage of discovery. (p. 159)

About the Author

The text of The Urantia Book was provided by one or more anonymous contributors working with a small staff which provided editorial and administrative support during the book's creation. The book bears no particular credentials (from a human viewpoint), relying instead on the power and beauty of the writing itself to persuade the reader of its authenticity.

Leather Bound: 2097 pages
Publisher: Urantia Foundation; Box Lea edition (August 25, 2015)

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition

Mythology: Timeless Tales of Gods and Heroes, 75th Anniversary Illustrated Edition Mythology: Timeless Tales of Gods and Heroes

In celebration of of the 75th anniversary of this classic bestseller, this stunningly illustrated, beautifully packaged, larger-format hardcover edition will be beloved by fans of Greek, Roman, and Norse mythology of all ages. Since its original publication by Little, Brown and Company in 1942, Edith Hamilton's Mythology has sold millions of copies throughout the word and established itself as a perennial bestseller in its various available formats: hardcover, trade paperback, mass market paperback, and e-book. For 75 years readers have chosen this book above all others to discover the thrilling, enchanting, and fascinating world of Western mythology-from Odysseus's adventure-filled journey to the Norse god Odin's effort to postpone the final day of doom. This exciting new deluxe, large-format hardcover edition, published in celebration of the book's 75th anniversary, will be beautifully packages and fully-illustrated throughout with all-new, specially commissioned four-color art, making it a true collector's item.

About the Author

Edith Hamilton (1868-1963) was born of American parents in Dresden, Germany, and grew up in Indiana. Through the first quarter of the twentieth century she was the headmistress of the Bryn Mawr School in Baltimore. Upon retiring, she began to write about the civilizations of the ancient world and soon gained world renown as a classicist. Her celebrated and bestselling books include Mythology, The Greek Way, The Roman Way, and The Echo of Greece. She regarded as the high point of her life a 1957 ceremony in which King Paul of Greece named her an honorary citizen of Athens.

Jim Tierney studied illustration at the University of the Arts in Philadelphia.

Hardcover: 384 pages
Publisher: Black Dog & Leventhal; Deluxe, Illustrated, Anniversary edition (September 26, 2017)

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East

The Ultimate Encyclopedia of Mythology: The myths and legends of the ancient worlds, from Greece, Rome and Egypt to the Norse and Celtic lands, through Persia and India to China and the Far East The Ultimate Encyclopedia of Mythology

In the first half, author Arthur Cotterell describes the central mythical figures of classical Greece and Rome, the Celtic heroes and the Nordic gods. In the second part, author Rachel Storm expertly leads us through the powerful pantheon of gods and goddesses of the East from Ancient Egypt through Central Asia, to the dragon festivals of eastern lands. Pictorial features focus on recurring mythological themes, including heroes, oracles and prophecies. This comprehensive A-Z guide is timeless in its universal appeal.

About the Author

Arthur Cotterell has lectured and written widely on the mythologies and ancient civilizations of the world. He is Principal of Kingston College in London, and author of the best-selling Dictionary of World Mythology, as well as books on the civilizations of East Asia. Rachel Storm is a journalist and author specializing in religion, alternative religion and spirituality. Her works include In Search of Heaven and The Sacred Sea. She has written introductions to several books on mythology.

Paperback: 512 pages
Publisher: Southwater (September 16, 2012)

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities

100 Characters from Classical Mythology: Discover the Fascinating Stories of the Greek and Roman Deities 100 Characters from Classical Mythology

Dating back roughly 3,000 years, the gods of the ancient Greeks--and later, of the Romans--have figured prominently in legendry, poetry, drama, and the visual arts. But today's readers are often confused when they encounter the myriad names of those deities and try to understand their roles in mythology. This entertaining and mind-expanding book charts 100 of the most prominent characters from Greco-Roman mythology, including the primordial deities, the great gods of Olympus, and the shadowy inhabitants of Hades. Addressing universal themes such as love, jealousy, anger, ambition, deceit, and beauty, the stories told here make fascinating reading while they add significance to countless classical references in our civilization's literature and art. Author Malcolm Day profiles each god with a short, very readable summary of that personage's acts. He sets each deity's story within the larger context of a "family tree" that encompasses all major gods. Full-color illustrations showing memorable scenes from classical mythology include reproductions from famous paintings and photos of statuary. Separate chapters are devoted to:

  • The Primordial Gods: Gaia, Uranus, Cronus, and others
  • The Gods of Olympus: Zeus, Poseidon, Athena, Apollo, and others
  • Descendants of the Titans: Iris, Nike, Helios, Eos, Atlas, and others
  • Legendary Heroes: Jason, Oedipus, Daedelus, Paris, Helen of Troy, and others
  • Figures from the Odyssey: Odysseus, Penelope, Circe, and others

This virtual roadmap through the complexities of classical mythology features more than 100 full-color illustrations.

Hardcover: 160 pages
Publisher: Barron's Educational Series; 1 edition (March 1, 2007)


#

#

Bulfinch's Mythology: All Volumes Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

BULFINCH'S MYTHOLOGY

VOLUME TWO


THE AGE OF CHIVALRY

OR

LEGENDS OF KING ARTHUR

BY THOMAS BULFINCH
[1858]


#

    Table of Contents    

Glossary

#


Part I.



King Arthur and His Knights.


Chapter III.


Arthur.


WE shall begin our history of King Arthur by giving those particulars of his life which appear to rest on historical evidence; and then proceed to record those legends concerning him which form the earliest portion of British literature.

Arthur was a prince of the tribe of Britons called Silures, whose country was South Wales,– the son of Uther, named Pendragon, a title given to an elective sovereign, paramount over the many kings of Britain. He appears to have commenced his martial career about the year 500, and was raised to the Pendragonship about ten years later. He is said to have gained twelve victories over the Saxons. The most important of them was that of Badon, by some supposed to be Bath, by others Berkshire. This was the last of his battles with the Saxons, and checked their progress so effectually that Arthur experienced no more annoyance from them, and reigned in peace, until the revolt of his nephew Modred, twenty years later, which led to the fatal battle of Camlan, in Cornwall, in 542. Modred was slain, and Arthur, mortally wounded, was conveyed by sea to Glastonbury, where he died, and was buried. Tradition preserved the memory of the place of his interment within the abbey, as we are told by Giraldus Cambrensis, who was present when the grave was opened by command of Henry II. in 1150, and saw the bones and sword of the monarch, and a leaden cross let into his tombstone, with the inscription in rude Roman letters, "Here lies buried the famous King Arthur, in the island Avolonia." This story has been elegantly versified by Warton. A popular traditional belief was long entertained among the Britons that Arthur was not dead, but had been carried off to be healed of his wounds in Fairy-land, and that he would reappear to avenge his countrymen, and reinstate them in the sovereignty of Britain. In Wharton's Ode a bard relates to King Henry the traditional story of Arthur's death, and closes with these lines:–

"Yet in vain a paynim foe

Armed with fate the mighty blow;

For when he fell, the Elfin queen,

All in secret and unseen,

O'er the fainting hero threw

Her mantle of ambrosial blue,

And bade her spirits bear him far,

In Merlin's agate-axled car,

To her green isle's enamelled steep,

Far in the navel of the deep.

O'er his wounds she sprinkled dew

From flowers that in Arabia grew.

There he reigns a mighty king,

Thence to Britain shall return,

If right prophetic rolls I learn,

Borne on victory's spreading plume,

His ancient sceptre to resume,

His knightly table to restore,

And brave the tournaments of yore."

After this narration another bard came forward, who recited a different story:–

"When Arthur bowed his haughty crest,

No princess veiled in azure vest

Snatched him, by Merlin's powerful spell,

In groves of golden bliss to dwell;

But when he fell, with winged speed,

His champions, on a milk-white steed,

From the battle's hurricane

Bore him to Joseph's towered fane,2

In the fair vale of Avalon;

There, with chanted orison

And the long blaze of tapers clear,

The stoled fathers met the bier;

Through the dim aisles, in order dread

Of martial woe, the chief they led,

And deep entombed in holy ground,

Before the altar's solemn bound."

2 Glastonbury Abbey, said to be founded by Joseph of Arimathea, in a spot anciently called the island or valley of Avalonia.

Tennyson, in his Palace of Art, alludes to the legend of Arthur's rescue by the Fairy queen, thus:–

"Or mythic Uther's deeply wounded son,

In some fair space of sloping greens,

Lay dozing in the vale of Avalon,

And watched by weeping queens."

It must not be concealed, that the very existence of Arthur has been denied by some. Milton says of him: "As to Arthur, more renowned in songs and romances than in true stories, who he was, and whether ever any such reigned in Britain, hath been doubted heretofore, and may again, with good reason." Modern critics, however, admit that there was a prince of this name, and find proof of it in the frequent mention of him in the writings of the Welsh bards. But the Arthur of romance, according to Mr. Owen, a Welsh scholar and antiquarian, is a mythological person. "Arthur," he says, "is the Great Bear, as the name literally implies (Arctos, Arcturus), and perhaps this constellation, being so near the pole, and visibly describing a circle in a small space, is the origin of the famous Round Table." Let us now turn to the history of King Arthur, as recorded by the romantic chroniclers.

Constans, king of Britain, had three sons, Moines, Ambrosius, otherwise called Uther, and Pendragon. Moines, soon after his accession to the crown, was vanquished by the Saxons, in consequence of the treachery of his seneschal, Vortigern, and growing unpopular through misfortune, he was killed by his subjects, and the traitor Vortigern chosen in his place.

Vortigern was soon after defeated in a great battle by Uther and Pendragon, the surviving brothers of Moines, and Pendragon ascended the throne.

This prince had great confidence in the wisdom of Merlin, and made him his chief adviser. About this time a dreadful war arose between the Saxons and Britons. Merlin obliged the royal brothers to swear fidelity to each other, but predicted that one of them must fall in the first battle. The Saxons were routed, and Pendragon, being slain, was succeeded by Uther, who now assumed, in addition to his own name, the appellation of Pendragon.

Merlin still continued a favorite counsellor. At the request of Uther, he transported by magic art enormous stones from Ireland, to form the sepulchre of Pendragon. These stones constitute the monument now called Stonehenge, on Salisbury Plain.

Merlin next proceeded to Carlisle to prepare the Round Table, at which he seated an assemblage of the great nobles of the country. The companions admitted to this high order were bound by oath to assist each other at the hazard of their own lives, to attempt singly the most perilous adventures, to lead, when necessary, a life of monastic solitude, to fly to arms at the first summons, and never to retire from battle till they had defeated the enemy, unless night intervened and separated the combatants.

Soon after this institution, the king invited all his barons to the celebration of a great festival, which he proposed holding annually at Carlisle.

As the knights had obtained the sovereign's permission to bring their ladies along with them, the beautiful Igerne accompanied her husband, Gerlois, Duke of Tintadiel, to one of these anniversaries. The king became deeply enamored of the Duchess, and disclosed his passion; but Igerne repelled his advances, and revealed his solicitations to her husband. On hearing this, the Duke instantly removed from court with Igerne, and without taking leave of Uther. The king complained to his council of this want of duty, and they decided that the Duke should be summoned to court, and, if refractory, should be treated as a rebel. As he refused to obey the citation, the king carried war into the estates of his vassal, and besieged him in the strong castle of Tintadiel. Merlin transformed the king into the likeness of Gerlois, and enabled him to have many stolen interviews with Igerne. At length the Duke was killed in battle, and the king espoused Igerne.

From this union sprang Arthur, who succeeded his father, Uther, upon the throne.


Arthur Chosen King.


Arthur, though only fifteen years old at his father's death, was elected king, at a general meeting of the nobles. It was not done without opposition, for there were many ambitious competitors; but Bishop Brice, a person of great sanctity, on Christmas eve addressed the assembly, and represented that it would well become them, at that solemn season, to put up their prayers for some token which should manifest the intentions of Providence respecting their future sovereign. This was done, and with such success, that the service was scarcely ended, when a miraculous stone was discovered, before the church door, and in the stone was firmly fixed a sword, with the following words engraven on its hilt:–

"I am hight Escalibore,

Unto a king fair tresore."

Bishop Brice, after exhorting the assembly to offer up their thanksgivings for this signal miracle, proposed a law, that whoever should be able to draw out the sword from the stone, should be acknowledged as sovereign of the Britons; and his proposal was decreed by general acclamation. The tributary kings of Uther, and the most famous knights, successively put their strength to the proof, but the miraculous sword resisted all their efforts. It stood till Candlemas; it stood till Easter, and till Pentecost, when the best knights in the kingdom usually assembled for the annual tournament. Arthur, who was at that time serving in the capacity of squire to his foster-brother, Sir Kay, attended his master to the lists. Sir Kay fought with great valor and success, but had the misfortune to break his sword, and sent Arthur to his mother for a new one. Arthur hastened home, but did not find the lady; but having observed near the church a sword sticking in a stone, he galloped to the place, drew out the sword with great ease, and delivered it to his master. Sir Kay would willingly have assumed to himself the distinction conferred by the possession of the sword; but when, to confirm the doubters, the sword was replaced in the stone, he was utterly unable to withdraw it, and it would yield a second time to no hand but Arthur's. Thus decisively pointed out by Heaven as their king, Arthur was by general consent proclaimed such, and an early day appointed for his solemn coronation.

Immediately after his election to the crown, Arthur found himself opposed by eleven kings and one duke, who with a vast army were actually encamped in the forest of Rockingham. By Merlin's advice Arthur sent an embassy to Brittany to solicit aid of King Ban and King Bohort, two of the best knights in the world. They accepted the call, and with a powerful army crossed the sea, landing at Portsmouth, where they were received with great rejoicing. The rebel kings were still superior in numbers; but Merlin by a powerful enchantment, caused all their tents to fall down at once, and in the confusion Arthur with his allies fell upon them and totally routed them.

After defeating the rebels, Arthur took the field against the Saxons. As they were too strong for him unaided, he sent an embassy to Armorica, beseeching the assistance of Hoel, who soon after brought over an army to his aid. The two kings joined their forces, and sought the enemy, whom they met, and both sides prepared for a decisive engagement. "Arthur himself," as Geoffrey of Monmouth relates, "dressed in a breastplate worthy of so great a king, places on his head a golden helmet engraved with the semblance of a dragon. Over his shoulders he throws his shield called Priwen, on which a picture of the Holy Virgin constantly recalled her to his memory. Girt with Caliburn, a most excellent sword, and fabricated in the isle of Avalon, he graces his right hand with the lance named Ron. This was a long and broad spear, well contrived for slaughter." After a severe conflict, Arthur, calling on the name of the Virgin, rushes into the midst of his enemies, and destroys multitudes of them with the formidable Caliburn, and puts the rest to flight. Hoel, being detained by sickness, took no part in this battle.

This is called the victory of Mount Badon, and, however disguised by fable, it is regarded by historians as a real event.

The feats performed by Arthur at the battle of Badon Mount are thus celebrated in Drayton's verse:–

"They sung how he himself at Badon bore, that day,

When at the glorious goal his British scepter lay;

Two dais together how the battle stronglie stood;

Pendragon's worthie son, who waded there in blood,

Three hundred Saxons slew with his owne valiant hand."

--Song IV.


Merlin.


"-The most famous man of all those times,

Merlin, who knew the range of all their arts,

Had built the King his havens, ships and halls,

Was also Bard, and knew the starry heavens;

The people called him wizard."

--TENNYSON.

Now Merlin, of whom we have already heard somewhat and shall hear more, was the son of no mortal father, but of an Incubus, one of a class of beings not absolutely wicked, but far from good, who inhabit the regions of the air. Merlin's mother was a virtuous young woman, who, on the birth of her son, intrusted him to a priest, who hurried him to the baptismal fount, and so saved him from sharing the lot of his father, though he retained many marks of his unearthly origin.

At this time Vortigern reigned in Britain. He was a usurper, who had caused the death of his sovereign, Moines, and driven the two brothers of the late king, whose names were Uther and Pendragon, into banishment. Vortigern, who lived in constant fear of the return of the rightful heirs of the kingdom, began to erect a strong tower for defence. The edifice, when brought by the workmen to a certain height, three times fell to the ground, without any apparent cause. The king consulted his astrologers on this wonderful event, and learned from them that it would be necessary to bathe the cornerstone of the foundation with the blood of a child born without a mortal father.

In search of such an infant, Vortigern sent his messengers all over the kingdom, and they by accident discovered Merlin, whose lineage seemed to point him out as the individual wanted. They took him to the king; but Merlin, young as he was, explained to the king the absurdity of attempting to rescue the fabric by such means, for he told him the true cause of the instability of the tower was its being placed over the den of two immense dragons, whose combats shook the earth above them. The king ordered his workmen to dig beneath the tower, and when they had done so they discovered two enormous serpents, the one white as milk, the other red as fire. The multitude looked on with amazement, till the serpents, slowly rising from their den, and expanding their enormous folds, began the combat, when every one fled in terror, except Merlin, who stood by clapping his hands and cheering on the conflict. The red dragon was slain, and the white one, gliding through a cleft in the rock, disappeared.

These animals typified, as Merlin afterwards explained, the invasion of Uther and Pendragon, the rightful princes, who soon after landed with a great army. Vortigern was defeated, and afterwards burned alive in the castle he had taken such pains to construct. On the death of Vortigern, Pendragon ascended the throne. Merlin became his chief adviser, and often assisted the king by his magical arts. Among other endowments, he had the power to transform himself into any shape he pleased. At one time he appeared as a dwarf, at others as a damsel, a page, or even a greyhound or a stag. This faculty he often employed for the service of the king, and sometimes also for the diversion of the court and the sovereign.

Merlin continued to be a favorite counsellor through the reigns of Pendragon, Uther, and Arthur, and at last disappeared from view, and was no more found among men, through the treachery of his mistress, Viviane, the Fairy, which happened in this wise.

Merlin, having become enamored of the fair Viviane, the Lady of the Lake, was weak enough to impart to her various important secrets of his art, being impelled by a fatal destiny, of which he was at the same time fully aware. The lady, however, was not content with his devotion, unbounded as it seems to have been, but "cast about," the Romance tells us, how she might "detain him for evermore," and one day addressed him in these terms: "Sir, I would that we should make a fair place and a suitable, so contrived by art and by cunning that it might never be undone, and that you and I should be there in joy and solace." "My lady," said Merlin, "I will do all this." "Sir," said she, "I would not have you do it, but you shall teach me, and I will do it, and then it will be more to my mind." "I grant you this," said Merlin. Then he began to devise, and the damsel put it all in writing. And when he had devised the whole, then had the damsel full great joy, and showed him greater semblance of love than she had ever before made, and they sojourned together a long while. At length it fell out that, as they were going one day in hand through the forest of Breceliande, they found a bush of white-thorn, which was laden with flowers; and they seated themselves, under the shade of this white-thorn, upon the grass, and Merlin laid his head upon the damsel's lap, and fell asleep. Then the damsel rose, and made a ring with her wimple round the bush, and round Merlin, and began her enchantments, such as he himself had taught her; and nine times she made the ring, and nine times she made the enchantment, and then she went and sat down by him, and placed his head again upon her lap. And when he awoke, and looked round him, it seemed to him that he was enclosed in the strongest tower in the world, and laid upon a fair bed. Then said he to the dame: "My lady, you have deceived me, unless you abide with me, for no one hath power to unmake this tower but you alone." She then promised that she would be often there, and in this she held her covenant with him. And Merlin never went out of that tower where his Mistress Viviane had enclosed him; but she entered and went out again when she listed.

After this event Merlin was never more known to hold converse with any mortal but Viviane, except on one occasion. Arthur, having for some time missed him from his court, sent several of his knights in search of him, and among the number Sir Gawain, who met with a very unpleasant adventure while engaged in this quest. Happening to pass a damsel on his road, and neglecting to salute her, she revenged herself for his incivility by transforming him into a hideous dwarf. He was bewailing aloud his evil fortune as he went through the forest of Breceliande, when suddenly he heard the voice of one groaning on his right hand; and, looking that way, he could see nothing save a kind of smoke, which seemed like air, and through which he could not pass. Merlin then addressed him from out the smoke, and told him by what misadventure he was imprisoned there. "Ah, sir!" he added, "you will never see me more, and that grieves me, but I cannot remedy it; I shall never more speak to you, nor to any other person, save only my mistress. But do thou hasten to King Arthur, and charge him from me to undertake, without delay, the quest of the Sacred Graal. The knight is already born, and has received knighthood at his hands, who is destined to accomplish this quest." And after this he comforted Gawain under his transformation, assuring him that he should speedily be disenchanted; and he predicted to him that he should find the king at Carduel, in Wales, on his return, and that all the other knights who had been on like quest would arrive there the same day as himself. And all this came to pass as Merlin had said.

Merlin is frequently introduced in the tales of chivalry, but it is chiefly on great occasions, and at a period subsequent to his death, or magical disappearance. In the romantic poems of Italy, and in Spenser, Merlin is chiefly represented as a magical artist. Spenser represents him as the artificer of the impenetrable shield and other armor of Prince Arthur (Faery Queene, Book I., Canton vii.), and of a mirror, in which a damsel viewed her lover's shade. The Fountain of Love, in the Orlando Innamorato, is described as his work; and in the poem of Ariosto we are told of a hall adorned with prophetic paintings, which demons had executed in a single night, under the direction of Merlin.

The following legend is from Spenser's Faery Queene (Book III., Canto iii.):–


Caer–Merdin, or Caermarthen (In Wales), Merlin's Tower, and the Imprisoned Fiends.


Forthwith themselves disguising both, in straunge

And base attire, that none might them bewray,

To Maridunum, that is now by chaunge

Of name Caer-Merdin called, they took their way:

There the wise Merlin, whylome wont (they say)

To make his wonne, low underneath the ground

In a deep delve, far from the view of day,

That of no living wight he mote be found,

Whenso he counselled with his sprights encompassed round.

And if thou ever happen that same way

To travel, go to see that dreadful place;

It is a hideous hollow cave (they say)

Under a rock that lies a little space,

From the swift Barry, tombling down apace

Amongst the woody hills of Dynevor;

But dare not thou, I charge, in any case,

To enter into that same baleful bower,

For fear the cruel fiends should thee unwares devour.

But standing high aloft, low lay thine ear,

And there such ghastly noise of iron chains

And brazen cauldrons thou shalt rumbling hear,

Which thousand sprites with long enduring pains

Do toss, that it will stun thy feeble brains;

And oftentimes great groans, and grievous stounds,

When too huge toil and labor them constrains;

And oftentimes loud strokes and ringing sounds

From under that deep rock most horribly rebounds.

The cause some say is this. A little while

Before that Merlin died, he did intend

A brazen wall in compas to compile

About Caermerdin, and did it commend

Unto these sprites to bring to perfect end;

During which work the Lady of the Lake,

Whom long he loved, for him in haste did send;

Who, thereby forced his workmen to forsake,

Them bound till his return their labor not to slack.

In the meantime, through that false lady's train,

He was surprised, and buried under beare,3

Ne ever to his work returned again;

Natheless those fiends may not their work forbear,

So greatly his commandement they fear;

But there do toil and travail day and night,

Until that brazen wall they up do rear.

For Merlin had in magic more insight

Than ever him before or after living wight.

3 Buried under beare. Buried under something which enclosed him like a coffin or bier.


Guenever.


"Leodogran, the King of Cameliard,

Had one fair daughter, and none other child,

And she was fairest of all flesh on earth,

Guenevere, and in her his one delight."

--TENNYSON.

Merlin had planned for Arthur a marriage with the daughter of King Laodegan4 of Carmalide. By his advice Arthur paid a visit to the court of that sovereign, attended only by Merlin and by thirty-nine knights whom the magician had selected for that service. On their arrival they found Laodegan and his peers sitting in council, endeavoring, but with small prospect of success, to devise means for resisting the impending attack of Ryence, King of Ireland, who, with fifteen tributary kings and an almost innumerable army, had nearly surrounded the city. Merlin, who acted as leader of the band of British knights, announced them as strangers, who came to offer the king their services in his wars; but under the express condition that they should be at liberty to conceal their names and quality until they should think proper to divulge them. These terms were thought very strange, but were thankfully accepted, and the strangers, after taking the usual oath to the king, retired to the lodging which Merlin had prepared for them.

4 The spelling of these proper names is very often only a matter of taste. I think, however, Leodogran and Guenevere are less common than Laodegan and Guenever.

A few days after this, the enemy, regardless of a truce into which they had entered with King Laodegan, suddenly issued from their camp and made an attempt to surprise the city. Cleodalis, the king's general, assembled the royal forces with all possible despatch. Arthur and his companions also flew to arms, and Merlin appeared at their head, bearing a standard on which was emblazoned a terrific dragon. Merlin advanced to the gate, and commanded the porter to open it, which the porter refused to do, without the king's order. Merlin thereupon took up the gate, with all its appurtenances of locks, bars, and bolts, and directed his troop to pass through, after which he replaced it in perfect order. He then set spurs to his horse, and dashed, at the head of the little troop, into a body of two thousand Pagans. The disparity of numbers being so enormous, Merlin cast a spell upon the enemy, so as to prevent their seeing the small number of their assailants; notwithstanding which the British knights were hard pressed. But the people of the city, who saw from the walls this unequal contest, were ashamed of leaving the small body of strangers to their fate, so they opened the gate and sallied forth. The numbers were now more nearly equal, and Merlin revoked his spell, so that the two armies encountered on fair terms. Where Arthur, Ban, Bohort, and the rest fought, the king's army had the advantage; but in another part of the field the king himself was surrounded and carried off by the enemy. This sad sight was seen by Guenever, the fair daughter of the king, who stood on the city wall and looked at the battle. She was in dreadful distress, tore her hair, and swooned away.

But Merlin, aware of what passed in every part of the field, suddenly collected his knights, led them out of the battle, intercepted the passage of the party who were carrying away the king, charged them with irresistible impetuosity, cut in pieces or dispersed the whole escort, and rescued the king. In the fight Arthur encountered Caulang, a giant fifteen feet high, and the fair Guenever, who already began to feel a strong interest in the handsome young stranger, trembled for the issue of the contest. But Arthur, dealing a dreadful blow on the shoulder of the monster, cut through his neck so that his head hung over on one side, and in this condition his horse carried him about the field, to the great horror and dismay of the Pagans. Guenever could not refrain from expressing aloud her wish that the gentle knight, who dealt with giants so dexterously, were destined to become her husband, and the wish was echoed by her attendants. The enemy soon turned their backs, and fled with precipitation, closely pursued by Laodegan and his allies.

After the battle Arthur was disarmed and conducted to the bath by the Princess Guenever, while his friends were attended by the other ladies of the court. After the bath the knights were conducted to a magnificent entertainment, at which they were diligently served by the same fair attendants. Laodegan, more and more anxious to know the name and quality of his generous deliverers, and occasionally forming a secret wish that the chief of his guests might be captivated by the charms of his daughter, appeared silent and pensive, and was scarcely roused from his reverie by the banter of his courtiers. Arthur, having had an opportunity of explaining to Guenever his great esteem for her merit, was in the joy of his heart, and was still further delighted by hearing from Merlin the late exploits of Gawain at London, by means of which his immediate return to his dominions was rendered unnecessary, and he was left at liberty to protract his stay at the court of Laodegan. Every day contributed to increase the admiration of the whole court for the gallant strangers, and the passion of Guenever for their chief; and when at last Merlin announced to the king that the object of the visit of the party was to procure a bride for their leader, Laodegan at once presented Guenever to Arthur, telling him that, whatever might be his rank, his merit was sufficient to entitle him to the possession of the heiress of Carmalide. Arthur accepted the lady with the utmost gratitude, and Merlin then proceeded to satisfy the king of the rank of his son-in-law; upon which Laodegan, with all his barons, hastened to do homage to their lawful sovereign, the successor of Uther Pendragon. The fair Guenever was then solemnly betrothed to Arthur, and a magnificent festival was proclaimed, which lasted seven days. At the end of that time, the enemy appearing again with renewed force, it became necessary to resume military operations.5

5 Guenever, the name of Arthur's queen, also written Genievre and Geneuras, is familiar to all who are conversant with chivalric lore. It is to her adventures, and those of her true knight, Sir Launcelot, that Dante alludes in the beautiful episode of Francesca da Rimini.

We must now relate what took place at or near London while Arthur was absent from his capital. At this very time a band of young heroes were on their way to Arthur's court, for the purpose of receiving knighthood from him. They were Gawain and his three brothers, nephews of Arthur, sons of King Lot, and Galachin, another nephew, son of King Nanters. King Lot had been one of the rebel chiefs whom Arthur had defeated, but he now hoped by means of the young men to be reconciled to his brother-in-law. He equipped his sons and his nephew with the utmost magnificence, giving them a splendid retinue of young men, sons of earls and barons, all mounted on the best horses, with complete suits of choice armor. They numbered in all seven hundred, but only nine had yet received the order of knighthood; the rest were candidates for that honor, and anxious to earn it by an early encounter with the enemy. Gawain, the leader, was a knight of wonderful strength; but what was most remarkable about him was that his strength was greater at certain hours of the day than at others. From nine o'clock till noon his strength was doubled, and so it was from three to even-song; for the rest of the time it was less remarkable, though at all times surpassing that of ordinary men.

After a march of three days they arrived in the vicinity of London, where they expected to find Arthur and his court; and very unexpectedly fell in with a large convoy belonging to the enemy, consisting of numerous carts and wagons, all loaded with provisions, and escorted by three thousand men, who had been collecting spoil from all the country round. A single charge from Gawain's impetuous cavalry was sufficient to disperse the escort and to recover the convoy, which was instantly despatched to London. But before long a body of seven thousand fresh soldiers advanced to the attack of the five princes and their little army. Gawain, singling out a chief named Choas, of gigantic size, began the battle by splitting him from the crown of the head to the breast. Galachin encountered King Sanagran, who was also very huge, and cut off his head. Agrivain and Gahariet also performed prodigies of valor. Thus they kept the great army of assailants at bay, though hard pressed, till of a sudden they perceived a strong body of the citizens advancing from London, where the convoy which had been recovered by Gawain had arrived, and informed the mayor and citizens of the danger of their deliverer. The arrival of the Londoners soon decided the contest. The enemy fled in all directions, and Gawain and his friends, escorted by the grateful citizens, entered London, and were received with acclamations.

After the great victory of Mount Badon, by which the Saxons were for the time effectually put down, Arthur turned his arms against the Scots and Picts, whom he routed at Lake Lomond, and compelled to sue for mercy. He then went to York to keep his Christmas, and employed himself in restoring the Christian churches which the Pagans had rifled and overthrown. The following summer he conquered Ireland, and then made a voyage with his fleet to Iceland, which he also subdued. The kings of Gothland and of the Orkneys came voluntarily and made their submission, promising to pay tribute. Then he returned to Britain, where, having established the kingdom, he dwelt twelve years in peace.

During this time, he invited over to him all persons whatsoever that were famous for valor in foreign nations, and augmented the number of his domestics, and introduced such politeness into his court as people of the remotest countries thought worthy of their imitation. So that there was not a nobleman who thought himself of any consideration unless his clothes and arms were made in the same fashion as those of Arthur's knights.

Finding himself so powerful at home, Arthur began to form designs for extending his power abroad. So, having prepared his fleet, he first attempted Norway, that he might procure the crown of it for Lot, his sister's husband. Arthur landed in Norway, fought a great battle with the king of that country, defeated him, and pursued the victory till he had reduced the whole country under his dominion, and established Lot upon the throne. Then Arthur made a voyage to Gaul and laid siege to the city of Paris. Gaul was at that time a Roman province, and governed by Flollo, the Tribune. When the siege of Paris had continued a month, and the people began to suffer from famine, Flollo challenged Arthur to single combat, proposing to decide the conquest in that way. Arthur gladly accepted the challenge, and slew his adversary in the contest, upon which the citizens surrendered the city to him. After the victory Arthur divided his army into two parts, one of which he committed to the conduct of Hoel, whom he ordered to march into Aquitaine, while he with the other part should endeavor to subdue the other provinces. At the end of nine years, in which time all the parts of Gaul were entirely reduced, Arthur returned to Paris, where he kept his court, and calling an assembly of the clergy and people, established peace and the just administration of the laws in that kingdom. Then he bestowed Normandy upon Bedver, his butler, and the province of Andegavia upon Kay, his steward,6 and several others upon his great men that attended him. And, having settled the peace of the cities and countries, he returned back in the beginning of spring to Britain.

6 This name, in the French romances, is spelled Queux, which means head cook. This would seem to imply that it was a title, and not a name; yet the personage who bore it is never mentioned by any other. He is the chief, if not the only, comic character among the heroes of Arthur's court. He is the Seneschal or Steward, his duties also embracing those of chief of the cooks. In the romances his general character is a compound of valor and buffoonery, always ready to fight, and generally getting the worst of the battle. He is also sarcastic and abusive in his remarks, by which he often gets into trouble. Yet Arthur seems to have an attachment to him, and often takes his advice, which is generally wrong.

Upon the approach of the feast of Pentecost, Arthur, the better to demonstrate his joy after such triumphant successes, and for the more solemn observation of that festival, and reconciling the minds of the princes that were now subject to him, resolved during that season to hold a magnificent court, to place the crown upon his head, and to invite all the kings and dukes under his subjection to the solemnity. And he pitched upon Caerleon, the City of Legions, as the proper place for his purpose. For, besides its great wealth above the other cities,7 its situation upon the river Usk, near the Severn sea, was most pleasant and fit for so great a solemnity. For on one side it was washed by that noble river, so that the kings and princes from the countries beyond the seas might have the convenience of sailing up to it. On the other side the beauty of the meadows and groves, and magnificence of the royal palaces, with lofty gilded roofs that adorned it, made it even rival the grandeur of Rome. It was also famous for two churches, whereof one was adorned with a choir of virgins, who devoted themselves wholly to the service of God, and the other maintained a convent of priests. Besides, there was a college of two hundred philosophers, who, being learned in astronomy and the other arts, were diligent in observing the courses of the stars, and gave Arthur true predictions of the events that would happen. In this place, therefore, which afforded such delights, were preparations made for the ensuing festival.

7 Several cities are allotted to King Arthur by the romance-writers. The principal are Caerleon, Camelot, and Carlisle.

Caerleon derives its name from its having been the station of one of the legions during the dominion of the Romans. It is called by Latin writers Urbs Legionum, the City of Legions,– the former word being rendered into Welsh by Caer, meaning city, and the latter contracted into lleon. The river Usk retains its name in modern geography, and there is a town or city of Caerleon upon it, though the city of Cardiff is thought to be the scene of Arthur's court. Chester also bears the Welsh name of Caerleon; for Chester, derived from castra, Latin for camp, is the designation of military headquarters.

Camelot is thought to be Winchester.

Shalott is Guildford.

Hamo's Port is Southampton.

Carlisle is the city still retaining that name, near the Scottish border. But this name is also sometimes applied to other places, which were, like itself, military stations.

Ambassadors were then sent into several kingdoms, to invite to court the princes both of Gaul and of the adjacent islands. Accordingly there came Augusel, king of Albania, now Scotland, Cadwallo, king of Venedotia, now North Wales, Sater, king of Demetia, now South Wales; also the archbishops of the metropolitan sees, London and York, and Dubricius, bishop of Caerleon, the City of Legions. This prelate, who was primate of Britain, was so eminent for his piety that he could cure any sick person by his prayers. There were also the counts of the principal cities, and many other worthies of no less dignity.

From the adjacent islands came Guillamurius, king of Ireland, Gunfasius, king of the Orkneys, Malvasius, king of Iceland, Lot, king of Norway, Bedver the butler, Duke of Normandy, Kay the sewer, Duke of Andegavia; also the twelve peers of Gaul, and Hoel, Duke of the Armorican Britons, with his nobility, who came with such a train of mules, horses, and rich furniture, as is difficult to describe. Besides these, there remained no prince of any consideration on this side of Spain who came not upon this invitation, and no wonder, when Arthur's munificence, which was celebrated over the whole world, made him beloved by all people.

When all were assembled, upon the day of the solemnity, the archbishops were conducted to the palace in order to place the crown upon the king's head. Then Dubricius, inasmuch as the court was held in his diocese, made himself ready to celebrate the office. As soon as the king was invested with his royal habiliments, he was conducted in great pomp to the metropolitan church, having four kings, viz., of Albania, Cornwall, Demetia, and Venedotia, bearing four golden swords before him. On another part was the queen, dressed out in her richest ornaments, conducted by the archbishops and bishops to the Church of Virgins; the four queens, also, of the kings last mentioned, bearing before her four white doves, according to ancient custom. When the whole procession was ended, so transporting was the harmony of the musical instruments and voices, whereof there was a vast variety in both churches, that the knights who attended were in doubt which to prefer, and therefore crowded from one to the other by turns, and were far from being tired of the solemnity, though the whole day had been spent in it. At last, when divine service was over at both churches, the king and queen put off their crowns, and, putting on their lighter ornaments, went to the banquet. When they had all taken their seats according to precedence, Kay the sewer, in rich robes of ermine, with a thousand young noblemen all in like manner clothed in rich attire, served up the dishes. From another part Bedver the butler was followed by the same number of attendants, who waited with all kinds of cups and drinking-vessels. And there was food and drink in abundance, and everything was of the best kind, and served in the best manner. For at that time Britain had arrived at such a pitch of grandeur that in riches, luxury, and politeness it far surpassed all other kingdoms.

As soon as the banquets were over they went into the fields without the city, to divert themselves with various sports, such as shooting with bows and arrows, tossing the pike, casting of heavy stones and rocks, playing at dice, and the like, and all these inoffensively, and without quarrelling. In this manner were three days spent, and after that they separated, and the kings and noblemen departed to their several homes.

After this Arthur reigned five years in peace. Then came ambassadors from Lucius Tiberius, Procurator under Leo, Emperor of Rome, demanding tribute. But Arthur refused to pay tribute, and prepared for war. As soon as the necessary dispositions were made, he committed the government of his kingdom to his nephew Modred and to Queen Guenever, and marched with his army to Hamo's Port, where the wind stood fair for him. The army crossed over in safety, and landed at the mouth of the river Barba. And there they pitched their tents to wait the arrival of the kings of the islands.

As soon as all the forces were arrived, Arthur marched forward to Augustodunum, and encamped on the banks of the river Alba. Here repeated battles were fought, in all which the Britons, under their valiant leaders, Hoel, Duke of Armorica, and Gawain, nephew to Arthur, had the advantage. At length Lucius Tiberius determined to retreat, and wait for the Emperor Leo to join him with fresh troops. But Arthur, anticipating this event, took possession of a certain valley, and closed up the way of retreat to Lucius, compelling him to fight a decisive battle, in which Arthur lost some of the bravest of his knights and most faithful followers. But on the other hand Lucius Tiberius was slain, and his army totally defeated. The fugitives dispersed over the country, some to the by-ways and woods, some to the cities and towns, and all other places where they could hope for safety.

Arthur stayed in those parts till the next winter was over, and employed his time in restoring order and settling the government. He then returned into England, and celebrated his victories with great splendor.

Then the king established all his knights, and to them that were not rich he gave lands, and charged them all never to do outrage nor murder, and always to flee treason; also, by no means to be cruel, but to give mercy unto him that asked mercy, upon pain of forfeiture of their worship and lordship; and always to do ladies, damosels, and gentlewomen service, upon pain of death. Also that no man take battle in a wrongful quarrel, for no law, nor for any world's goods. Unto this were all the knights sworn of the Table Round, both old and young. And at every year were they sworn at the high feast of Pentecost.


King Arthur Slays the Giant of St. Michael's Mount


While the army was encamped in Brittany, awaiting the arrival of the kings, there came a countryman to Arthur, and told him that a giant, whose cave was in a neighboring mountain, called St. Michael's Mount, had for a long time been accustomed to carry off the children of the peasants, to devour them. "And now he hath taken the Duchess of Brittany, as she rode with her attendants, and hath carried her away in spite of all they could do." "Now, fellow," said King Arthur, "canst thou bring me there where this giant haunteth?" "Yea, sure," said the good man; "lo, yonder where thou seest two great fires, there shalt thou find him, and more treasure than I suppose is in all France beside." Then the king called to him Sir Bedver and Sir Kay, and commanded them to make ready horse and harness for himself and them; for after evening he would ride on pilgrimage to St. Michael's Mount.

So they three departed, and rode forth till they came to the foot of the mount. And there the king commanded them to tarry, for he would himself go up into that mount. So he ascended the hill till he came to a great fire, and there he found an aged woman sitting by a new-made grave, making great sorrow. Then King Arthur saluted her, and demanded of her wherefore she made such lamentation; to whom she answered: "Sir Knight, speak low, for yonder is a devil, and if he hear thee speak he will come and destroy thee. For ye cannot make resistance to him, he is so fierce and so strong. He hath murdered the Duchess, which here lieth, who was the fairest of all the world, wife to Sir Hoel, Duke of Brittany." "Dame," said the king, "I come from the noble conqueror, King Arthur, to treat with that tyrant." "Fie on such treaties," said she; "he setteth not by the king, nor by no man else." "Well," said Arthur, "I will accomplish my message for all your fearful words." So he went forth by the crest of the hill, and saw where the giant sat at supper, gnawing on the limb of a man, and baking his broad limbs at the fire, and three fair damsels lying bound, whose lot it was to be devoured in their turn. When King Arthur beheld that he had great compassion on them, so that his heart bled for sorrow. Then he hailed the giant, saying, "He that all the world ruleth give thee short life and shameful death. Why hast thou murdered this Duchess? Therefore come forth, thou caitiff, for this day thou shalt die by my hand." Then the giant started up, and took a great club, and smote at the king, and smote off his coronal; and then the king struck him in the belly with his sword, and made a fearful wound. Then the giant threw away his club, and caught the king in his arms, so that he crushed his ribs. Then the three maidens kneeled down and prayed for help and comfort for Arthur. And Arthur weltered and wrenched, so that he was one while under, and another time above. And so weltering and wallowing they rolled down the hill, and ever as they weltered Arthur smote him with his dagger; and it fortuned they came to the place where the two knights were. And when they saw the king fast in the giant's arms they came and loosed him. Then the king commanded Sir Kay to smite off the giant's head, and to set it on the truncheon of a spear, and fix it on the barbican, that all the people might see and behold it. This was done, and anon it was known through all the country, wherefor the people came and thanked the king. And he said, "Give your thanks to God; and take ye the giant's spoil and divide it among you." And King Arthur caused a church to be builded on that hill, in honor of St. Michael.


King Arthur Gets a Sword from the Lady of the Lake.


One day King Arthur rode forth, and on a sudden he was ware of three churls chasing Merlin to have slain him. And the king rode unto them and bade them, "Flee, churls!" Then were they afraid when they saw a knight, and fled. "O Merlin," said Arthur, "here hadst thou been slain, for all thy crafts, had I not been by." "Nay," said Merlin, "not so, for I could save myself if I would; but thou art more near thy death than I am." So, as they went thus walking, King Arthur perceived where sat a knight on horseback, as if to guard the pass. "Sir knight," said Arthur, "for what cause abidest thou here?" Then the knight said, "There may no knight ride this way unless he joust with me, for such is the custom of the pass." "I will amend that custom," said the king. Then they ran together, and they met so hard that their spears were shivered. Then they drew their swords and fought a strong battle, with many great strokes. But at length the sword of the knight smote King Arthur's sword in two pieces. Then said the knight unto Arthur, "Thou art in my power, whether to save thee or slay thee, and unless thou yield thee as overcome and recreant thou shalt die." "As for death," said King Arthur, "welcome be it when it cometh; but to yield me unto thee as recreant I will not." Then he leapt upon the knight, and took him by the middle and threw him down; but the knight was a passing strong man, and anon he brought Arthur under him, and would have razed off his helm to slay him. Then said Merlin, "Knight, hold thy hand, for this knight is a man of more worship than thou art aware of." "Why, who is he?" said the knight. "It is King Arthur." Then would he have slain him for dread of his wrath, and lifted up his sword to slay him; and therewith Merlin cast an enchantment on the knight, so that he fell to the earth in a great sleep. Then Merlin took up King Arthur and set him on his horse. "Alas!" said Arthur, "what hast thou done, Merlin? hast thou slain this good knight by thy crafts?" "Care ye not," said Merlin; "he is wholer than ye be. He is only asleep, and will wake in three hours."

Right so the king and he departed, and went unto an hermit that was a good man and a great leech. So the hermit searched all his wounds and gave him good salves; so the king was there three days, and then were his wounds well amended that he might ride and go, and so departed. And as they rode Arthur said, "I have no sword." "No force," said Merlin; "hereby is a sword that shall be yours." So they rode till they came to a lake, the which was a fair water and broad, and in the midst of the lake Arthur was ware of an arm clothed in white samite, that held a fair sword in that hand. "So," said Merlin, "yonder is that sword that I spake of." With that they saw a damsel going upon the lake. "What damsel is that?" said Arthur. "That is the Lady of the Lake," said Merlin; "and within that lake is a rock, and therein is as fair a place as any on earth, and richly beseen, and this damsel will come to you anon, and then speak ye fair to her and she will give thee that sword." Anon withal came the damsel unto Arthur and saluted him, and he her again. "Damsel," said Arthur, "what sword is that that yonder the arm holdeth above the waves? I would it were mine, for I have no sword." "Sir Arthur king," said the damsel, "that sword is mine, and if ye will give me a gift when I ask it you ye shall have it." "By my faith," said Arthur, "I will give ye what gift ye shall ask." "Well," said the damsel, "go you into yonder barge and row yourself to the sword, and take it and the scabbard with you, and I will ask my gift when I see my time." So Arthur and Merlin alighted, and tied their horses to two trees, and so they went into the ship, and when they came to the sword that the hand held, Arthur took it by the handles, and took it with him. And the arm and the hand went under the water.

Then they returned unto the land and rode forth. And Sir Arthur looked on the sword and liked it right well.

So they rode unto Caerleon, whereof his knights were passing glad. And when they heard of his adventures they marvelled that he jeopard his person so alone. But all men of worship said it was a fine thing to be under such a chieftain as would put his person in adventure as other poor knights did.


    Table of Contents    

Glossary



# #

social-bar-article-content
fb-apps-ub-segment
 

bl-mythology-02
The Complete World of Greek Mythology (The Complete Series)

The Complete World of Greek Mythology (The Complete Series) The Complete World of Greek Mythology (The Complete Series)

A full, authoritative, and wholly engaging account of these endlessly fascinating tales and of the ancient society in which they were created.

Greek myths are among the most complex and influential stories ever told. From the first millennium BC until today, the myths have been repeated in an inexhaustible series of variations and reinterpretations. They can be found in the latest movies and television shows and in software for interactive computer games. This book combines a retelling of Greek myths with a comprehensive account of the world in which they developed―their themes, their relevance to Greek religion and society, and their relationship to the landscape.

"Contexts, Sources, Meanings" describes the main literary and artistic sources for Greek myths, and their contexts, such as ritual and theater.

"Myths of Origin" includes stories about the beginning of the cosmos, the origins of the gods, the first humans, and the founding of communities.

"The Olympians: Power, Honor, Sexuality" examines the activities of all the main divinities.

"Heroic exploits" concentrates on the adventures of Perseus, Jason, Herakles, and other heroes.

"Family sagas" explores the dramas and catastrophes that befall heroes and heroines.

"A Landscape of Myths" sets the stories within the context of the mountains, caves, seas, and rivers of Greece, Crete, Troy, and the Underworld.

"Greek Myths after the Greeks" describes the rich tradition of retelling, from the Romans, through the Renaissance, to the twenty-first century.

Complemented by lavish illustrations, genealogical tables, box features, and specially commissioned drawings, this will be an essential book for anyone interested in these classic tales and in the world of the ancient Greeks.

250 illustrations, 120 in color

Series: The Complete Series
Hardcover: 240 pages
Publisher: Thames & Hudson (June 28, 2004)

The Power of Myth

The Power of Myth The Power of Myth

The national bestseller, now available in a non-illustrated, standard format paperback edition

The Power of Myth launched an extraordinary resurgence of interest in Joseph Campbell and his work. A preeminent scholar, writer, and teacher, he has had a profound influence on millions of people--including Star Wars creator George Lucas. To Campbell, mythology was the “song of the universe, the music of the spheres.” With Bill Moyers, one of America’s most prominent journalists, as his thoughtful and engaging interviewer, The Power of Myth touches on subjects from modern marriage to virgin births, from Jesus to John Lennon, offering a brilliant combination of intelligence and wit.

This extraordinary book reveals how the themes and symbols of ancient narratives continue to bring meaning to birth, death, love, and war. From stories of the gods and goddesses of ancient Greece and Rome to traditions of Buddhism, Hinduism and Christianity, a broad array of themes are considered that together identify the universality of human experience across time and culture. An impeccable match of interviewer and subject, a timeless distillation of Campbell’s work, The Power of Myth continues to exert a profound influence on our culture.

Paperback: 293 pages
Publisher: Anchor (June 1, 1991)

World Mythology: The Illustrated Guide

World Mythology: The Illustrated Guide World Mythology: The Illustrated Guide

The great myths of the world create meaning out of the fundamental events of human existence: birth, death, conflict, loss, reconciliation, the cycle of the seasons. They speak to us of life itself in voices still intelligible, yet compellingly strange and distant. World Mythology offers readers an authoritative and wide-ranging guide to these enduring mythological traditions, combining the pure narrative of the myths themselves with the background necessary for more complete understanding.

Here, noted mythology expert Roy Willis, brings together a team of nineteen leading scholars navigate a clear path through the complexities of myth as they distill the essence of each regional tradition and focus on the most significant figures and the most enthralling stories. All aspects of the world's key mythologies are covered, from tales of warring deities and demons to stories of revenge and metamorphosis; from accounts of lustful gods and star-crossed human lovers to journeys in the underworld. All are told at length and are accompanied by illuminating and readable introductory text. Also included are summaries of important theories about the origins and meaning of myth, and an examination of themes that recur across a range of civilizations.

Beautifully illustrated with more than 500 color photographs, works of art, charts, and maps, World Mythology offers readers the most accessible guide yet to the heritage of the world's imagination.

About the Author

Roy Willis, Ph.D., is Honorary Fellow in Social Anthropology at the University of Edinburgh.

Paperback: 320 pages
Publisher: Oxford University Press; 1 edition (June 29, 2006)

Bulfinch's Mythology: All Volumes

Bulfinch's Mythology: All Volumes Bulfinch's Mythology:
All Volumes

Thomas Bulfinch's compendium of Greek, Norse and Anglo-Saxon myths and legends offers superb insight into the origins, themes and contexts of ancient stories.

This edition unites all volumes into a single, overarching text perfect for referencing, and inclusive of a lengthy, comprehensive glossary. Bulfinch's Mythology is a crucial text for enthusiasts of ancient myths and lore, as well as students and teachers of classics or ancient literature. It offers a well-researched, literate and comprehensive narration upon legends both renowned and obscure, with insight into the cultures and societies which birthed these stories plentiful.

After introducing the premise of the work, Bulfinch delves sequentially into the myths and legends of Ancient Greece. We witness adventures and follies of various Gods of the Greek pantheon, while mythic peoples such as the Myrmidons and beasts like the Chimaera and the Sphinx also appear.

Following a brief appearance of the Egyptian deities and Eastern myths originating from the Indian subcontinent, Bulfinch turns his focus upon the Nordic myths of antiquity. Valhalla and the Gods conceived by the Norse peoples are examined in depth, with the emergence of Thor and the origin of the Elves particular highlights.

A large portion of this work concerns the legends of King Arthur and the Knights of the Round Table. All the famous characters of Arthurian lore are present; Lancelot, Merlin, Queen Guinevere (Guenever), Tristham and Isolde, Percival and others make their due appearance. The famous quest for the Holy Grail - or Sangreal - forms a lengthy part of this section.

Following the Arthurian myths, Bulfinch turns to the Mabinogeon - the earliest Medieval prose writings of the British Isles. Traced to the 12th and 13th centuries, these stories concern the origins of the British people, the famed Lady of the Fountain, and other aspects of chivalric society.

The book concludes with the legends of Charlemagne, where we learn how the various invasions and battles the ancient Frankish king partook in were mythologised and romanticised. Aspects of mythic lore, such as the appearance of Orcs and magical enchanting, offer a profound look into the development of these legends.

Paperback: 384 pages
Publisher: CreateSpace Independent Publishing Platform (November 1, 2016)

The Library of Greek Mythology (Oxford World's Classics)

The Library of Greek Mythology (Oxford World's Classics) The Library of Greek Mythology (Oxford World's Classics)

The only work of its kind to survive from classical antiquity, the Library of Apollodorus is a unique guide to Greek mythology, from the origins of the universe to the Trojan War.

Apollodorus' Library has been used as a source book by classicists from the time of its compilation in the 1st-2nd century BC to the present, influencing writers from antiquity to Robert Graves. It provides a complete history of Greek myth, telling the story of each of the great families of heroic mythology, and the various adventures associated with the main heroes and heroines, from Jason and Perseus to Heracles and Helen of Troy. As a primary source for Greek myth, as a reference work, and as an indication of how the Greeks themselves viewed their mythical traditions, the Library is indispensable to anyone who has an interest in classical mythology.

Robin Hard's accessible and fluent translation is supplemented by comprehensive notes, a map and full genealogical tables. The introduction gives a detailed account of the Library's sources and situates it within the fascinating narrative traditions of Greek mythology.

About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

About the Author

Robin Hard is Tutor in the Department of Philosophy at the University of Reading.

Series: Oxford World's Classics
Paperback: 336 pages
Publisher: Oxford University Press; 1 edition (August 1, 2008)

>D'aulaire's Book of Greek Myths

>D'aulaire's Book of Greek Myths D'aulaire's Book of Greek Myths

No education is complete without a large slice of Greek mythology. And there's no better way of meeting that literary quota than with the D'Aulaires' book. All the great gods and goddesses of ancient Greece are depicted in this big, beautiful classic, lovingly illustrated and skillfully told. Young readers will be dazzled by mighty Zeus, lord of the universe; stirred by elegant Athena, goddess of wisdom; intimidated by powerful Hera, queen of Olympus; and chilled by moody Poseidon, ruler of the sea. These often impetuous immortals flounce and frolic, get indiscreet, and get even. From petty squabbles to heroic deeds, their actions cover the range of godly--and mortal--personalities.

The D'Aulaires' illustrations have a memorable quality: once pored over, they will never leave the minds of the viewer. Decades later, the name Gaea will still evoke the soft green picture of lovely Mother Earth, her body hills and valleys and her eyes blue lakes reflecting the stars of her husband, Uranus the sky. No child is too young to appreciate the myths that have built the foundation for much of the world's art and literature over the centuries. This introduction to mythology is a treasure. (Ages 10 to adult) --Emilie Coulter

Hardcover: 208 pages
Publisher: Doubleday Books for Young Readers; First edition (October 19, 1962)

World Mythology: An Anthology of Great Myths and Epics

World Mythology: An Anthology of Great Myths and Epics World Mythology: An Anthology of Great Myths and Epics

World Mythology is a compilation of over 50 great myths and epics. Your students will gain an appreciation and understanding of ancient and modern cultures through myths and epics from the Middle East, Greece and Rome, the Far East and Pacific islands, the British Isles, Northern Europe, Africa, and the Americas. An introduction and historical background supplement each myth. Questions at the end of each selection prompt analysis and response.

About the Author

McGraw-Hill authors represent the leading experts in their fields and are dedicated to improving the lives, careers, and interests of readers worldwide.

Paperback: 722 pages
Publisher: McGraw-Hill Education; 3 edition (February 12, 2001)


#
footer-scroller
footer-pages
sidebar-menu